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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Vguy72
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    7.13.84 sound good to me....

    https://archive.org/details/gd1984-07-13.mtx.seamons.105570.flac16
    ....this will be officially released at some point. It's just a matter of time.

  • The Good Ole G…
    Joined:
    What Time Is It? Game Time!

    Studio Album Double stretched into a Triple

    Ace - I agree with Bolo24 the band nailed that Playing In The Band, that’s about as close to their live sound as I’ve heard them jam on record. I can’t even think of any contenders off the top of my pointy head. Anybody?

    And it’s recorded really well by Bob & Betty.

    The band & Jerry in particular sound pretty comfortable at Wally Heider’s by this point.

    The ole “What If?” Scenario comes to mind.
    What if they’d recorded the other new songs there at this time…

    It struck me that part of the reason they played at such a high level during the Europe ’72 tour could’ve been directly related to this extra Studio time that Weir booked.

    It would seem that when the band got together and worked on stuff, it usually showed on tour.

    This wouldn’t be the only factor, but just an additional factor to why they played so good on that tour / year. Just speculation, but damn ’72 is a good year!

    and I like to think about the reasons why…

    Garcia’s album is timeless.. I love his playing, his choice of what to play never ceases to please. His tasty organ fills especially stuck out to me upon this listen, check out Bird Song. The Wheel that’s some good jams.

    Mickey’s Album was a fun listen.. filled with oddness and seems to represent Mickey quite well. I hadn’t really listened to that one other than the Main Ten & Pump Song, and was curious. It’s different, just like Mickey!

    Alright, what’s on the haps today? I saw some mention of May ’83 & July ’84 Greek Theatre shows.

    Taper’s Section made me want to listen to the first Acoustic set from 12/19/69

    Picks, picks anybody got some Pick’s of the Day?

    RE:GOLLUM - that’s a good rain check to have my friend!
    Enjoy that when it’s the right time, I’m still recovering, it’s definitely a music experience to be savored.

    RE:VGUY72 - What you’re saying here is pretty much cool with me ;)

    RE:DENNIS - PM received, Thank you!

  • daverock
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    Rolling Thunder - nice cover, but...

    This was the one I was least familiar with, out of the three, so this was the one I played last night. And I remembered why its the least played. I don't like it very much. I didn't then, and I'm afraid I don't now. With one shining exception...who plays that blinding guitar solo on Deep Wide and Frequent? Looking at the guitarists who feature, I assume its Jerry, but I wouldn't have identified him if I had been played the track without knowing who was on it. Sounds like John McLaughlin to me.

    I don't know if I'll get round to the other two-but I remember them as stone classics.

  • Vguy72
    Joined:
    The studio picks of the day....

    ....go by so fast. General consensus that The Garcia Wheel is certainly special. It's cool that what I think is cool is pretty much cool with y'all.

  • Gollum
    Joined:
    Tripleheader

    The solo album triple header was a great idea. Thanks to all. I don't know why I've ignored those albums before, but now all 3 are going to be getting plenty of love from me.

    Thanks for the excellent 5/15/70 write-up GOGD. Spreading the listening out over a few days is definitely the way to go with such an epic show. Anyways, several of us now have a rain-check for the show. To be continued!

  • Dennis
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    the good old g...... and 5/15

    check you're pm's

  • bolo24
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    Ace / Garcia 1

    Ace: "Playing In The Band" is my pick for a studio recording that most closely resembles a quality live performance. Just splendid! Jerry's nothing less than a savant on this one.

    Garcia: "The Wheel" is sublime, my favorite version across any spectrum. The way that frantic opening just dissolves into a vat of honey-dripping pedal steel goodness is soul-cleansing. And Eep Hour - wish it went on for another 20 minutes. So calming and transportive, then handing the baton off to that ethereal "To Lay Me Down." Just what I needed yesterday.

  • Thats_Otis
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    Hello All!

    I've been out for a bit - just needed to take a bit of a break from the computer, as that is now all that I do during the work-week. That being said, I grilled some brats and veggies on Friday, which was hot and sunny here in Bmore, and listened to all three discs of 5/15/70 - what a release. I was planning on skipping it, as I had listened to it quite recently, but I am glad that I thought better of it and dug in. I agree with all here - those acoustic tracks may be the best acoustic 70 released. Love it!

    I didn't do the solo albums yesterday, as I was away from the house and I do listen to them on a regular basis - well, Garcia a lot, Weir a bunch, and Rolling Thunder here-and there... I will at least try to give Rolling Thunder a relisten soon.

    Yesterday and today I've listened to Greek 8/13/83, and today I have gone through 8/14 and 8/15... loving it!

    I think that today is 7/13/84? Perhaps I will put that on if I ever get out of this Greek Theater 83 groove. Talk about a box set that is crying to be let out!

    Peace

  • The Good Ole G…
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    5/15/70 = The Music Experience Category

    Presented in three segments, an evening with the Grateful Dead featuring the New Riders Of The Purple Sage falls more into the category of a music experience than a concert. - Jeff from Variety May 27 1970

    I spent the weekend having that music experience, Friday for the Early Show & Saturday for the late show. And it all lined up on the 50th anniversary.

    It was an epic revisit of some beloved shows. Throughout this revisit, I couldn’t help thinking as I listened to the amazing quality & completeness of this material that I would’ve killed to have these tapes in high school. It was unattainable for me then. But I used to dream of it…
    Well, we’ve got them now!

    These two shows represent the first “an Evening with the Grateful Dead” at the Fillmore East and the last time they did Early and Late Shows there. By this point the NY heads had learned that the early shows were kept short & the true magic happened in the late shows.

    There’s magic in both of these shows, but the “true” magic definitely happens in the late show.

    I decided to do the full meal deal on these two and grabbed the NRPS sets as well, which are both nicely recorded by the patched in Fillmore East crew, I believe.

    Early Show -
    Acoustic 9 songs = 46 minutes
    NRPS 8 songs = 30 minutes
    Electric 7 songs = 1 hour
    Over 2 hours of music

    Late Show -
    Acoustic 10 songs = 51 minutes
    NRPS 13 songs = 1 hour 13 minutes
    Electric 14 songs = 2 hours
    Over 4 hours of music!

    TOTAL BOTH SHOWS = Over 6 hours of music!

    The Acoustic set for the Late Show is one of the best ever, as previously mentioned here on this thread. Pigpen teases Good Lovin’ in the early show a couple of times, and throughout both shows, they didn’t play it until like 5 hours later and boy when they did, it is Hot. The Dark Star > St. Stephen, incredible! Throughout it all you can feel the Fillmore East vibe, especially apparent during the closing Turn On Your Lovelight rave up after about 6 hours of melting minds.

    What it must’ve been like in the Fillmore East that night! The Dead lit that place on FIRE. While listening, I sat there shaking my head so many times, amazing amazing stuff here folks, just amazing.

    The only real flaw in the music we have here is the omission of the late show Candyman*, which suffers from a reel flip on the FE crew tapes & was left off the official Vault release. That makes me curious to compare the uncirculated Vault version of the Bob Matthews recording to the FE crew version and see if there’s some patch material. It is an amazing version of Candyman! Very similar to Calebration version from 8/30/70, but earlier and more intimate, somehow. Jerry’s voice is just amazing on both of these shows and in 1970 in general.

    I’ve always had some issues with this release due to the tracking of the songs being cut up and spread out on various CDs. I’ve had them in the right order for years in my music player, but the in’s & out’s weren’t working for me, causing my completist OCD to flair every time I listened and therefore avoid repeated plays. I understand the reasoning behind these edits and am not complaining, just saying. But this weekend I found myself with the time and finally re-tracked the songs, especially the late show, added the NRPS and was able to fully immerse myself in the music in it’s original order at this high level of quality.

    At the time of these shows, Workingman’s Dead was done and pressed and would be released shortly after this show (the exact date seems to be in question, but in my research it drops about 10 days later.) This show represents the new material as good as any shows from this time. You get every song that would be on Workingman’s Dead except High Time (played quite well the night before) and you get the three songs that they’d already written and were performing from American Beauty: FOTD, Attics & Candyman.

    Cool point of interest.. Robert Hunter would be writing 3 more new tunes very soon after this, all in one day, when the band headed to England for the Hollywood Music Festival on 5/24/70: Ripple, To Lay Me Down, Brokedown Palace.

    * The Late Show Acoustic set group of Black Peter, FOTD, Uncle John’s Band, Candyman is a must hear in it’s original order, even with the reel flip. It’s some of the finest representations of these songs at this point in the Dead’s recorded history. Also of note the missing banter after Candyman leading up to Pigpen’s performance is fun and worth a listen. Jerry announces that they’ll finish off the Wooden Section with a gospel tune with some NRPS, Pigpen says wait a minute don’t I get to play a song before you do that fuckin’ religious song? And Bob hops on the mic asking the crowd if they wanna hear Pigpen, and does his Dog Suckin-ist man in showbiz rap. Then you get to hear the rare set up & crowd situation of Fillmore East, somebody does a Tarzan Yell, and Pigpen says “Heard You’re Fired!” (Sonny Heard), another Tarzan Yell, “You’re fired twice” and then a female audience member does it too, it just makes you feel like you’re there. And then you get Pig’s two fine acoustic tunes from the release.

    That brings me to wonder if David Lemieux has ever posted the 5/15/70 late show Candyman from the Vault anywhere? I’d sure love to see if we can patch this FE crew Candyman with the Vault version. It’s worth an ask as the version is sublime.

    David Lemieux may we request a 5/15/70 Late Show Candyman please? Thank you very much!

    Well if you made it this far… thank you very much!

    I wonder how many people actually saw both shows from that night and lived to tell about it.. if you’re out there, I would love to hear your stories.

    To wrap it up, when I first heard “rumors” of these legendary shows the Dead would do in 1970, with an Acoustic Set, the NRPS and The Electric Dead and they’d call them An Evening with the Grateful Dead, I would drift off and think how amazing it would be to hear that!

    Well some 35 years later, it’s as amazing as I’d always dreamed it would be.

    PS - Yesterday’s pick of Garcia, Bob Weir “Ace” & Mickey Hart “Rolling Thunder” was the perfect music to come down from this here wild trip through 5/15/70.

    Thanks Bolo!

    PPS - Strider88: Thanks for that great story!
    Everyone Else Here: Thanks for picking shows to listen to everyday and for your wonderful input and insights.
    BobT: 7/13/84 you say, I’ll listen to that.

    Be Well

  • Vguy72
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    Pump Song = GSET....

    ....Main Ten = PITB.
    That's how things work. Eep Hour.
    Dead Horns are under represented.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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7/13/76 very happy you were there. I know you said you also saw the Bob Fried Memorial Boogie the year before!!! The soundcheck from the night before is actually on Youtube.. Great seats, do you remember how challenging it was to get tickets for that run??? Thanks bob t

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The first place we went to, maybe Record Factory, was all sold out, so we went to this small place called Penninsula Box office, and they had three tickets, for the three of us . Two people came in right after us and bought the last two tickets. It was tight to get tickets, and we went as soon as they went on sale.

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Good Stuff, an upgrade of the 7/12/76 Orpheum Show showed up last week from Mr. Miller for those wanting more.
Tiny Theater Dead Shows, those were the good ole days!
BTK thanks for sharing. Tell us more.

The Reel flip during The Other One on 12/12/70 from the Santa Rosa Fairgrounds pretty much ensures we won't be seeing that show released any time soon. Rough!
It's funny to think that these recordings we all collect so obsessively were basically an after thought :)

Have a Grate Day!

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I remember that there were two Dead posters in the front window, Skull & Roses. and the one with Garcia in a leather coat, the Dead at the Fillmore 1966 . Blair Jackson did a big write up on the shows in BAM magazine in July or August of 76 ,I have it laying around here somewhere with all my Dead posters and collections. I thought it was a great show and I still think that as I listen back to the tape. Winterland held about 5000 some people, it was cavernous compared to this place. I saw the Jerry Garcia band play there once. But those Dead shows were special, and this 1976 box set is very special . 1975 & 1976 fantastic years!

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In reply to by billy the kid

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Nice! 1800 capacity Dead Show sounds so amazing, shit that's like a 1000 people smaller than the Fillmore East.

I'd like to check out that BAM article, I did a couple google searches but didn't find it. I wonder if it's in This Is All A Dream We Dreamed? Hmmm.

Well, I know what I'll be listening to today.

Thanks for the inside scoop!
Good Stuff.

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Capacity, 1,800 . I was last inside there over 49 years ago. Not sure if capacity has changed in the 21st century. Lesh is more. Got an empty cup. Phil it up.

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In reply to by Strider 808808

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I don't think the capacity has changed.. they certainly didn't add on any rooms. I was last there sometime between 6 and 9 years ago. Classic venue.. hallowed walls.

I love small, quaint, intimate theatres. Yummy. Makes me want to travel back in time and set the dials to Europe, spring 1972 (and Port Chester 1970 and 1971).

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Hey man, PM me your email, I have something I think you will dig.

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In reply to by billy the kid

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Done!

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The photograph in the bulletin shows Jerry playing the Alembic experimental guitar or the “peanut”. One of two that were made. That does set the date of its first appearance two to three weeks before the March 71 date as stated in Blair Jackson’s book “Grateful Dead Gear” and a day later from what I thought was first time 2/19/71. Looking closer at the photograph, Billy’s drum placement would suggest after the 18th. Mickey was set up on the left of what was a small stage with Ned Lagin between him and Jerry. Would love to see the photographers proof sheet, or all the negatives. But it looks like five piece Grateful Dead.
I guess I should quote my old friend Pete Bogle , taper / archivist who coined the phrase “another picky Deadhead” when he introduced it as a bumper sticker in the 80s.
Ah yes, those foggy ruins of time.

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"The people up front are visibly bug eyed. They are looking flat". On to the second set... Great stuff.

It looks like Ned posted a broken link, or more accurately, the "......with" was mistakenly attached to link making it dead)

I think this is what he meant to post.. Wharf Rat w/ Pete from Rockpalast.

https://www.youtube.com/watch?v=20dic8S3cWI

Has anyone ever noticed that when Bolo disappears fire, brimstones and complete mayhem is unleashed upon the world?

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In reply to by Strider 808808

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Good Eye mate!

I didn't catch the Peanut Guitar, it's hard to determine, but you've got a good eye for that instrument Strider.

We might need some Hair forensics for this photo. I see it floating around with some different dates attributed to it. But since that's the Peanut, that would definitely help narrow the date range of the photo, and yeah looks like 5 man Dead.

The shirt and boots Jerry is wearing are featured in the famous family dog photo from February 1970 by Altman. But, who's to say he didn't wear them for a while. I've got some shirts that are at least 10 years old, possibly older.

Cool photo for sure, Stephen Gilbert has some other cool photos on GDAO of the GD from October & November 1970, this one is dated from the November '70 Capitol Run on that site. But I think the real tell would be Phil's haircut.

Phil, when did you cut your hair in 1971, was it right before the Capitol Theater run in 1971?

Yeah, the Contact Sheet would be sweet. I second a look at that. But I think you're on to something Strider, I'm thinking 2/19 or after.

Fun stuff. Makes me want to hear some 1971 Capitol Theater, and I do believe that's the point :)

VGUY: GD Newsletter came today, check spam.

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In reply to by DeadVikes

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Here’s an interesting article on that seldom played custom Alembic

https://relix.com/articles/detail/jerry-garcias-pretzel-guitar-resurfac…

EDIT: perhaps there were 2 different guitars as the one in the news letter showing the capital pic looks different then this “pretzel” guitar? Wouldn’t be that unusual for them to offer him different options since Alembic was in house etc...

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November 1970 he had a ponytail. February 1971 he had the haircut.
The internet has way more about the “peanut” guitar than ever before. I believe it’s not the same as the “pretzel” guitar. Peanuts , pretzels and beer. Port Chester is where 18-20 year olds would go to drink when it was still 21 in Connecticut. Lowered drinking age in Ct in 72.
Back to the mystery guitar. I definitely remember Jerry playing a much smaller body guitar most of the February 71 run. I called Alembic in Santa Rosa about five years ago and talked with Ron Wikershams daughter who told me they still had two peanut guitars that Garcia played. I asked her if they could remember if Garcia played them in February of 1971 and she said I should have a better idea as I was at the Capitol Theater five nights during that run. Rick Turner who built the peanut says it was pre-Alembic.
So maybe the Stephen Gilbert photograph shows a completely different guitar altogether. I do remember Jerry’s homemade Guatemalan fabric cowboy shirt, 1970.
Where’s Columbo when we need him.
By the way, the German film Wings of Desire staring Peter Falk is a beautiful film.
But I digress.

It's all about the Hair.

I love archival research and yeah the internet is the place for GD info!

It's too hard to see much detail from the Feb '71 pic we're looking at, so like Wikersham's daughter was saying, you should know if it was THE peanut or not ;)

It looks kinda like peanut to me, maybe we can tell when we hear the new tapes. Are you able to pick out the peanuts sound? I remember you mentioned it having a distinct sound. There's some cool pics of Jerry playing peanut at the Manhattan Center in April '71 for sure. So we might have to put our archivist ears on and play some back to back shows from the Cap & Manhattan center.

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In reply to by The Good Ole G…

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is that we still have to wait another month to hear 2-18-71 in all it’s Plangentized glory (the samples don’t count).
Just announce it and put it in sale when it is ready to ship.

71 comparisons and investigative work - this is the group to do it.

Record Store Day this Saturday

https://recordstoreday.com/NewsItem/9003

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The famous Brotherhood of Eternal Love show? I think yes... Interesting...

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In reply to by JimInMD

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So the photo from this Rick Turner article on the peanut guitar looks like the cap theater one in the bulletin, only from a better angle.
Interesting history about its pre-Alembic origin.
Strider, you sir are blessed with a great memory! Thanks for sharing all this groovy stuff for us!

https://rickturnerblog.com/2017/12/05/garcias-turner-peanut-guitar/

EDIT: the Gibson headstock really gives it away!

EDIT: I meant the guitar was the same in both pics

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Right.. how can you remember all this detail? You don't see too many show reviews from me because most of the memories are inconveniently erased from my mind, or worse, all I can remember are broad details and when I even contemplate writing something there's just not enough to make a point. Perhaps I need to start taking some of that jellyfish memory pill crap or something.

Sometime I really think I am pre-Alzheimer's.

It's unbelievable you remember all this stuff so many years later... you put me to shame.

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Photo on the Rick Turner Blog definitely not from the same night as the photo in the GD Bulletin. RTBlog shirt is the blue denim, sawtooth pocket, pearl snap that Jerry is wearing for 8/14/71 BCT. No way is that the same shirt in the GD Bulletin photo, which even in b/w is clearly multicolored shirt. I think the Turner photo is from the Manhattan Center shows - Jerry Garcia site has photo with that same denim shirt for 4/5.

I love the Peanut Guitar - in part cause I hadn't even heard about it until the last year, the name strikes me as freaking funny, the back story is outrageously cool, and, lest i forget, it sounds great!

Strider - love the tracks you lay down for us to follow.

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Nice OB!

That adds some color to this picture.

Based on Turner’s blog post it sure sounds like there was only one Peanut.
Based on the Photo, photographer’s labeling and Phil’s haircut we can assume it’s from the Capitol Theater circa February 1971.
Based on the photo and Strider’s eyewitness account Garcia is playing the Peanut.

I wonder if LIA etc have already discussed this?
Looks like.. Yes. Deadessays has the Rick Turner Peanut listed as 1/21/71 - 4/29/71

Shoulda figured to start there ;)

Good Stuff.

PS - 4/5/71 is a Rocker, it’s been awhile since I’ve played this one. The Peanut sounds good!

Love the raunchy grunge tone of Jerry's guitar this show. I know they are very dissimilar, but I get the same vibe from the Dec'77 shows, the (sort of) return of the Wolf. Full of anger and disdainful sustain. Rock and Roll.

Sorry to go off on a tangent. As you were..

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In reply to by JimInMD

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Yeah Jim & GOGD - the Peanut sounds damn good.

pick of the day (some day) i think ; )

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Someday being today.. I just finished it. Been a while, doc would be proud. I know (knew) every note of this of this show, but it's been so long I picked up a whole lot of new stuff. Like.. why were the harmonies for Rider so off compared to a year into the future, clearly they worked on this. Was it Phil? ..but still a kickin' version, especially the transition, so young so fresh. As mentioned earlier the tone and raw power of the performance. A great little show.

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In reply to by JimInMD

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Enjoyed 4/5/71 yesterday, it'd been a really long time.
Had to happen with all that Peanut talk.

Super fun listen. Think I need to hear the rest of the run.
Will throw that out there as a suggestion for pick of the day, pick one 4/4, 4/5, 4/6 and give it a spin.

It is like reconnecting with an old friend. Whose Yodeling in Me & Bobby McGee? I always thought it was Jerry, but now I think that's Marmaduke? Check out Bobby in China Cat, killing it! The Other One, completely slays. And the NFA > GDTRFB is like a part of my DNA, note for note, I must've heard it a million times on Skullfuck. Think I gotta go dust off 4/6 now.

Worth a revisit for sure, and it'll get you pumped for some '71 to come.

Alright, be well all and Happy Friday!

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Back cover photograph shows Jerry passing a J and is wearing the Guatemalan cowboy shirt. I saw Howard Wales and Jerry both early show and late show at the Academy of Music (January?) 1972. Talk about throwing the audience for a curveball. I enjoyed it.
As far as one or two peanut guitars , I’m only going on what Alembic founders, daughter said. No big deal.
Ability to have a sharp memory, a lifetime of working in the woods/mountains. Tons of fresh air, sleeping on the ground, avoiding white powders, pure water, simple food, meat in limited doses, backpacking, walking, climbing mountains, (still do) reading actual books not kindle, taking breaks from Ganga, going on 20 years since quitting all alcohol. (Not passing judgment, most of my friends drink) , traveling in Latin America, learning a second language (Spanish) by direct immersion talking with people, only using a translation dictionary, getting to know and making friends with people of different ethnic backgrounds, mixing it up , leaving comfort zones at times, waking up at or before dawn, (even as a teenager), as far as dates, I know my seasonal work history,(mostly trail work in Wilderness areas) Official book of the Deadheads was the first time I saw a list of Dead shows with dates, synced work, travel, Grateful Dead concerts, other bands, where I’ve lived, (almost 40 years in New Mexico) it all fits together like a puzzle.
My number of Dead shows are within 2-3 for exact count, 133 in 25 years to the best of my ability. Was I at Manhattan Center two or was it three nights in April 71, was I at Academy of Music three or four nights in March 72. I know I was at all four nights of November 1970 at the Capitol Theater. I’m certain I was at the Capitol Theater 2/18,19,20,21 and the final night, 2/24/71. By summer 1972 and beyond dates are very exact. I have most of my ticket stubs starting with December 1981.
The other way I keep my memory sharp. Have hardly watched television since leaving home in 1972.
Will have to listen to 4/5/71 today .A day late a dollar short. Oh well. As far as a venue, Manhattan Center had a twisted vibe, oversold and rundown, of course the music was at a high peak in the history of the band. Nevertheless “Aces back to back”.
Tractors you say, my uncle Harlan worked for John Deere in Des Moines.
Stairs you say, “Stairway to Heaven”!
Parking meters you say, “ watch your leaders and your parking meters”

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In reply to by Strider 808808

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Now that's some merch I could get behind.
And the boots!

That'd be sweet :)

Nice Strider! Keep em coming my man.
Thankfully you kept that brain together so you could tell us fools some stories (I jest!) :)

BTW 4/5/71 wasn't the official pick yesterday, I just got a hankering, all that Peanut talk.
Sounds like Jim & I jumped on it. But recommend the rest of you do too. Make it official BlueCrow!

So Fire it up Folks, head to the Manhattan Center circa 1971, don't get crushed by the overcrowding and have a good time!

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I was just emailing Uncle Gary about one of these shows that he sent me (2/22). This pair of shows would make a great mini box. They're on the shorter side, so they can probably fit it all on four or five discs and they play extremely well.

The set lists are no joke (Bird Song, Dark Star, China Rider, Playing in the Band, Eyes of the World). At a minimum 2/22 could use an official rendering. Hook me up bartender, hook me up.

For all you folks going to the Manhattan Center show

Listen to how happy Pigpen is!
Especially during the end of Lovelight, man he sounds so stoked.

Thinking April '71 was the peak of Pig's career.

Good Stuff!

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Added to the general vibe that night. MC was a block or two away.( Correction, 8 blocks away 9/26) I just read my comment for 4/5/71 that I wrote 9 years and 6 months ago on Dead. Net. Listening to China/Rider just now I could hear the difference from the Capitol Theater. Manhattan Center was at least twice as big. (?) I did make it from the floor to the huge balcony for the second set where there was room enough to dance. It was supposed to be a “dance marathon “. The sound of the recording in that room has a different sound from the Fillmore East or the Capitol Theater. Perhaps somewhat like Winterland. Although Winterland was longer from the back to the stage. Now the Oakland Auditorium was awesome. Another decade, another era. I still have audience tapes I made there with my Sony D-5.
Another time marker I use is foreign travel. First time out of the States was to Montreal, Quebec, Canada in late April 1970 to film the Expo 67 dome. Was making a super 8 film on geodesic domes. Or my first time to Mexico to TJ and k-49 surfing with an old friend from the east. Or the first time to southern Mexico (Chiapas) and Guatemala in January 1988. Living in the highlands of Chiapas (& selva) five winters 1992-1996 while furloughed from seasonal Forest Service. It’s those kind of times that stand out in my memory just as amazing Grateful Dead concerts do. So it goes.

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of all the Dead eras and sound I've always had a special place in my heart for the Skull and Roses lp. and only yesterday, when GOGD commented on the 4/5 Not Fade Away > Going Down the Road, and I'm like oh yeah, those lp tracks are from this show(!), did it click that the Peanut is at the heart of that sound. The Peanut, a somewhat obscure Garcia guitar, unlike no other, that Jerry used for all of 3 months. I was listening to 4/5 today at work and Jerry's sound is so freaking early rock and roll bluesy clean and raw at the same time and I love it.

GOGD - The yodeler IS Marmaduke. After the song is finished Bob quickly says his name!!

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..and all of your creations.

Such a personal lyric.. when your children, they all start to resent you.

What mind would write this stuff.

Say what you want about 80's GD, but at the very least.. they were the worlds best Dylan Cover band for a short period of time.

Checking out 7/2/ 89.. part of the Shakedown Stream.. but I missed it and they took it away almost immediately.. now it's back.

To Lay Me Down kicking in now. Amazing stuff.

No doubt Jim. The Dylan slot. My god, some shows saw 3-4.

Recently, I have been really digging the different versions of Maggie's Farm. So many favorites. I can't pick one. Of course Desolation Row and Phil's take on Tom Thumbs Blues.
I remember being a big fan of Stuck Inside a Mobile.... During the late 80's Alpine days. Still love it.

Here is an option for tomorrow, 9/26/1980, The Warfield Theatre, second night. There is a good SBD Miller copy on Relisten/Archive.

I will be going through this entire run I hope this year. I have listened to a few and not all have SBDs and the sound quality definitely varies.

Everybody hang loose.

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9/26/80 you say?

I've been crammed into the crowded and way oversold Manhattan Center circa '71 for a few days now, and my minds been squished. It's been a fun trip.
I think I saw some of you there.

Great stories abound on the internet, a Dance Marathon on the East Coast in the Grand Ballroom of the opera house built by Oscar Hammerstein. An attempt to show all the seated venues of the area how to party. Capacity at around 2500 people, reports of 10,000 in attendance. Not much dancing reported. And the music created imho is quintessential spring '71 Dead. (Funny, not only do you have to quantify the year, but the time of year, as by the Fall they were yet another type of Dead, love it).

If you didn't get to it, I say give the other 2 nights a spin, 4/6/71 at the very least (the band take a rare dip into the back catalog and play the oldies!) and search out the many reviews & articles written about the shows. Or at least the reviews in Taper's Compendium. Worth the trip.

But Hark!?!? What's that I hear?

A call to change gears and dive into another legendary period of the Grateful Dead.
The hallowed Warfield Theater run of 1980.
I'm already at Birdsong.
These acoustic sets from the 1980s sure make for nice morning music. La Da Da Da...

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It would have been nice if the Dead had included, Rosemary, Mtns of the Moon , and Attics of My Life to their acoustic sets in 1980.

Absolutely!

I listened to 4-6-69 last night, it has a Baby Blue.
Now I’m wondering when the first Dylan cover was played. There’s some homework for today if any of you are bored.

I love the Dylan covers from the 80/90’s.

Well, I have to run to the beer store, which is by the record store, but 5-9-77 vinyl is out on October RSD. I’ll have to check today’s list of releases to see if I should buy some vinyl today.