• 8,083 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Gary Farseer
    Joined:
    Passing the Test

    Isn't the goal here to be lighthearted? I try my best to not let the craziness of the world/media not get to me here? Isn't the goal here to be a kind prankster? They ask, "Are you kind?" Most of the flamers I look like as children, either actual age or not. Many are so deep in social media and issues that result thereof, they cannot see what it is doing to them. They are being handled, manipulated, and unwittingly abused by the profiteers. I try to stay away.

    Jim, had no idea of the McIntosh amp issues. Thanks for that piece of info. As much as I love the music, it is just how they were. So real and fun which someone wrote, "creating their own iconography." The richness of their traditions and internal musical dialog that we love is an unending source of comfort as they lived it everyday for 30 years. I wish I had a shot at hearing even 50% of their music, but as I have written before, my OCD makes me wear out a great jam over and over instead of looking for the next one. Need to work on that for sure.

    So Jim and Oro and many others, thanks for passing the test.

    G

  • JimInMD
    Joined:
    GFar

    You are kind soul.. I appreciate all you provide here. Same goes to Oro. I think it would take a face to face to catch me up on all the technology (old or new) that the two of you bring for me to truly understand. As for old.. and I am sure you both know.. in either late 73 or early 74 (I think 73).. the GD got into a scuffle with DOD over equipment they were ordering that was desperately needed for national security. Apparently, the Macintosh amps they were buying in unprecedented numbers were needed both in general and more specifically by special, top secret subs that needed the clean sound and amplification to either detect enemy interference or better hear and make stealth the noise they were making. So they called the GD and tried to work out a way to either stall, postpone or barter a purchasing arrangement that would not jeopardize national security.

    I think this is well known, and I apologize in advance for going on memory and surely confusing some of the information listed above as fact. ..but what is written is pretty close, if someone can clarify and correct it would not offend me in the least.

    Hope I didn't write anything that was incorrect or in any way interpreted as insulting or offensive.

    As for chainsaws and sawzaws to clear way for our living room WOS.. what could possibly be more fun.

  • Gary Farseer
    Joined:
    Sawzaw

    Ah the sounds of my earliest fun dentist. "You dont need no gas!"

    All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

    edit:
    Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

    G

  • JimInMD
    Joined:
    Do you have any '74 Dijon?

    Neanderthal's use chain saws.. a sophisticated audiophile attacks their living rooms delicately with a sawzaw.

    I'm totally jealous.. I am blasting with my 20 year old Denon, similar age speakers with no intents on upgrading anytime soon. Budgets be budgets..

  • Gary Farseer
    Joined:
    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • Oroborous
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    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • Gary Farseer
    Joined:
    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

  • Gary Farseer
    Joined:
    Fall Out from the Phil Zone

    I listened to 1988-10-15. Once Friday, Second Saturday. Two different sources although both said the Ultramatrix board, the first was much muddier than the second. Best highlight was the deep garbled voices toward the end of drums. Really bizarre, and reminds me of garbled voices during latter Star Wars during broken transmissions, and reminds me of the fellas ties to Lucas, the lightgiver.

    I was very disappointed in both versions as the show is missing a whole lot of data/music. What I mean by this is, I am wondering if there is fallout from the phil zone? I am positing that as the Phil Zone expanded, Healy lost control of the overall sound. If memory serves at some point it seems I remember maybe Phil using 18" woofers onstage. For sure he was using 15's (plus 12's and 10's). Now I loved my bit of time I spent in the Phil zone, but generally when I got up close, it was Jerry side. As Phil blasts his horn, this means Healy had to bring Phil down in the overall P.A. mix. In my humble opinion, I believe this led to the bad tape sound, lots of data/music missing. When I focus my ears, I can tell that much of the overall lower sound waves are missing or nonexistent. Even worse, the frequencies that are there are very muddled and indiscernible.

    Now as a way to test my theory, I listened to 1988-03-27, Hampton. Another group of shows I saw in 1988. I did see 8 Dead shows there and fully know the quality of the sound that can be obtained within the mothership. (Also saw the shows that make up "Hampton Comes Alive..") When I listened to March 27, the sound is very good. However, although not as bad a St.Pete, there is again a large amount of data/music missing as well. The imaging is excellent but that is because the imaging comes from the higher frequencies. Bass frequencies are much more omni- directional, whereas high frequencies are unidirectional. (Want to press on these concepts furthur, later on. I want to go back to some discussions back in October regarding HDCD.) If my hypothesis is correct, then the tape anomalies concerning extremely muddled low frequencies will test out thru other 1988 shows. Had not heard or noticed this until this past weekend. So for St. Pete, it not only causes Phil to be muddled (deep booming bass with no clarity to individual notes played), it also means some muddleness from other players/instruments. I believe this may be the reason why 1988 recordings may all need matrix recording.

    Just one man's opinion, would like to know what others thought.

    Both Hampton and St. Pete were excellent shows when you factor other aspects than just the quality of the reproduced sound on tape. One reason I love the later shows is because the P.A. quality produces a much more full bodied, across frequencies, sound than do earlier performances. Early performances are fire from perfomance, latter shows have more depth and clarity in the frequency spectrum, hence DaP#40.

    Ok enough for now.

    G

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by DeadVikes

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Tight, cuz I'm digging this 8/6/82 as we speak :)

This set 1 is real good, awesome Bird Song!

8/1/82 Highlights = End of Set 1 China > Rider and Set 2. Dig that Playin > Iko > Playin > Lost > Saint > D > Space > Wheel > Playin Reprise > Black Peter.
That's what I'm talking about boyz!

Also atmosphere of playing at a Zoo, that must've been fun. Who's got stories?

I really like '82.

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I zipped you a pm

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I'm not seeing it?

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I only sent the one you responded to in the pm. I'll let you know more when I check out the blu-ray.

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In reply to by carlo13

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Cool man.

Yeah, it looks dope, keep me posted.

Thanks Carlo!

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In reply to by The Good Ole G…

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Oroborous, check your PM.

Yes, 10/20/84 is a high energy show, especially the Jack Straw. I might have brought this up on this page in the early days.. I forget. If we get on an 84 terror, I really like Augusta from 30 trips.

Another Angry Jack Straw is Providence '85. The first set is high energy and worth checking out.
https://archive.org/details/gd1985-04-04.149449.sbd.miller.clugston.fla…

I'm hip October '84 is good stuff.
Miller dropped an upgrade of this show in late November 2020 sourced from Dick Latvala & Rob Eaton so I've been meaning to check this out again.
So many upgrades!!

Personally love '84, and the playing in late '84 really starts to pick up.
I believe it was around this time the band confronted Jerry and expressed concern.
To my ear, shows from around this time have new purpose.
These October shows and say a show like 11/3/84. Off the hook.
Jerry was stubborn, I'm sure if confronted he would be like.. fuck you, I'll show you fuckers.

Anyhow, this is all just speculation I keep in my head (mostly, unless asked, or posting here on this forum:).
Always been curious about the timeline.
But we know Jerry got busted in Golden Gate Park on January 18, 1985 so that was rock bottom (at least for the 80s). And that's why, again IMO, that 1985 is so killer.

But that's another story for another time and I digress.
We're talking October 1984 here.

Meanwhile, in another galaxy a little more than a couple of years before this...
8/6/82 Good Call Deadvikes, I dug that!
I need to get 8/3/82 in for a revisit.
Between 7/31, 8/1 and 8/3... 8/3 is up there as a contender for best show.
7/31 is hard to beat.
Might have to do that too.

But another time.
For now 10/20/84 here we come.
As soon as I finish this show I was at 33 years ago on 6/20/88 which just got a nice little upgrade this morning :)

Life is good in GD world.
But..
You say you want a Revolution?
Well you know,
We'd all love to see your plan.

PS - I love how you guys call this Angry Jack Straw. Nice...

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In reply to by The Good Ole G…

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I too was at the Carrier Dome,,, Jack and Shakedown got plus 2 from our records!

Looking up my 10/20 show and Jim mentioning 11/3,,, I realized the 10/27-11/3 stand at Berkeley, would make a fine box set. The entire 84 fall tour was hot, but a stand like that would cover the whole catalog (kinda), but be a good snapshot of that period. I don't follow what or what not is in the vault, but miller had soundboards of 10/20, my copy sounds pretty damn good. So I'll assume the Berkeley run was recorded.

sidebar - Good Old Grateful,,,, I smiled quietly to myself when I read "But we know Jerry got busted in Golden Gate Park on January 18, 1985 so that was rock bottom (at least for the 80s). "

..... I would have thought coma was rock bottom,,,, but that's just me! :-)

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In reply to by Dennis

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Yo Dennis :)
I always felt that the Coma was like rebirth.
Started a second life.
I'm sure it sucked going through it though!
But at the time of the Coma Jer was stubbornly trying to get his shit together.
Jerry describes it like a full on trip, alien plasma stuff.

Amazing how descriptive he was not only in his guitar playing and singing but at the art of conversation.
Every conversation I've heard of his is almost as fascinating as his playing.

Not many folks like that.
I once heard this theory, about how certain people have almost like gravitational pull and that they bring people into their orbit and magic sparks out from that rotational pull and the effect of the connection. I think it was using Diane Sawyer as the example. Wish I could remember where I heard it, mighta been on Oprah :)
Anyhow.. I feel like Jerry was like that.

I'm not getting a lot done this morning, but my mind is having some far out thoughts.

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In reply to by The Good Ole G…

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Dennis you're right about the Berkeley run, I can't remember the consistency of the performances, it's pretty rough and ragged I think, but hot.

Tapes are spotty. Not sure the whole Vault story, but what circulates has got issues:
10/27/84 partial SBD circulates
10/28/84 partial SBD circulates / but Lemieux played it all on Taper’s
10/30/84 partial SBD circulates
10/31/84 SBD
11/02/84 SBD
11/03/84 SBD

Got any cool stories about the Carrier Dome?

I really should start doing something, I woke up early and have been obsessively collecting Grateful Dead upgrades and posting comments. But... yeah might need to do something else.

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In reply to by Dennis

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This is a great show as well, GOGD. What is about this part of 1982 that seems to rock and the recordings are really good? The playing isn't perfect, but it still rocks. 1984, I will check it out later today.

I was never a big fan of the 1982 RT release from the Spectrum. Might have to check it out again and see if my opinion has changed at all.

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In reply to by DeadVikes

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Yeah, late July & early August '82 is hot.
I dug 8/6 too. We gotta circle back and get 8/3/82 in here soon.
8/7, 8/8 & 8/10 are all epic Dead I cut my teeth on BITD.

In regards to that Road Trips release, the real hot stuff is on the Bonus IMO 4/5 is the better show, but I think there's issues with the tape in the Vault as SBD doesn't circulate minus what was released. But the Audience is worth checking out the whole show, cuz it's good!

Good stuff.

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In reply to by The Good Ole G…

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Does seem to be some aggression in this here Jack Straw!

Everybody... Move Back.

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In reply to by Dennis

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Things”

Carrier Dome...such conflicting memories. The place sucked and the sound was worse but all 3 shows we saw there were good. It was about a 2.5-3 hour drive back then and and the NYS nazis were harsh on I-90 around those parts so some freak had the awesome idea to hire a charter bus. Can’t remember how much but for like 10-20 bucks? You had your ride and a keg on the bus and no parking hassles etc...might as well travel the elegant way! Needless to say a good time was had by all!
So much so that we did it again 83! Can’t remember why we didn’t do it for 10/20/84.....but at that point I’m living in this old beat up farm house just out the edge of town with my band mates, which got dubbed the House of Blue Lights.
This was because we had several McIntosh power amps, a blue outside light by the door, and because of this awesome song by Crowbar that we psychedelicised. Most freaks around knew if the blue light was on, the party was happening! Needless to say we went through a lot of blue lights LOL!

https://m.youtube.com/watch?v=0RK0A3vK21M

So I’m living the hippie dream: no car, bunch of hairy smelly dudes all living together in this cheap, drafty old house, little furniture, but huge stereos, with little or no money, and what little there was always went to “supplies”, beer, and when possible more equipment. My rent share was $85 bucks, but in the winter it often cost double that for the damn gas bill. Even keeping the temp around 55-60 might get us a $400-500 dollar gas bill! For food I worked at a Italian restaurant so ate for free at least when I was there, the rest of the time? Scrounged...
So typical for the times, when 10/20 came around I had a ticket, some red sweethearts, and no money.
I was barely dressed and outta the shower when my cousins came round in the granny mobile: an old giant Buick centurion that you could fit like ten people in lol.
Oh, ya need gas money, stick out your tounge lol, oh, you guys gettin beer, let me pitch in, stick out your tongue...
Eventually we’re almost there but need a pit stop so stop at the last rest area before we get to Syracuse.
Hmmmm, I’m hungry, who needs a hit? Lol, well funny now I guess but kinda crazy, as It only took me like five minutes to play Johnny apple seed and made about 75 people happy while also obtaining the desperately needed means to eat, drink, and see Jerry! A true symbiotic relationship as a former boss would say LOL.
Like most I don’t remember too much, but do remember my house mate buddy and I doing a lot of hysterical laughing at this show, like when Bobs going on about bug eyed folks up front etc, well to us that was the funniest damn thing we ever heard!
This is the beauty of Relisten/archive: that now, all these years later, I can hear great quality recordings of these shows and contrary to what I remember, their pretty good.
As GOGD would say we truly are living in a great time to be a DH!
Oh, from what I recall the 82 Jack was smokin’ too.

LOL, I’ll see your drug bust, and raise ya a diabetic coma!

OB - That's good stuff.

The House of Blue Lights. Might As Well.

We're on a roll here today Yos!

JimInMD 8/6/82 -
Highlights - Bird Song, Lazy Lightning > Supplication, Jam after Saint, Space > Truckin’, Baby Blue.
Brent is the all star, his playing is killer through out.
Worth a visit.

BTW this 10/20/84 is on old DL's radar, Shakedown> Sampson was part of 30 days in 2017.
And he's played tasty cuts from 10/14, 15, 28, 31, 11/2 & 3.

I gotta bail.. :)

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In reply to by JimInMD

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Jim, give me what you're smoking!

I need to have that frame of reference...

8/3/82 TLMD is sounding good, I couldn't resist starting out with that track today.

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In reply to by The Good Ole G…

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RT 2.4 5/26/93 cuz I’ve never heard it and it’s fresh outta the wrapper!
Snuck in the extra stuff from 5/27 last night and have just enough time to do 5/26before football.
The 27th stuff was decent. The shakedown starts out sorta plodding, but JG immediately steps it up, good sign!
Some of his vocals like High Time are a bit ruff, but that doesn’t bother me as much as some folks. So far I’d say it’s better than I would of thought in the past, but they’ve definitely lost some of their hutzpah by this point in time.
I’ve never listened to much past 91 so far. I think I’m ready to check out what little official stuff is out, and perhaps the remaining shows I was at but haven’t heard yet....really interested in the 91 Richfield run, (the fornicating with whales run), as I seem to recall someone (GOGD?) saying they were good? I honestly don’t remember much about the shows Cept I liked em....and the extra curricular stuff ; )

I’ve been REALLY burned out on dead, well, more like life in general, so I’m thinking what’s the best palate cleanse of all and still be playing dead....the 90s as it’s really the last frontier for me. So I think I might hang out there for a bit, but I have checked out some of the fun here and will continue.
The 8/6/82 was a nice change and yes GOGD it is nicely Brentcentric, also did most of the New Years Pepsi challenge (didn’t get first 2 sets of 78 in). Went deep on 89, 90 and that fun set 3 from 82 on video. Actually saw all of 81 and 82 on vid for first time. The jam in the 72 show was “primo” lol. 69 was fine, and quite the weird set list. At first I thought they were a tad wobbly, but they eventually entrain nicely. 76 of course is top shelf, but I forgot how awesome that playing is!

Also, weirdly, lol, is that a word? been really linked some how with that 12/6/73 Dark Star since that popped up. It’s like the one thing that really seems to release me and let’s me go to the happy place? The past month I’ve listened to very little dead, but that DS kept popping up?

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In reply to by Oroborous

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OB - I dig switching it up.

Let's see if the following holds true..

"what’s widely considered to be one of the best versions of Playing In The Band since 1974."
- Taper's Section from 3/14/17

I'm down to go there.

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In reply to by The Good Ole G…

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I dug it as I do all weirdness, but imho that’s hyperbole....thinking that 88 (Laguana Seca?) just one off the top of head, or even that 12/31/76, there’s more....but it was a Bobbie dazzler just the same.
More thoughts coming, but I think I need to call 911 first after the finish of the Bills game....I’m too old for that shite...their like the dead, always kinda flying by the seat of their pants!

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In reply to by Oroborous

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Yeah, I'm not feeling that comparison.. at all.

It's good, but it's good for '93.

Def 12/31/76 slays this bad boy.

But it's fun and always good to hear quality jams in these later shows.

Dec '92 through early '93, there's some gold in them there hills.

Can't help you with the Bills or getting old, but I feel your pain bro!

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In reply to by The Good Ole G…

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Checking out this show from 6/20/91. There is a great recording from Pearson and Healy, transfered by Miller. Also, this was released as Download Series #11. This was a hot period!

I am really digging it and there is a Maggie's Farm and Birdsong.

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In reply to by DeadVikes

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Done with my morning ski, lunch and coffee.. and was just checking in to see if there was a pick..

I'm all in, and agree with dvikes.

Edit: Nice little show, really hit the spot. Great recording and an interesting setlist. A Throwing Stones sandwich? Get outa here...

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In reply to by JimInMD

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What direction is the wind blowing.. any preferences, any shows in the queue?

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In reply to by JimInMD

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10/24/79 Springfield Civic is on my relisten list.

Wanna go?

EDIT - There's X Factor in this Scarlet > Fire! :)

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In reply to by The Good Ole G…

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Yes, sounds like a winner to me. Thanks.
Edit. I am not seeing a full show available for 10/24/79?

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In reply to by DeadVikes

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forgot about that, I'll splain...

Set 1 SBD (didn't circulate till 2019 and first couple songs are Audience patch, but a good Audience!) -
https://archive.org/details/gd1979-10-24.148162.s1.sbd.flac16

Set 2 SBD -
https://archive.org/details/gd1979-10-24.sbd.miller.97440.sbeok.flac16

New Source by GEMS popped up today of both sets, but I think Miller's are slight bit better on quick review -
https://archive.org/details/gd1979-10-24.151424.sbd.gems.flac16

Haven't looked on relisten yet.
Sorry if that's complicated.

DL played Scarlet > Fire on 30 Days 2019 btw.

PS - If you like Audience, this Audience is super fun, listen to them clapping during Scarlet.. it's almost like being there?
https://archive.org/details/gd79-10-24.senn.munder.13298.sbeok.shnf

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13 years 5 months
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Hell yeah! I think I have made it known around these parts before, but Fall/Winter 79 is one of my favorite periods, period.

Looking forward to listening once school is done for the day! Only three more hours to go...

Peace

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8 years 10 months

In reply to by Thats_Otis

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Hey Teacher, Leave Those Kids Alone!

Couldn't resist.

This one's for you Otis.

Now if you don't eat your meat, you can't have any pudding!
How can you have any pudding if you don't eat your meat?!

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4 years 11 months
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I listened to the first set, it's ok, nothing to really write home about. Garcia's guitar playing sounds good, Weir sounds into it, Garcia is having a little trouble with the lyrics, the drummers are popping. If I was there getting high I'm sure I would be having the time of my life, but I think there are much better shows in 1979 then this one, 2/17/79, 4/22/79 and all the year end shows at the Oakland Auditorium come to mind. What the the heck, if you dig it you dig it, if you don't you dont

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8 years 10 months

In reply to by billy the kid

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Ah ha! Objective listening skills, that's a good thing in a Dead Head.

Give that Set 2 a spin and I'll be interested to hear your take.

Honestly I can't remember much about this show, I just was checking it out to compare a new source that popped up.
First show on a hot tour.
I was hearing some X factor peaking out in that Scarlet > Fire.
Had to pause it up and attend to biz, but am looking forward to rest of Set 2.

But yeah, totally interested in hearing what peeps think.

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4 years 11 months
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You know, I think Garcia"s guitar playing sounds great throughout this whole show. I like where he forgets the words in Terrapin and he plays over it for a bit then comes back to the singing when he remembers the words.. I'm not a big fan of audience tapes, so I'm sure I would enjoy this one more if it was a sounboard. I don't think if I was sitting around drinking beer and bbqing , that this show would be on the playlist even if it was a soundboard, like 12/26/79, and 12/28/79 would be. This show for me is a one and done.

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17 years 4 months
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Kennedy assassination
Landing on the moon
Fall of the Berlin Wall
January 6, 2021

Keep up the good work here friends. I’ll return February 18th fifty years after being at the Capitol Theater.

I agree, this is not the place for politics.

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8 years 10 months

In reply to by DeadVikes

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Looks like Source 6 of 7 updated November 20, 2019 is set 1
and Source 5 of 7 updated July 28, 2017 is set 2.

If that helps.

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8 years

In reply to by JimInMD

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Thanks Man.

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7 years 6 months
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Dont forget the horrible station night club fire. Just Terrible.

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10 years 2 months

In reply to by carlo13

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"Those who cannot remember the past are condemned to repeat it." Just felt like slipping that one in.

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15 years 1 month

In reply to by daverock

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Harold Macmillan, one of our mid-20 century Prime Ministers supposedly said ‘History dear boy, it’s just one damned thing after another’.

Lets repeat some good history today.. something old, something epic. Any takers?

Something our special guests will approve.

2/13 and 2/14/1970 perhaps? Or older, 9/3/67? Somebody please help and weigh in.

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4 years 4 months
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Let's do this show, what a killer, from TIFTOO to VLB its just a stomper

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17 years 4 months

In reply to by JoshByTheBay

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....what's wrong with Hard To Handle and Morning Dew? JK. You are correct.