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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #1281
    Forensicdoceleven
    Joined:
    Music is the best means we have of digesting time......

    ROCKTHING.............

    Check your PMs...........

    Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend........

    Rock on,

    Doc
    I frequently hear music in the very heart of noise.......

  • #1282
    Forensicdoceleven
    Joined:
    I have just got a new theory of eternity…...

    Hey rockers!!!

    Pick Of The Day: Austin, Texas February 23, 1970

    I reluctantly discussed this at the end of last year. Here I am again. It appears that I’m stuck in a time warp. The galactic rock and roll union. I have no special talent, I am only passionately curious…..

    It appears that the currently circulated recording of this show is the only surviving audio document from the Dead’s four show excursion through Texas in February 1970. It’s tough coming right after the wonderful, brilliant Fillmore West/Fillmore East shows earlier that month, and perhaps it’s not unexpected that the intensity level might come down a bit. That being said, this is still interesting, enjoyable, and worthy…..

    The band is in 1970 electric/acoustic/electric mode. The circulating recording appears to be missing part of the first electric set, coming in during Know You Rider. For fans of acoustic Dead, this set is nice---Monkey And The Engineer-Little Sadie-Me And My Uncle-Black Peter-Seasons Of My Heart-Uncle John's Band. The festivities are completed with a jammy NFA and Mason’s Children.

    The monotony and solitude of a quiet life stimulates the creative mind. I live in that solitude which is painful in youth, but delicious in the years of maturity……

    Did Bear travel to Texas, and did he record? Banana boxes, reveal thy mysteries…..

    Rock on,

    Doc
    Whoever undertakes to set himself up as a judge of truth and knowledge is shipwrecked by the laughter of the gods……

  • #1283
    rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • #1284
    daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • #1285
    rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

  • #1286
    daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

  • #1287
    Forensicdoceleven
    Joined:
    You can't blame gravity for falling in love…..

    Mornin’, rockers!!!

    Pick Of The Day: Dream Bowl February 22, 1969

    Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

    I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

    Great music, great sound quality, I suggest you find the time…..

    The only reason for time is so that everything doesn't happen at once…..

    Rock on,

    Doc
    There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..

  • #1288
    daverock
    Joined:
    Heads in Mississippi

    That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.

  • #1289
    PT Barnum
    Joined:
    5-19-74

    In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.

  • #1290
    daverock
    Joined:
    5/19/74

    I haven't played it this year yet, but it has become one of my most played shows from this year - mainly because I bought it on vinyl. But it is really good, too. To me, it's better than its song list suggests - the songs leading up to the Truckin' jam are well played and forward moving, and that final jam is superb. It has been castigated in some quarters for the vocal drop outs. A price worth paying, in my opinion. All three 1974 shows in the box it was culled from are top notch.

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by billy the kid on Sat, 10/31/2020 - 08:19

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37 years ago at the Marin Veterans Auditorium, they played the last St.Stephen. I had a lot more fun the night before, 10/30/83, when we all dosed, fun city. My favorite Halloween show is 10/31/69 from San Jose State. I saw the Garcia Band on 10/31/86, the Oakland Auditorium kinda swallowed them up, when you were used to seeing them at Keystone Palo Alto.

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Submitted by icecrmcnkd on Sat, 10/31/2020 - 09:37

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Just scored 5-9-77 vinyl at a local shop, $125 + tax.
There were 2 copies, another guy was there at the same time and grabbed the other.

Sounds awesome, but the curse of vinyl means that you have to flip the record after Slipknot!

DaP 36 is ‘in transit by post office’, so fingers are crossed that it comes today.
AB50 is also supposed to arrive today.

Good thing clocks turn back tonight, I’ll need that extra hour for listening if in fact all the CD’s show up.
Not sure if I’ll get in the Halloween anniversary listens, I’ve heard them all many times and the new arrivals may have to come first. We’ll see how things play out tonight.

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Submitted by Strider 808808 on Sat, 10/31/2020 - 13:13

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Fifty years ago this time I had arrived at Stony Brook by hitchhiking from the panhandle, of Connect over the Throggs Neck Bridge and out the Island to S.U.N.Y. First time seeing the Dead away from the Fillmore. 1970 rural Long Island would have been a different world from now.
Charlie from Brooklyn was numero uno Dead Freak in those days. I met him before the Halloween shows at the student union. He was playing a cassette he made the night before on a high end recorder, boom box. To my memory that was the first Dead tape I ever heard aside from records. Vintage Dead and then Historic Dead were considered like bootlegs.
I recently listened to the complete night from 10/31/70 during the last full moon October 1, same time as breaking a four month Ganga fast. It was blissfull. Otherworldly. NRPS was great with Garcia on pedal steel. Relisten ing now. I easily bought tickets for the two shows. Although everyone was let in free for late show around midnight. I vaguely recall being on Gymnasium floor for early show. Late show was on the top bleacher on the end closest to the stage not 80’ away. One light projection man had a wizard get up with a pointed hat. Pigpen wore a psychedelic fireman’s hat, (for a few songs)each section was painted a different day-glow color.
After the late show ended (3am or later?) I left the Building out the exits behind the stage. Met Pigpen in passing as he was getting in his limo as I was funneled down the police barricade right behind him. I told him thanks, he asked me “did jya have a good time?” , to which I replied. “Definitely!”, . Pig;”that’s good”. My one time meeting the man.
Afterward vaguely remember catching a ride in a Dodge Challenger that drove close to a 100 mph. Over the dawn Troggs Neck Bridge with no traffic. Dropped off in New Rochelle , got on a train for the last stretch. Home by 8am.
The Viola Lee Blues into Cumberland Blues is so excellent.! Happy Halloween

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Submitted by DeadVikes on Sat, 10/31/2020 - 16:31

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Happy Halloween all. Pretty cool Dennis, sounds like a blast. I never made it to a Halloween show.

Yes, GOGD, I watched the Preshow with DL.
I think Jim had some comments on this as well last night....
What a drag, they recorded over some of the master reels for Brent's solo stuff. What a bummer.
They used two 16 track to record the whole run.
Per DL there is definitely material available, fair amount, half or more, but not complete shows. DL stated a multi track box release is not necessarily feasible.
So this stinks.

He did mention they still have the mixdown tapes and the sound is okay.

Could they make a box set from mixdown tapes?

Seemed to me that the Warfield Radio City box is a long shot at best. They looked into it in the early 2000s and we are sitting here in late 2020.

Thank god they didn't record over other tapes. We have had some unbelievable releases.

Stay well out there.

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Submitted by billy the kid on Sat, 10/31/2020 - 17:11

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Strider, very cool story meeting Pig Pen. You saw the Grateful Dead at their peak, 1970, their greatest year as far as I'm concerned.

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Submitted by JimInMD on Sat, 10/31/2020 - 20:34

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Great times.. wish I was there. Thanks for sharing. The closest I got to a New Years show was 11/1 once. Oh well.

I did finally get through a quite uninterrupted listen of Dekalb. A high energy show with flawless transitions. Still far from my favorite from '77, but it is a great show. Perhaps I am just splitting hairs.

I will say this, this is one of those shows you really need to play loud, from Might As Well to the end.

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Submitted by Strider 808808 on Sun, 11/01/2020 - 06:43

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Listened to 10/31/70 NRPS early show yesterday. Early show Dead last night with full moon. Viola into Cumberland rocks. Second set this morning at 420 am with coffee, full moon. Today is Todos Santos , All Saints Day or Day of the Dead. Fifty years ago at Pritchard Gym at S.U.N.Y. I remember it took a long time before they opened the doors for the late show. There was a very large crowd at the gym entrance. Nevertheless way less intense than in the city for a Dead show. Sometime after 11pm they finally let everyone in for free, they did not collect tickets. As NRPS was around midnight the late show Dead set was technically November 1, Day of the Dead.

Wow, meeting Pigpen.
That's a keeper for sure.

Strider do you recall your impression of the difference between the Gymnasium vibe and the Fillmore East or what you were thinking about the scene in comparison?
EDIT: Mind Meld Bro!! I see you were just discussing this in your post below 1 minute before I posted this question.
Diff vibe from the city. I'm thinking FE vibe had to be intense!

Also I wonder if that tape Charlie-O was playing came from the SBD that the Sound Crew made?

Thanks for sharing man, Great Story!

In regards to 10/31/70 tape, the Taper's Compendium mentions the following:
Bobby going into "a tirade against some nameless soundman. After Pigpen threatens to rip off the head of the aforementioned sound engineer and defecate in it, the problems seem to get resolved, thereby saving the show from a decline into fecal ultraviolence." - Haha, I love that line.... (Shout Out - Nice work Paul Bodenham & Taper's Compendium Crew!)

However, I don't hear that anywhere on the "tapes" I've got or the sources on Archive.org.
Supposedly it happened after Cosmic Charlie. Anybody got that / hear that on "tape"?

It might be the case where the source mentioned in Taper's Compendium isn't in digital circulation, but now I'm curious what's going on there. If anybody has info on that, let me know as I was looking forward to hearing that all day and darn it, I'm not hearing that anywhere.

Started listening to 2/18/71, it's sounding good friends. Strider was that your next show?
EDIT: Scratch that question you were at all 4 nights at the Cap in November '70. You Lucky Dog You!!!

Alright, well this is probably long enough as I spent some time already today on... 30 Days of the Dead!
Guessed it, if you can call searching through other versions and comparing a guess.
Do people actually just remember the version upon hearing it, or how does that work for you all?
I remember the first year just thinking how in the world do these heads know this shit?!?!?
Now.. I might be there. Is that a good thing? Not sure.

Anyhow, if you read this far, thanks for visiting and I hope you have a wonderful day!
Go play Dead.
I'm gonna finish up 2/18/71 today and might have to do it all over again.
Good stuff!

PS - if this wasn't so long already I would've talked a bit about 1977-10-29 - Sounded ripping / Might As Well is a power house version and the energy seems to stay there, but I was distracted and didn't finish. And 1980 Warfield / Radio City Reels, 2 Track & Multi-Track but it'd all be speculation.

That’s everyday for folks here.

Just started spinning 2-18-71 and it sounds spectacular!

USPS is in possession of my DaP 36, but apparently they have to accept the package. So current status is “received, the acceptance of your package is pending”.

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Submitted by bob t on Sun, 11/01/2020 - 11:36

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Mcgaw Memorial Hall.... 11/1/73 Evanston!! Morning Dew>Playing>UJB>Playin!!! Last show of the tour that started in Oklahoma City... Next up Winterland 73 a week later!!! Don't think the first set of 11/1/73 circulates but i could be wrong... The snow has melted here in Rhode Island... Made it through the first Hartford 87 show last night... I cheated and listened to the Wall Song from the upcoming 5/21/71 Jerry show,, really good I have to say... Bob t

Bob T, 11/1/73 that's a good call, Now I wanna give that a listen.
No Set 1 that I'm seeing, anybody got it?

Got caught up in 2/18/71. Wow great sound quality. Really cool to hear Ned's contributions so well. Can't remember if they showed up in the ole bootleg, but they're nicely placed in the mix here. Good stuff.

Whose playing 30 Days Guesses?

Today is fun.

BTW I really dig the 5/12/79 Set 2 material in Taper's Section today.
SBD doesn't circulate so check it out.
Has some reel flips in Terrapin & NFA and a few drop outs in PITB. But if you haven't heard it, it's worth a visit.
I like '79 cool year.

Alright, lmk if there's a pick today.
Lots a Dead a happening.

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Submitted by DeadVikes on Mon, 11/02/2020 - 12:47

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Send us a pick GOGD.

I am thinking 11/4/77 for Wednesday. Colgate, Dave's #12.

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Submitted by The Good Ole G… on Mon, 11/02/2020 - 15:13

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How about 3/26 & 3/27/87?

I just got mine today. Anybody else on here get there's?

Or 2/18/71 needs a nice day of listening...

Couldn't resist, the Dead has landed.

Otherwise give 11/1/73 a listen, it's late in the day and it's only a partial Set 2.

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Submitted by JimInMD on Mon, 11/02/2020 - 15:17

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I'm no help.. hopelessly behind again. I'm in for Colgate though. It's been years since I listened to it. ..and fresh off my (our) other recent Fall 77 listen, quite timely. If we did something, something short as the hour is getting late.

Greek 68, 30 Trips, Holfheinz Pavilion 72? Something like that??

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Submitted by DeadVikes on Mon, 11/02/2020 - 16:09

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I don't have my Dave's 36, maybe by the end of the week. Don't know why some of us get these so much later than others. Don't blame you for cracking it out.

Shoot, you have people getting them in Europe faster than here in MN.

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Submitted by bob t on Mon, 11/02/2020 - 16:46

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I was lucky and got Dave's Saturday, and the 2/18/71 show arrived today... (That one just sat in pre-whatever and just showed up US mail).. I am listening to the Omni 6/20/74 show, just started. I listened to 6/8/74 yesterday.. Trying to listen to my neglected 74 shows.... Roanoke is up for tomorrow. have a good night everyone. bob t

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Submitted by JimInMD on Tue, 11/03/2020 - 06:41

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..but I live in the middle of nowhere. Mail still comes via pony express and coal train.

Maybe today?

Roanoke sounds like a good pick for today. I always thought it was one of the lesser shows from '74, but I'll take 'lesser' show from '74 any day of the week. Nice eyes encore. I should get some time later today. Things are beginning to ease up a bit.

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Submitted by bob t on Tue, 11/03/2020 - 07:39

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On Playing already for end of first set... I know why i gloss over this show, and it is because of set II. There is a 10 minute US Blues that goes into Promised Land.. That is it for the jam. Eyes encore... Well played, good Charlie Miller board. Like i said in previous post, I neglect 6/8 Oakland, 6/20 Atlanta (No tapes available back in the day), Roanoke, and the 9/14 Muenchen show... Bob t

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Submitted by Slow Dog Noodle on Tue, 11/03/2020 - 09:38

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I'm in. Im not familiar with this show, but it is close to the Selland Arena show. How bad could it be ; )

I hope everyone voted today!!

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Submitted by JimInMD on Tue, 11/03/2020 - 10:31

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That PITB is a hot one. Perhaps the highlight of the show. Staring the second set now.

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Submitted by Slow Dog Noodle on Tue, 11/03/2020 - 11:46

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Agreed Jim. I like in the Playin how they break it down about 13 mins in with Jerry doing some nice runs up and down the neck with the wah wah and Billy filling the space with toms.

Im at MAMU in the 2nd set. What really strikes me about this show is how much Keith is on the Rhodes, and how out front in the mix he is. I dont remember him playing a Rhodes for a whole show like this. I'll have to revisit Selland and see if this show may be an outlier.

I really liked the smooth transition from Mississippi to Must Have Been the Roses.

I probably haven't given this show its due because there're no big 2nd set jam, but like Jim said, that 1st set playin is killer and probable makes up for it. I'm looking forward to this Brokedown in the late 2nd set ballad placement, which is a rarity.

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Submitted by Slow Dog Noodle on Tue, 11/03/2020 - 12:49

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All in all a nice show. First set is better than 2nd set, which is odd for this vintage. Mississippi to PITB was the highlight. Not sure what they were trying to do in that US Blues. Seems like Billy didnt get the message or something. They never really righted the ship after that.

Keith was the star of this show though, taking over on the Rhodes. Release worthy? I dont know. Sounds quality is there but the second set fizzles. Maybe one of the last '74s to see the light of day. Still, lots of fantastic music and very glad i spent 3 hours of my work day jamming to this.

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Submitted by DeadVikes on Tue, 11/03/2020 - 13:19

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Shorter show for 1974. Good show, sound quality is really good for the most part. I really liked Biily's drumming in the summer of 1974. For some reason no Eyes of the World Encore from the version I listened to from Relisten.

Good pick Bob t.

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Submitted by JimInMD on Tue, 11/03/2020 - 13:59

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My version doesn't have it either.. Show's how good my memory is. Decent little show. I agree with the comments that a big jam sequence in the second set would have improved this one. Still, some very nice moments.

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Submitted by bluecrow on Tue, 11/03/2020 - 18:49

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so last week i zigged while most everybody zagged. went on a '74 search - that's where my main vibe was. first listened to Springfield 6/30 - fantastic show! then Roanoke, with that excellent and very cool Playing, and solid playing overall, and a mysteriously missing major jam sequence but still fun. so its a cool coinkydink to see everybody dialing in on Roanoke last day or so. first night of Jai Alai after that. then Roosevelt Stadium show from 8/6. today was listening to another new '74 for me, the Olympia Hall in Munich 9/14 - there is a really really sweet Usborne matrix of that show - highly recommended! and finished with the last show of that European tour which at times is as deliberate as anything i've heard from that era. morning dew seemed remarkably slow.
i too voted for sanity. be well everybody.

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Submitted by DeadVikes on Wed, 11/04/2020 - 05:40

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Looking forward to putting this show on today. Short show. Bonus for 11/2/77.

Stay well out there folks.

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Submitted by JeffSmith on Wed, 11/04/2020 - 06:40

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I found this note on the Archive from Sirmick on his AUD transfer (132282): "A reviewer at archive.org says "This was a weird event-the band was somewhat scared of the crowd which was yelling at them the whole time." and "There was no encore at this concert-the eyes thing is an error perpetuated through the years starting with deadbase. The Dead left after Johnny B Goode and I think they were glad to get out."
https://archive.org/details/gd1974-07-27.akgd200e.unk.sirmick.132282.sb…

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Submitted by bob t on Wed, 11/04/2020 - 13:00

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No cavity creeps here!!! Love the Aiko coming out of drums, this one and the RPI Fieldhouse show are my two favs from this era!!! I had an audience tape of this show back in the day that was amazing quality!!! Aiko just coming on... the whole second set is pure bliss!!! Bob t

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Submitted by bob t on Wed, 11/04/2020 - 18:48

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Disc 3 of Colgate show...... Scarlet>Fire forgot how good it was, I like the Broome County one a few days later but totally forgot about this one... Good night all. Bob t

Yes, Bob t, Disc 3 of Dave's 12 for me might be the best part of this release.

Another chunk of this show appears on Dick's 34. Should we check out 11/5/77, Dick's #34 for tomorrow?

11/2 is a bit under the radar..

This whole release smokes, high energy and excellent recording. I made it through discs 1 and 2, #3 awaits. Good pick Bob. I need a refresher course on this one, it's been a long time.

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Submitted by wilfredtjones on Thu, 11/05/2020 - 05:40

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Is there good video of that show? I heard a young lady came up and gave Jerry a big hug and kiss at the encore.

-edit- A kind soul somehow posted a review of this show IN THE FUTURE YESTERDAY over on Internet Archive. Of course, I was wondering how the heck that happened, maybe minor digital glitch? Anyway here it is to shed light on my recollection and for you to enjoy! :-)

Have a Grateful Day today everybody :-)

Reviewer: MtnHigh73 - favoritefavoritefavoritefavoritefavorite - November 6, 2020
Subject: Bill Walton's Birthday Show... Sweater Incident
I was at the show. It was one of my first Dead shows and a memorable one, and I want to set the record straight...

Love the crystal clear soundboard recording...
Lots of mention of Boston Celtics players sighted at this show, and to set the record straight. This was "Bill Walton's Birthday" show, and at the beginning of the 2nd set, the band came out. Bobby announced, "It's our buddy Bill Walton's birthday (with full echo effect), and we'd like to sing happy birthday to him, and you can all join in...". You can hear the end of happy birthday on this awesome soundboard version... the audience version of this show has the full announcement before Shakedown.

Anyways this show ripped, and my twin brother and I (not a head) dosed and were in the 1st 10 rows for the entire 2nd set. Memory is a whirlwind of sights and sounds, but I remember dancing my ass off to the Good Lovin'.

THE BEGINING OF THE ENCORE (capitalized because I went on to see more than a hundred shows after this and never saw the next thing happen ever again)... a woman jumped on to the stage with a thick wool-like sweater that buttoned down in the front. She DRAPED THE SWEATER OVER JERRY'S SHOULDERS... just as he started to sing the opening lines to Brokedown Palace... then she was ushered off the stage. The sweater remained on his shoulders the majority of the song, and by the end, it was hanging by one arm off of Jerry. I distinctly remember seeing the woman join her friends back a few rows in front of us during the encore. I'm getting goosebumps writing and recalling this... after the show, my brother and I, two sweaty 16-year-olds leaving the Centrum, and my twin brother turned to me and said: " We got closer to Jerry Garcia then some people do in their entire lifetime!".

The next morning, burnt out catching a ride with my Dad to school, the local Boston radio station announced, " the Celtics were off last night and Bird, Mchale and Ainge accompanied Bill Walton to a Grateful Dead show in Worcester"... goosebumps.

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Submitted by bob t on Thu, 11/05/2020 - 19:37

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I never burned this Dick's Picks. So When I put it into my computer, love that a picture of the Lincoln, NE/ Salt Lake City 73 Dick's Picks CD picture shows up.....Just got to the Phil Jam>Eyes of CD #2.... Anyone in the mood for June 29, 1976 Chicago tomorrow... Big fan of the 5th and final Mission in the Rain!!! Good night all... Bob t

This is a gem in my book Bob t. Of course the chop job, but it is still really good.

I am up for 6/29/76, hope there is a good board out there. Mission in the Rain!

Big fan too.. I think the best of the few played.

I'm in. I did the first set of the first show in the June 76 box yesterday on my bike ride. I was in the mood for some crystal clear dead and it was in the device I picked up.

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Submitted by bob t on Fri, 11/06/2020 - 06:55

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Deadvikes there is a really good board as well as a FM copy from WXRT.. That whole June tour had the last show of whatever stop broadcast.. Jim i also agree with the crystal clear sound of the 76 box!! Surprised that Mission in the Rain didn't make it two weeks later into the Orpheum run in San Francisco. Bob t

I am working my way through it late. The Betty is sounding good. Another show that was part of the ABCD LLC transaction. Maybe some day.

My Dave's 36 is now scheduled for tomorrow. We will see. Love this system.

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Submitted by Oroborous on Sat, 11/07/2020 - 09:45

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Maybe a little Crotchfester from 11/7&8/85 sometime this weekend, perhaps extra credit as GOGD would say....
By the way, where is that rascal?

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Submitted by JimInMD on Sat, 11/07/2020 - 10:00

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I'm doing 11/7/71 today.

I have not listened to the War Memorial shows yet.. I would be interested to check them out.

I'm in.

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Submitted by Oroborous on Sat, 11/07/2020 - 10:27

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Have garage work to do: sanding etc so need some good working music! Plus, I’ve been doing the “five year anniversary” plan for years since it’s hard and very limiting to try and do every anniversary. So for instance this year being a “0” that means I shoot for 65, 70, 75, 80, 85, 90, and 95. Since that still leaves a lot, next criteria is shows from those years I was at, thus, going 85...but,
Have been starting a 71 bender though as I went totally grateful yesterday after grueling gig with no tunes this week.
Vegged out to 2/18/71 and was digging it so much followed up with 2/19/71...perfect as I was so whooped I don’t think I could have fully grasped a big spacey show, and Rockin later years would have been too much energy in my delicate state lol.
Realized, that there isn’t much difference between sets then, meaning 2/18 at least is like 2 bookend sets. They both are mostly just songs, with one tasty smaller jam at the end. I need to find more early 71 jams, like biggins’ if there are any? Where’s GOGD or DOC when ya need em? ; )
Definitely going to Poke around there as time allows. Really hoping to finally get to 10/19/73 tomorrow if time allows a full immersion. Haven’t givin that one a spin in a while and it always calls to me in the fall.

.

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Submitted by Strider 808808 on Sat, 11/07/2020 - 13:27

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Been preoccupied. Will consider what to write about being there fifty years ago. Attended all four nights.
David Lemeiux was born November 8, 1970. Must have been something in the ethers that day. Pre-destined.
My late brother Rick was at the Harding Theater one of those nights 49 years ago.

I've listened to this show once.. I am going to try and give it a second listen.

I love the last half of this comment from setlists.net

"Finally, the space interlude in the Dark Star is some of the scariest Dead I have ever laid ears on. Its like the Book of Revelation--it'll scare the crap out of you. Listen to it at one in the morning with no lights on, at a loud volume, alone, and check back with me. WOW!"