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    clayv
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    "And with this incredibly tight batch of prime 1987 Grateful Dead, we’re thrilled to bring you Dave’s Picks Vol. 36, matching the number that will be forever tied to Dick’s legacy. Thanks for sticking around this long, and for joining us through these past nine years of archival live Grateful Dead releases." - David Lemieux

    We're doing things a bit different for this one - two complete shows on four CDs, bringing you one of Dave's faves and what very well could have been one of Dick's Picks. Yep, back-to-back nights from peak era 80s - the furthest we've gone into the decade, in fact - that will bring you to joyful tears. DAVE’S PICKS VOLUME 36: HARTFORD CIVIC CENTER, HARTFORD, CT (3/26/87 & 3/27/87) delivers emotional takes on tracks like "Row Jimmy," "Black Peter," Uncle John's Band," and serves up a hit list of covers ("In The Midnight Hour," "Good Lovin'," "Desolation Row," "Promised Land," "Little Red Rooster," "Morning Dew," Johnny B. Goode") that'll have you hootin' and hollerin'.

    Limited to 22,000 numbered copies, this one has been mastered to HDCD specs by Jeffrey Norman and is guaranteed to sell out.

    *2 per order. Very limited quantity available.

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  • DrDarkStar
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    Spring 1987 - Jerry rising like a phoenix from the ashes...

    Caveat of bias: I attended both shows and several others on this tour. The Spring '87 tour was very high energy, and reflected Jerry 'rising like the Phoenix from the ashes of his opioid-induced haze culminating in his diabetic coma. The shows were all short, but many were very well-played.

    The first night of Hartford was one of the best played nights of the tour, others including the first night of Philly, the first and third nights of Worcester. Every song in both sets is played pretty much flawless, albeit too short. This was typical of that tour. Short but sweet songs and sets. Highlights (for me) were the Midnight Hour opener, a really powerfully sung He's Gone (Jerry's vocals throughout the first night are really strong), and a gorgeous Black Peter.

    The second night was the night for "Touch-heads." It was a party atmosphere, and the setlist was standard. Hard to complain about a second set Cumberland though. The post-Space Uncle John's>Dew with a JBG encore was a great way to end the second set. Overall, the second night was less "on" IMO, but was really fun. The Touch of Grey, however standard, was inspiring because we all knew Jerry was BACK.

    The circulating boards have always sounded like a matrix to me, and the brief sample I listened to seems to indicate the same matrix source material. Am hoping the discs sound better...

  • Deadheadbrewer
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    My GD Taper Friend

    I have a friend who has EVERYTHING. Once a year he asks me for $100 for blanks and postage (B&P), and then he goes through his thousands of tapes and picks out four shows that really float his boat. He's busy, so he can only send me a copy of a show every three months or so. He does his best not to burn me out on any one period, so he avoids sending me, say, three June 1976 shows in one year. If he does get really excited about those three 1976 shows, then he gives me the option of sending more B&P money.

    When he does send the shows, he has his friends do some sweet art on the inserts, and goes through his tapers circle to find the lowest-gen copy out there. He routinely upgrades the equipment used for making the copies. For the sets that are all from, say, July 1978, he puts them in crazy-cool containers and loads the containers with old ticket stubs and tour programs.

    What do I do when I get the shows? I complain.
    I complain that the show isn't from my favorite year, even though he's sent me 26 of the 40 shows from 1974, and 32 of the 60 shows from 1977. 1972? Only 34 of 82.
    I complain that the sound could be better.
    I complain about the art.
    I complain that he's too corporate.
    I complain that he's charging too much.
    I complain that it took many days for the shows to reach me.
    I complain that he gave me only two months to send my B&P money.

    Despite all that complaining, he sends me a song a day for all of November--free! He gets excited about nuggets he's heard whilst perusing his shows, and just sends me a treat every day for 30 days. My B&P money ensures that he can maintain his tapes and keep sending me songs and shows and sets, but I sometimes feel like I should begrudge him that $100 (although, come to think of it, I spent $100 on a mediocre restaurant meal just the other day . . . ) or that I should stop sending him that money, but just hope that his interest in the project continues. Maybe I should require him to tell me in advance which shows he's sending before I'll give him a nickel?

    He's enriched my musical life beyond anything I could have dreamed of, but I often get this nagging feeling that he's really out to screw me.

    DaP36? Believe it if you need it . . . if you don't, just pass it on . . .

  • wissinomingdeadhead
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    SOLD OUT

    & that's that!!!!

  • JimInMD
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    Re: Noah Webster

    First.. great Noah Webster reference Jimbobwe, I bet you are right. I thought of Hartford Court Publishing (didn't they make school books?), but I did not research this and have no idea if there is a correlation, I bet you are right. I assumed they were claims manuals and volumes of insurance policy and procedure manuals. (kidding, but the streets in Hartford are paved with insurance money).

    I'm not terribly surprised this sold out. A little quicker than I might have thought, but I suspect subscription sales were high this year. It seems like each subsequent release though the course of the year sells out more quickly.

    It will be interesting to see what this does to subscription sales come November and December. ..not that I care, I'm sure to pony up for another year come November.

  • daverock
    Joined:
    Sold out?

    Crikey...maybe I'd better subscribe again after all !
    Mcgrupp- liking The Dead from 1968-1974 only doesn't necessarily mean you like them less rather than more. Their music in that timespan transcended measurable limits. A bit like how the Tardis, in Dr Who, looks small from the outside and is vast inside.

  • Colin Gould
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    Sold out quickly

    Considering no one likes the 80’s this set sold out really fast.
    Everyone has a choice. If you only like a subset of the band then don’t subscribe and pick up the shows you want separately. You then take the chance that you won’t get them and you will pay over the odds on eBay, Even if you do get them at dead.net then you’ll pay the going rate at the time. Subscribing at the early bird rate is the cheapest way of getting the DaP series but you will get shows from eras that don’t excite you.
    I subscribe because I want them all even if some are better than others. They all have some interest to me. Of course, I never saw any shows so what do I know.

  • Jimbobwe
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    Cover Art - Books Reference

    I see people asking about the Cover Art and "books" reference. Noah Webster the "Father of American Scholarship and Education" was from Hartford, CT. Apparently his "Blue-Backed Speller" books taught five generations of American children how to spell and read. I would imagine he is the inspiration for the cover, however Mark Twain also lived in Hartford for a period of his life.

  • mcgrupp216
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    Meanwhile, it's Bobby's bday!

    Throw on 10/16/89. Another superb October, btw.

  • mcgrupp216
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    Right on, MARINSMITH.

    If you pretty much only like the dead from years 68-74, then you actually dislike them more than you like them. And that's OK!

    I took a deep dive these past couple of weeks into Oct. '84 and was rather surprised by how much I liked it, especially the dark Playin' jams. I did the same with Oct. '94 last year. Really dug those shows. I honestly feel like 10/1/94 ranks among one of the best shows from all of the 30 trips.

    At any rate, I subscribe because I want them all. Still waiting for the Vince era shows, by the way. Perhaps next year? In the meantime, I'll gladly take the '73, '74, or '77 that seems due to kick things off in 2021. 

    1- 77
    5- 73
    9- 74
    13- 74
    17- 74
    21- 73
    25- 77
    29- 77
    33- 77
    37-  ??

  • Angry Jack Straw
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    Repost

    "Count me in as skeptical. This release seems like Dave’s gift to himself. I saw six shows of this tour, including the first night of Hartford. None of them were overly memorable. More like a few highlights here and there. Have not listened to any of that tour since seeing the shows. If I recall, 3/26 had a cool Midnight Hour/Cold Rain opener, a nice Birdsong and a high energy China/Rider.

    Dave has done a superb job, but the supply of quality shows is certainly dwindling. I will give the subscription one more year and then likely revert to a la carte."

    This is my post from a couple of weeks back. Essentially saying the same thing as Doc, just maybe not as eloquently.
    I'm a math guy, not an English major. I wasn't attacked. Even if I was, I could care less.

    Not bashing the band or anyone's favorite era. Just stating an opinion and my preference. I only saw the band in the 80s and 90s. Brent was without question the driving force for many of those years. As was said, seeing them live, his keyboards never seemed to overwhelm the band. Now that I hear the recordings years later, I can't tolerate that plinky, overbearing sound. Simple as that. And I certainly don't want to pay for it. To me, the MIDI and all the other gadgetry makes it even worse.

    Folks on here comment about Donna's shrieking, yet they rarely if ever get criticized. I was never able to see the band during that era, but I doubt it came across that way live. Regardless, it was how the band sounded at the time as they evolved. I'll stick to that era and earlier.

    One other thing that was correctly pointed out. Dave played these shows on Sirius earlier today. If the crowd noise is as prominent on my stereo as it was on the radio, no chance these shows ever get a second listen.

    For all you later era fans, do yourself a favor and write down a list of your favorite songs. Then right along side of each one, jot down the year it was first performed. Things get pretty sparse after 77.

    Just remember, as I was told many years ago:

    Don't listen to the band through rose colored speakers.

    AND

    The scene was always better before you got there.

    Enjoy.

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"And with this incredibly tight batch of prime 1987 Grateful Dead, we’re thrilled to bring you Dave’s Picks Vol. 36, matching the number that will be forever tied to Dick’s legacy. Thanks for sticking around this long, and for joining us through these past nine years of archival live Grateful Dead releases." - David Lemieux

We're doing things a bit different for this one - two complete shows on four CDs, bringing you one of Dave's faves and what very well could have been one of Dick's Picks. Yep, back-to-back nights from peak era 80s - the furthest we've gone into the decade, in fact - that will bring you to joyful tears. DAVE’S PICKS VOLUME 36: HARTFORD CIVIC CENTER, HARTFORD, CT (3/26/87 & 3/27/87) delivers emotional takes on tracks like "Row Jimmy," "Black Peter," Uncle John's Band," and serves up a hit list of covers ("In The Midnight Hour," "Good Lovin'," "Desolation Row," "Promised Land," "Little Red Rooster," "Morning Dew," Johnny B. Goode") that'll have you hootin' and hollerin'.

Limited to 22,000 numbered copies, this one has been mastered to HDCD specs by Jeffrey Norman and is guaranteed to sell out.

*2 per order. Very limited quantity available.

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In reply to by daverock

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I love The Rolling Stones and -- ain't it the truth that Keith is quite the survivor. Kryptonite. Silver Bullets. Nuclear Bombs. Nothing stops him. If you pounded a stake through his heart then he would just pull it out and have you down for dinner!

Yes old venues are a pleasure for a show. The Furthur shows here in New York City at the Beacon were a treat, and, likewise, Radio City Music Hall plus The Capitol Theater in Port Chester New York.

I would love to get a turn table and collect vinyl LPs. My place, however, is small so perhaps when I have more room. Yet I would not even know how to make a wise purchase on a turntable with stereo system because it has been so long since those days of having one in the family room as a kid, or lad, with the family. The salesman will try to sell me everything. I have got some research and catching up to do.

Holding vinyl albums in your hand and reading the liner notes while admiring the artwork is a pleasure! Everyone "in the know" says that the analog sound is superior to digital. I did get an iBasso DX80 dual audio chip music player used off of eBay which plays flac , wav, etc., and, added extra memory so it hold a tremendous amount of music and the sound is much, much, better than MP3 which is not a surprise.

I did not know about Setzer doing a Christmas show? Not to be callous, but after everything that has happened in Minnesota and that area -- I am surprised the venue is still standing and not a smoldering ruin.

Are we even allowed to celebrate Christmas this year or Hanukkah?

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When is a Telecaster not a Telecaster? Is any guitar with a Tele body shape considered a Telecaster? I have a Charvel Tele-style with a natural ash body and two Seymour Duncan humbuckers, and let me tell you a brutal metal sound can be gotten out of that thing. Also a Schecter Pete Townshend model like the one Pete plays in the Eminence Front video. Was always a sucker for the Kenney Jones era for some reason. It too has dual humbuckers with a coil tap and you can dial in anything from twang to crunch.

I have always admired Gretsch guitars, in the hands of other players. I can enjoy handling them in music stores but have never owned one. The necks aren't particularly forgiving. They seem to fight back a little, perfect for the aggressive pick attack of rockabilly... I could see dating one but don't think I could fall in love. Their greatest contribution to rock and roll, imo, is now realized as the Malcolm Young G6131-MY Signature Jet.

Been listening to Roy Buchanan and other blues all morning. Perfect for a chilly Colorado winter day, overcast... blues and strong coffee and a Fender Tele in my hands is feeling just fine. I tore out the stock pickups on this Tele (it's from the 2000's, not vintage) and installed a Roy Buchanan-cloned set. Cuts through nicely, cries and screams like a good Tele should.

Bunch of my friends are getting into the vinyl resurgence. We're all in our 50s and grew up with 8-tracks and vinyl to some extent, of course, then moved away from it but now many of them being older and gainfully employed are getting into filling up their houses with vinyl.

There's something to be said for admiring cover art and holding a record in your hands, and I do love the hisses and pops when the needle drops. The vinyl aesthetic is unparalleled, in my opinion. But I'll argue that the sound is not better. I believe it's an argument rooted in nostalgia and a purist's philosophy. Vinyl, to my ears, even on very high end equipment has a wonderful acoustic warmth, but suffers from midrange boominess and a loss of clarity and definition in the high end. Vinyl sounds like someone placed a pillow over the speakers, to a degree.

Now I know that's not a popular position to take these days, an inconvenient truth, but my ears don't lie. The human ear cannot hear the tops of the waveforms that are cut off by the digital format. Neil Young and Eric Johnson can argue the point all day long, and good for them. It's just my own personal truth after many side by side comparisons through the same speakers and power amp, going from vinyl to remastered cd's, there's no comparison.

Most prominently with Led Zeppelin and Steely Dan, there are buried tracks low in the mix of acoustic guitar and percussion that you can barely hear - or sometimes not notice at all - on the records, while on the cd the full sonic spectrum is crisp and punchy with no loss of bass, just that boomy pillow is removed.

It's cool, I love hanging out at listening parties where everyone gets to place one side on the turntable and drop the needle and pass around the album cover. I pretty much think everything was better in the 60s and 70s - the music and the movies, to be sure - but at the risk of invoking the wrath of purists who insist their high-end system says otherwise, vinyl may be cooler but digital sounds better.

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In reply to by LedDed

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I never owned a turn table but our family had one. Having never listened to vinyl and cd in a side by side comparison, I can not give and informed opinion. I have, however, listened to a cd ripped to mp3 and then transferred to an mp3 Zen Creative player and then plugged the same headphones into a cd player and listened to the same track . . .. and it sounded much better than mp3. Richer. Fuller. Warmer. The same words people who are pro vinyl typically use.

Maybe I won't get the turntable after all?

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In reply to by deadegad

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I don't compare the sounds -playing the cd then the vinyl - between the two mediums, but to me, vinyl has a distinct sound that I really like. It seems to fill the speakers more somehow, and the live records sound a bit more like a live concert than a recording of a live concert. Its hard to put into words. Some cds do sound better than vinyl - and sometimes its the other way round.

Ledded - to me a Gretsch really comes into its own when you try a bit of finger picking. I am very basic on a guitar-but that one pictured as my icon sounds incredible playing the bass strings as rhythm and using the top three for melody. It seems to have echo built into it-but play it through a valve amp with a Memphis Sun echo pedal and your on the way to the moon. The Keeley Ibanez analogue delay pedal is also great for a bit of slapback.

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In reply to by Vguy72

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I haven't seen them that close since I was a little kid.

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In reply to by Deadheadbrewer

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The Jerry/Lobo clip you posted was the night before the AIDS Benefit gig at the Oakland Colliseum Stadium...friends who were backstage hanging with the Lobos & crew before the benefit in Oakland told me that Hugh Romney came walking by ...My partner Mouse (who was one of the 'Bo roadies) yelled out at him "Hey Hugh, how about a picture" Hugh walked over thinking he was taking a picture with them, instead Mouse handed him the camera and friends and crew bunched up for a shot...Hugh stood with the camera for a few seconds then nodded and grinned, snapped the shot and walked away chuckling...Mouse was the one who got a copy of the New George's video for us...there's also video of Jerry playing with them at New George's in '86, supposedly his first post coma appearence in public...

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Nappy, that's a funny story. I've seen the other videos, Santana is in one with Garcia, it's in Nov. 1986. Garcia looks like he's having a good time.

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https://m.youtube.com/watch?v=Bp_LbYql79I. Sixtus, that is a very cool video you posted, Santana and Garcia really tear it up on there. I posted the one I was mentioning to Nappy, it took place at a Los Lobos gig, in Nov. 1986 at a club called New George's in San Rafael.

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In reply to by billy the kid

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Hi Sixtus...the dude with an eye patch on accordion is Norteño legend Steve Jordan....rock on...

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Thanks People - cool links, lots of accordion! Gives me a newfound appreciation for this when 'ole Brucey busts it out from time to time.

Happy Holiday Time to All.

Sixtus

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In reply to by Sixtus_

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Ole Brucey sitting in on Keys.

Somebody out there must know that show...

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In reply to by JimInMD

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...I swear Jerry says that during one of the Garcia Band performances that was released where Bruce sits in (forget the date, it was a '91'er I believe); I wanna say either right before or just after they do Chuck Berry's 'C'est la vie' (which is the best song from Pulp Fiction IMHO). ....Or maybe it was Breadbox (another JGB favorite).

Sixtus

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In between Waiting for a Miracle and think from 11/9/91 Hampton, a few songs after You Can Never Tell (C'est La Vie).

At the end of band introduction we get "...and ole Brucey sitting in"

There's a few late era JGB songs I get.. Bright Side of the Road and Shining Star come to mind. I don't think Jerry ever hit this song out of the park and I wish he got to it a few years earlier when his voice was less haggered.. but I have a soft spot for What a Wonderful World as well.

I forget what my last Garcia Band show was.. but I have a sneaking suspicion they weren't doing many of these then. I tried like hell to see them when they were around, but they didn't venture East nearly often enough. I sure am thankful for the Garcia Band shows I was able to attend. Informal, relaxed, less ticket hype and crowd stress.. and he sure did like to stretch out some of the jams. There were some hard rocking shows mixed in.

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In reply to by Vguy72

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...with Brucey sitting in? Didn't realize he made such a late appearance. I shall also check this one out.

Jimmy, great breakdown of the quote. I always loved JGB shows for exactly the reasons you describe. Not so crazy in terms of the scene, but man he would play and jam. My only gripe might be shorter setlists and more often repeats, but at the end of the day it was all fantastic....just like the Good Ole GD.

Sixtus

Yes, SMR is excellent.
Just finished Days Between which was also pretty good.

I like the sound of the hula girl guitar.

This show is good, possibly release worthy. A few vocal flubs in ScarletFire, but overall a good show.

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In reply to by icecrmcnkd

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Such a fun show! I was able to make all three nights in Charlotte and was a wonderful time for my first shows in the South. The Unbroken Chain Scarlet->Fire just set the place ablaze. I think it took another 20 minutes before my feet touched the ground

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Gosh darnit. That Quran learning post fooled the gosh dang heck out of me. I thought for sure it was a legitimate post. I mean, he mentioned Brucey and everything!! Then, when I clicked on the link......my computer blew up.

Won't Get Fooled Again.

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In reply to by Mr. Ones

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It's funny that my post was swept up in the spam purge.

It did have the effect of either consciously or subconsciously drawing ones attention to the Blues for Allah period. A nice little 1975 studio effort.. a perfect album for the band at that time. Paradise waits.....

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I was at that show also and was blown away that they did Unbroken Chain. Also was unexpected, seeing Bruce again with the boys. That show was the last I saw of Jerry.
Hope everyone stays safe and has a great holiday!

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In reply to by musicnow

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.....that if you drop down your user profile menu, there is a chat box option?

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Happy Christmas everybody!

Sad to hear of the demise of Leslie West. I was fortunate enough to witness Mountain live in 1971 at the first Crystal Palace Garden Party in London. The line-up was Quiver, Mountain, The Faces and Pink Floyd. Mountain were impressively loud and powerful. That man sure could play guitar. An influence on many who followed him. Another one gone. Damn.

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Anyone having issues receiving 36? Mine still says "processing". I reached out and they replied "sorry for the delay,blah,blah etc.

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Hey Ryan,
Just an FYI - I got my 36 in the mail Christmas Eve.
Customer service told me a month or so ago that they were waiting for a new printing to come in.
So, just make sure they know you did not get yours and they should get you one in the mail soon.
Have a great New Year !

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No Dave’s 36 here as well. Sent numerous emails, got the standard response then finally a response by Dr Rino last week which gave me some hope but no shipping notice or product as of today.

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In reply to by ryanmikey2

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I am still waiting for mine.

I did hear back last week regarding my copy that they are aware I have not received my CDs and there is help on the way...

In any case they seem to be short on product for confirmed orders for some reason and are working to resolve it. Guessing by the amount of time all this is taking, it might be they had to make a second, smaller production run??

I'm fine to wait a bit but understand those that are frustrated.

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In reply to by JimInMD

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I'm glad y'all have at least gotten recent email responses, my last response was 11/27, I sent a followup seeking a status update on 12/15. Zilch. I don't think an update is asking too much, certainly not with 2 weeks having gone by since I last asked and 4 weeks since they last led me to believe it was being handled, and 8 weeks since I alerted them to their shipping error. Yeah, I'm bitching about cds when worse stuff is going on, but I paid for them, and this isn't my first 2+ month wait for fulfillment on Dave's Picks volumes.

I'm ready to leave
I push the fact in front of me
Facts lost
Facts are never what they seem to be
Nothing there!
No information left of any kind

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In reply to by gben

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...so I've listened to this gig like 3 or 4 times over the past week or so. It is amazing just how much Bruce adds to this show. In some instances, Jerry totally steps back and just lets Bruce rip on the leads all over the place. But that second set is pretty monumental as noted by others; I was particularly taken aback by the Corinna > Matilda sequence following the aforementioned Scarlet > Fire. Excellent Bruce embedded throughout and then inspiration carries into the start of drums with even more Brucey wailing away with Billy and Mickey for a bit.

It's shows like this that surprise without intention and consistently keep me turning over new stones in search of such gems.

Happy Holidays to All!

Sixtus

Thanks dude...although looking at the link, it appears this one is from March 19th 1995 in Philly, not the Bruce show. Nonetheless, a rarity is always appreciated!

FURTHERMORE, it also appears I was actually at this Philly Show; it's the same one when they busted out Unbroken Chain, and the place erupted. Scored tix in the lot from my housemate who at the time had some excellent green to trade and his efforts did not disappoint.

Sixtus

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In reply to by Sixtus_

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....at least i get partial credit.

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In reply to by Sixtus_

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I have not listened to it yet but am DLing it now. Although I DLed it a couple of days ago there was a problem with that torrent and now a "fixed" version is up today in both 16 and 24 bit. Happy New Years Eve to all here!

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JamBase has a neat and tidy package of the NYE shows between 1978 and 1991.

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In reply to by bigbrownie

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You weren't kidding bigbrownie! A whole stash of entire NYE shows in video and good sound quality:
https://www.jambase.com/article/grateful-dead-new-years-eve-videos-gues…
What a score, thanks for the tip.

And among them is indeed the show I had referenced, how sweet:

https://www.youtube.com/watch?v=4sMQyZLS7Jg&feature=emb_logo

Happy New Year indeed!
Sixtus

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...tumbeweeds 'round here in the New Year.

Nonetheless, here's to a positive outlook for '21 to all of those in Deadhead Land and beyond.
Sixtus

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This seems like a silly complaint in light of world events right now.

Still haven’t received my copy of Dave’s Picks 36 more than 2 months after it was supposed to ship. I changed my address in mixed October with Customer Service for which they acknowledged the address change but not only have I not received it to my new address but it didn’t arrive at the old address. I live in Hawaii on Oahu so not a far distance away from my old house who my friend owns. Customer Service finally answered my inquiry in early December and said a “replacement copy” was shipped. Now my emails are being completely ignored since late December. You’d think after faithfully ordering Dave’s Picks Subscriptions for 9 years running there’d be some kind of response. I hope everyone else got there copy and are enjoying it. I’m not really sure what to do at this point. Demand a refund? If anyone has experienced this let me know what I can do. Cheers and Happy New Year!

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