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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • The Good Ole G…
    Joined:
    Cleaning A Garage

    Shit, I'll clean a garage if there's a shirtless Jerry having fun at a Who show picture in it.

    So you think this contest is all a hoax? a put on? a trick?

    Who's in Charge Here!?!?!

    To flash back on those UltraMatrix. I'm not sure about Pearson's mixes being any different than what we already have. But I've been comparing the new Pearson sources that Charlie has been putting out to the UltraMatrix source we had before, and from what I can tell the source / mix is the same but the difference is in the transfer. The new transfers are way better for the most part. I think Charlie has better gear, more knowledge, etc. So the new transfers tend to sound better. That's all speculation. Charlie what do you say? And You ROCK! I might be a tape geek. Never a taper, but always a collector.

    And lastly 6/21/85 is probably the weakest show in this summer run.. they give it a go, but the x factor isn't there. It'll be interesting to hear what you all think. But that's what I got again from hearing it this AM.

    But it's coming... if I remember right, it's there tomorrow. Loved that tape back in the day. Looking forward to hearing it again.

    Be Well All You Heads!

  • Oroborous
    Joined:
    10/3/87

    Nice show Deadvikes. Nothing mind blowing but a good solid 87 outing. Always enjoy Pocky Way, and Candyman too. We got an Esau in there which some don’t get, but I always liked it because it was an unusual song and a change of pace. Bird Song and TMNS to round out the first. Loved the Maggie’s>>Cumberland. Don’t think I’ve heard that combo? Don’t think I’ve heard them do Maggie’s with just JG and Bob either? I’m Used to the big 4 vocal versions post Brent. So yeah their taking it higher untiiilllll ittttt comesss backkk downnnn with LL Rain, meh,... nice solid Terrapin with JG steady and confident, not a sizzler but we’ll played. Yes after that it’s sort status quo time to bring it home, but enjoyed Stella, and Quinn is a nice alternative to the more usual encores. All in all I nice little show.
    As far as Ultramatrix, some seem a little dull sounding to me, some too metally, or I guess that could just as well be the metal tape?, but for this show the one I listened to I thought was really good. Personally I’ll take a good matrix over a SB any day, cause sorry folks but a dry SB feed is not what it sounded like live! To me some of the old stuff folks go on about I think are hard to listen to, especially the vocals and often the bass.
    But of course compared to most Audi’s back then the SBs are a step up, and though I’m a audiophile, I’ll take a hot show via a lesser recording than a perfectly sounding dud, but that’s just me. I guess I’ve never really been a “taper” and I don’t mean necessarily someone who actually tapes. To me it’s always been sort of a click, a club, a cultural thing. And I think their mentality has sometimes biased things in a limiting way, again, that’s just me. I love Dave, and think he does a great job, but he suffers from this bias too. Sorry, not trying to be negative and didn’t mean to ramble, just say I prefer a good matrix. Although nothing beats a multitrack from most any era!
    I wonder if ULTRAMATRIX is named somehow due to the Dead/Ultra Sound relationship. Don Pearson was I believe the Meyers Ultra Sound representative with the Dead who worked closely with Healy to tweak the system etc. So I’m curious if these new Pearson matrix’s we’ve been seeing are ones he perhaps took care of some of the tape mix while Dan did his thing, or are they separate some how from Healys normal feed/mix? Definitely would love to know more about all this!
    Ok, Summers here and the time is right for some 85 Dancin’ in the streets! Woo-hoo, of to Alpine!

    EDIT: I think maybe y’all’s reading into Bolos post too much...sounds like he’s trying to Huck Finn your asses to come clean out his garage 😉

  • The Good Ole G…
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    10/3/87 and 6/21/85 and Contest

    Fun to watch yesterdays show as well as listen to it.
    Watched VFTV III for the first part of Set 1 & YouTube for the rest.

    I'd say it's a good show, but not great.
    They lost me with the 2nd set LLR and for me it felt pretty routine after that.

    Much better stuff earlier in the year ;)

    It might've also been that I'd listened to 8/3/02 The Other Ones for the first time earlier in the day.
    That was pretty far out!

    It makes you think what could've been..

    Speaking of LLR, 6/21/85 is playing over here and we've got a Set 1 LLR > Day Job closer. Uhh...

    Fortunately I know that Estimated is a smoker, can't really remember the rest, and therefore I will relisten.

    BTW any ideas on that there BOLO Contest?

    Minus the plagiarized lines from Raiders, I've got nothing.

    Have A Grate Day!

  • The Good Ole G…
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    UltraMatrix

    Hiya

    DEADVIKES - Lots to see & hear in 1987.
    The ULTRAMATRIX are essentially matrix tapes that Dan Healy made. Healy would record the crowd / ambience and blend that in with the SBD feed to create a more live sound. He was experimenting with it for awhile, but 1987 seems to be when he focused (exclusively?) on it, could be wrong on that. So most of the Tapes from the time period he was doing this, sound like a matrix tape with audience noise (sometimes way too much) and are called ULTRAMATRIX or ULTRAMIX.

    The Spring Tour of '87 unfortunately, appears to be when Healy was figuring out how much of this ambience he wanted on the tape, and IMO those tapes tend to have too much ambience making them sound more like an Audience recording than the '85 crystal clear SBDs we'd come accustom to.

    I was super stoked after Spring '87 shows to get the tapes, I wanted a dope SBD of those shows so I could see if what I thought I saw was amazing as I felt it was. So I waited and waited and waited. Never could find one, instead I had what sounded like a pretty good audience tape. Turns out it was a muddy transfer of Healy's ULTRAMATRIX recordings and the crystal clear SBD never appeared. In 2017-2019 Charlie Miller started to post some Upgrades of the ULTRAMATRIX cassette masters from I believe Joani Walker. Hopefully there's some even better transfers brewing in the Don Pearson stash that have been trickling out, I guess we'll see.

    Some love em, some hate em.. yada yada. I'm still curious about whether or not in cases where what circulates is an UltraMatrix if there is also a "clean" SBD tape as well in the Vault. It would appear that the answer would be "sometimes". For example 3/26/87 what circulates is the Healy ULTRAMATRIX but there appears to also be a straight SBD of this show, which Dave L. played on Taper's Section (BTW it was DL's first show & a Charlie Miller Fave and worth checking out!). I'd love to find out that the Vault has "clean" SBDs of all these shows in addition to the ULTRAMATRIX that circulate, but I think that's probably not the case, or we'd have heard more. It's possible though, and it's probably more of a case of they have some but not all. I guess time will tell if we live long enough.

    I've been trying to find out since '87 so yeah, don't hold your breath.

  • DeadVikes
    Joined:
    10/3/87

    Hey Pocky Way through My Brother Esau are included as bonus footage on View from the Vault III. Great stuff.

    Bird Song is hot. Maggie's Farm Cumberland, oh yeah! Stella Blue is moving. Quinn the Eskimo finish, yes!

    Can anybody explain what an ultra matrix recording is? I am familiar matrix recordings (Dave's #8).

    Time to do some more research on 87. A lot to offer. Don't think we will ever see an 87 Dave's Picks release, but man, it would be cool.

  • bob t
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    Check out 10/14 & 10/15 76... Forum shows

    10/15/76 Set II Is really strong, Eyes of the World>Music Never Stopped start set II, and an ending stretch of The Other One>Comes A Time>Franklin's Tower>Sugar Magnolia... One caveat is the board ends during Comes A Time, but the audience is Betrando!!! 4 days after Oakland shows... bob t

  • The Good Ole G…
    Joined:
    We Have Top Men Working On It Now

    Where Is The Ark?

    I thought we'd settled that.

    The Ark is somewhere very safe.

    From Whom?

    The Ark is a source of unspeakable power and it has to be researched.

    And it will be I assure you Dr. Broady, Dr. Jones.

    Bureaucratic fools, they don't know what they've got there.

  • Gollum
    Joined:
    Bolo's clues

    Does this mean we will finally be getting the Ark 69 box?! Bolo's clues are usually much more elusive, but then again, we've all been waiting on this box a long time already....hmmm

  • bolo24
    Joined:
    Hmm...may have to do another contest!

    I was unaware that a shirtless Jerry photo might be a rare thing, especially since lots of folks carried cameras for those outdoor shows back then.

    So, here's the contest: come on over to my house, garage, attic or perhaps my storage unit. Whoever finds the photograph can keep it.

    One caveat: you know the warehouse scene at the end of "Raiders of the Lost Ark"? Yeah, its kinda like that. Good luck!

  • Oroborous
    Joined:
    Rocktober again it is!

    10/10/76 yesterday and 10/3/87 today.
    Another great 76 that was put in perspective from that interesting post about DOG and specifically The Who/Dead shows. (Thanks for that GOGD) But now we REALLY need Bolos pics!
    Personally these shows, and this release, just rose in status. Not only cause it’s sum good sheet mon, but because they BROUGHT it even though it sounds like they were dealing with three main things R&R bands hate:
    - getting up and playing early
    - an empty venue
    - opening for another bands fans who aren’t interested etc

    Dead Workingmen indeed! Not only that, they stick around and party, with JG dancin topless. Many bands would have been whiney beeatches, played short and shity, and took there toys and went home. No these boys were true professionals. Sure they probably were compensated well, and helps the ole BGP relationship, and they might even have asked to play first, considering Monterey. I’m sure there were plenty of heads there, and it was a nearby home show, but still, the level of playing and energy on these fine shows are only enhanced by the fact that they did so in spite of the situation. Cudos to all on a fine release. Can’t believe it took me so long to grab this one...Man I dig 76 more and more!
    10/10 was another fine show, and I dug the space. That’s a couple times now I’ve been pleasantly surprised by a 76 space! Love the 1st set Dancin>>Wharf Rat>>Dancin, had to check, thought it was into the second set and I missed something, lol. Overall though, I think I prefer 10/9 just because I’m a sucker for those awesome, tight, segways ala 7/18/76. If I didn’t have such a good CD FM? original source? copy of 7/18/76 that I got on amazon?, anyway, if I didn’t have such a good copy I’d be lobbying non stop, as that show has been a WTF since way back when. It was one of my first tapes back in 77, and being a relatively low gen FM, it was probably one of my early tapes that really sounded good. Yeah that ones a beast, but I digress.
    So, onto 10/3/87 today from the wonderful month of rocktober. I believe theres YouTube video of it so maybe I’ll wait and watch it tonight on the big screen? If not, that matrix vguy dialed up looks good. Hell maybe I’ll end up doing both ; )
    Rock on brothers and sisters, and here’s to Rocktober! But looking forward to my personal summer 85 adventure starting manana

    EDIT: duh, almost forgot. Happy Happy to the “Janes” (and I believe I missed the sixtuses too?) so happy, happy, joy, joy and many more to y’all! Also, thanks for the kind words, and I just knew KCJ would understand these predicaments, ahem, lol. Bot oh, the busted counter was in the room, the kid was in the lobby. If I would of walked into the lobby and tried that shit without a bunch of families and travelers of all ilks, I don’t things would of worked out so well. Power in numbers folks, lol

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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7/13/76 very happy you were there. I know you said you also saw the Bob Fried Memorial Boogie the year before!!! The soundcheck from the night before is actually on Youtube.. Great seats, do you remember how challenging it was to get tickets for that run??? Thanks bob t

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The first place we went to, maybe Record Factory, was all sold out, so we went to this small place called Penninsula Box office, and they had three tickets, for the three of us . Two people came in right after us and bought the last two tickets. It was tight to get tickets, and we went as soon as they went on sale.

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Good Stuff, an upgrade of the 7/12/76 Orpheum Show showed up last week from Mr. Miller for those wanting more.
Tiny Theater Dead Shows, those were the good ole days!
BTK thanks for sharing. Tell us more.

The Reel flip during The Other One on 12/12/70 from the Santa Rosa Fairgrounds pretty much ensures we won't be seeing that show released any time soon. Rough!
It's funny to think that these recordings we all collect so obsessively were basically an after thought :)

Have a Grate Day!

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I remember that there were two Dead posters in the front window, Skull & Roses. and the one with Garcia in a leather coat, the Dead at the Fillmore 1966 . Blair Jackson did a big write up on the shows in BAM magazine in July or August of 76 ,I have it laying around here somewhere with all my Dead posters and collections. I thought it was a great show and I still think that as I listen back to the tape. Winterland held about 5000 some people, it was cavernous compared to this place. I saw the Jerry Garcia band play there once. But those Dead shows were special, and this 1976 box set is very special . 1975 & 1976 fantastic years!

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In reply to by billy the kid

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Nice! 1800 capacity Dead Show sounds so amazing, shit that's like a 1000 people smaller than the Fillmore East.

I'd like to check out that BAM article, I did a couple google searches but didn't find it. I wonder if it's in This Is All A Dream We Dreamed? Hmmm.

Well, I know what I'll be listening to today.

Thanks for the inside scoop!
Good Stuff.

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Capacity, 1,800 . I was last inside there over 49 years ago. Not sure if capacity has changed in the 21st century. Lesh is more. Got an empty cup. Phil it up.

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In reply to by Strider 808808

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I don't think the capacity has changed.. they certainly didn't add on any rooms. I was last there sometime between 6 and 9 years ago. Classic venue.. hallowed walls.

I love small, quaint, intimate theatres. Yummy. Makes me want to travel back in time and set the dials to Europe, spring 1972 (and Port Chester 1970 and 1971).

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Hey man, PM me your email, I have something I think you will dig.

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In reply to by billy the kid

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Done!

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The photograph in the bulletin shows Jerry playing the Alembic experimental guitar or the “peanut”. One of two that were made. That does set the date of its first appearance two to three weeks before the March 71 date as stated in Blair Jackson’s book “Grateful Dead Gear” and a day later from what I thought was first time 2/19/71. Looking closer at the photograph, Billy’s drum placement would suggest after the 18th. Mickey was set up on the left of what was a small stage with Ned Lagin between him and Jerry. Would love to see the photographers proof sheet, or all the negatives. But it looks like five piece Grateful Dead.
I guess I should quote my old friend Pete Bogle , taper / archivist who coined the phrase “another picky Deadhead” when he introduced it as a bumper sticker in the 80s.
Ah yes, those foggy ruins of time.

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In reply to by icecrmcnkd

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"The people up front are visibly bug eyed. They are looking flat". On to the second set... Great stuff.

It looks like Ned posted a broken link, or more accurately, the "......with" was mistakenly attached to link making it dead)

I think this is what he meant to post.. Wharf Rat w/ Pete from Rockpalast.

https://www.youtube.com/watch?v=20dic8S3cWI

Has anyone ever noticed that when Bolo disappears fire, brimstones and complete mayhem is unleashed upon the world?

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In reply to by Strider 808808

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Good Eye mate!

I didn't catch the Peanut Guitar, it's hard to determine, but you've got a good eye for that instrument Strider.

We might need some Hair forensics for this photo. I see it floating around with some different dates attributed to it. But since that's the Peanut, that would definitely help narrow the date range of the photo, and yeah looks like 5 man Dead.

The shirt and boots Jerry is wearing are featured in the famous family dog photo from February 1970 by Altman. But, who's to say he didn't wear them for a while. I've got some shirts that are at least 10 years old, possibly older.

Cool photo for sure, Stephen Gilbert has some other cool photos on GDAO of the GD from October & November 1970, this one is dated from the November '70 Capitol Run on that site. But I think the real tell would be Phil's haircut.

Phil, when did you cut your hair in 1971, was it right before the Capitol Theater run in 1971?

Yeah, the Contact Sheet would be sweet. I second a look at that. But I think you're on to something Strider, I'm thinking 2/19 or after.

Fun stuff. Makes me want to hear some 1971 Capitol Theater, and I do believe that's the point :)

VGUY: GD Newsletter came today, check spam.

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In reply to by DeadVikes

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Here’s an interesting article on that seldom played custom Alembic

https://relix.com/articles/detail/jerry-garcias-pretzel-guitar-resurfac…

EDIT: perhaps there were 2 different guitars as the one in the news letter showing the capital pic looks different then this “pretzel” guitar? Wouldn’t be that unusual for them to offer him different options since Alembic was in house etc...

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November 1970 he had a ponytail. February 1971 he had the haircut.
The internet has way more about the “peanut” guitar than ever before. I believe it’s not the same as the “pretzel” guitar. Peanuts , pretzels and beer. Port Chester is where 18-20 year olds would go to drink when it was still 21 in Connecticut. Lowered drinking age in Ct in 72.
Back to the mystery guitar. I definitely remember Jerry playing a much smaller body guitar most of the February 71 run. I called Alembic in Santa Rosa about five years ago and talked with Ron Wikershams daughter who told me they still had two peanut guitars that Garcia played. I asked her if they could remember if Garcia played them in February of 1971 and she said I should have a better idea as I was at the Capitol Theater five nights during that run. Rick Turner who built the peanut says it was pre-Alembic.
So maybe the Stephen Gilbert photograph shows a completely different guitar altogether. I do remember Jerry’s homemade Guatemalan fabric cowboy shirt, 1970.
Where’s Columbo when we need him.
By the way, the German film Wings of Desire staring Peter Falk is a beautiful film.
But I digress.

It's all about the Hair.

I love archival research and yeah the internet is the place for GD info!

It's too hard to see much detail from the Feb '71 pic we're looking at, so like Wikersham's daughter was saying, you should know if it was THE peanut or not ;)

It looks kinda like peanut to me, maybe we can tell when we hear the new tapes. Are you able to pick out the peanuts sound? I remember you mentioned it having a distinct sound. There's some cool pics of Jerry playing peanut at the Manhattan Center in April '71 for sure. So we might have to put our archivist ears on and play some back to back shows from the Cap & Manhattan center.

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In reply to by The Good Ole G…

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is that we still have to wait another month to hear 2-18-71 in all it’s Plangentized glory (the samples don’t count).
Just announce it and put it in sale when it is ready to ship.

71 comparisons and investigative work - this is the group to do it.

Record Store Day this Saturday

https://recordstoreday.com/NewsItem/9003

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The famous Brotherhood of Eternal Love show? I think yes... Interesting...

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In reply to by JimInMD

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So the photo from this Rick Turner article on the peanut guitar looks like the cap theater one in the bulletin, only from a better angle.
Interesting history about its pre-Alembic origin.
Strider, you sir are blessed with a great memory! Thanks for sharing all this groovy stuff for us!

https://rickturnerblog.com/2017/12/05/garcias-turner-peanut-guitar/

EDIT: the Gibson headstock really gives it away!

EDIT: I meant the guitar was the same in both pics

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In reply to by Oroborous

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Right.. how can you remember all this detail? You don't see too many show reviews from me because most of the memories are inconveniently erased from my mind, or worse, all I can remember are broad details and when I even contemplate writing something there's just not enough to make a point. Perhaps I need to start taking some of that jellyfish memory pill crap or something.

Sometime I really think I am pre-Alzheimer's.

It's unbelievable you remember all this stuff so many years later... you put me to shame.

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Photo on the Rick Turner Blog definitely not from the same night as the photo in the GD Bulletin. RTBlog shirt is the blue denim, sawtooth pocket, pearl snap that Jerry is wearing for 8/14/71 BCT. No way is that the same shirt in the GD Bulletin photo, which even in b/w is clearly multicolored shirt. I think the Turner photo is from the Manhattan Center shows - Jerry Garcia site has photo with that same denim shirt for 4/5.

I love the Peanut Guitar - in part cause I hadn't even heard about it until the last year, the name strikes me as freaking funny, the back story is outrageously cool, and, lest i forget, it sounds great!

Strider - love the tracks you lay down for us to follow.

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In reply to by bluecrow

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Nice OB!

That adds some color to this picture.

Based on Turner’s blog post it sure sounds like there was only one Peanut.
Based on the Photo, photographer’s labeling and Phil’s haircut we can assume it’s from the Capitol Theater circa February 1971.
Based on the photo and Strider’s eyewitness account Garcia is playing the Peanut.

I wonder if LIA etc have already discussed this?
Looks like.. Yes. Deadessays has the Rick Turner Peanut listed as 1/21/71 - 4/29/71

Shoulda figured to start there ;)

Good Stuff.

PS - 4/5/71 is a Rocker, it’s been awhile since I’ve played this one. The Peanut sounds good!

Love the raunchy grunge tone of Jerry's guitar this show. I know they are very dissimilar, but I get the same vibe from the Dec'77 shows, the (sort of) return of the Wolf. Full of anger and disdainful sustain. Rock and Roll.

Sorry to go off on a tangent. As you were..

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In reply to by JimInMD

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Yeah Jim & GOGD - the Peanut sounds damn good.

pick of the day (some day) i think ; )

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Someday being today.. I just finished it. Been a while, doc would be proud. I know (knew) every note of this of this show, but it's been so long I picked up a whole lot of new stuff. Like.. why were the harmonies for Rider so off compared to a year into the future, clearly they worked on this. Was it Phil? ..but still a kickin' version, especially the transition, so young so fresh. As mentioned earlier the tone and raw power of the performance. A great little show.

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In reply to by JimInMD

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Enjoyed 4/5/71 yesterday, it'd been a really long time.
Had to happen with all that Peanut talk.

Super fun listen. Think I need to hear the rest of the run.
Will throw that out there as a suggestion for pick of the day, pick one 4/4, 4/5, 4/6 and give it a spin.

It is like reconnecting with an old friend. Whose Yodeling in Me & Bobby McGee? I always thought it was Jerry, but now I think that's Marmaduke? Check out Bobby in China Cat, killing it! The Other One, completely slays. And the NFA > GDTRFB is like a part of my DNA, note for note, I must've heard it a million times on Skullfuck. Think I gotta go dust off 4/6 now.

Worth a revisit for sure, and it'll get you pumped for some '71 to come.

Alright, be well all and Happy Friday!

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Back cover photograph shows Jerry passing a J and is wearing the Guatemalan cowboy shirt. I saw Howard Wales and Jerry both early show and late show at the Academy of Music (January?) 1972. Talk about throwing the audience for a curveball. I enjoyed it.
As far as one or two peanut guitars , I’m only going on what Alembic founders, daughter said. No big deal.
Ability to have a sharp memory, a lifetime of working in the woods/mountains. Tons of fresh air, sleeping on the ground, avoiding white powders, pure water, simple food, meat in limited doses, backpacking, walking, climbing mountains, (still do) reading actual books not kindle, taking breaks from Ganga, going on 20 years since quitting all alcohol. (Not passing judgment, most of my friends drink) , traveling in Latin America, learning a second language (Spanish) by direct immersion talking with people, only using a translation dictionary, getting to know and making friends with people of different ethnic backgrounds, mixing it up , leaving comfort zones at times, waking up at or before dawn, (even as a teenager), as far as dates, I know my seasonal work history,(mostly trail work in Wilderness areas) Official book of the Deadheads was the first time I saw a list of Dead shows with dates, synced work, travel, Grateful Dead concerts, other bands, where I’ve lived, (almost 40 years in New Mexico) it all fits together like a puzzle.
My number of Dead shows are within 2-3 for exact count, 133 in 25 years to the best of my ability. Was I at Manhattan Center two or was it three nights in April 71, was I at Academy of Music three or four nights in March 72. I know I was at all four nights of November 1970 at the Capitol Theater. I’m certain I was at the Capitol Theater 2/18,19,20,21 and the final night, 2/24/71. By summer 1972 and beyond dates are very exact. I have most of my ticket stubs starting with December 1981.
The other way I keep my memory sharp. Have hardly watched television since leaving home in 1972.
Will have to listen to 4/5/71 today .A day late a dollar short. Oh well. As far as a venue, Manhattan Center had a twisted vibe, oversold and rundown, of course the music was at a high peak in the history of the band. Nevertheless “Aces back to back”.
Tractors you say, my uncle Harlan worked for John Deere in Des Moines.
Stairs you say, “Stairway to Heaven”!
Parking meters you say, “ watch your leaders and your parking meters”

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In reply to by Strider 808808

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Now that's some merch I could get behind.
And the boots!

That'd be sweet :)

Nice Strider! Keep em coming my man.
Thankfully you kept that brain together so you could tell us fools some stories (I jest!) :)

BTW 4/5/71 wasn't the official pick yesterday, I just got a hankering, all that Peanut talk.
Sounds like Jim & I jumped on it. But recommend the rest of you do too. Make it official BlueCrow!

So Fire it up Folks, head to the Manhattan Center circa 1971, don't get crushed by the overcrowding and have a good time!

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I was just emailing Uncle Gary about one of these shows that he sent me (2/22). This pair of shows would make a great mini box. They're on the shorter side, so they can probably fit it all on four or five discs and they play extremely well.

The set lists are no joke (Bird Song, Dark Star, China Rider, Playing in the Band, Eyes of the World). At a minimum 2/22 could use an official rendering. Hook me up bartender, hook me up.

For all you folks going to the Manhattan Center show

Listen to how happy Pigpen is!
Especially during the end of Lovelight, man he sounds so stoked.

Thinking April '71 was the peak of Pig's career.

Good Stuff!

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Added to the general vibe that night. MC was a block or two away.( Correction, 8 blocks away 9/26) I just read my comment for 4/5/71 that I wrote 9 years and 6 months ago on Dead. Net. Listening to China/Rider just now I could hear the difference from the Capitol Theater. Manhattan Center was at least twice as big. (?) I did make it from the floor to the huge balcony for the second set where there was room enough to dance. It was supposed to be a “dance marathon “. The sound of the recording in that room has a different sound from the Fillmore East or the Capitol Theater. Perhaps somewhat like Winterland. Although Winterland was longer from the back to the stage. Now the Oakland Auditorium was awesome. Another decade, another era. I still have audience tapes I made there with my Sony D-5.
Another time marker I use is foreign travel. First time out of the States was to Montreal, Quebec, Canada in late April 1970 to film the Expo 67 dome. Was making a super 8 film on geodesic domes. Or my first time to Mexico to TJ and k-49 surfing with an old friend from the east. Or the first time to southern Mexico (Chiapas) and Guatemala in January 1988. Living in the highlands of Chiapas (& selva) five winters 1992-1996 while furloughed from seasonal Forest Service. It’s those kind of times that stand out in my memory just as amazing Grateful Dead concerts do. So it goes.

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of all the Dead eras and sound I've always had a special place in my heart for the Skull and Roses lp. and only yesterday, when GOGD commented on the 4/5 Not Fade Away > Going Down the Road, and I'm like oh yeah, those lp tracks are from this show(!), did it click that the Peanut is at the heart of that sound. The Peanut, a somewhat obscure Garcia guitar, unlike no other, that Jerry used for all of 3 months. I was listening to 4/5 today at work and Jerry's sound is so freaking early rock and roll bluesy clean and raw at the same time and I love it.

GOGD - The yodeler IS Marmaduke. After the song is finished Bob quickly says his name!!

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In reply to by bluecrow

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..and all of your creations.

Such a personal lyric.. when your children, they all start to resent you.

What mind would write this stuff.

Say what you want about 80's GD, but at the very least.. they were the worlds best Dylan Cover band for a short period of time.

Checking out 7/2/ 89.. part of the Shakedown Stream.. but I missed it and they took it away almost immediately.. now it's back.

To Lay Me Down kicking in now. Amazing stuff.

No doubt Jim. The Dylan slot. My god, some shows saw 3-4.

Recently, I have been really digging the different versions of Maggie's Farm. So many favorites. I can't pick one. Of course Desolation Row and Phil's take on Tom Thumbs Blues.
I remember being a big fan of Stuck Inside a Mobile.... During the late 80's Alpine days. Still love it.

Here is an option for tomorrow, 9/26/1980, The Warfield Theatre, second night. There is a good SBD Miller copy on Relisten/Archive.

I will be going through this entire run I hope this year. I have listened to a few and not all have SBDs and the sound quality definitely varies.

Everybody hang loose.

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In reply to by DeadVikes

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9/26/80 you say?

I've been crammed into the crowded and way oversold Manhattan Center circa '71 for a few days now, and my minds been squished. It's been a fun trip.
I think I saw some of you there.

Great stories abound on the internet, a Dance Marathon on the East Coast in the Grand Ballroom of the opera house built by Oscar Hammerstein. An attempt to show all the seated venues of the area how to party. Capacity at around 2500 people, reports of 10,000 in attendance. Not much dancing reported. And the music created imho is quintessential spring '71 Dead. (Funny, not only do you have to quantify the year, but the time of year, as by the Fall they were yet another type of Dead, love it).

If you didn't get to it, I say give the other 2 nights a spin, 4/6/71 at the very least (the band take a rare dip into the back catalog and play the oldies!) and search out the many reviews & articles written about the shows. Or at least the reviews in Taper's Compendium. Worth the trip.

But Hark!?!? What's that I hear?

A call to change gears and dive into another legendary period of the Grateful Dead.
The hallowed Warfield Theater run of 1980.
I'm already at Birdsong.
These acoustic sets from the 1980s sure make for nice morning music. La Da Da Da...

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It would have been nice if the Dead had included, Rosemary, Mtns of the Moon , and Attics of My Life to their acoustic sets in 1980.

Absolutely!

I listened to 4-6-69 last night, it has a Baby Blue.
Now I’m wondering when the first Dylan cover was played. There’s some homework for today if any of you are bored.

I love the Dylan covers from the 80/90’s.

Well, I have to run to the beer store, which is by the record store, but 5-9-77 vinyl is out on October RSD. I’ll have to check today’s list of releases to see if I should buy some vinyl today.