• 8,086 replies
    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Forensicdoceleven
    Joined:
    Music is the best means we have of digesting time......

    ROCKTHING.............

    Check your PMs...........

    Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend........

    Rock on,

    Doc
    I frequently hear music in the very heart of noise.......

  • Forensicdoceleven
    Joined:
    I have just got a new theory of eternity…...

    Hey rockers!!!

    Pick Of The Day: Austin, Texas February 23, 1970

    I reluctantly discussed this at the end of last year. Here I am again. It appears that I’m stuck in a time warp. The galactic rock and roll union. I have no special talent, I am only passionately curious…..

    It appears that the currently circulated recording of this show is the only surviving audio document from the Dead’s four show excursion through Texas in February 1970. It’s tough coming right after the wonderful, brilliant Fillmore West/Fillmore East shows earlier that month, and perhaps it’s not unexpected that the intensity level might come down a bit. That being said, this is still interesting, enjoyable, and worthy…..

    The band is in 1970 electric/acoustic/electric mode. The circulating recording appears to be missing part of the first electric set, coming in during Know You Rider. For fans of acoustic Dead, this set is nice---Monkey And The Engineer-Little Sadie-Me And My Uncle-Black Peter-Seasons Of My Heart-Uncle John's Band. The festivities are completed with a jammy NFA and Mason’s Children.

    The monotony and solitude of a quiet life stimulates the creative mind. I live in that solitude which is painful in youth, but delicious in the years of maturity……

    Did Bear travel to Texas, and did he record? Banana boxes, reveal thy mysteries…..

    Rock on,

    Doc
    Whoever undertakes to set himself up as a judge of truth and knowledge is shipwrecked by the laughter of the gods……

  • rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

  • daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

  • Forensicdoceleven
    Joined:
    You can't blame gravity for falling in love…..

    Mornin’, rockers!!!

    Pick Of The Day: Dream Bowl February 22, 1969

    Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

    I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

    Great music, great sound quality, I suggest you find the time…..

    The only reason for time is so that everything doesn't happen at once…..

    Rock on,

    Doc
    There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..

  • daverock
    Joined:
    Heads in Mississippi

    That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.

  • PT Barnum
    Joined:
    5-19-74

    In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.

  • daverock
    Joined:
    5/19/74

    I haven't played it this year yet, but it has become one of my most played shows from this year - mainly because I bought it on vinyl. But it is really good, too. To me, it's better than its song list suggests - the songs leading up to the Truckin' jam are well played and forward moving, and that final jam is superb. It has been castigated in some quarters for the vocal drop outs. A price worth paying, in my opinion. All three 1974 shows in the box it was culled from are top notch.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Back to the NYE shows.
NYE shows I went to; 12/31/81, 12/31/84, 12/31/86, 12/31/88,12/31/89, 12/31/90 . Of the six official New Years Eve shows I attended I also went to the complete run each of those December’s. Throw in (almost) NYE Grateful Dead, 12/31/75- Jerry Garcia w/ Nicky Hopkins, 1/2/70, 12/29,30/77.
Most other New Years Eves I’ve experienced seem tame.

Aptly titled documentary for the Closing of Winterland.

Even after I've listened to it hundreds of times, 12/31/78 can conjure the magic.
It was fun to go there again.

The Return of Dark Star.
In my early days of collecting GD music, this tape above all others had a real mystique to it.
Let's remember in '87 there was no internet, the first Deadbase had just come out if you knew of such things (I didn't), Unless you were connected Dead tapes were hard to find (we weren't).
And so this Tape with Dark Star from 1978 was crucial.
I had the '84 Dark Star, I'm not sure about the '81 and was unaware of the 2 from '79. And 1989 hadn't happened.
So within that context.
This show was proof, to me anyway, that magic could still happen.
It epitomized the idea that you never knew what you might get at a Dead show.
And it made me wonder, what other tapes like this are out there?!?!

Well Thirty-three years later, there's a lot of tapes out there. But not a lot of other tapes like this out there.
It's a special night for sure.
And that's just one memory. I'm sure there are a million about this show.

Dick Latvala would say it was the greatest night of his life.
The only regret had about the DVD release by Jeffrey Norman & David Lemieux was that Dick wasn't alive to see it and deadicated the release to him.

What an amazing show and time.

Super glad that I watched Set 3. Seeing the band (Jerry in particular) rock like that, smiling and having a good old time.
Priceless.
And the Extras were calling me.
I found my Bill Graham's favorite moments interviews.
Both Parish & Bob tell great stories about the 12/31/72 NYE at Winterland and the guy on the rope / wire.
And then Scoop Nisker interviews Bill Graham and he tells the story too and says it's his favorite memory of the place.
Great Stuff.

Also, I learned something new. I always wondered who those two guys were interviewing Bob, Mickey and then Kesey.
They're just so awkward, I would watch and be like.. who are these guys?!?!
Well now I know, they're KSAN DJs Glenn Lambert (wrote the liner notes for Cow Palace '76 & '78) and Norm Winer.

Alright.. By the next NYE the band has a new sound and a new member and we're heading into a new era.
The Brent era.

And for many of us here it's going to be a good one.

Strider... let's hear a Joan Baez story!
And I second the notion of having listened to more Grateful Dead this year than ever before.
I didn't think it was possible. But it is and I've been doing it.

1981 NYE let's do this.
(And for you warriors, sit through that Joan Baez set ;)

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In reply to by The Good Ole G…

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This past year I listened to basically the same amount of live GD recordings as I have in the past 20-25 years. That’s because live GD is about the only thing I listen to, ~99% GD, the remainder being Jerry bands, then everyone else.
The difference over all the years being an increase in the sound quality of the unofficial releases (cassettes > CD-R’s > torrents, with Miller upgrades along the way), and an ever growing quantity of official releases. There’s a lot out there to keep us busy. I wouldn’t want to have to endure a pandemic without the Good Ole Grateful Dead.
That 76 Box was really what we needed when the shutdown and quarantine hit.
WMD and AB 50th’s along with stellar sounding Port Chesters.
4 new DaP’s, although some people may still be waiting on delivery of one or more.

Keep the releases coming Dave and Co.

I haven’t been keeping up with the NYE shows, but will try to get a few in this week (I did listen to 12-31-77 and 12-31-90 2-3 weeks ago).
Watching 12-31-78 on NYE is looking more and more likely.
Also have the 12-31-87 video, maybe will give that a spin this week too.

I’ve been watching a lot of roc docs lately on the streaming channel Tubi (I ditched cable, have the TV connected to Ethernet). Anthem to Beauty was made as part of the Classic Albums series, there are a lot of episodes out there of other bands. Those and other roc docs are on Tubi.
Last night watched a doc on The Police, narrated by Andy and including photos he took during the years. After a tour in Asia Andy and Stuart stayed in Asia on vacation. He narrates “while at the resort we met John Belushi”, a couple of photos of John are shown, “then we realized that there was a cafe serving magic mushroom omelets”......
Then it cut to commercial....
Anyway, it was funny because I watched Animal House a couple days ago.

I guess that brings us full circle to 12-31-78 and the Blues Brothers video which I will also watch on NYE.

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Joan Baez was very maternal with the children of the 80s. I’ve been listening to the complete 1981 NYE New Years run. 12/26/81 is amazing for the drums into the 11 section with exploratory improvisation. 12/27 has an awesome extended Playing in the Band into drums. The final Passenger was performed that night. I listened to 12/28 last night.
That time in my life was exciting as I was in my 20s. I was moving south from seven years in Montana to New Mexico where I still live 39 years later.
That New Years run along with 12/12/81 were my re-entry into live Grateful Dead after a four year hiatus. 12/31/81 was my first official NYE Dead concert. 12/31/75 was a quasi mini NYE dead show by default with Bob Weir and Mickey Hart sitting in at midnight. Close but no cigar (phatty).
1981 was my first time seeing Brent live. Also my first time seeing Jerry play his Doug Irwin Tiger guitar.
Joan Baez was incidental to the three nights I saw her play with the Dead acoustic 12/12,30,31/81. When I listened to 12/12/81 a couple weeks ago I was very impressed with Joan and the Dead playing Warriors of the Sun. What my impressions of these concerts are now 39 years later are most likely vastly different in perspective as to what I was experiencing then.
Overall summary of December 1981 Grateful Dead, they were still a very exciting youthful improvisational band.

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Literally.
So many upgrades dropping it feels like Christmas!!!

Holy moly.

Great stuff Strider, thanks for sharing man. I dug the back story. And you sure were in the right place at the right time in December '81. That run is a hot one! I'm kind of jonesing to hear more of it after yesterday.

Great great Playing In The Band on 12/31 and Dark Star never hurts.

Blair says it was his first and favorite NYE show as well.

BTK Blair also said he watched NYE 1978 on TV with friends and has never regretted it.

Ah good stuff!

And today we get... the first Brent song played on NYE.
Seems about right.

Set 1 NYE '82 sounding good.
How'd these guys do it year after year?
Maybe don't answer that ;)

Good times.

All that 12/29/77 talk makes me want to try and hit that up too.
At least Three of our denizens here were there 43 years ago.
Pretty cool.

Holy Fuck Look At All Those Balloons! - Bob Weir 12/31/82

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In reply to by Strider 808808

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Many thanks.. everyone on this thread is a strong contributor. There is some great music being tossed around.

I saw Cousin's comments on 12/29/77 on I think the subscription thread and I just have to hear at least part of that show. I always like the transition between China Cat and I Know You Rider from that night. What a breakout and the transition is smooth as butter. I will get into the 81 show after that. I think that was my suggestion, so I cannot miss it. I liked the GD's performance that year and in 82 I thought the Tower of Power stuff is classy, top shelf GD.

Again.. thanks to all of you cats. This place is a safe refuge and a safety line from the 2020 delirium that is seemingly grinding on all around us.

I have had a pack of those cartridges sitting around in my tool room for a few years. I might have to break out my whipped cream canister and live it up NYE this year. ...by making whipped cream of course :D.

I haven't gotten to 12/31/78 yet.. I might have to savor that one for NYE. It's been forever and a year since I actually watched that DVD. I have been drinking nothing but those 100 cal IPA's for a couple of months (for obvious reasons). I might have go rouge and get some anti-100 cal beer for the occasion, some Imperial Stouts or Christmas Ale or something special. I plan to celebrate in grand style, except 2020 style (pretty much devoid of anything resembling people outside my immediate family that breath air).. Still, I have no plans on getting up early on 1/1. Laughing gas and Grateful Dead seems about right. Let's flush this 2020 shit-show down the toilet with style.

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In reply to by JimInMD

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Okay Jim, who makes a 100 cal IPA??

I tried Bells Light Hearted Ale this year and it was not good.

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In reply to by DeadVikes

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There are quite a few.. I have had the following and like them all

Slighty Mighty - Dogfish
One Y IPA - Oscar Blues
Fly Jack - Firestone Walker

But I think I will go the beer store tomorrow and restock with some turbo

Been drinking scotch lately too.. I have never been a scotch person, but I have taken a liking to some on the island of Islay.

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What a drag it is getting old. I just can't consume carbs like I used to, an unfortunate side effect of age and genetics.

So a little cutting back here and there never hurts. The three I mentioned, to me at least, taste quite good. Hoppy and balanced.

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In reply to by JimInMD

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Guinness is 4.2% alc, and 210 calories for a pint.

I haven’t tried any of the light craft brews yet.

I’m drinking a Pseudo Sue currently. Tastes great, and probably not too light on the calories.

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I wanna thank you guys, and I wanna thank the Grateful Dead for having me.
Because we’re all about the same thing.
And uh…
I’d like to thank Bill Graham.
The guy that’s always putting on the good stuff.
- Etta James 12/31/82

NYE 1982
Set 3 is a one-of-a-kind good time.
The crowd must’ve been going nuts.
Hard to imagine later but Lovelight in '82 was a rarity at best.
Hard To Handle, hadn’t happened since ’71 (unless you were there the night before) and never happened again.
And a Midnight Hour closer.
Conjuring up the spirit of Pigpen in ’82-83.
What’s not to like?
I’ll let you decide that, I dig it.
Enjoyed watching the video of Set 3.
I mean, this show is a good time party.

And speaking of good time parties.
I’ve been enjoying this one here on Dead.net.
Thanks to all who have and continue to contribute.
It’s been a real hoot!

Good Times and a Happy New Year!

Speaking of New Years, what a difference 7 of them make.
As we jump ahead in the space time continuum to hear the confident swagger of the Grateful Dead 1989.
Once again it's almost an entirely different band, but then again somehow the same.
Listen to how Jerry delivers that Touch of Grey. As if he's been doing it for years.. which he has.. seven of them.
Compare the versions of Man Smart, Woman Smarter.
That 1989 sound.
I think it's gonna be another fun ride.
Enjoy!

PS - Bonnie Raitt is kicking ass with the boys on Big Boss Man. She sounds great!

PPS - 12/29/77 is Off the hook, never gets old. Wowzer energy!
Great great stuff, glad I put on the end of Set 2 at least on it's anniversary.
Damn you all that were there.. Tell some more stories about what that was like. Last times at Winterland Strider did you have an idea that would be the case?

....I'm still on '81. But making progress slowly but surely. I got HBOMax for the family for Christmas. Lots of good content. Only so many hours in the day.
edit. South Park Pandemic episode. Oh. My. God.

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I really enjoyed '81. It's been forever since I listened to that show. Seems releasable to me.. envious of those that were there.

On to '82. Agree with GOGD.. that Tower of Power set rules.

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In reply to by JimInMD

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....Cold Rain & Snow, CC Rider and Cumberland.
I'm going in.
BTW. Theres an an app for that.
Deadhead Archives. It's in your play store.

76 playing now. Mighty fine.
90 yesterday. I thought I had listened to it a few weeks ago but actually had just loaded it on the music player but never played it.
82 - I forgot about the set with Etta, thanks for the reminder Good Ole. Will put that video on tomorrow’s playlist.

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In reply to by icecrmcnkd

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....Jerry going off on Cassidy. Good stuff.
Followed by Ramble On Rose.
Underrated tune. Loving this first set.

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In reply to by Vguy72

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They're not the best at what they do, they're the only ones that do what they do.
Cheers

P.S. And so are you!

That sentiment really seems to fit the Grateful Dead's NYE show performances.
While they may not be the greatest shows in the cannon.
They were high on every heads list to attend, one big wild party, and they all sound Fun!

Listening to NYE 1989 yesterday it too meets the fun quota and we got the fourth Dark Star of the year, the first time in 15 years they'd played the song with that much frequency.
And that begs the question... "What's the Frequency Kenneth?"

Well it seems only fitting that our New Years Eve Extravaganza would end with Bill's final NYE show.
After his passing, nothing was quite the same.
And the show is off to a nice start with a rather varied song selection for NYE.

Alright, jump in and let's rock this old year out and ring in the new!

Happy New Year to all you radio listener's out there.

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Listened to 12/30/69 yesterday, later checked 12/30/81. Will check 12/31/81 & 12/31/90 today. I also checked out 12/29/68 a couple days ago.
Good cheers and health for 2021.
I would like to add that the Joan Baez set on 12/12/81 and 12/30/81 were interesting and had high points. I feel lucky to have seen her.
Looks like I may need to also listen to 12/31/90 as that was my final New Years Eve Dead show I attended, 30 years ago (read sobering)

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Well our 8 days of New Year's Eve shows has been fun!!! Hope everyone has enjoyed it.... I remember taping the 1990 show off the radio when I was home from grad school. Being in Ohio the show didn't finished until pretty early in the morning or late at night... All the regular radio listeners were pissed because their requests for Same Old Lang Syne by Dan Fogelberg couldn't be played!!! They didn't care about a Dark Star!! I've enjoyed our past year of Pick of the Day selections and look forward to reading everyone's thoughts and reviews.... Bob t

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Anybody going for the Wolf Bros. PPV? I'm thinking I might default to the Closing of the Winterland DVD.

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In reply to by bigbrownie

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Goodbye 2020 and Happy New Year to you all. 2021 has be better.

The 76 Cow Palace show is still the tops in my book. What a show and the recording is sooo good. I am hoping to check out Ticket to New Years later from 87. Always thought this was a good show and the interviews with the band are great. "Bob Weir, when if ever are you going to get the lyrics to Truckin right? "

Thank you all for making this part of the year a fun place to hang. I keep learning more and more about the band after all these years.

Looking forward to keeping the Pick of the Day going into 2021.

Everybody hang loose!

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Just watched Blues Brothers 12-31-78.
Now on to the main course from that night.

But first, a decision to make.
Dolby 5.1 or DTS 5.1?

They should put little audio snippets of each format on that menu page so that you can compare and determine which sounds better on your system.

Edit:
Dolby 5.1 sounds better in my living room.
Party on Wayne.
Party on Garth.

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I made it through all the new years on the list except 78 and 89.

I think I am with Deadvikes, hard to beat 12/31/76.. but 72 was Grade A as well as was my bonus show 12/29/77. If I can get away with it.. I will toss on 12/31/78 later. I enjoyed this week of New Years shows, great idea and well executed.

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Tracking nicely on '78. Gonna finish it, I don't know. :D

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Yo! Rockers!!

Doc here,

Yes I have come out of hibernation, because it is the golden anniversary of that great great Grateful Dead year 1971. To honor, commemorate, and celebrate that year, I will be offering any and all 1971 recordings to any and all that are interested. No limits. You can ask now, you can ask on the anniversary of any shows, or you can ask at any time up to and including midnight on December 31, 2021. After that, only the Shadow knows………….

Friends, I understand that 1971 is not everybody’s cup of Grateful Dead kool-aid. Perhaps you know little about it, maybe want to dabble, merely poke around, or heaven forbid go all in. Let Doc be your guide. Haven’t led anybody astray for decades……

I will also be posting, on the show anniversaries, comments, recaps, and opinions on every 1971 show. That’s right, you have to put up with my rants, raves, and ramblings for an entire year!!! And, for any & all interested, the “1971 Project” is almost completed, and available upon request……

You know where to find me,

Doc
One may understand the cosmos, but never the ego; the self is more distant than any star……………

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I thoroughly enjoy 12/31/71. Not a classic show, but like many NYE shows, great fun and yes, it really does have its moments...............

Rock on!

Doc

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The longest 365 days of any year I can remember.
Happy new year.

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Hello 2021, we made it!

How does Dave's Picks #13 grab you? 2/24/74. Skeleton Skaters.

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Quite possibly my favorite Dave's Picks.

I'm all in.. Up quite late last night, so I purposely have nothing on my plate today. ... except 2/24/74. They should have done a mini-box out of that run.

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I'm looking forward to those 1971 posts, Doc! My knowledge of 71 Dead is lacking, I'm afraid....

Epic party last night at Club Icecrmcnkd.
Just me and my dog, and lots of Grateful Dead.
Warmed up with Blues Brothers 12-31-78, then watched all of Closing of Winterland. Been a while since I sat through the whole show. Very enjoyable. Seemed better than I remembered it being.

Then 12-31-82 Set3. Etta sure was having fun. Wonder if they dosed her.

Then 12-31-87. Also better than I remembered it being. Not sure if I watched the whole show or just Set2. Was pretty lubed up by that point.

2-24-74 is hitting the spot right now. Good call.

The Year of Doc.
Looking forward to the play by play calls.

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Never ever get tired of listening to this one!! Absolutely love the It's All Over now Baby Blue encore..... oh and that Playing and Dark Star>Morning Dew are pretty good too...

....started with Dave's 30 1.2.70 before checking in here. My bad.
2.24.74 is a winner, winner, skeleton dinner. Good call vikes. I mean, its got a Dark Star -> AM Dew! Jeez Louise.
Spent New Years Eve playing chess with Phish then watching Studio Ghibli movies. Got pretty high.
Could be worse. 2020 was a rough ride. Like a roller coaster with a broken wheel. We didn't even put up our Christmas tree. Glad to see it in my rear view mirror. Here's to brighter days.....
https://apnews.com/article/illinois-marijuana-crime-6aebb02cc0c725bd757…
....this is a good start.

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I'm linking this for no particular reason except its on repeat in my heart right now
https://www.youtube.com/watch?v=V1bFr2SWP1I

and Skeleton Skaters (hat tip to KeithFan for coining that name) is a fantastic release - haven't done a cover to cover for awhile but its always in the rotation.

best wishes to everyone here and everywhere this new year

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Something tells me I need to listen to that today. Happy New Years.

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What a show. Like others, this is one of my favorites. The recording is excellent and the whole show rocks. The disc 3 with the Dark Star into Morning Dew through the It's all over Now Baby Blue is so well played and it moves me.

Yes, would love to see the two other shows from this run released. So many good Winterland Shows.

On to a little 1/2/70, Dave's 30. Good call Vguy!

#37 is around the corner.

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....gets a pretty cool theme going around the 21:00 mark. Check it out. You won't be disappointed. Gets the Vguy stamp of approval.

If it doesn't have a Cumberland I'm not interested.

:D

I wasn't able to get 1/2 under my belt yesterday, hoping to get 1/2 and 1/3 up and running today. I love this release! An instant classic, just add jello.

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In reply to by Strider 808808

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Also Sprach Zarathustra

Nice Pick you all!

The liner notes are definitely worth a read, love em.

If this was my first show, I'd listen to it every year on it's anniversary at least!
Pretty stoked on this release.

The Angel Share's recordings that were released last year, cast a new light on these shows for me.
And 1/2/70 you get all of Workingman's Dead shortly before they head into the studio to record those demos.

Think I'm gonna camp out on this for awhile today.

Wasn't able to get to all of 2/24/74 yet, but man that Playing In The Band!
Great picks to start off the New Year.

Good to see so many old and new faces still hanging out.

Doc lay on the '71.

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....if you look up no brainer in the dictionary, there's a picture of this show.