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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #2321
    daverock
    Joined:
    a strange one

    I can't for the life of me see how anyone could take offence at Gary's last post. Surely its the intention behind what we say that matters, not the accidental outcome - and there was obviously no harm intended.

  • #2322
    DeadVikes
    Joined:
    Today's Pick

    Been locked out of posting for the last four days. Nurse!

    So, it is working again. Was it something I said?

    How about about 6/13/80, from Seattle taped by our own Nitecat. Full disclosure I have never heard this show but it is getting rave reviews elsewhere. I believe he is Wiseman.

    Oh and 7/4/90 was a good show. Vocals a little funky Bob t was there. You saw a lot of good shows that summer Bob. Great Scarlet Fire.

    4/19/82- I hit this one not too long ago per a Jim pick. Great show and that Raven space had my dog hiding under the couch and my wife coming downstairs wondering what the hell I was listening to. Just Raven space!

  • #2323
    JimInMD
    Joined:
    Re: Love ya gfar..

    but ...damage done with the covid vaccine? You're not supposed to snort it or smoke the stuff.

    Saying in jest.. hoping to god all holy hell does not break out here. Tread carefully and perhaps consider safer topics like religion, politics, or Donna wails. I'm just not sure this one belongs here, actually I'm pretty sure it doesn't. There are many who read these posts that have lost loved ones and it's not a passing comment that will elude attention.

    I don't believe you meant any ill will and no offense meant in my comments.

  • #2324
    Gary Farseer
    Joined:
    Doc

    You got that right.

    I am noticing more and more my mind struggling some. Not sure if it is age, partying, or maybe a sign of damage done with the covid vaccine. Just can tell my short term memory is starting to suffer. I am starting to believe it might be the vaccine. Of course, with appendix rupturing and living thru it, a little memory loss aint to bad.

    Thanks for the correction! Sorta, a year in my life got shortened (?) by having the wrong year. D'oh.

    G

  • #2325
    Gary Farseer
    Joined:
    Fare the Well --Thought I would send

    the Meyer sound article on fare the well. Just copy and paste instead of a lync.

    The Grateful Dead Bids "Fare Thee Well" at Levi's Stadium with Meyer Sound LEO

    Derek FeatherstoneDerek FeatherstonePhoto: Jay Blakesberg

    4 of 8
    July 3, 2015
    “

    John Meyer's 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas. They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    Mickey HartDrummer/Percussionist, The Grateful Dead
    Featured Products
    1100‑LFC, 700-HP, CQ-1, Galileo Callisto 616, LEO, LYON, MICA, MILO, MJF-212A, UPJ‑1P

    Fifty years after forming their band at a Palo Alto music store, the surviving founders of the Grateful Dead kicked off their end-of-an-era “Fare Thee Well” mini-tour at Levi’s Stadium in Santa Clara, Calif. with a Meyer Sound LEO linear large-scale sound reinforcement system driving a quadraphonic surround setup.

    The two Silicon Valley shows were a landmark occasion with more than the 60,000 devoted Deadheads in attendance each evening. It was also a milestone in the band’s decades-long association with Meyer Sound CEO John Meyer, a relationship spawned from a shared passion for audio experimentation and audience experience. The Grateful Dead’s original sound engineer, Owsley “Bear” Stanley, first tapped Meyer to create acoustic solutions for the legendary “Wall of Sound” system in the 1970s.

    The Meyer Sound LEO system with its accompanying 1100‑LFC low-frequency control element delivered an immersive fan experience in the large football stadium and supported an experimental segment devised by drummer/percussionist Mickey Hart. Using the Meyer Sound system to transmit ultra-low frequencies in surround sound, Hart probed how the brain perceived audible and below-audible rhythms.

    “John Meyer’s 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas,” says Mickey Hart. “They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    The Meyer Sound system comprised four front arrays of 17 LEO-M and three MICA line array loudspeakers each, with dual side columns of 14-each 1100-LFC low-frequency control elements and a center column of 22 700-HP subwoofers in an end-fire pattern. Side and offstage coverage was supplied by 32 LYON and 32 MILO line array loudspeakers, respectively, with an additional 30 MICA loudspeakers providing behind-stage coverage.

    Filling in the far ends of the stadiums were four delay towers with a total of 56 MILO loudspeakers and eight 700-HP subwoofers. Two additional towers of eight LYON loudspeakers each faced the stage for quad surround effects, with six CQ-1 and four LYON loudspeakers providing front fill. A Galileo Callisto loudspeaker management system handled drive and optimization, and 16 MJF-212A stage monitors provided onstage foldback.

    Following the Levi’s Stadium shows, Grateful Dead continues its tour at Soldier Field in Chicago over 4th of July weekend, using a nearly identical LEO system for three shows. Audio requirements for the shows are handled by Martinez, Calif.-based Pro Media / UltraSound, with system design accomplished by the company’s Derek Featherstone, vice president of touring and rental and the band’s FOH engineer since 2005.

    Additional equipment support for the five shows comes from Blackhawk Audio, Rainbow Production Services, Show Systems, and Solotech.

    “The LEO and 1100-LFC system can handle everything we put into it,” says Featherstone. “We are also very impressed with the quality control of the Meyer Sound self-powered equipment. Being able to acquire 650 loudspeakers from several different vendors located in multiple states, assemble the large system on site, and have it work seamlessly is no small feat.”

    Matt Haasch, audio crew chief for Pro Media / Ultrasound adds: “I was impressed with how well the LEO system handled the physical acoustics of a big stadium. Coverage was smooth and practically seamless, with precise imaging for all seating areas.”

    John Meyer’s work with the Grateful Dead extends to the mid-1970s when the band’s concerts were heard through McCune Sound Service’s JM-10 systems designed by Meyer. The relationship continued through the band’s last tour with Jerry Garcia in 1995, supported by Meyer Sound MSL-10 loudspeakers. Meyer Sound systems have been a staple for tours of reunion and spin-off bands during the interim, including the 2005 and 2009 tours equipped with a Meyer Sound MILO system when the core members were known as The Dead. In 2011, the band’s Bob Weir installed a Meyer Sound Constellation acoustic system in his Tamalpais Research Institute (TRI).
    Copyright © 1979-2022
    Meyer Sound Laboratories, Incorporated

  • #2326
    Forensicdoceleven
    Joined:
    So many great ideas come out of a misunderstanding......

    Gary----

    I think you misunderstood, you're thinking of 4/21/1972, while I think of 4/21/71. And other 71s, of course...........

    Doc
    We are infected by our own misunderstanding of how our own minds work.............

  • #2327
    Gary Farseer
    Joined:
    Doc

    great write up. Guess I need to go back thru that video. Havent watched in a few years. When was the meet up with the movies for this show? Of course, going by memory may have things confused.

    Found yesterday on archive forum, then to a posted new video of 1976-08-04 Roosevelt Stadium. Posted about 3 weeks ago. It is not complete, made of form multiple sources, SB plus video. Looks like they have almost all video when I ran thru. Video goes to 3 hour plus marker but did not do but a cursory review, under 3 minutes or so.

    So youtube, then GD, then date should allow you to find. Got a lot of music building on my plate.

    G

  • #2328
    Forensicdoceleven
    Joined:
    I go where the sound of thunder is......

    Hey rockers!!

    I said I wouldn't be posting about 71s for a while, but I shall make an exception for April 21, 1971. And what a fine exception it is...............

    No bells & whistles, no frills, no midi. Lacking subtlety, bacon greasy, crunchy, hard edged, a thunderous example of the "sledgehammer approach" on display in April 1971. Rock and roll, Grateful Dead.................

    Oh, the shows I missed growing up!!!

    It is not light that we need, but fire; it is not the gentle shower, but thunder; we need the storm, the whirlwind, and the earthquake.

    Doc
    I am a being of Heaven and Earth, of thunder and lightning, of rain and wind, of the galaxies...........

  • #2329
    Oroborous
    Joined:
    Dust off that rusty tank

    4/19/82
    Baptism by fire?
    I forget, first dead AND ?
    Great story, I can’t imagine, well, actually I can lol.

    Pretty darn good first show eh!
    Starts out a tad slow as can be the case, but built up nice throughout the set, with a nice set list: On the Road, Roses, Women Are, Might As Well, AND! It has both a Cumberland, and a PEGGY O!
    Stranger perhaps not the beast it would become, but nice opener here directly into Franks, Nice Estimated, but then into Terrapin instead of status quo eyes. Were you familiar with the music yet?
    yeah sweet first show, but wait kids, there’s more!
    That wonderful crazy space, man I remember getting a tape of that set, and Hartford, played the hell outta em, rents probably knew for sure then we’d gone nuts lol.
    But yeah, slides back to earth on The Wheel, with a interesting Truckin’ for lack of better term, and a very nice Stella.
    Then a double shot of Bobster and a fine end of tour Brokedown.

    Sound was good except the vocals were out front a tad for my preference, and the usual splice or three, but totally enjoyable, best version I’ve heard. Also, it was nice to hear the whole space segment, I’d only ever heard it in progress, so that was cool, no tank here but some tasty, potent Golden Goat had me laughing on the inside.
    Made for a needed, very nice, relaxing afternoon after a couple weird days, including no tunes : (

  • #2330
    Gary Farseer
    Joined:
    Jim

    That is another interesting story in their history. I spent a little time on archive today. Haven't done that in a long time. Amazing the amount of stuff that shows up over there. A totally different subset of heads. I am just now getting to understand that there may be more than I can image to come out yet. Got on a discussion board there and it was an eye opener.

    Any way, I plan to watch the 42 discussion. I actually prefer being hidden back here. Of course everything in public domain. We are everywhere. Or is it, we are the marketing department.

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by Vguy72 on Fri, 02/26/2021 - 07:40

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....yes Dave. One of the more interesting ones I've come across.
"Ira Kaplan and Georgia Hubley formed the band as a couple in 1984. They chose the name "Yo La Tengo" (Spanish for "I have it," referring to a female-gender object or person). The name came from a baseball anecdote that occurred during the 1962 season, when New York Mets center fielder Richie Ashburn and shortstop Elio Chacón found themselves colliding in the outfield. When Ashburn went for a catch, he would scream, "I got it! I got it!" only to run into Chacón, a Venezuelan who spoke only Spanish. Ashburn learned to yell, "¡Yo la tengo! ¡Yo la tengo!" instead. In a later game, Ashburn happily saw Chacón backing off. He relaxed, positioned himself to catch the ball, and was instead run over by left fielder Frank Thomas, who understood no Spanish and had missed a team meeting that proposed using the words "¡Yo la tengo!" as a way to avoid outfield collisions.[5] After getting up, Thomas asked Ashburn, "What the hell is a Yellow Tango?""
Hilarious. Don't miss those team meetings Frank!!

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Submitted by proudfoot on Fri, 02/26/2021 - 08:41

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pretty good

all together now..."it's not Europe 72, but..."

it's still pretty good

PS I got my work done that day, my friends...luckily, I didn't have to answer to my dad, since he is in Salem Oregon

update on 12/3/79...there's one of those weird patches where all of a sudden we go from soundboard to the hallway and then back to the soundboard.

Onward into Friday. I will do my best to stay focused on my ish.

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Submitted by JimInMD on Fri, 02/26/2021 - 11:07

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Perhaps my favorite '77 show, add in the bonus tracks and you have a really special release.

Thanks for carrying the torch folks and keeping this alive. Been a bit busy the last few weeks and struggling just to hang on here. Gotta admit, I missed a few of these shows. Trying to manage getting stuff done with the best winter we have had here in more than a decade. Winter is fun, GD is fun, winter and GD is more fun. Add 2/26 to the mix, sublime.

Blink or relax for just a moment and when you snap out of it.. you're old. I cannot play as hard as I used to.

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Submitted by proudfoot on Fri, 02/26/2021 - 11:09

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some slowness in there

2/26/77: Jerry sparkling and spry

2/17/79: still plenty bouncy

12/3/79: ssaayyyyy whhhhaaaa...? Terrapin and Wharf Rat....

Jerry, Jerry, Jerry.

It must have been horrifying for the rest of the band to see such a rapid decline.

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Submitted by Thats_Otis on Fri, 02/26/2021 - 12:08

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I think I might do a first course of Uptown 81, followed by a Swing 77 dessert!

Happy Friday, DeadLand! Keep the good vibes rolling!

Of, for those of you who like a good Matrix, here is 2/26/81: https://archive.org/details/gd1981-02-26.mtx.chappell.sb02a.28383.sbefa…

Like most shows, give it a minute to "settle down easy" :)

Peace

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Submitted by Thats_Otis on Fri, 02/26/2021 - 12:13

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Def. not a top-tier pick for me, which is a shame because Fall/Winter 79 is one of my favorite periods of GD. Kind of puzzled why this was chosen, TBH. However, if memory serves, the "Truckin'" is massive if listened to in the proper state of mind and at the proper volume (LOUD!) I do love the artwork on this one...

Overall though, many better shows from this era.

Peace

I think we all know what the top picks are and what constitutes as filler.

If we all had a crystal ball of truth.. it would reveal what we know. Each year until this comes to a screeching halt.. we are going to get a mix of what is deemed releasable shows. The great and the truly good.

That's how it's gonna play out my friends. No need to hope each and every show is a top ten. I will add, I want to see all the releasable shows get a Full Norman. What we are listening to each day and night is history and these shows need to get released.. here's my twenty five bucks, bring it, even 12/3/79, which is not the worst Dave's Picks..

On a separate note, all the remaining Dave's Picks need to have a Cumberland or they will have a revolution on their hands. Who's with me?

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Submitted by bob t on Fri, 02/26/2021 - 19:39

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I am happy with what we get.. I was thinking how some releases are wow for the quality or reputation... Others like the July 78 box were more of whoa we have soundboard releases that never existed to us... Would I be happy if we got a Dane County from Feb 15, 1973 oh yes, but a Feb 24, 1973 University of Iowa show would fall into that July 78 box set release type of emotion.. That type of release is what I wish we would get a little more often, but I wonder what the potential amount of releases would even fall into that category . be good everyone. bob t

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Submitted by unkle sam on Sat, 02/27/2021 - 09:02

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I am there, DARK STAR

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Submitted by The Good Ole G… on Sat, 02/27/2021 - 09:21

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I'm there with BTK, UNKLESAM, ICECRMCNKD & everyone else who loves these shows.

52 years ago, 4 of the greatest shows ever started at the Fillmore West and holy shit they're amazing.

The Dark Star the band played on 2/27 is beyond.... description.

Big props to Betty Cantor for picking this one out of the bunch and putting it on the first live Grateful Dead release for all of us to freak out over.
Crazy, she did that before I was even born.
Bow to the Queen.

My little memory on the importance of the Fillmore West Complete Box Set release. (which I've told before)
I saw on the internet that the Grateful Dead was going to release all of Europe '72, I hadn't been collecting the Dead in years as I was booking local rock shows at a club and was into a completely different local music scene that had been eating my brain so in many ways I felt that I'd moved on from the Dead.

But seeing that the WHOLE Europe '72 tour was going to be released just stopped me in my tracks.
When I followed the rabbit down the hole..
one of the first things I saw, they'd already released the COMPLETE Fillmore West '69 run!
The Bus came by that day, and I got back on.

WALSTIB indeed.

This Dark Star rules.

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Submitted by Oroborous on Sat, 02/27/2021 - 09:23

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...be a Debbie downer. I just don’t like when EVERYDAY is a “anniversary” pick, or more to the point, perhaps SOMETIMES we do an anniversary from different years that never get any love.
But who can the weather (or the music) command.
Onward!

EDIT: I’ve been blissfully wallowing in Dave’s Picks 33, 35, 36, and 37. Still have that 72 stuff to get to, but some 69 is always fine, yuck, yuck..

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Submitted by The Good Ole G… on Sat, 02/27/2021 - 09:49

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Haha

This is not "this Day in Dead History" you all ;)

I'm just playing...

“[To poop] originally meant ‘to produce a short blast of sound,’”

Maybe OB just wanted us to hear a short blast of sound?

OB, you know I'm just taking the mickey out of you cause you haven't listened to 10/18/72 yet?
I dig all your input mang.

On a more musical note.. Get it?!?!

I don't think I noticed that patch in The Eleven on 2/27 before 7:54-8:49..
I wonder if that had something to do with them using the 1/26/69 version on Live Dead.
hmmm

You guys are funny.

The Fillmore West box is sorta of a white whale for me. On the fence with release announcement and when I finally went to pull the trigger it had sold out in previous 24 hrs. Not the last time I was slow on the draw but that was a tough one and years later when i started checking resellers it was a bit pricey. Do have the compilation. Someday.

So I'm going with Live Dead today and the Dark Star sounds glorious right now.

Onward!

I know y’all giving me shit, which is nice!
I think my suggestions are not being seen in the right light. Not trying to be negative...Think of it this way;
There’s over 2300 shows, I’d like to hear as many as possible, even if just once, vs listening to say, only the same 200 shows repeatedly. So more shows equals a positive, no? Especially looking for those weird little chestnuts that only a super squirrel finds 🐿
Also, it’s a fragile eco system. Been listening for over forty years already, hope to be able to do so for many more.
Variety is the spice of life!
Ok,enough of all that,
ONWARD!

EDIT: as your senator from the great deadnet state of altered consciousness I hereby propose an amendment to the cosmos hear-by declaring that henceforth the Elevan, should, and must be played on, well....11!

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Submitted by icecrmcnkd on Sat, 02/27/2021 - 10:44

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I also missed out on FW and the steamer trunk, although I did get the 72 AME.

Have FW 27 and 28 on vinyl. Both say Plangent Process. I don’t believe that the FW69 Box says Plangent, but I don’t have a physical copy to look at.
Can some check their Box to see if it says Plangent?
If it doesn’t then that suggests that FW69 has been remastered - Plangentized, Normanized, and vinylized.
27 and 28 sound really nice.
The question is, when will they release the 24/192 hi-def copies?
They could put it on BluRay audio like Led Zep did for Song Remains The Same.

No offense meant Oro, I don’t actually keep up with the picks every day, mostly just on weekends since I don’t listen to music at work. Sometimes do partial shows at night.

Well, it’s around 50 here, the snow is gone, and there’s 2 months of dog poop in the yard....
That's going to take like 45 minutes to clean up.

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Submitted by DeadVikes on Sat, 02/27/2021 - 11:34

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Conekid, no Plagent was not used on the Filmore box. The first box they worked on was Winterland 73.

Oroborous, yes, we are still not This Day in Grateful History. Shoot, we are coming up on the one year anniversary of The Pick of the Day. Let's keep it rolling!

Do you all remember what the first pick was?

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Submitted by The Good Ole G… on Sat, 02/27/2021 - 11:53

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I've got the POTD list ;)

Might've missed a day or two here and there when there wasn't a pick or it wasn't clear what the pick was.
But usually would jot down a notation.
For the most part it's complete.

VGuy... I wrote down 2/27/69 for today.

It's too epic not to give it the nod.

But.. that leaves room for more goodness, might have to do 2/27/81 later.

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Submitted by Oroborous on Sat, 02/27/2021 - 13:10

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None taken!
This ones for you and the job ahead
https://m.youtube.com/watch?v=mLNAkPsjAEk

EDIT: lol I thought we were doing 69 today? or am I a day late and a dollar short again!
Dbl Edit: yeah, nice work GOGD...we oughta call him scribe, or Radar O’reily

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Submitted by Oroborous on Sat, 02/27/2021 - 13:16

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Plangent or not, still sounds pretty good!
Haven’t heard these since some awesome person turned me on to copies s couple years ago...so good call, ...was due!

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Submitted by The Good Ole G… on Sat, 02/27/2021 - 13:23

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A man walks down the street
He says, "Why am I soft in the middle, now?

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Submitted by The Good Ole G… on Sat, 02/27/2021 - 15:40

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And Betty when you call me,
You can call me Al.

Yeah... listening to the Dead all day can make you a little soft in the middle.
But what a way to go.

Don't want to end up a cartoon
In a cartoon graveyard
Bonedigger, Bonedigger

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Submitted by DeadVikes on Sat, 02/27/2021 - 17:09

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God I love DeadHeads, I just wish there were more in my neighbor.

FW Box was a Multi Track release.

....tbh Proudfoot, I dabbled. Started with him circa 1980, then moved forward and backward. Got distracted with another band. Circling back.
Like most nuts, pistachios are healthy and good food.
Avocados are up there too.

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Submitted by Dennis on Sun, 02/28/2021 - 03:43

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God, I must be getting old. A good hit on Friday night at work, up all night, cloudy all Saturday, passed out early, up now.

Anyway,,, coming home from work Friday night fairly electric. Got billboard hits of 1973 playing and the Temps come on with Papa Was a Rolling Stone. (the 12 minute version) My Buick has a ok sound system so I cranked it up. What a great recording. Wonderful separation of sounds, the relentless cymbal. If you haven't heard in a while, pop that bad boy on,,, good headphones sound great,,, and crank it.

I always say Motown is like coke,,,,,, everybody likes coke,,,,,, and sara lee.

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Submitted by proudfoot on Sun, 02/28/2021 - 09:51

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The Zappaverse is vast. I like some of it, dislike some of it, ignore much of it.

If it didnt take, thats cool. His stuff is definitely not for everyone.

If you decide to try it again, i recommend WOIIFTMoney

Also, I happened upon a youtube video called Zappa 60s guitar solos yesterday. That stuff rocks

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Submitted by proudfoot on Sun, 02/28/2021 - 09:55

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Uhhhhhh....

I am on a "no GD for now" diet. So, I got nothing for POTD.

I was surprised yesterday by several facts. Biggest, Temps not the original band,,,, Undisputed Truth (yes, Smilin Faces), put out the first cut and when I scanned my collection I was shocked at the number of covers. And yes, there were maybe 3 from Mickey's band :-)

Another one of those songs the Dead should have done,,,,,, right after Ghost Riders in the Sky!

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Submitted by Vguy72 on Sun, 02/28/2021 - 15:08

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....is Mickey Harts Mystery Box CD. Or the last show from Anchorage.
Choose wisely.