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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
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    Paris

    They're just getting warmed up by the time they get to Paris.

    I'm glad they didn't do this, but they could have divvied up the tour into little mini-boxes and it would have worked nicely.

    England Part I (Empire Pool, Newcastle & Bickershaw)
    Denmark (Copenhagen, Aarhus & Copenhagen)
    Germany (Bremen, Dusseldorf, Frankfurt, Hamburg, Munich)
    France (Paris, Lille & Luxembourg [close enough])
    The Netherlands (Amsterdam & Rotterdam)
    England Part II (the Lyceum, London)

    The performances by country partner well with each other. By the time they get to Paris they are just getting comfortable in their shoes. 5/3 is the monster and really is a masterpiece, but the second set of 5/4 has a jazzy aloofness to it that really works. The Netherlands shows also partner well with each other.

    But one box is better. I like the way the artwork has a central theme and is personal to each show; one box same artist for each show. Plus, as others have mentioned, at least once in your life the tour should be listened to from start to finish. Separate boxes would have resulted in a disjointed experience.

  • 1stshow70878
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    EU 72

    Germany: Some time traveler here once said my favorite show is the one I just listened to. Now it's Hamburg 4-29. They just keep getting better. Jerry mentions in response to an obvious audience call for something, we'll get to that, this is going to be a record, we have to do some new stuff. An awesome archive for Pig's legacy too. The He's Gone finding it's groove, that doesn't have the vocal harmonies worked out yet and so ends like a Bird Song. Priceless. And the Dark Stars. My pages of note are struck dumb. Paris next!
    Cheers

  • Oroborous
    Joined:
    Proper

    Proper!

  • JimInMD
    Joined:
    excellent

    excellent

  • wilfredtjones
    Joined:
    OK

    OK

  • 1stshow70878
    Joined:
    On To Germany

    Starting Beat Club Bremen as I write. Is that Bob doing their own introduction?
    Some omissions in my Deadbase X in these first 6 shows I've done:
    4-11 list omits 2nd encore of One More Sat. Night.
    4-14 list omits a Ramble On Rose between Good Lovin' and NFA.
    4-16 list calls a Me & My Uncle "Uncle John" and omits the TOO jam before that song and after the Caution.
    And now I see Bremen does not list the duplicates omitted in the TV show airing? A studio recording session rather than a concert so it's interesting to hear the restarts and banter.
    This Deadbase was copyright 1997.
    Cheers
    Edit: And one more; 4-24 second set list is out of order and omits the great Jam between Me & My Uncle and Wharf Rat. Now I'm wondering if BITD the available tapes had these mistakes or were some from reordering to fit on CDs later.

  • daverock
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    Heads

    I thought that Jesse Jarnow book was excellent - one of the best books I've read on the subject.
    There were a few good books on Psychedelia that came out about 5 years ago. A British equivalent to "Heads" might be "Albion Dreaming" by Andy Roberts. "Psychedelia and Other Colours" by Rob Chapman is also excellent, covering both America and Britain.

  • Oroborous
    Joined:
    Yeah

    Can you imagine: not only playing for folks who have little or no idea what your about, but also many/most who don’t speak the language! Yet after almost every set and especially at the end, you can hear the crowds love it!
    The power of music, the real language, the real form of communication!
    Amazing!

    EDIT: Heads, is that book any good?
    I have it but haven’t read it yet?

  • JimInMD
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    Re:

    Oro.. good job, you must not sleep much.

    DRock, I'm sure you are right. Beyond the few Americans that ventured East for that tour.. most did not fully understand what their tickets brought them. SimonRob was at Bickershaw, not sure if he reads this thread though. I also wonder how prevalent the psychedelic scene was. Jessie Jarnaw speaks a bit about the travelling circus and when / how it evolved in his book, "Heads." Beyond the few that were exposed early on and could afford the travel with no work, it wasn't until a little self-sustaining economy emerged before it became widespread. By 81, a few, but 90 quite a few.. we probably all know one (Lemieux for starters.. still in college)

  • daverock
    Joined:
    No Deadheads ?

    One thing about the European tour in 1972, was that they weren't, as far as I know, playing to Deadheads. I seem to remember one of band said in print that the Newcastle crowd was the coldest one they had ever played to. I would think that most of the people who saw then that night lived in, or fairly near Newcastle itself. Didn't the crowd at one of the shows head for the exit after the first set, assuming that the gig was over? That also suggest an unfamiliarity with The band and their way of doing things.
    If this is true - it certainly didn't harm the music. It may have affected the way they played - and for the better.
    Having said that, I don't know when the Deadhead culture started in America - by which I mean when people travelled the land to see them. Up to a certain point they must have been playing to new people in The States,too. People who had no pre conceived idea of what they were like, but just went along because it was a rock gig. By 1990 everyone at Wembley seemed to be a Deadhead. I can't remember 1981 being quite like that.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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History doesn't repeat itself, but it often rhymes.

- Mark Twain

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Good show, I don't think it comes up to level of the Feb/March Fillmore West shows, but enjoyable for sure. Funny, as I listen to this I enjoyed Garcia's guitar playing , just the guitar playing, from yesterday's show 10/24/79, just as much as I enjoy his guitar playing from this show, 4/21/69. Anyway, great pick.

How can you have any pudding if you don't eat yer meat?!?!

Well, I suppose I went just for the "pudding" yesterday, as I only listened to Set 2, but I did enjoy what I heard. I agree with those who point out that this is not the strongest show of the tour, but I just love this period, and I enjoyed the whole 2nd set. Flaming hot Fire, and even with the vocal flubs in Terrapin, the rest of the set flows nicely. Strong Wharf Rat too! I'm a fan of good sounding AUDs too, and this one certainly does sound pretty sweet.

4/21/69 - the first night of the Ark. I think I might cherry-pick this one with a few songs from set 1 (TOO Suite) and most of set 2 (I'll probably skip a good portion of Lovelight... currently ducking to avoid the tomatoes! :) I do LOVE Sitting On Top of the World!

Almost to hump day!

Peace

No tomatoes from me.

I appreciate Lovelight more as time passes, but it can get repetitive and....

Now the ones i have heard from march 68 and earlier bounce more instead of drag, which is a good thing

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I tend to love any dead that lasts long. Like pitb - lovelight - eyes - smokestack - alligator - and all that great stuff that you can listen to while partying or sex or both together. I know.... way too much info.

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In reply to by carlo13

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Wait a second Carlo, sex and the Dead. Okay, that cracked me up.

Wait a second honey, listen to this transition into I Know you Rider!

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"Giddy-up." Like kramer would say.

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Carlo, LOL, reminds me of when George was trying to have it all: sex, pastrami, AND the Yankees all at the same time!

69 no doubt is fine. Sitting on Top always welcome. But another in the “have to be in the mood” LL camp, but that doesn’t mean ya gotta throw grease! ; ) Did Viola seem a little underwhelming, or was that just me?

Did Ready or Not afterwards. Really digging this 90s stuff, well, not so much the Vince tunes....

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Since we just did the first night at the Ark, I was thinking we can mix the ying and the yang with some 1/10/79 from Nassau Coliseum. Honestly, one of my favorite second sets ever, and that speaks volumes. Pre Drums is a powerhouse.

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In reply to by JoshByTheBay

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Okay Josh, looks like a Dr. Bob Wagner audience recording for this show. I will check it out this afternoon. Thanks for the pick.

Everybody hang loose.

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Nice pick JOSHBYTHEBAY

That Set 2 is always fun to listen too and it really hit the spot yesterday!
Enjoyed that.

I was struck by a few things as I usually am when I listen to this show.
First off the amazing recording by Dr. Bob!
Recording technique & equipment had some major advancement between say '73-'79.
Jerry sings "Sweet Susie” in Loser, that makes it for me.
Love how that Head on tape figures out it's gonna be Dark Star and you can hear the stoke!
Space was still an odd occurrence.

The reviewer in Taper's Compendium was at these shows and he was saying that rumors before the show were that they'd played Dark Star & St. Stephen recently. But he didn't really believe them because rumors were so wild back then.

Reading that I was struck thinking about it. Having grown up essentially always listening and loving 12/31/78 and considering it an upper echelon GD show and legendary. It's crazy to think of a time when Ten days after that show no one knew the set list, what happened or the songs played!

Simpler times... Fun to think about.
Golden age for information now (and misinformation too).

You're still here?!?

Well alright then, the other thing I was struck by...
The reviewer states the hotter show played was the next night 1/11/79

I gotta test that theory today as nothing on this setlist sticks out to me and I really don't recall listening to it often.

See what this show does for my memory.
Good Sugaree to start.

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Looking at 9/6/1980 for tommorow's pick. Some of you were at this show, I have never heard it, but the story behind the show seems interesting. Last show before the Warfield.

Yes, do I think 1980 is still lost in space, (per Oroborous), absolutely!

Is it time for more? Let's hope. Giving this one a go.

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Looks like DeadVikes has picked 9/6/80, which is a show I have never heard before either. Sounds like a pretty awesome day up in Maine! LOOOONNNG show, interesting setlist, let's do it!

I did a little fishing around the ol' Archive - there are a lot of copies of this one - and I picked two sources that sound pretty good. The first is a SBD/AUD Matrix, mastered by good man Charlie Miller:

https://archive.org/details/gd80-09-06.sbd_aud.miller.25560.sbeok.shnf/…

The second is a straight AUD (looks to be a Jim Wise recording). In the quick sound comparison I did (a few minutes of China Cat, Shakedown, and Mexicali,) I think it sounds a little brighter overall, more bass, better balance, etc., though there is a bit of tape warble (at least I heard it on Mexicali...):

https://archive.org/details/gd80-09-06.wise.unknown.322.sbeok.shnf/gd80…

On both copies the vocals, particularly Jerry's, sound pretty distant. If anyone knows of or finds a better source, please let me know!

Happy listening, HAPPY FRIDAY, and stay safe out there!

Peace

I'm in.. thanks dvikes.

I haven't listened to this show in forever and a day. I'm through the first set and still fumbling for the best version.

Anyway.. even though we just listened to a 79 this feels like a nice change of pace and hits the spot. I don't listen to a ton of 1980. I listened to the deadset centric shows to death decades ago and as much as I love the acoustic material, when I am in the mood, it's awesome but I must admit I like the electric edge.

Lately.. it's the Nov Dec run from 1980 that I find myself hitting the most.

Be kind folks.. it's Happy Friday where I sit. Been working a bit more than usual lately, planning on how to optimize my day. I should finish this show before my day is done, I might switch things up for Friday part 2.

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In reply to by JimInMD

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Otis and Jim,

I listen through Relisten via my Sonos. The version I am listening to is a SBD/Aud, which was the first choice on the list. The vocals sound really clear as well as the rest of the band.
This definitely is not a new polished copy, imagine if it was?
Future release?

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Great pick Dead Vikes. Well this certainly is a long show, and it starts out with great versions of Alabama/Greatest Story, the Dead are full of energy. Then they do a killer version of Sugaree. After a great 3 song start they play 7 songs that are very pedestrian and not much to write home about, Garcia's guitar playing sounds good on these songs but other than that, time to head to the beer garden and have a few beers. They get their energy back that they showed in the 1st 3 songs and end the 1st set with really great versions of China/Rider and Promised Land. Notes, not to fond of Brent's synthesizer playing on Alabama, Weirs slide playing on Little Red Rooster, not very enjoyable. Garcia's slide playing on Little Red Rooster is what always made the Dead's version cool, Weirs singing is ok, but pales in comparison to HowlinWolf.

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Okay, so the recording goes to the audience portion at China Cat and there is a drop off for sure. Hope it goes back.

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Fantastic choice. I love this show. I think it may be the best show from '80 that i've heard, but maybe because this aud is so good. Thanks Jim Wise!

Can't wait to listen to this show again. Lemieux, if you're follow this adventure we've been having over the last year so so, please put this show at the top of your list for release. 🤞

Edit: That Fox show from Atlanta (11-30-80) that was Dave's #8 was a very fine '80 show too.

Looking good Winthorpe!
Don’t think I’ve ever heard this one? Love me some 80 Dead. Saw excellent show on 9/2, and we have the under the radar DL shows in between....
1/10/79: this one I’ve heard for the obvious reasons plus it’s a cousin to my first show 10 days later. Really dug this one. Is that TMNS set closer a rager er what? Did 1/11/79 too, but that one didn’t resonate as much, though I was busy...
Gonna try and get to some more 90s released stuff this weekend.
Happy Friday!

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Killer 2nd set, I give it a 10 out of 10, excellent from.start to finish. Great choice Dead Vikes.

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I ended up listening to the soundboard for Set I and the Jim Wise for Set II. I wonder what happened to the rest of the board? In any case.. a nice palate cleanser and a hot show from a great year.

What's on tap today? Did we do 2/22/74 yet? I'm contemplating that one.. if we did that how about 2/23.

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was listening to this early Dec. - 1st set ends with Death Don't Have No Mercy
1st set only (Charlie Miller / Sir Mick hands on) - https://relisten.net/grateful-dead/1970/01/16?source=103821 (tracking is off)
full show - https://relisten.net/grateful-dead/1970/01/16?source=88884

and for tomorrow maybe head next door to Oregon State 1/17/70 - https://relisten.net/grateful-dead/1970/01/17

be well everybody - it may seem a ways off but spring is coming

I both have not listened to this before and do not have it in my electronic world.. I had this show confused with the Download Series #2 show, which was apparently just one set two days later, with a show in the middle (Oregon State University in Corvallis).

I am going with the Charlie Miller first set and the droncit?? version I cobbled together with the second set. The sound is nice.. if I have time I am going to do this one and the next two nights (Corvallis and the Digital Download Series 2 from the same venue).

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In reply to by JimInMD

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Great show! Thanks to vguy for the write ups, if I’d a been a little older that’s the kind of place I’d of gone the extra to get there. Always loved the outta the way venues. Bet the vibe was pretty chill. Oxford was fun, but I’m guessing way bigger/crazier then Lewiston.

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...."plays a golden string fiddle to a double E waterfall over my back. Move it!!" Fuck yeah Jerry! Him getting all excited and shit makes me get all excited and shit.

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Brutal, Cumberland cuts out.

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Brutal, Cumberland cuts out.

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Great pick, it would definitely be on my bbq and beer drinking list.

Move it!! (ha - hadn't caught that)

Both 1/16 and 1/17 kick heavy. Listened through the two again today. Sweet mix of Live Dead era and Working Man's. Sound quality overall is very good to excellent - a few drop outs but still totally satisfying. First time around that Death Don't came as a total and emotional surprise as I hadn't really scoped the set list. Not expecting 'cause its '70 - my aging deadbase shows its a second to last before the long hiatus. Among fine detail that caught my ear in the larger 1/16 excellence was some of that early Mickey percussion. Just now the 1/17 Dark Star > Stephen > Eleven was all systems go go go.
The Download Series is the one major gap in my "officially released" collection. Wasn't in the position to take advantage of at the time. Didn't even know about 1/18 being part of that. Need to revisit that series.
I think the Hawaii shows from following week were up here not too long ago but its been awhile since personally dived in so will head there soon. Looking forward to Fox Theatre - 2/6/70 (DaP 6) - one of my favorites. The whole 50th for Working Mans and American Beauty really got me going on this era.
Edit - didn't mention the cut to 1/16 Cumberland cause I didn't want that "small" negative to define it . . . . : )

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In reply to by Vguy72

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Adding 1/17 only makes it better. These seem to be releasable shows, they might have to address the cuts somehow. Someone's singing is overly loud and off key in Cumberland too.., I think Bobby's. Perhaps his voice broke the tape like the shriek voice broke glass in that old Memorex commercial.

Good choice I had not heard these before. Nice Dark Star too.

Jim, you mentioned 2/22/74, yesterday. Let me know when you want to hit this one up? It is a three set monster.

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I'm ready.. any time.

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In reply to by JimInMD

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Good call on this one Jim, I have it going.

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....twist my arm.
Lmao. Jerry blowing the US Blues lyrics right out of the gate. Gotta love it. It's part of the charm.
"We're all confused. What's to lose."
👍

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I forgot how good the PITB was from this show. I was in a great situation to listen today.. and about a third of the way into this song I felt it was ho, hum.. Another three minutes and I realized how wrong I was and good this Playing is..

Is this the first flirtations with Slipknot!? I forget if they played with the theme in '73 or not.

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In reply to by JimInMD

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....Cal Expo 8.5.89.
https://relisten.net/grateful-dead/1989/08/05
-
One More Saturday Night
Cold Rain & Snow
We Can Run
Stagger Lee
Memphis blues
Row jimmy
Let It Grow
-
Hey Pocky Way ->
Playin' In The Band ->
I Know Your Rider ->
Terrapin Station ->
Drums ->
Space ->
Standing On The Moon ->
Throwing Stones ->
Not Fade Away
-
US Blues
---------------
Features a OMSN and CR&S one two punch opener and a stand alone Rider.
I was lucky enough to be present and accounted for at this run.