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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • #4521
    billy the kid
    Joined:
    2/9/73

    Killer show, my brother was there, hopefully it will be an official release one day.

  • #4522
    bolo24
    Joined:
    My pick for tomorrow

    Y'all can join in if you want. As I'll have the entire chateau to myself tomorrow, I'm cueing up "Steppin' Out With The Grateful Dead" and playing it really loud. Need a dose of '72 goodness.

    Yes, I know, it's a compilation and familiar to all. But that mix....man. Just imagine if the E72 trunk was mastered/mixed the same way. Have mercy!

    Perhaps we can start a crowd-funding campaign to raise enough cheese to persuade Mr. Norman to do his thing. I got a dollar and a quarter to kick things off.

  • #4523
    DeadVikes
    Joined:
    2/9/73

    Wow, finally getting to this today. Great sounding recording. Just starting, hopefully it stays at this level.

    And 10/29/71, very busy.

  • #4524
    icecrmcnkd
    Joined:
    2-9-73

    Recently got a new version, believe it is a Miller.
    Definitely sounded way better than that first off-speed cassette copy I had.

  • #4525
    proudfoot
    Joined:
    2/9/73

    first heard it on a Southern California evening on tape back in...84? 85?

    very pleasant, eye-opening experience

  • #4526
    rockthing
    Joined:
    2/9/73 1st Impression +Belated 5/15/73 Upgrade Frag Notes

    I can't keep up with you guys. lol.

    Just by chance I listened to 2/9 last night, over two sittings. During the first sitting, ie the first half of the show, work was occupying my mind. The final sitting was with the lights out, just spacin' on the music, but also sort of halfway into dreamland, so no notes were taken. I think I'll listen again as soon as I get through this new (to me) Coltrane '65 date.

    The balance on the 2/9 tape is much better than any master of 5/15 that I heard. The setlist is very similar. I have not compared, but all the songs you don't get to hear much after '73 are there for both shows, but there really isn't much evidence of teething problems in the new stuff. US Blues has very embryonic lyrics, which are cool, but nowhere near as iconic, or concise, as Hunter's later revision. The music is pretty much fully formed. Incredible, really. Someone had mentioned 2/18/71 a few pages back. That was another major breakout night, but again, they debuted a set of solid songs, right out of the gate.

    Back to 2/9/73, they talk a bit too much about the new PA, but I suppose I'd be pretty over the moon about it, too. Of all the eras, this is when I'd really love to have some good audience pulls, especially once the full Wall of Sound comes into effect. Not sure the wall makes any difference to a board tape.

    That cool and confident mellow '73 groove is there, but there seems to be a touch more bounce in the step here compared to 5/15. Again, this is on deck for a relisten.

    I made all these notes for the 5/15 upgrade (second half of the second set). Even though that was, like two or three picks ago, I'm gonna put'em down anyway.

    The Miller "fix" is a major improvement. Much more raw in many respects. Bobby's killin' it after the He's Gone vocal jam evolves into an instrumental. He's getting some very Jerry-esque tones, but he's significantly lower in the mix. Was he still using a Gibson SG at this time? If so, that would explain the similarities in tone. Jer had been using an SG for a while before switching to Alligator, iirc. Hard to keep track of Jerry's guitars in the early days. I forget when he got Wolf, too. If he didn't have it here, he'd have it fairly soon, again iirc.

    No bomb after Truckin's "busted". Not enough Phil in the mix to really get the bass bomb effect when it finally comes. The is The Jerry Garcia Experience. The mix is ALL Jerry. Would really like to hear how this sounded to an audience, especially considering it was the experimental phase of the Wall of Sound.

    Would also prefer to see the the "Phil and Drummers" track merged with either Truckin' or The Other One. It could really go either way, though, 'cause it's not unheard of to have a drum solo at the end of Truckin' and it was fairly common at one point to have a drum break between Cryptical and Other One. That's just me. I know most people, certainly the seeders, like more tracks rather than less. What's Joe Walsh say? "Can't complain, but sometimes I still do."

    The Other One jam is sublime! Deep into it Phil and Jerry's interaction is so conversational, without being simple mimicry. Much better bass guitar presence than earlier, but it may be that Phil is using the upper registers here, and those frequencies are more well represented on the tape. Holy shit. That was all BEFORE the first verse! Did they even do the second verse? It just all washed by in this warm breeze of intermingling ideas. I didn't take any more notes on the rest of the show. Was not present enough. Some really fantastic stuff was happening at the end of the second set, certainly worthy of the upgrade. I'd imagine this is the only mix that exists, and there ain't no more. Again, this is the era where I'd like to hear the audience perspective the most, but it's still early days for audience tapers, unfortunately.

    Digging waaay back in the thread, Neil Cassady, that's a guy I'd go back in time to meet... hopefully when he was hangin' with Jerry!
    What a madman! TBH, I probably wouldn't be able to deal with him, but I'd just like to experience what being around him was like.

    Used to follow John Perry Barlow on Twitter. Didn't always agree with him, but he always had something thought-provoking to say. So interesting that he went from being a Wyoming rancher, crafting a cowboy image for Bobby, to philosophizing about the electronic frontier, and being a legit expert.

    Speaking of cowboy images, I'm gonna hafta remember to imagine the boys in their Nudie suits when I relisten to 2/9, later. That's so funny. It's like the one time the Dead actually entertained the concept of showmanship as a group. lol.

    I digress. Having the sense to take on genuine wordsmiths to define their lyrical imagery is yet another example artistic magick. So many fantastic musicians are so horrible as poets. :) Having both Barlow and Hunter, expressing very different views and styles, adds so much to the mix.

  • #4527
    JimInMD
    Joined:
    Halfway Through

    One quick comment about this show.. as I am not sure I will finish tonight. Many of these songs are 'new' so just rehearsal and practice. The tone isn't always dialed in, just a little unpredictable and wild which I just love. They sometimes lurch their way transitions, bridges and the more complex pieces but behind it all the timing is there. Jerry in particular has an impeccable sense of timing and the songs, even the ones performed for the first time are still the songs. They seem to be birthed almost fully formed.

    That's it for me, great pick Bob (and all). I have great reverence for this show.

  • #4528
    JimInMD
    Joined:
    I Could Do Maples...

    Roscoe Maples Pavilion it is.

    I am sure I have told this story, but my original cassette of this show was way off pitch, super slow.

    Eyes of the World in particular had this groovy, sloth-like swank to it, especially in the outro jam and the vocals in China Doll were sooo slow. Still, I loved it. It wasn't until the Archive came up that I heard what the show actually sounded like. I loved the old and slow, but the pitch corrected version was a welcomed addition, sort of like getting fitted for ear glasses for the first time and hearing what birds actually sound like when they sing.

    I knew it was a little off pitch, but once something goes down, once you listen to something and get familiar with it.. sort of a muscle memory.. once you get used to something, that's the way it is. To this day when I listen to this show my memory of the slowed down, etched in memory version comes to mind.

  • #4529
    The Good Ole G…
    Joined:
    Roscoe Maples

    Dang it that's a fave!
    Nice call BobT
    Happy Anniversary to this all time great show.

    Listen to that PITB outside (if it's sunny & not freezing)

    For the majority of my life and I always thought this show took place outside, but I'm pretty sure Maples Pavillion was / is a gymnasium?

    Anyhow this music was meant to be listened to outside, Jerry soars like a bird.

    It takes you places.

    I'ma gonna have to listen to it.

    Thanks BobT!!

  • #4530
    bob t
    Joined:
    A very good year started 48 years ago today

    "I'm told to make this short and not political" Roscoe Maples Pavilion 2/9/73 Happy Anniversary....

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Submitted by marye on
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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Submitted by Vguy72 on Fri, 02/26/2021 - 07:40

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....yes Dave. One of the more interesting ones I've come across.
"Ira Kaplan and Georgia Hubley formed the band as a couple in 1984. They chose the name "Yo La Tengo" (Spanish for "I have it," referring to a female-gender object or person). The name came from a baseball anecdote that occurred during the 1962 season, when New York Mets center fielder Richie Ashburn and shortstop Elio Chacón found themselves colliding in the outfield. When Ashburn went for a catch, he would scream, "I got it! I got it!" only to run into Chacón, a Venezuelan who spoke only Spanish. Ashburn learned to yell, "¡Yo la tengo! ¡Yo la tengo!" instead. In a later game, Ashburn happily saw Chacón backing off. He relaxed, positioned himself to catch the ball, and was instead run over by left fielder Frank Thomas, who understood no Spanish and had missed a team meeting that proposed using the words "¡Yo la tengo!" as a way to avoid outfield collisions.[5] After getting up, Thomas asked Ashburn, "What the hell is a Yellow Tango?""
Hilarious. Don't miss those team meetings Frank!!

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Submitted by proudfoot on Fri, 02/26/2021 - 08:41

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pretty good

all together now..."it's not Europe 72, but..."

it's still pretty good

PS I got my work done that day, my friends...luckily, I didn't have to answer to my dad, since he is in Salem Oregon

update on 12/3/79...there's one of those weird patches where all of a sudden we go from soundboard to the hallway and then back to the soundboard.

Onward into Friday. I will do my best to stay focused on my ish.

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Submitted by JimInMD on Fri, 02/26/2021 - 11:07

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Perhaps my favorite '77 show, add in the bonus tracks and you have a really special release.

Thanks for carrying the torch folks and keeping this alive. Been a bit busy the last few weeks and struggling just to hang on here. Gotta admit, I missed a few of these shows. Trying to manage getting stuff done with the best winter we have had here in more than a decade. Winter is fun, GD is fun, winter and GD is more fun. Add 2/26 to the mix, sublime.

Blink or relax for just a moment and when you snap out of it.. you're old. I cannot play as hard as I used to.

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Submitted by proudfoot on Fri, 02/26/2021 - 11:09

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some slowness in there

2/26/77: Jerry sparkling and spry

2/17/79: still plenty bouncy

12/3/79: ssaayyyyy whhhhaaaa...? Terrapin and Wharf Rat....

Jerry, Jerry, Jerry.

It must have been horrifying for the rest of the band to see such a rapid decline.

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Submitted by Thats_Otis on Fri, 02/26/2021 - 12:08

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I think I might do a first course of Uptown 81, followed by a Swing 77 dessert!

Happy Friday, DeadLand! Keep the good vibes rolling!

Of, for those of you who like a good Matrix, here is 2/26/81: https://archive.org/details/gd1981-02-26.mtx.chappell.sb02a.28383.sbefa…

Like most shows, give it a minute to "settle down easy" :)

Peace

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Submitted by Thats_Otis on Fri, 02/26/2021 - 12:13

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Def. not a top-tier pick for me, which is a shame because Fall/Winter 79 is one of my favorite periods of GD. Kind of puzzled why this was chosen, TBH. However, if memory serves, the "Truckin'" is massive if listened to in the proper state of mind and at the proper volume (LOUD!) I do love the artwork on this one...

Overall though, many better shows from this era.

Peace

I think we all know what the top picks are and what constitutes as filler.

If we all had a crystal ball of truth.. it would reveal what we know. Each year until this comes to a screeching halt.. we are going to get a mix of what is deemed releasable shows. The great and the truly good.

That's how it's gonna play out my friends. No need to hope each and every show is a top ten. I will add, I want to see all the releasable shows get a Full Norman. What we are listening to each day and night is history and these shows need to get released.. here's my twenty five bucks, bring it, even 12/3/79, which is not the worst Dave's Picks..

On a separate note, all the remaining Dave's Picks need to have a Cumberland or they will have a revolution on their hands. Who's with me?

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Submitted by bob t on Fri, 02/26/2021 - 19:39

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I am happy with what we get.. I was thinking how some releases are wow for the quality or reputation... Others like the July 78 box were more of whoa we have soundboard releases that never existed to us... Would I be happy if we got a Dane County from Feb 15, 1973 oh yes, but a Feb 24, 1973 University of Iowa show would fall into that July 78 box set release type of emotion.. That type of release is what I wish we would get a little more often, but I wonder what the potential amount of releases would even fall into that category . be good everyone. bob t

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Submitted by unkle sam on Sat, 02/27/2021 - 09:02

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I am there, DARK STAR

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Submitted by The Good Ole G… on Sat, 02/27/2021 - 09:21

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I'm there with BTK, UNKLESAM, ICECRMCNKD & everyone else who loves these shows.

52 years ago, 4 of the greatest shows ever started at the Fillmore West and holy shit they're amazing.

The Dark Star the band played on 2/27 is beyond.... description.

Big props to Betty Cantor for picking this one out of the bunch and putting it on the first live Grateful Dead release for all of us to freak out over.
Crazy, she did that before I was even born.
Bow to the Queen.

My little memory on the importance of the Fillmore West Complete Box Set release. (which I've told before)
I saw on the internet that the Grateful Dead was going to release all of Europe '72, I hadn't been collecting the Dead in years as I was booking local rock shows at a club and was into a completely different local music scene that had been eating my brain so in many ways I felt that I'd moved on from the Dead.

But seeing that the WHOLE Europe '72 tour was going to be released just stopped me in my tracks.
When I followed the rabbit down the hole..
one of the first things I saw, they'd already released the COMPLETE Fillmore West '69 run!
The Bus came by that day, and I got back on.

WALSTIB indeed.

This Dark Star rules.

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Submitted by Oroborous on Sat, 02/27/2021 - 09:23

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...be a Debbie downer. I just don’t like when EVERYDAY is a “anniversary” pick, or more to the point, perhaps SOMETIMES we do an anniversary from different years that never get any love.
But who can the weather (or the music) command.
Onward!

EDIT: I’ve been blissfully wallowing in Dave’s Picks 33, 35, 36, and 37. Still have that 72 stuff to get to, but some 69 is always fine, yuck, yuck..

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Submitted by The Good Ole G… on Sat, 02/27/2021 - 09:49

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Haha

This is not "this Day in Dead History" you all ;)

I'm just playing...

“[To poop] originally meant ‘to produce a short blast of sound,’”

Maybe OB just wanted us to hear a short blast of sound?

OB, you know I'm just taking the mickey out of you cause you haven't listened to 10/18/72 yet?
I dig all your input mang.

On a more musical note.. Get it?!?!

I don't think I noticed that patch in The Eleven on 2/27 before 7:54-8:49..
I wonder if that had something to do with them using the 1/26/69 version on Live Dead.
hmmm

You guys are funny.

The Fillmore West box is sorta of a white whale for me. On the fence with release announcement and when I finally went to pull the trigger it had sold out in previous 24 hrs. Not the last time I was slow on the draw but that was a tough one and years later when i started checking resellers it was a bit pricey. Do have the compilation. Someday.

So I'm going with Live Dead today and the Dark Star sounds glorious right now.

Onward!

I know y’all giving me shit, which is nice!
I think my suggestions are not being seen in the right light. Not trying to be negative...Think of it this way;
There’s over 2300 shows, I’d like to hear as many as possible, even if just once, vs listening to say, only the same 200 shows repeatedly. So more shows equals a positive, no? Especially looking for those weird little chestnuts that only a super squirrel finds 🐿
Also, it’s a fragile eco system. Been listening for over forty years already, hope to be able to do so for many more.
Variety is the spice of life!
Ok,enough of all that,
ONWARD!

EDIT: as your senator from the great deadnet state of altered consciousness I hereby propose an amendment to the cosmos hear-by declaring that henceforth the Elevan, should, and must be played on, well....11!

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Submitted by icecrmcnkd on Sat, 02/27/2021 - 10:44

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I also missed out on FW and the steamer trunk, although I did get the 72 AME.

Have FW 27 and 28 on vinyl. Both say Plangent Process. I don’t believe that the FW69 Box says Plangent, but I don’t have a physical copy to look at.
Can some check their Box to see if it says Plangent?
If it doesn’t then that suggests that FW69 has been remastered - Plangentized, Normanized, and vinylized.
27 and 28 sound really nice.
The question is, when will they release the 24/192 hi-def copies?
They could put it on BluRay audio like Led Zep did for Song Remains The Same.

No offense meant Oro, I don’t actually keep up with the picks every day, mostly just on weekends since I don’t listen to music at work. Sometimes do partial shows at night.

Well, it’s around 50 here, the snow is gone, and there’s 2 months of dog poop in the yard....
That's going to take like 45 minutes to clean up.

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Submitted by DeadVikes on Sat, 02/27/2021 - 11:34

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Conekid, no Plagent was not used on the Filmore box. The first box they worked on was Winterland 73.

Oroborous, yes, we are still not This Day in Grateful History. Shoot, we are coming up on the one year anniversary of The Pick of the Day. Let's keep it rolling!

Do you all remember what the first pick was?

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Submitted by The Good Ole G… on Sat, 02/27/2021 - 11:53

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I've got the POTD list ;)

Might've missed a day or two here and there when there wasn't a pick or it wasn't clear what the pick was.
But usually would jot down a notation.
For the most part it's complete.

VGuy... I wrote down 2/27/69 for today.

It's too epic not to give it the nod.

But.. that leaves room for more goodness, might have to do 2/27/81 later.

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Submitted by Oroborous on Sat, 02/27/2021 - 13:10

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None taken!
This ones for you and the job ahead
https://m.youtube.com/watch?v=mLNAkPsjAEk

EDIT: lol I thought we were doing 69 today? or am I a day late and a dollar short again!
Dbl Edit: yeah, nice work GOGD...we oughta call him scribe, or Radar O’reily

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Submitted by Oroborous on Sat, 02/27/2021 - 13:16

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Plangent or not, still sounds pretty good!
Haven’t heard these since some awesome person turned me on to copies s couple years ago...so good call, ...was due!

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Submitted by The Good Ole G… on Sat, 02/27/2021 - 13:23

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A man walks down the street
He says, "Why am I soft in the middle, now?

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Submitted by The Good Ole G… on Sat, 02/27/2021 - 15:40

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And Betty when you call me,
You can call me Al.

Yeah... listening to the Dead all day can make you a little soft in the middle.
But what a way to go.

Don't want to end up a cartoon
In a cartoon graveyard
Bonedigger, Bonedigger

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Submitted by DeadVikes on Sat, 02/27/2021 - 17:09

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God I love DeadHeads, I just wish there were more in my neighbor.

FW Box was a Multi Track release.

....tbh Proudfoot, I dabbled. Started with him circa 1980, then moved forward and backward. Got distracted with another band. Circling back.
Like most nuts, pistachios are healthy and good food.
Avocados are up there too.

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Submitted by Dennis on Sun, 02/28/2021 - 03:43

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God, I must be getting old. A good hit on Friday night at work, up all night, cloudy all Saturday, passed out early, up now.

Anyway,,, coming home from work Friday night fairly electric. Got billboard hits of 1973 playing and the Temps come on with Papa Was a Rolling Stone. (the 12 minute version) My Buick has a ok sound system so I cranked it up. What a great recording. Wonderful separation of sounds, the relentless cymbal. If you haven't heard in a while, pop that bad boy on,,, good headphones sound great,,, and crank it.

I always say Motown is like coke,,,,,, everybody likes coke,,,,,, and sara lee.

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Submitted by proudfoot on Sun, 02/28/2021 - 09:51

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The Zappaverse is vast. I like some of it, dislike some of it, ignore much of it.

If it didnt take, thats cool. His stuff is definitely not for everyone.

If you decide to try it again, i recommend WOIIFTMoney

Also, I happened upon a youtube video called Zappa 60s guitar solos yesterday. That stuff rocks

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Submitted by proudfoot on Sun, 02/28/2021 - 09:55

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Uhhhhhh....

I am on a "no GD for now" diet. So, I got nothing for POTD.

I was surprised yesterday by several facts. Biggest, Temps not the original band,,,, Undisputed Truth (yes, Smilin Faces), put out the first cut and when I scanned my collection I was shocked at the number of covers. And yes, there were maybe 3 from Mickey's band :-)

Another one of those songs the Dead should have done,,,,,, right after Ghost Riders in the Sky!

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Submitted by Vguy72 on Sun, 02/28/2021 - 15:08

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....is Mickey Harts Mystery Box CD. Or the last show from Anchorage.
Choose wisely.