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    clayv
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    "And with this incredibly tight batch of prime 1987 Grateful Dead, we’re thrilled to bring you Dave’s Picks Vol. 36, matching the number that will be forever tied to Dick’s legacy. Thanks for sticking around this long, and for joining us through these past nine years of archival live Grateful Dead releases." - David Lemieux

    We're doing things a bit different for this one - two complete shows on four CDs, bringing you one of Dave's faves and what very well could have been one of Dick's Picks. Yep, back-to-back nights from peak era 80s - the furthest we've gone into the decade, in fact - that will bring you to joyful tears. DAVE’S PICKS VOLUME 36: HARTFORD CIVIC CENTER, HARTFORD, CT (3/26/87 & 3/27/87) delivers emotional takes on tracks like "Row Jimmy," "Black Peter," Uncle John's Band," and serves up a hit list of covers ("In The Midnight Hour," "Good Lovin'," "Desolation Row," "Promised Land," "Little Red Rooster," "Morning Dew," Johnny B. Goode") that'll have you hootin' and hollerin'.

    Limited to 22,000 numbered copies, this one has been mastered to HDCD specs by Jeffrey Norman and is guaranteed to sell out.

    *2 per order. Very limited quantity available.

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  • Roguedeadguy
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    JimInMd

    Fabulous post. That sums up most of my thoughts about the new DaP as well. Its not my my favorite, but it fills a need. It hits the spot for me in the afternoons, when I'm working or doing stuff around the house. I dont fault Dave one bit for picking this as his #36.

  • Roguedeadguy
    Joined:
    Haven't done a last 5 in forever :)

    5) Phish 1998-11-11 at Van Andel Arena, Grand Rapids MI. My first Phish show, and probably only my 4th or 5th show of any sort. Could close my eyes and almost remember being there. I can't believe that ticket stub is old enough to drink now. *sigh*

    4) Beatles White album. Listening to Phish made me think of it.

    3) Moody Blues - Every Good Boy Deserves Favor. Everybody knows what the title is a reference too, right ?

    2) 11-10-73 Winterland Box. No big spacey Dark Star or Other One jam, but lots of juicy intermediate jams. WRS, followed immediately by PLayin - UJB - Morning Dew - UJB - PLayin double decker sandwich, with a Truckin' - Sugar Magnolia - Wharf Rat right on its heels. Probably they were leaving a little in the tank for a the closing night of the run. That'll be in my next last 5.

    1) The Wes Montgomery Trio -- A Dynamic New Sound. Really nice and mellow vibes along with my morning coffee. Even the dog knew to leave me alone for this fleeting moment.

    0) Kevin Eubanks, Opening Night. Yup, that Kevin Eubanks. I have a nice vinyl copy of this. Just flipped it over to side 2, as a matter of fact. Mr Eubanks looks like an absolute playa from the cover. Also its one of the best jazz guitar albums I've ever heard.

  • JimInMD
    Joined:
    Given Up On Getting DaP 36 Anytime Soon

    The good news is, my shipping label was created on 10/30. The bad news, that's the last update on tracking. Thankfully, some kind soul laid the music on me and I got my first listen between last night and this morning.

    Coming off a complete listen to Winterland '73, which is really one of my favorites and something I have not done since it was released all those years ago, this was quite the shock to the system and a nice palate cleanse.

    The shows are extremely hot for the era, Garcia is inspired and at times on fire. Of the four sets, I seemed drawn to set one of 3/26 the most and I am normally a second set person. To be honest, this is a good accompaniment to the April '84 Spectrum show. At times on both releases Jerry's playing is amazing. Clean tones with lots of note stretching and sustain, he mostly makes his notes and chord changes on time and drives the music to some interesting and hard-driving places. There is a ferocity to his playing at times during all three shows, typical for a barn burning 80's show.

    I like all era's, but truth be known late 67 to 74 is my sweet spot. The jazzy, almost classical compositional GD coming off their creative period and before that primal dead. Add in the crisp recordings and thoughtful mixes common in the early years and it’s heaven. I like later era stuff too, and some of the energy and guitar work here is guitar god stuff. It's very Garcia centric, he is the loud one in the mix and he seems to dominate big sections of these four sets.

    I have one general comment about this release, keeping in mind I am not a big fan or crowd noise with my soundboards.. this one is best enjoyed LOUD. It just does not sound right at half volume. If you have the opportunity to really crank it up.. move the volume just to that 'safe' limit that does not threaten your hearing later in life... and it begins to take on a life of it's own. This was after all 1987. Jerry fresh off his addiction and coma and had a new zest for life.. but more than that, this is how the sound had evolved. Post hiatus, they began playing in small venues, theatres, etc. In the late 70's / early 80's they continued their theatre preference but began opening up to colleges and small one-off venues. By the early 80's more and more people were showing up and small venue fatigue set in so they migrated to both indoor and outdoor sheds like the Hartford Civic Center. Never sexy and not always the best acoustics but these venues both amplified the raw power of a crescendo or climax in the music and the reactionary edge of the crowd at any given moment. These indoor arenas in particular became sweat houses full of rowdy energy from the band and the crowd. In all the indoor shows I saw in the mid to late 80’s, I cannot think of one I did not leave with a feeling of elation and dripping in sweat. Think Hartford Civic Center, the Centrum, MSG, Carrier Dome, Augusta Civic Center etc. The floor of Madison Square Garden is supported by big springs so you can feel the building move in reaction to the stomping of the crowd and this energy finds its way into the music. This was the environment they played in and people reacted to these fiery, high-energy shows. Like I said, I am not a huge fan of an audience components in my soundboards, but one release in 36 seems an acceptable number and although I did not make these shows they seem to do a decent job representing what the spring tour in ’87 sounded like.

    One last comment, I understand this release is not for everyone. I will give it some repeat listens but there will come a time when this one begins to get comfortable in it’s home on the shelf. We should not be surprised shows like this get released. Even if it’s not your favorite there are many out there that eat this stuff up and love it. Shows like this need to get released. They are rich in historical content and the band has a responsibility to the extent they can, to preserve and restore these historic recordings for antiquity. We typically get one per year, if you subscribe there is no cost for this compared to the cost of buying three shows ala carte. My two cents.

    Ledded, agree. DaveRock, you can bet 2021 will have The Ark and at least one other quintessential primal dead injection that you simply cannot live without. Ark Ark. If noting else, we are creative and unpredictable.

    Ark. I say phil my dog has no Ark, NO Ark, how does he smell, Blooming Arkful..

    Ark Ark
    Who's there
    Ark
    Ark who?
    Simon and Ark-funkle.

  • LedDed
    Joined:
    Deep Cuts

    Thank God for Owsley (on so many levels) but in this instance for recording all the Dead shows right from the beginning. Even on into the 80s when we lost that marvelous analog tape and went to a digital cassette, the magic is still sometimes there.

    There's no other band with a legacy like this, where they have a top-notch outfit like Rhino putting out multiple releases from multiple eras - every single year. Yes, despite the occasional customer service fail Rhino is a first-tier music distributor. They give new life to old recordings from dozens of bands.

    Along with the Dead never playing the same song the same way twice, getting these releases every few months is just musical nirvana, at least for me. I am beyond Grateful for this music and all the people involved in putting it together. I have nothing to complain about. No one is perfect, when I don't get something just exactly right at my job every time I'm glad there's not a line of angry miscreants standing there to rake me over the coals.

    Last five:

    AC/DC - Power Up (best since Flick of the Switch; Brian Johnson back in top form)
    Rival Sons - Feral Roots
    The Meters - Kickback
    Grateful Dead - 6/11/76 Boston Music Hall
    Stanley Turrentine - Don't Mess With Mister T.

    \m/

  • daverock
    Joined:
    More of the same

    Having so far not re-subscribed I am sincerely hoping that Dave releases more shows of the quality of numbers 35 and 36 next year. It will be just my luck that he opts for an Ark 1969 show or something. Hopefully he will concentrate on the 80s and 90s for a while.

  • Deadheadbrewer
    Joined:
    My Two Cents Worth

    DaP36 offers a unique way to listen to the Dead. We have hundreds of soundboards of varying quality, but this release really puts one "there," in a way that no other releases do. I appreciate that aspect.

    DaP36 fills a hole in the timeline of official releases. For me it's cool to hear what the band was up to at every part of their journey, and we had no official releases from early 1986 through summer 1987. As with DaP35, Dave has recently filled some holes in the puzzle we all love putting together. Whether a release is THE BEST show ever sometimes can take a back seat to fleshing out the skeleton.

    DaP36 is really fun! Once my ears adjusted, I enjoyed the audience's enthusiasm and the band's energy. I would have enjoyed being at these shows, and at the end of the day, that's all that matters to me.

    DaP36 is a fantastic 50th birthday gift from Dave to us and to himself. This year also marks 21 years of Dave working in the vault, so if he wants us to open our minds a bit to what type of releases are possible, in order to get his first show (and the one that got away) out, then bless him. Most of us would have released our first show looooong before 21 years and hundreds of shows came out, and many of those shows were not nearly as good as 3/26/87. Speaking of first shows, how about 6/24/91 as a four-show Tail-End-of-Summer 1991 Box Set, please, Dave? :)

    Believe it if you need it, if you don't, just pass it on . . .

  • wilfredtjones
    Joined:
    best Bird Song

    A lot of people like Cole Field House 1981. Me, I like a lot of them with 3-9-81 MSG holding a special place for me. I can only wish that they had better taped a lot of those early to mid-80's shows. The return of Bird Song in 1980 went off quite well, also. I agree that this DaP 36 version is a burner though. Pre-midi, too. They really piled on the Midi effect on this tune when that was all the rage. Imagine what Grateful Dead with Auto-Tune would have done...

    http://headyversion.com/song/26/grateful-dead/bird-song/

  • myeviltwin
    Joined:
    Bird Song

    Definitely the best Bird Song ever.

  • daverock
    Joined:
    Last 5-everyone a winner

    Lonesome Town Ricky Nelson
    Complete Chess Recordings cd1 Chuck Berry
    Live in New Haven 12/9/2001 King Crimson
    Live in Roanne 8/17/73 Gong
    Dicks Picks 26-4/26 and 27/69 vinyl Grateful Dead - it cost a bomb and it is a bomb. Listening to American Beauty last week and this yesterday reminds me what it's all about.

  • jrf68@hotmail.com
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    This was a fun find...

    Jack White, Jimmy Page & The Edge.
    https://www.youtube.com/watch?v=VPfjWsbCZV0

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"And with this incredibly tight batch of prime 1987 Grateful Dead, we’re thrilled to bring you Dave’s Picks Vol. 36, matching the number that will be forever tied to Dick’s legacy. Thanks for sticking around this long, and for joining us through these past nine years of archival live Grateful Dead releases." - David Lemieux

We're doing things a bit different for this one - two complete shows on four CDs, bringing you one of Dave's faves and what very well could have been one of Dick's Picks. Yep, back-to-back nights from peak era 80s - the furthest we've gone into the decade, in fact - that will bring you to joyful tears. DAVE’S PICKS VOLUME 36: HARTFORD CIVIC CENTER, HARTFORD, CT (3/26/87 & 3/27/87) delivers emotional takes on tracks like "Row Jimmy," "Black Peter," Uncle John's Band," and serves up a hit list of covers ("In The Midnight Hour," "Good Lovin'," "Desolation Row," "Promised Land," "Little Red Rooster," "Morning Dew," Johnny B. Goode") that'll have you hootin' and hollerin'.

Limited to 22,000 numbered copies, this one has been mastered to HDCD specs by Jeffrey Norman and is guaranteed to sell out.

*2 per order. Very limited quantity available.

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39 years ago today I was at Fiesta Hall for a really fun show with the Dead. High Noon opened the show with Mickey Hart & Merle Saunders , Bill Kreutzman also joined them. The Dead came on and backed Joan Baez with an acoustic set, opened the show with Me & Bobbie Magee. The electric Dead came on and did a great set, nice Dire Wolf, nice Cold Rain & Snow. It was a benefit show called Dance for Disarmament, it was a relatively small place and the Dead seemed like they were having fun. A great warm-up for the year end shows at the Oakland Auditorium.

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Was at the 12/12/81 benefit. It was a small venue. I don’t think it was a 100’ feet from the back wall to the stage. The New Years run was the best December Grateful Dead concerts I ever attended.

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Hey Strider, I'm glad you were at the show, I had alot of fun. Youre right about those 1981 year end shows at the Oakland Auditorium, they were a blast! I went to all of them, big fun! Have a great day.

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In reply to by Dennis

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Putting your brain into hyperspace sounds even better.
🛸
🤪
🤯

The show was a little mild as they started with other artists from around the country doing a seasonal tune...then when the 'Bos actually started they performed a lot old tunes from last year's Christmas album...after the song "Teresa" things picked up...Cesar was a no show (again) and they're breaking in a new drummer who isn't quite there yet but it was only his second gig I believe...and damn...the Crown Royal Cask No. 16 was good...

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....i figured it out. Fell asleep before it was over though. LOL. I'll revisit the rest tonight.

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.... but after the recent discussion about the Gretsch(sp?). I know Dave has one as his avatar. A lot of people like them, I know nothing about such thing. But found this video and this woman is playing one. It DOES have a nice sound!! I never heard of this woman but maybe someone will enjoy. Opening song is a bang up job.

https://www.bitchute.com/video/caSZX4OkAGzA/

On The Beatles...what gets me is that their recording years encompassed all of eight years...from "I Want To Hold Your Hand" to side two "Abbey Road" in eight years? Incredible...

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Yup you're right about the Yardbirds trying to snag writing credits from Tiny Bradshaw...Burnette and company did credit Bradshaw, had to dig up a photo of the Coral 45 for confirmation...so many bands tried to that and the Yardbirds were just as guilty as any of their peers...I've always been bugged about that concerning "Jeff's Boogie" which is just an amped up garage version of "Guitar Boogie" by Chuck Berry...also before I forget about Sister Rosetta Tharpe and the video that was posted here...that is part of a five DVD set of the American Folk Blues Festival tours in Germany and the UK in the early 60's, a must have set for anyone interested in the original Blues artists...lots and lots of good stuff ...highly recommended

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Hey Nappy, you're a 100% right on the American Folk Blues Festival DVDs, a must have for anybody whose into blues music. I have them, they are fantastic!

Gretsch. Brian Setzer is one of its finest exponents, and his Hot Rod models are things of beauty. The sound is amazing. The one I have always had an eye for, though, is the White Falcon . I try to trade a guitar in for every new one I buy these days. But don't know what I could trade in to afford a White Falcon. My car, probably.

They played it when I saw them in London on10/3/81, too. Spine tingling.
Old and In the Way playing as I type - a comparatively new album to me, and very nice too! This is the release from about 1976 that came out originally on Round Records.

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Christmas to all on here!! 2021 can't come soon enough. I think I will have to give Garcia Live Vol.15 my Fave of the year award. So ferocious(Primal!!) and full of joy.
DAVEROCK, have you considered asking Santa Claus for a White Falcon?? I hear he's loaded this year.
JIMINMD, I hope you get a Turbo-Booster for your lawn mower Time-Machine.
For everyone else, I hope you all get Tons of beer & buds!!

Music is the best!!

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9/8/73 Nassau. Wow!

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In reply to by carlo13

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Hey.. weren't we just talking about this tour somewhere? Pretty cool.. the vibe made it's way to Senor Sasquatch.

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If you enjoy that album, you may want to look into 'Live At The Boarding House' Box Set. They played 2 nights there: 10/1/73 & 10/8/73, 2 shows per night; from those performances there were 4 individual releases. An FYI if you'd like more.

Davestrang - thanks to a good friend of mine on here-Martin-I have copies of two cds from the Boarding House October 1973. I started playing one of these earlier on. Also great-an unexpected ( to me ) version of "The Great Pretender" two songs in, followed by "Catfish John".

Mr Ones-White Falcon-sounds like a hint that you have got one for me for Christmas!

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Has anyone else not received their Dave’s 36? I have a string of emails going back to early November with responses indicating a new order would be placed but still no delivery. My first go round with this, long term subscriber with no other issues. Any advice would be appreciated.

Still missing mine. I think they had to print more, likely the result of continuing warehouse fiascos.. but I haven't heard much either.

Time for Plan B. Effective immediately all warehouse functions are being transitioned to my basement. A fleet of highly trained, stoner bicycle messengers are being assembled to expedite shipping. Not only are these the worlds best bicycle messengers, they're fans too. For our overseas friends.. please be patient as our amphibious bikes have this problem where they sometimes sink.. but fear not, our crack technical support team has some promising ideas in the works.

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Sadly, when I went to the cash register to pay for your white falcon, it turned out that I was just a LITTLE bit short on funds. Good news however, I did put in a request to the North Pole, and I feel pretty good about your chances for 12/25 delivery. Check under the tree, next to the fireplace!!

Peace and love to all, stay safe and be well. Only 15 days until we can kiss 2020 goodbye.

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In reply to by Mr. Ones

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I have to advise you that kissing anything apart from, perhaps, your own well scrubbed wrist is not recommended at this time. I can guarantee that if I was kissing anything it wouldn’t be 2020.
Stay well, stay safe and let’s hope next year will get better eventually.

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Great show! Great recording! Thanks Dave!

Maybe some day Hampton or Philly.

ps. It's like a McDonnell Douglas DC-10 wide-body landing at Laguardia!

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Fantastic band that I learned about in college due to being introduced to Peter Rowan, Vassar Clements, and David Grisman. I thought it was a cool added bonus that Jerry Garcia was on banjo. The first time I'm aware of loving some Jerry Garcia music was actually from hearing Shady Grove, the one on the album named Shady Grove by Garcia and Grisman. A guy was playing it at his booth at a flea market, and I thought it was one of the best songs I'd ever heard. So, finding out Jerry played straight ahead bluegrass with OAITW a couple years later, and was playing banjo just blew my mind. Got to see Old & In the Gray at Merlefest in 2001 with Herb Pedersen on banjo and Bryn Bright on bass accompanying the originals Rowan, Grisman, and Vassar Clements. A few months later I got to talk to Vassar a little bit at a smaller fest called Brushy Mountain Jamboree, he was playing with Larry Keel, Curtis Burch, and Joe Craven. They did a Lonesome Fiddle Blues that was simply spectacular, Craven and Clements going back and forth on fiddle like Johnny and the Devil in the bastardization of Clements classic fiddle tune.

Anyway, you can't go wrong with any of their stuff. And I hope more of those reels exist at the Owsley Foundation and a release comes out next year. They alluded to hoping for four releases next year, including the biggest name in their vault. I'm not sure whether they can actually put out a Dead release through the OSF, so perhaps the biggest name they do have would be OAITW.

Also, was listening to DaP 5 11/17/73, and The Sequence hit me better this time for some reason, but as I pulled into my parking spot Eyes was dying away and Jerry was clearly playing it to segue into China Doll when Bob starts up Sugar Magnolia instead. Jerry immediately followed. In Bob's defense, they had just done Stella Blue and Morning Dew, so maybe he was ready for some hotel action.

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In reply to by Mr. Ones

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Good man! A white falcon was made to be propped up beside a tree on Christmas morning.

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I saw that guitar the other day when I was out, but didn't go inspect it close up. I think it was at a Guitar Center, maybe another music shop I was in, but that looks pretty sweet. Like the semi-hollow and Les Paul kind of shape, but more of a PRS vibe. But as I am an awful guitarist, I can play it at the store and admire it, and settle for my Ovation.

And Daverock, the White Falcon may be prettier, but the Orange Gretsch that Joe Walsh gave Pete Townshend gave the world Who's Next and Quadrophenia. I like that crunchier sound.

Alvarhanso-yes, that's a great sound that Pete Townshend got with that orange Gretsch.

Gretsch's come fitted with various different pickups, but the main two would seem to be single coil dynasonics, or humbuckers-the modern ones styled by T.V.Jones. The choice of amplifier is obviously a massive component in producing the sound, but basically, the humbuckers seem more disposed to produce the crunch, and the single coils the twang. Personally, I go for the twang - so many greats - a favourite among many is Cliff Gallup who got a great glassy tone with Gene Vincent with his Gretsch Duo Jet. Which looked a bit like a Les Paul, but was hollow.

Perhaps I should also add that I too am a crap guitarist. If a thing is worth doing, and you can't do it well - it's still worth doing it badly in my books.

....hoping for better shipping updates and deliveries, but I think it will be bigger. And better. '69 Ark Box?
TPTB do listen to these boards.

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When I think of the Pete Townsend sound I think SG through a Marshall halfstack or 6.

A big orange Gretsch makes me thing Chet Atkins. I haven't played a lot of Gretsch guitars admittedly. I'd like to try out one of those Chet models. I know Setzer is known as a Gretsch player; he's closer to Townsend than Atkins.

I bought a PRS in May this year. Its my first and I get what eveyone is talking about. The attention to detail, quality and playability are stunning. I also get the point that they don't seem to have that distinct tone of a Lespaul or strat.

I'm planning on getting another PRS though, over anything else. I'm blown away by the craftsmanship.

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In reply to by Slow Dog Noodle

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The one Walsh gave him was used almost exclusively for recording from Who's Next on to apparently the present day according to a recent interview. Walsh, who is also not really known as a Gretsch guy, loved the guitar, but thought Townshend could make better use of it sonically, and he was right. That chambered body and his use of feedback create rich tones. The SG period was 1968-71, then numbered Les Pauls from 1972 until 1982, when a Telecaster was added. The Gretsch was used and smashed on a Top of the Pops "performance". I think it was 5:15. Most of his smashed guitars, he and Bobby Pridden would fix after the show. I think he did play the Gretsch at the Concert for Eric Clapton at the Rainbow in 1973 to get Clapton off heroin, at which Clapton oddly played a Les Paul.

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He's actually quite versatile, Brian Setzer. He can finger pluck with the best of them. In a typical performance he throws in jazz, blues, blue grass, country, rock n' roll-everything but the kitchen sink, really. And sometimes that too. I have one live dvd where he plays "The Race is On"...on a banjo! I've only ever seen him play with The Stray Cats-I'd love to see The Brian Setzer Orchestra live. Not likely to happen!

I got into rock n' roll, as opposed to rock, in 1981 when I first saw The Stray Cats and The Cramps. Same year as I saw The Dead-but they seemed to disappear off the map shortly after I saw them. The Cramps came over at least once every other year throughout the 1980s. Up until then I had thought rock n' roll was a bit of a joke. Big fat Teddy Boys in their 40s. Which was old to me at the time. But The Cramps shone a different kind of light on the 1950s and early 60s, and as the 80s were a bit vapid, that was where I chose to go.

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I've owned over 100 guitars in the last 50 years(bought, sold, traded - it's a disease), and no matter what, I always go back to Telecasters; they're built like tanks, and I can get pretty much any sound(except metal.) My next favorite is the Les Paul Special TV yellow, these have the raunchiest P-90s ever created.
Martin made some nice archtops with Dynasonics in the 60s, they sound just like Gretsches and are cheaper. I love old Guilds too...had a '56 M75 Aristocrat, it was Guild's answer to the Les Paul; fantastic guitar, similar as a LP but the
body was chambered. Also had a Gretsch-made Bigsby repro of Billy Byrd's guitar that looked and sounded great.

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In reply to by Cousins Of The…

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Fantastic instruments. I have only bought budget ones apart from an entry level American model, a pink paisley Japanese model...and a few years ago I saw one of the original three pickup James Burton's from the 90s-going for a song as they have since been updated. Its a great guitar, but perhaps not the one to choose for classic tele tones.

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In reply to by daverock

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I had just finished reading a Brian Setzer interview in which he praises Gretsch Guitars when, lo and behold, up came the guitar discussion here. If anyone is interested there is a link to the article below. I always loved The Stray Cats!

https://www.guitarworld.com/artists/stray-cats-legend-brian-setzer-noth…

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mistakenly ordered two subscriptions this year and would like to offer Daves 35 and 36 as a package deal for cost plus shipping (around $65-$70 total). My only request (honor system) is that you don't buy to flip on eBay but rather listen and enjoy. For any or you who missed out, first one who PM's me gets them. I'll even try to get to you to get under your tree on 12/25 (but no guarantees).

Deadegad - thanks for including that interview with Brian Setzer. I was at that gig where they play "Rock This Town" in one of the film clips included - the one at The Hammersmith Odeon, London on 27th June last year - a great night. That album he refers to in the article"40" is well worth getting if you haven't got it yet. There is also a live album from that last tour which is on my radar.

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Your welcome. That's s a good interview and I liked the insight he gave on a Gretsch. I was streaming "40" via Amazon and will buy the physical cd because I like physical products and supporting the artists too. It would be great to a see a Stray Cats show at The Hammersmith Odeon or another band. I have an official Zappa show from that venue and bootlegs of other bands from Dimeadozen.

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In reply to by deadegad

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Yes, you can't beat good old live venues, and vinyl or cds for later on. I got "40" on silver- grey vinyl, and it kicks like a donkey.

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Keith Richards birthday today-77 in terms of linear time. If I drank I'd drunk.

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Lives here in the Twin Cities; puts on a Christmas show that I've heard great things about, but it's expensive and sells out right away (or close enough that one has to sit in the nose-bleed section for big bucks). The other issue is that he always BEGINS the Christmas tour here in Minnesota, so the show is the first week of November, when I'm NOT ready for Christmas music.

I was ready last year to pay attention and jump on tickets immediately, but then the poor guy's tinnitus got so bad that he had to cancel the entire tour of about twenty cities.

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