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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #3251
    JimInMD
    Joined:
    I honestly can no longer post complete sentences anymore

    Unbelievable.. not trying to embed anything, these guys just suck. I had a two page writeup of 4 25 77 Springfield that will never see the light of day.

    Getting horizontal now, great show.

    This forum really sucks ass now that we cannot post without getting denied. Over and out.

  • #3252
    1stshow70878
    Joined:
    Dead Doing Hornsby Songs

    I know I saw one. 12-9-90 they closed the first set with Valley Road. Excellent and at the time exciting to hear something new. Agree with Rockthing that Mandolin Wind would have fit nicely in the era.
    Cheers all!
    Oh, and wasn't Jerry on some of Bruce's albums? Can't think of the name of it but on the Muzac at work I would hear one of Bruce's that starts something like "35(?) weeks ago today" and I would just stop under a speaker to hear the guitar solo that, if it wasn't Jerry, it sounded just like him raining triplets.
    Edit: Looked it up, it's called Across The River. Watching the video I didn't see Jerry but that sound! Yep the credits say Jerry! Bruce said it was probably only the second time Jerry hit the top 10 charts, Touch of Grey being the other. What about Truckin' Bruce?

  • #3253
    rockthing
    Joined:
    Chapter 1 of my new novel, War and Peace Part 2:

    Picasso Moon seemed to sort of disappear from the repertoire. It would have sounded great to hear an evolution of this tune with Brent laying into the B3 instead of the synth sound similar to the studio version. CC Rider is never one of my favorite tunes, but that transition from CC Rider to It Takes a Train to Cry is sublime perfection. Totally did not see that coming. Top marks to both songs for that.

    High Time and Black Throated Wind back to back? What was going on here? This is like a dream come true.

    Again, Deal. What can I say. This tune is money. Somebody point me to one that /isn’t/ good. This one held my attention yet again.

    Help/Slip/Franklins: Help is very cool. The Slipknot! goes into some unusual, very un-Slipknot-like territory during the jam. If I were to pick up midway through I don’t think I’d guess I was listening to Slipknot!. I’m always one for a big jam, but this is one time that Franklins Tower sort of overstays its welcome. I was actually glad to hear Looks Like Rain for once. Those glissando licks that Jerry’s playing are brilliant. I guess they’re the water falling from the sky. I think I like this song better around 90, 91. The Without A Net version that I haven’t heard in ages comes to mind, but this one is a real standout. The ending builds up nicely without becoming melodramatic.

    Bobby’s doin’ all his little whammy bar harmonics tricks during Terrapin, and all through the show. These little accents are right on. It’s a great use of texture and controlled overdrive. He’s weaving in all sorts of little licks and fills, almost more of a Stones approach without actually playing things they would play. What’s with that little electronic hand clap around 12 min?! lol. That must’ve been Mickey. Here comes the MIDI… and more “hand claps” as this one totally spaces out before Drums. Definitely like that. Jury’s out on the hand claps, but I think Jerry must have been giving Micky a sly look over his glasses, and Mickey was probably grinnin’ like the Cheshire cat that ate the canary. Then there’s a little samba groove that pops up out of nowhere. So adventurous, and playful. Despite Brent being gone less than a year, Bruce Hornsby brought in such a positive vibe… and also refuses to let that samba idea go away even as the drummers switch to hand percussion… or perhaps because of it. It sounds like Jerry may have left, or started to leave the stage, but then came back. I think that melody is a quotation from an actual composition, but the title isn’t coming to me. So much things to say. So much things to say right now.

    I was lying down sort of half dozing off by the time I got to Space last night, but I was impressed by how involved everyone was in it. It wasn’t just a couple minutes of aimless noodling before the climactic rave ups. They were really working out the improv and investing some ear time to this Space. I wish I’d been as invested in taking notes about it. Some more eloquent thoughts wafted through my inner monolog that have been lost this morning as I relisten to the Healy SBD.

    Not much to say about the rest of the second set. Solid, I suppose is the best way to describe it. The crowd seemed relieved to hear the GDTRFB riff emerge from a pretty long space, which I personally had thoroughly enjoyed. We’re definitely in Beam solo territory here with Drums, though, so Space probably felt more like 20 minutes than 10, which might seem like an eternity when you’re standing on the floor rather than sitting in a comfy chair at home. Nice organ solo from Vince followed by a piano solo from Bruce, then Jer, I mean, everybody’s getting’ some. It’s great. Throwing Stones was obviously very dear to the band as a well-written manifesto of, at the very least, John Barlow and Bob Weir. It really is a great song, and a very groovy jam develops around Jerry’s guitar solo here, but not being confined to one day a week it suffers somewhat from over saturation. Personally I’ve always liked the vocal effects Dan Healy added to Bob’s vocals, but I guess Bobby wasn’t too fond of it. I liked that you could hear the murmuring of the crowd in the MK4.DAT.CDR AUD as The Weight was beginning, either recognizing it, or wondering what it was gonna be.

    Bruce Hornsby must have seen or sensed the disfunction in the organization even in ’91 or so, or maybe just really felt the need to be THE leader of his musical direction, rather than an ensemble player. He fits in so seamlessly, yet brings so much to the table not only in terms of musicianship, but just adding a little light to the atmosphere. This really was a golden renaissance for the band. I love the sparseness and swing of the ’71 bar band period, but the grand expansiveness of this seven piece instrumentalist line up must be the pinnacle of the band’s evolution.

    4/23/77? I'm not familiar with that one either. I see 4/22 at The Spectrum in the library, so my interest is piqued. Got some stuff to do the next couple days, though. Might add a few late comments if I get enough done.

    :) :) :)

  • #3254
    Thats_Otis
    Joined:
    Shoreline 5/12/91

    Really enjoyed this pick! Some flubs from Jerry lyrically in Terrapin, but more than makes up for it with the jam that follows. Overall good second set (GDTRFB), but I really enjoyed the first set. I love CC Rider>Train to Cry, and the Deal was HOT STUFF! Nice stuff!

    I am hoping to have a chance to listen to 4/23/77, but it is not looking likely today :( Perhaps tomorrow.

  • #3255
    JimInMD
    Joined:
    Springfield

    Sounds good.. Enjoyed this one also. The Jam out of Terrapin was a treat. Jerry played his heart out in Deal too. The Althea and GDTRFB had their moments. The transition into Slipknot! was unique.. I think of the three the levels were highest in this one, perhaps a bit saturated especially for the Picasso Moon. Bob was real high in the mix too, so we got to hear his angular take on rhythm. Bruce really filled in the empty spaces nicely.. thinking a few parts in Franklins and throughout.. Looking forward to Rockthings more detailed listen, I was out and about but did fit in the whole show. Only half way through yesterdays.....

    Onward to '77 (or do we mean backwards?).

  • #3256
    DeadVikes
    Joined:
    5/12/91

    This show is as good as the previous two nights at Shoreline. Man, to live in CA back than.
    Althea, CC Rider into It takes a lot to Laugh, fun great music. Black throated wind.... Nice HelpSlip Franklins. Terrapin!

    I always thought the band reached another gear in 91! Songs were definitely shorter but the music was good and they sounded great. I really didn't feel that way in fall 1990. These shows to my ears do not match what they did in 1991. I think they had to feel their way back after Brent died and had been with the band for 11 years.

    Looking at a 77 pick for tomorrow.
    I don't think we have ever hit up 4/23/77, Springfield. Let's do it.

  • #3257
    rockthing
    Joined:
    Listening for the sound

    > DeadVikes

    Will do. Part of the fun for me is analyzing the various audience sources. I'm old fashioned. I still wanna download one for the home collection's virtual tape wall. ;-)

    The show is hot, hot, hot. I wrote a bunch a stuff last night, but I'm holding off to let someone else get a word in edgewise.

    I'd forgotten how much I liked this period. It's a real shame Hornsby couldn't have stuck around. He and Vince made a good team, but Bruce left a deep impression to climb out from. The "solo career" story line feels kinda odd when he could have contributed some great material to The Dead, and an even larger audience. They never did any of his tunes, did they? Can you imagine the jam they could have gotten into on Mandolin Wind?

  • #3258
    DeadVikes
    Joined:
    5/12/91

    You should check out the latest Miller Rockthing. This is a Healy Pearson and it is spectacular. A+++ for sound quality. Just half through the first set. So good.

    Check it out people.

  • #3259
    rockthing
    Joined:
    AUD Choices

    Ah, Shoreline. This sits right at the end of a big gap for me between September of ’90 and June of ’91. Another round of “Thank You”s.

    Nice variety of sources to keep me busy for a bit. Quick peek at the set list, and Black Throated Wind! Lookin’ forward to that! Post Space seems pretty routine, but who knows?

    To start off, I’m A/B/C/Ding the four audience sources on the Archive using Deal as the bar. They never waste any time digging into this number so it makes a good tune to evaluate the sound.

    The Gesine Lohr Audio Technica 815A source reminds me of the old tapes. A lot of mid-range frequencies. Phil is there, but you don’t really feel the bottom end. The sound is kind of nostalgic, though. Everything is perfectly clear, just not quite hi-fi. Coming back to this, I kind of appreciate the more well-defined bass guitar work with this tape. More of the various drums come through clearly as well. With more mid-range comes more piano, so Jerry’s guitar solo is somewhat falling into a wall of sound with Bobby and the keys (not Bobby Keys, though).

    The Schoeps MK4 source sacrifices a bit of sparkle from Jerry’s voice to emphasize the low end of Phil’s bass, which is something that I kind of expected from an MK4 recording. The guitar solo pops up above the band nicely, though, and on a second pass, the bass is less over-powering, and more well-defined than the other MK4 source. The position is listed as section 102. Having never been to Shoreline, well, that doesn’t help me much, but I’m guessing that is not the Official Taper’s Section, nor is it in Front of the sound Board, but maybe someone can help me out on that. I’m starting to take a liking to this source, even though I had initially switched away from it more quickly than any of the others.

    The Daweez Neumann KMF4 pull may be a little brighter than the Schoeps tape, but still has that Phil bass that you feel as much as you hear. On second (actually third or fourth) listening, The Neumann source sounds like it has the mid range frequencies scooped out. There are lots of bright highs, and Phil booms in here and there, but the drums and keys are kind of lost… which, may suit some, but there is a kind of metallic quality to the highs that feels somewhat aggressive to this ear.

    The Front of Board Schoeps MK4 take, though, I think this has the best frequency balance of the AUDs. Goes to show, you don’t ever know. Must be something about the seats, or perhaps the signal chain. The first MK4 source might have used heavier wind screens. Hard to say. Same mics, completely different sound. lol. Whoa, Phil is shaken’ the room. Deep bass in this one, but Jer’s guitar is shining, and Bobby is right there in the mix. If anything, the drums may be getting a little lost. The keys are coming in and out of the mix, as usual, really. This has both Bruce and Vince, right? The last three recordings have a lot more bass than the first, but it is much less well defined. It kind of booms. Even though the bass is kind of a puddy of low-end, it somehow does not interfere with the other instruments.

    The more I A/B the two Schoeps sources, the less I can tell them apart. lol (T_T) The second source has less info and a CDR generation in the lineage, but somehow feels more… I don’t know, “alive,” as if I can get a better audio picture of the space. I hear more of the venue, but in a good way. It feels more like I’m there, rather than listening to a recording. The similarities in these recordings are many, but the differences are almost hallucinatorily fleeting. I’m going with ID 9402 Schoeps source attributed to O’Connor. I must say, this Deal has kept me entertained throughout this comparison process. Eleven minutes of smoking’ Deal? Don’t mind if I do!

    The only disadvantage of picking up the older submission is that it isn’t Y2K-proofed, and also comes ask SHN, rather than FLAC. No audio quality difference, just a little more trouble to convert for me, and that’s all on me.

    I’ve not yet listened to the latest and greatest Miller SBD transfer.

  • #3260
    DeadVikes
    Joined:
    5/12/91

    Yes! For sure Shoreline 91 sounds fantastic for tomorrow. Thanks Jim.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by icecrmcnkd on Tue, 12/22/2020 - 19:25

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I did listen to 12-31-77 a few days ago.
Might watch 12-31-78 for NYE.

Last 4,
all today because I just finished painting my kitchen.
11-7-85 miller.139852
12-21-68 miller.89718
7-25-74 miller.12656
3-23-95 miller.25273

All Miller’s.
Thanks Charlie.

Yes, 3-23-95 is quite nice.
The Bruce factor!

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Submitted by bob t on Tue, 12/22/2020 - 19:53

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Lets put it together tomorrow, and start on the 24th? So the 8 days of New Year' eve!! Bob t

How about instead.. a listing of shows where the Dead played at over 7.7k feet above sea level in elevation?

(in my best Rocky from Rocky and Bullwinkle, "that trick never works"). Ok. New Year's shows it is, I'm all in.

12/31 from 81 and 82 don't compare to the ones already suggested.. but they are no slouches and personal, under the radar favorites. I would also open up for suggestion that all the shows on the New Years run are up for grabs... if that's ok. Some of the shows just a couple days before were a ok with me and perhaps we would be remiss to ignore them. Besides, this keeps it a tad more interesting and less programmatic.

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Submitted by bob t on Wed, 12/23/2020 - 04:14

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Ok here goes... Just a first draft. Tried to get something from every era. Need one more for 8. Thoughts?? We can do this...

12/31/69 Boston Tea Party
12/31/71 Winterland
12/31/76 Winterland
12/31/78 Winterland
12/31/81 Oakland Auditorium
12/31/82 Oakland Auditorium
12/31/90 Oakland/Alameda County Coliseum

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Submitted by daverock on Wed, 12/23/2020 - 04:26

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And if you are looking for an aperitif, I listened to 12/30/69 this morning-tasty!

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Submitted by billy the kid on Wed, 12/23/2020 - 04:54

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Bob T great job, you are definitely the hub of the wheel.. Oh, forgot one, GOGDs pick, 12/31/72, starts out with a great version of Around & Around.

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Submitted by Strider 808808 on Wed, 12/23/2020 - 06:02

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Most definitely a different feeling with home town shows. 12/23/70 is well worth a listen. Most of the way through this morning. Jim is correct that with any given New Years run it was an excellent chance that an earlier date besides NYE could be higher quality. 12/29/77 and 12/30/77 qualify.
Happy birthday Jorma.

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Submitted by bob t on Wed, 12/23/2020 - 06:11

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I really like that 72 New Years Eve show with David Crosby!!! Also agree how good the shows that weren't on NYE like a 12/29/77 or 12/30/ 69 or even1/2/70 are. Bob t

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Submitted by billy the kid on Wed, 12/23/2020 - 06:33

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Another great show not on New Years Eve, 1/2/72.

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Submitted by The Good Ole G… on Wed, 12/23/2020 - 07:34

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12/23/70 Digging that Deep Elem Blues!

Synchronicity in this selection Strider.
Not only did Jorma perform on this bill.
But there's a whole post at Lost Live Dead about how the Dead could even book this show 8 days before playing a Winterland NYE show :)
http://lostlivedead.blogspot.com/2012/03/december-23-1970-winterland-gr…

Good stuff.

NYE Show Extravaganza!
Looks like it's shaping up. Nice work Bob T.
And yeah, don't forget 1972!!
Also to rock the boat 1989 NYE worth trying to fit in there somewhere?

As for the shows that surround the NYE runs, we can discuss our favorites while we listen to these here NYEs.

The NYE hometown runs don't really start until '77 and two of the best surrounding run shows happened that year as mentioned here earlier by someone who saw them, Strider that's you. 12/30/78 is great too, but that's at the Pauley. Most of the '79 run is better than NYE. The list goes on, 12/28/83 is another. But we can talk about that ad nauseam while we listen to these here NYE shows. And maybe make a list of top 8 surrounding NYE shows and listen to those afterwards :)

How's that sound?

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Submitted by The Good Ole G… on Wed, 12/23/2020 - 09:27

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I'm hip!

So what's that list looking like now?
Cause '72 might mess up the math.

Maybe swap '71 for '72?
Don't wanna mess with BTK's bro's first show... but if I recall correctly '72 is more spectacular and it's one of my fave NYEs.
Not to mention Bill Graham's favorite NYE moment happened that night.

Am I being difficult?
Freakin' Dead Heads!!

So are we thinking chronologically?
Start with 69 end with 90
Or start with 90 and end with 69.

What are your thoughts on that?
Or we could give each show a number 1-8 and use a random number generator to establish order.

Just thinking out loud here. But curious about that.
Once that's established we're ready to go on the NYE bender.

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Submitted by Vguy72 on Wed, 12/23/2020 - 12:02

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....nice.
I vote for oldest to newest.

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Submitted by Lovemygirl on Wed, 12/23/2020 - 16:01

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... How about the the old 1999dead records release ‘’Mother McCree’s Uptown Jug Champions’ featuring Jerry Garcia, Bob Weir, Pigpen ‘Live At The Yop Of The Tangent, 1964
July 16,17&18th as a started for the new Year among us ever so closely! Full Circle!
🙏❤️🤠💀🌹

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Submitted by Lovemygirl on Wed, 12/23/2020 - 16:03

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... How about the the old 1999dead records release ‘’Mother McCree’s Uptown Jug Champions’ featuring Jerry Garcia, Bob Weir, Pigpen ‘Live At The Yop Of The Tangent, 1964
July 16,17&18th as a started for the new Year among us ever so closely! Full Circle! I have two copies, one open and the other is still sealed!
I would recommend any fan of the band should have this little key to return to a important historical point & time in the birth of the Grateful Dead !
🙏❤️🤠💀🌹

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Submitted by Lovemygirl on Wed, 12/23/2020 - 16:11

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Leeds us to the mother ship which contains a plethoras of primo performances recordings available to release for the first New Year announcement which should be creeping in here any minnow my fine feathered friends! Let’s run let’s run run run ! 🙏❤️🤠💀🌹

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Submitted by The Good Ole G… on Wed, 12/23/2020 - 18:56

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And it's 8, 7, 6, 5, 4, 3, 2, 1
Here we go!

It's on, a NYE party that spans 8 days.

12/31/69 Boston Tea Party - Thursday Xmas Eve
12/31/72 Winterland - Friday Xmas
12/31/76 Winterland - Saturday
12/31/78 Winterland - Sunday
12/31/81 Oakland Auditorium - Monday
12/31/82 Oakland Auditorium - Tuesday
12/31/89 Oakland/Alameda County Coliseum - Wednesday
12/31/90 Oakland/Alameda County Coliseum - Thursday NYE

Happy New Year!

Brought to you by BobT & the POTD crew.

Happy Holidays to everyone!

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Submitted by Strider 808808 on Thu, 12/24/2020 - 08:07

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Happy Xmas / War is Over! If you want it
“Another year over and a new one just begun”
John & Yoko

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Submitted by unkle sam on Thu, 12/24/2020 - 10:22

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What a great loss and a sweet, wonderful human being. Saw him and Felix many times back in the 70's, those were great shows, Leslie could really rock and what a great slide player, check out "Crossroader" from the Flowers of Evil lp, and from The road goes ever on lp, the live version from the aforementioned lp is hot. The entire live side of Flowers of Evil is also very good. Dream sequence>Dreams of Milk and Honey>Roll over Beethoven, soo gooood. Some of the loudest concerts too, and when it was all over, they were all drenched in sweat, especially Leslie.

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Submitted by The Good Ole G… on Thu, 12/24/2020 - 10:31

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Mo Monitors! And the only NYE concert outside the Bay Area

Everything to be seen at the Tea Party on New Year's Eve was a direct descendant of the Acid Test. The wall behind the band was bursting with gaseous, exploding galaxies, vibrant suns, flickering dots and spastic paramecia; every facet of the curving walls was covered with projections of comic strips, nudes, old etchings, portraits of the marijuana weed and photos of Boston; two movie projectors showed sporadic clips of Looney Toons, Spencer Tracy's "Boy's Town," and Olivier's "Othello."  And, of course, the Dead were there.

- from the Boston Herald Traveler, 11 January 1970 by Timothy Crouse

Too Much!!

The Boston Tea Party sounds like a pretty hip place. Also of note, by the time of this show it was located in the same building that was formally known as The Ark, which the Dead famously played in April and yes we all want those shows released. From what I can tell it had a capacity of around 1900 people.

The recording we've got here by Bear didn't come into circulation until early 1998 and is pretty dang sweet!
It also includes possibly the weirdest ending to a NYE show ever. I mean who else but the GOGD would spend hours getting folks all raved up only to drop into 4 obscure acoustic numbers at the end of the night?!?!
There's gotta be a story there, I think I remember reading it, but can't recall the specifics.
(Phil teases Dark Star and then Jerry calls it off and says let's take a break:)

"Well, it looks like the 1970s are going to be weird." - Jerry Garcia

This is one of those shows, that falls in the... "Think that was good? Well you shoulda been here last night!" category.
That being said... last show of the 1960s who can resist?!?!
And first of the NYE Extravaganza 2020.

Enjoy!

PS - If anybody has the Taper's Compendium Addendum let's talk. I really want to read that!
PPS - This is a repost / earlier post got deleted? Good thing I started saving them! Or is it so bad that it got trashed :)

12/29 is a warm up for 12/30/69

Might wanna just skip ahead to 12/30 & 12/31

Or listen to them all... it's the holidays!

Dug 12/31/69 it's a real good time.

15 seconds, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1.. Happy New Year!

This is one of my favorite NYE shows.
Maybe cause I love 1972.
Or it could just be the Playing In The Band shreds.
Either way, great way to end one of, if not the, greatest year in GD history.

Also, this show contains one of Bill Graham's & Bob Weir's favorite Winterland Moments and a famously told story.

This is the NYE show where the guy climbed down through the ceiling tiles and hung on the wire and they canceled the show and Bill Graham talked him down.
It happens between Sing Me Back Home and Johnny B. Goode.
Most of the time the audio is cut out, but is included on the Recording of FM Broadcast on KSAN along with a fun Europe '72 promo commercial.

Worth seeking out if you're a historical geek like me.

Alright, well what can I say..
Merry Christmas!!!
Have fun with this one.
And Peace on Earth and Goodwill towards People!

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Submitted by billy the kid on Fri, 12/25/2020 - 08:25

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My brother was at this show and he told me about the guy climbing in from the roof of Winterland. The Dead were looking up at him as he was hanging up there. Bill Graham asked him if there was anything he would like to say and he said "I'm 007" .

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Submitted by The Good Ole G… on Fri, 12/25/2020 - 13:45

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Just one second, please.
If you could just try to find your way back the way you came up there. Please.

How about that Truckin' > The Other One > Morning Dew?!?!

I don't think I'll ever get tired of hearing that.
Most epic NYE jam IMO.
We'll see if I change that opinion during the Extravaganza.
I know '76 is pretty epic too, but there's no 40 minute Other One Jam...

Wow.

Alright, couple more fun facts.
Eyewitness states that the famous Winterland Mirror Ball made it's first appearance on this evening during PITB.
The band was wearing their Nudie Suits, 2nd of 4 appearances?
12/15/72
12/31/72
02/19/73
03/19/73 (partial;)

And yes, BTK he could only tell us his number, 007.
What a weirdo! Wonder what happened to that guy...

And now can we hear it for the greatest rock n' roll band in the world.
The Grateful Dead, please.

Alright, Good Stuff.
Happy Christmas!

PS - Anybody have the Dead.net Bonus CD that came with Winterland '78?
Supposedly that Bill Graham exchange is on there as a hidden track.
LMK if you're out there, I'm sure I've got something cool to trade for a copy.

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Submitted by wilfredtjones on Fri, 12/25/2020 - 16:38

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I have the New Year's at Winterland Bonus with Bill G. I can rip it for you, provided it's not disc rotted like my DaP 1-4 and RT 4.5. I love those unexpected surprises. Be well, all. :-)

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Submitted by The Good Ole G… on Fri, 12/25/2020 - 18:10

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That would be so awesome!!

LMK what I can do to help make that happen.

Thanks WTJ and Happy Christmas!

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Submitted by The Good Ole G… on Sat, 12/26/2020 - 09:16

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Big Ole Hello to all you folks out there in radio land as well

ne plus ul·tra
/ˌnē ˌpləs ˈəltrə,ˌnā ˌpləs ˈəltrə,ˌnā ˌplo͝os ˈo͝oltrə/
noun
1. the perfect or most extreme example of its kind; the ultimate.

Great liner notes by David Lemieux and Glenn Lambert (who was one of the host DJs of the KSAN broadcast) for this one.

Dave uses the ne plus ultra phrase in reference to 1974 performances of Playing In The Band, I guess I’ve always felt that was 1972. Something about Jerry’s playing and the Alligator sound vs Jerry’s Wolf sound just rings my bell harder. Did I mention I love Playing In The Band from 1972?

Anyway, this might suggest a new avenue of exploration for me. 1974 Playing In The Band relisten mission. However, I digress... big time.

We’re not talking about 1972 or 1974 right now, we’re talking about 1976 and in particular 12/31/76.

Epic Set 1 closing Playing In The Band which has hints of the days of yore and yet is rooted in the present which at the time of this recording was the last moments of 1976.

Last GD cow palace show, and possibly one of the most consistently fine played NYE shows in the history of the Grateful Dead? After this they’ll play every NYE through 1991.

I wonder if Glenn has a recording of the whole KSAN broadcast? How about it Glenn?
(apparently not to be confused with Gary! do your research ;)

Speaking about wondering.
I’m wondering if anybody has that Spirit of ’76 Bonus CD that came with Pre-Order from Dead.net?
Couple unreleased nuggets on there I’d love to get a hold of. Get a hold of me if you do :)


Meanwhile enjoy another epic NYE show by the Grateful Dead with the Spirit of ’76.

And big shout out to wilfredtjones for being an awesome DeadHead.
Thanks man you rock!

PS - Why didn't that Here Comes Sunshine Jam happen at like every show or at least during every Good Lovin' without Pigpen? Love love love that!!!
So good.

A momentous occasion as we cruise into the 1980s here at Winterland in San Francisco.
1978 going on 1981, what you see before you is a 10, no wait 12, 12 foot long burning ember of marijuana.
Yes, let us begin the countdown…
- Dan Aykroyd Winterland 12/31/78

Brings a smile to my face, and really truly there is nothing like a Grateful Dead concert.

This tape was in some heavy rotation when I was but a teenage Dead freak. I mean just look at these Set lists, but it was more than that back then. It was the rumors, the stories, the legends, the guests, the recording, the performances. This tape held me spell bound just thinking about everything I was hearing and everything that was happening.

Let’s give it yet another go all these years later and see what happens, it’s already got me smiling.
Like a visit with an old friend.

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Submitted by The Good Ole G… on Sun, 12/27/2020 - 07:26

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Roger that.
And back at you.
Happy Holidays!

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4 years 11 months

Submitted by billy the kid on Sun, 12/27/2020 - 08:54

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I remember when the tickets went on sale they were $30 dollars apiece, we were shocked, we were paying $7 dollars to go to shows at that time. The tickets were given out through a lottery, you sent in a S.A.S.E. with your check and you either got back your check or you received tickets, we got shutout and got back our checks. The day of the show tickets wrent on sale in the box office, my brother bought one, I could have had one, I decided to stay home and watch it on TV, I was with a bunch of friends and we had a blast.
..

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Submitted by Strider 808808 on Sun, 12/27/2020 - 10:12

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12/26/69 was wonderful yesterday. 12/31/69 two days ago was also super magical. I listened to 12/26/70 this morning. Will listen to 12/26/81& 12/27/81 later today.
Have listened to more Grateful Dead in 2020 than in years. Also read more books than in years. Finishing On Highway 61 by Dennis McNally. Fascinating history. Super well researched.
Peace out, no piece out.