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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #2351
    JimInMD
    Joined:
    More on GD/Amps/US Navy

    I was close... if you google it you will get an answer pretty quick. Here is a quick quote from my first google land.

    Rosie McGee was cracking up at her desk when Dennis "Wiz" Leonard walked in from lunch.

    "What's the story?" Wiz asked McGee, then a receptionist and bookkeeper at Alembic, a California-based custom electric guitar, bass, and pre-amp company where Wiz worked as an audio engineer.

    "Well, the Department of Defense just called me," she told him. "They were asking if we could defer the purchase of our next four 3500s, so they could get four."

    Those amps were in high demand at Alembic. The 3500s, in particular, would be used in the Wall of Sound's vocal array tweeters, drum tweeters, and for Jerry Garcia's guitars. But was it just Alembic buying them up? A rumor was going around—a "urban myth," Wiz told me—that the US military was using Mac 3500s for sonar, specifically to listen for Soviet submarines.

  • #2352
    Gary Farseer
    Joined:
    Passing the Test

    Isn't the goal here to be lighthearted? I try my best to not let the craziness of the world/media not get to me here? Isn't the goal here to be a kind prankster? They ask, "Are you kind?" Most of the flamers I look like as children, either actual age or not. Many are so deep in social media and issues that result thereof, they cannot see what it is doing to them. They are being handled, manipulated, and unwittingly abused by the profiteers. I try to stay away.

    Jim, had no idea of the McIntosh amp issues. Thanks for that piece of info. As much as I love the music, it is just how they were. So real and fun which someone wrote, "creating their own iconography." The richness of their traditions and internal musical dialog that we love is an unending source of comfort as they lived it everyday for 30 years. I wish I had a shot at hearing even 50% of their music, but as I have written before, my OCD makes me wear out a great jam over and over instead of looking for the next one. Need to work on that for sure.

    So Jim and Oro and many others, thanks for passing the test.

    G

  • #2353
    JimInMD
    Joined:
    GFar

    You are kind soul.. I appreciate all you provide here. Same goes to Oro. I think it would take a face to face to catch me up on all the technology (old or new) that the two of you bring for me to truly understand. As for old.. and I am sure you both know.. in either late 73 or early 74 (I think 73).. the GD got into a scuffle with DOD over equipment they were ordering that was desperately needed for national security. Apparently, the Macintosh amps they were buying in unprecedented numbers were needed both in general and more specifically by special, top secret subs that needed the clean sound and amplification to either detect enemy interference or better hear and make stealth the noise they were making. So they called the GD and tried to work out a way to either stall, postpone or barter a purchasing arrangement that would not jeopardize national security.

    I think this is well known, and I apologize in advance for going on memory and surely confusing some of the information listed above as fact. ..but what is written is pretty close, if someone can clarify and correct it would not offend me in the least.

    Hope I didn't write anything that was incorrect or in any way interpreted as insulting or offensive.

    As for chainsaws and sawzaws to clear way for our living room WOS.. what could possibly be more fun.

  • #2354
    Gary Farseer
    Joined:
    Sawzaw

    Ah the sounds of my earliest fun dentist. "You dont need no gas!"

    All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

    edit:
    Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

    G

  • #2355
    JimInMD
    Joined:
    Do you have any '74 Dijon?

    Neanderthal's use chain saws.. a sophisticated audiophile attacks their living rooms delicately with a sawzaw.

    I'm totally jealous.. I am blasting with my 20 year old Denon, similar age speakers with no intents on upgrading anytime soon. Budgets be budgets..

  • #2356
    Gary Farseer
    Joined:
    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • #2357
    Oroborous
    Joined:
    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • #2358
    JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • #2359
    Gary Farseer
    Joined:
    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • #2360
    Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by icecrmcnkd on Tue, 12/22/2020 - 19:25

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I did listen to 12-31-77 a few days ago.
Might watch 12-31-78 for NYE.

Last 4,
all today because I just finished painting my kitchen.
11-7-85 miller.139852
12-21-68 miller.89718
7-25-74 miller.12656
3-23-95 miller.25273

All Miller’s.
Thanks Charlie.

Yes, 3-23-95 is quite nice.
The Bruce factor!

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Submitted by bob t on Tue, 12/22/2020 - 19:53

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Lets put it together tomorrow, and start on the 24th? So the 8 days of New Year' eve!! Bob t

How about instead.. a listing of shows where the Dead played at over 7.7k feet above sea level in elevation?

(in my best Rocky from Rocky and Bullwinkle, "that trick never works"). Ok. New Year's shows it is, I'm all in.

12/31 from 81 and 82 don't compare to the ones already suggested.. but they are no slouches and personal, under the radar favorites. I would also open up for suggestion that all the shows on the New Years run are up for grabs... if that's ok. Some of the shows just a couple days before were a ok with me and perhaps we would be remiss to ignore them. Besides, this keeps it a tad more interesting and less programmatic.

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Submitted by bob t on Wed, 12/23/2020 - 04:14

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Ok here goes... Just a first draft. Tried to get something from every era. Need one more for 8. Thoughts?? We can do this...

12/31/69 Boston Tea Party
12/31/71 Winterland
12/31/76 Winterland
12/31/78 Winterland
12/31/81 Oakland Auditorium
12/31/82 Oakland Auditorium
12/31/90 Oakland/Alameda County Coliseum

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Submitted by daverock on Wed, 12/23/2020 - 04:26

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And if you are looking for an aperitif, I listened to 12/30/69 this morning-tasty!

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Submitted by billy the kid on Wed, 12/23/2020 - 04:54

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Bob T great job, you are definitely the hub of the wheel.. Oh, forgot one, GOGDs pick, 12/31/72, starts out with a great version of Around & Around.

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Submitted by Strider 808808 on Wed, 12/23/2020 - 06:02

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Most definitely a different feeling with home town shows. 12/23/70 is well worth a listen. Most of the way through this morning. Jim is correct that with any given New Years run it was an excellent chance that an earlier date besides NYE could be higher quality. 12/29/77 and 12/30/77 qualify.
Happy birthday Jorma.

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Submitted by bob t on Wed, 12/23/2020 - 06:11

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I really like that 72 New Years Eve show with David Crosby!!! Also agree how good the shows that weren't on NYE like a 12/29/77 or 12/30/ 69 or even1/2/70 are. Bob t

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Submitted by billy the kid on Wed, 12/23/2020 - 06:33

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Another great show not on New Years Eve, 1/2/72.

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Submitted by The Good Ole G… on Wed, 12/23/2020 - 07:34

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12/23/70 Digging that Deep Elem Blues!

Synchronicity in this selection Strider.
Not only did Jorma perform on this bill.
But there's a whole post at Lost Live Dead about how the Dead could even book this show 8 days before playing a Winterland NYE show :)
http://lostlivedead.blogspot.com/2012/03/december-23-1970-winterland-gr…

Good stuff.

NYE Show Extravaganza!
Looks like it's shaping up. Nice work Bob T.
And yeah, don't forget 1972!!
Also to rock the boat 1989 NYE worth trying to fit in there somewhere?

As for the shows that surround the NYE runs, we can discuss our favorites while we listen to these here NYEs.

The NYE hometown runs don't really start until '77 and two of the best surrounding run shows happened that year as mentioned here earlier by someone who saw them, Strider that's you. 12/30/78 is great too, but that's at the Pauley. Most of the '79 run is better than NYE. The list goes on, 12/28/83 is another. But we can talk about that ad nauseam while we listen to these here NYE shows. And maybe make a list of top 8 surrounding NYE shows and listen to those afterwards :)

How's that sound?

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Submitted by The Good Ole G… on Wed, 12/23/2020 - 09:27

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I'm hip!

So what's that list looking like now?
Cause '72 might mess up the math.

Maybe swap '71 for '72?
Don't wanna mess with BTK's bro's first show... but if I recall correctly '72 is more spectacular and it's one of my fave NYEs.
Not to mention Bill Graham's favorite NYE moment happened that night.

Am I being difficult?
Freakin' Dead Heads!!

So are we thinking chronologically?
Start with 69 end with 90
Or start with 90 and end with 69.

What are your thoughts on that?
Or we could give each show a number 1-8 and use a random number generator to establish order.

Just thinking out loud here. But curious about that.
Once that's established we're ready to go on the NYE bender.

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Submitted by Vguy72 on Wed, 12/23/2020 - 12:02

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....nice.
I vote for oldest to newest.

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Submitted by Lovemygirl on Wed, 12/23/2020 - 16:01

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... How about the the old 1999dead records release ‘’Mother McCree’s Uptown Jug Champions’ featuring Jerry Garcia, Bob Weir, Pigpen ‘Live At The Yop Of The Tangent, 1964
July 16,17&18th as a started for the new Year among us ever so closely! Full Circle!
🙏❤️🤠💀🌹

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Submitted by Lovemygirl on Wed, 12/23/2020 - 16:03

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... How about the the old 1999dead records release ‘’Mother McCree’s Uptown Jug Champions’ featuring Jerry Garcia, Bob Weir, Pigpen ‘Live At The Yop Of The Tangent, 1964
July 16,17&18th as a started for the new Year among us ever so closely! Full Circle! I have two copies, one open and the other is still sealed!
I would recommend any fan of the band should have this little key to return to a important historical point & time in the birth of the Grateful Dead !
🙏❤️🤠💀🌹

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Submitted by Lovemygirl on Wed, 12/23/2020 - 16:11

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Leeds us to the mother ship which contains a plethoras of primo performances recordings available to release for the first New Year announcement which should be creeping in here any minnow my fine feathered friends! Let’s run let’s run run run ! 🙏❤️🤠💀🌹

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Submitted by The Good Ole G… on Wed, 12/23/2020 - 18:56

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And it's 8, 7, 6, 5, 4, 3, 2, 1
Here we go!

It's on, a NYE party that spans 8 days.

12/31/69 Boston Tea Party - Thursday Xmas Eve
12/31/72 Winterland - Friday Xmas
12/31/76 Winterland - Saturday
12/31/78 Winterland - Sunday
12/31/81 Oakland Auditorium - Monday
12/31/82 Oakland Auditorium - Tuesday
12/31/89 Oakland/Alameda County Coliseum - Wednesday
12/31/90 Oakland/Alameda County Coliseum - Thursday NYE

Happy New Year!

Brought to you by BobT & the POTD crew.

Happy Holidays to everyone!

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Submitted by Strider 808808 on Thu, 12/24/2020 - 08:07

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Happy Xmas / War is Over! If you want it
“Another year over and a new one just begun”
John & Yoko

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Submitted by unkle sam on Thu, 12/24/2020 - 10:22

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What a great loss and a sweet, wonderful human being. Saw him and Felix many times back in the 70's, those were great shows, Leslie could really rock and what a great slide player, check out "Crossroader" from the Flowers of Evil lp, and from The road goes ever on lp, the live version from the aforementioned lp is hot. The entire live side of Flowers of Evil is also very good. Dream sequence>Dreams of Milk and Honey>Roll over Beethoven, soo gooood. Some of the loudest concerts too, and when it was all over, they were all drenched in sweat, especially Leslie.

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Submitted by The Good Ole G… on Thu, 12/24/2020 - 10:31

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Mo Monitors! And the only NYE concert outside the Bay Area

Everything to be seen at the Tea Party on New Year's Eve was a direct descendant of the Acid Test. The wall behind the band was bursting with gaseous, exploding galaxies, vibrant suns, flickering dots and spastic paramecia; every facet of the curving walls was covered with projections of comic strips, nudes, old etchings, portraits of the marijuana weed and photos of Boston; two movie projectors showed sporadic clips of Looney Toons, Spencer Tracy's "Boy's Town," and Olivier's "Othello."  And, of course, the Dead were there.

- from the Boston Herald Traveler, 11 January 1970 by Timothy Crouse

Too Much!!

The Boston Tea Party sounds like a pretty hip place. Also of note, by the time of this show it was located in the same building that was formally known as The Ark, which the Dead famously played in April and yes we all want those shows released. From what I can tell it had a capacity of around 1900 people.

The recording we've got here by Bear didn't come into circulation until early 1998 and is pretty dang sweet!
It also includes possibly the weirdest ending to a NYE show ever. I mean who else but the GOGD would spend hours getting folks all raved up only to drop into 4 obscure acoustic numbers at the end of the night?!?!
There's gotta be a story there, I think I remember reading it, but can't recall the specifics.
(Phil teases Dark Star and then Jerry calls it off and says let's take a break:)

"Well, it looks like the 1970s are going to be weird." - Jerry Garcia

This is one of those shows, that falls in the... "Think that was good? Well you shoulda been here last night!" category.
That being said... last show of the 1960s who can resist?!?!
And first of the NYE Extravaganza 2020.

Enjoy!

PS - If anybody has the Taper's Compendium Addendum let's talk. I really want to read that!
PPS - This is a repost / earlier post got deleted? Good thing I started saving them! Or is it so bad that it got trashed :)

12/29 is a warm up for 12/30/69

Might wanna just skip ahead to 12/30 & 12/31

Or listen to them all... it's the holidays!

Dug 12/31/69 it's a real good time.

15 seconds, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1.. Happy New Year!

This is one of my favorite NYE shows.
Maybe cause I love 1972.
Or it could just be the Playing In The Band shreds.
Either way, great way to end one of, if not the, greatest year in GD history.

Also, this show contains one of Bill Graham's & Bob Weir's favorite Winterland Moments and a famously told story.

This is the NYE show where the guy climbed down through the ceiling tiles and hung on the wire and they canceled the show and Bill Graham talked him down.
It happens between Sing Me Back Home and Johnny B. Goode.
Most of the time the audio is cut out, but is included on the Recording of FM Broadcast on KSAN along with a fun Europe '72 promo commercial.

Worth seeking out if you're a historical geek like me.

Alright, well what can I say..
Merry Christmas!!!
Have fun with this one.
And Peace on Earth and Goodwill towards People!

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Submitted by billy the kid on Fri, 12/25/2020 - 08:25

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My brother was at this show and he told me about the guy climbing in from the roof of Winterland. The Dead were looking up at him as he was hanging up there. Bill Graham asked him if there was anything he would like to say and he said "I'm 007" .

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Submitted by The Good Ole G… on Fri, 12/25/2020 - 13:45

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Just one second, please.
If you could just try to find your way back the way you came up there. Please.

How about that Truckin' > The Other One > Morning Dew?!?!

I don't think I'll ever get tired of hearing that.
Most epic NYE jam IMO.
We'll see if I change that opinion during the Extravaganza.
I know '76 is pretty epic too, but there's no 40 minute Other One Jam...

Wow.

Alright, couple more fun facts.
Eyewitness states that the famous Winterland Mirror Ball made it's first appearance on this evening during PITB.
The band was wearing their Nudie Suits, 2nd of 4 appearances?
12/15/72
12/31/72
02/19/73
03/19/73 (partial;)

And yes, BTK he could only tell us his number, 007.
What a weirdo! Wonder what happened to that guy...

And now can we hear it for the greatest rock n' roll band in the world.
The Grateful Dead, please.

Alright, Good Stuff.
Happy Christmas!

PS - Anybody have the Dead.net Bonus CD that came with Winterland '78?
Supposedly that Bill Graham exchange is on there as a hidden track.
LMK if you're out there, I'm sure I've got something cool to trade for a copy.

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Submitted by wilfredtjones on Fri, 12/25/2020 - 16:38

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I have the New Year's at Winterland Bonus with Bill G. I can rip it for you, provided it's not disc rotted like my DaP 1-4 and RT 4.5. I love those unexpected surprises. Be well, all. :-)

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Submitted by The Good Ole G… on Fri, 12/25/2020 - 18:10

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That would be so awesome!!

LMK what I can do to help make that happen.

Thanks WTJ and Happy Christmas!

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Submitted by The Good Ole G… on Sat, 12/26/2020 - 09:16

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Big Ole Hello to all you folks out there in radio land as well

ne plus ul·tra
/ˌnē ˌpləs ˈəltrə,ˌnā ˌpləs ˈəltrə,ˌnā ˌplo͝os ˈo͝oltrə/
noun
1. the perfect or most extreme example of its kind; the ultimate.

Great liner notes by David Lemieux and Glenn Lambert (who was one of the host DJs of the KSAN broadcast) for this one.

Dave uses the ne plus ultra phrase in reference to 1974 performances of Playing In The Band, I guess I’ve always felt that was 1972. Something about Jerry’s playing and the Alligator sound vs Jerry’s Wolf sound just rings my bell harder. Did I mention I love Playing In The Band from 1972?

Anyway, this might suggest a new avenue of exploration for me. 1974 Playing In The Band relisten mission. However, I digress... big time.

We’re not talking about 1972 or 1974 right now, we’re talking about 1976 and in particular 12/31/76.

Epic Set 1 closing Playing In The Band which has hints of the days of yore and yet is rooted in the present which at the time of this recording was the last moments of 1976.

Last GD cow palace show, and possibly one of the most consistently fine played NYE shows in the history of the Grateful Dead? After this they’ll play every NYE through 1991.

I wonder if Glenn has a recording of the whole KSAN broadcast? How about it Glenn?
(apparently not to be confused with Gary! do your research ;)

Speaking about wondering.
I’m wondering if anybody has that Spirit of ’76 Bonus CD that came with Pre-Order from Dead.net?
Couple unreleased nuggets on there I’d love to get a hold of. Get a hold of me if you do :)


Meanwhile enjoy another epic NYE show by the Grateful Dead with the Spirit of ’76.

And big shout out to wilfredtjones for being an awesome DeadHead.
Thanks man you rock!

PS - Why didn't that Here Comes Sunshine Jam happen at like every show or at least during every Good Lovin' without Pigpen? Love love love that!!!
So good.

A momentous occasion as we cruise into the 1980s here at Winterland in San Francisco.
1978 going on 1981, what you see before you is a 10, no wait 12, 12 foot long burning ember of marijuana.
Yes, let us begin the countdown…
- Dan Aykroyd Winterland 12/31/78

Brings a smile to my face, and really truly there is nothing like a Grateful Dead concert.

This tape was in some heavy rotation when I was but a teenage Dead freak. I mean just look at these Set lists, but it was more than that back then. It was the rumors, the stories, the legends, the guests, the recording, the performances. This tape held me spell bound just thinking about everything I was hearing and everything that was happening.

Let’s give it yet another go all these years later and see what happens, it’s already got me smiling.
Like a visit with an old friend.

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Submitted by The Good Ole G… on Sun, 12/27/2020 - 07:26

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Roger that.
And back at you.
Happy Holidays!

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Submitted by billy the kid on Sun, 12/27/2020 - 08:54

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I remember when the tickets went on sale they were $30 dollars apiece, we were shocked, we were paying $7 dollars to go to shows at that time. The tickets were given out through a lottery, you sent in a S.A.S.E. with your check and you either got back your check or you received tickets, we got shutout and got back our checks. The day of the show tickets wrent on sale in the box office, my brother bought one, I could have had one, I decided to stay home and watch it on TV, I was with a bunch of friends and we had a blast.
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Submitted by Strider 808808 on Sun, 12/27/2020 - 10:12

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12/26/69 was wonderful yesterday. 12/31/69 two days ago was also super magical. I listened to 12/26/70 this morning. Will listen to 12/26/81& 12/27/81 later today.
Have listened to more Grateful Dead in 2020 than in years. Also read more books than in years. Finishing On Highway 61 by Dennis McNally. Fascinating history. Super well researched.
Peace out, no piece out.