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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
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    Repetitive, Sort of..

    With the exception of Copenhagen and London, they hit these cities just once and my guess is most locals had not had any real exposure to the touring Grateful Dead. Copenhagen is the real outlier, two hits at the same venue and similar second set setlists.

    I always assumed they wanted to make a presence in Europe and knowing people were not as exposed in the US, wanted to paint a strong picture for each city.

    So 51 years later listening to the whole tour, there is lots of repetition. But if you were there then, it was all brand new. That's how I digested it. They wanted to hit Europe with a cohesive picture of what they were doing then not knowing when or if they would return.

  • Oroborous
    Joined:
    RE: repetition

    Yeah they always went heavy on what was new. Guessing partly for their own sanity/interest, and partly for the crowds.
    Not unlike Taylor Swift etc: make an album, go on the road to support it, rinse and repeat…of course like most things, they weren’t that formulaic, thank goodness lol. Plus, they were smart enough to figure out that it’s better to work stuff out on the road BEFORE you go into the studio to record it, especially when you do constantly tweak and re-invent them. So this tour was perhaps a bit of both lol.
    Also, (think we’ve discussed before?) folks didn’t tour so much back then, probably not at all in 1972 Europe?
    So they didn’t have to worry about that like they did later on.
    Sometimes I think they, or someone, just really enjoyed certain songs, so played en more.
    I’d say they played less repetitive in some ways as the years passed and they had more and more songs to choose from.
    Ok, maybe not Bob, he seemed to need to play everything to death lol. Speaking of, why Me&My Uncle every night! I mean they just put it out on the last live album only a year before! With so much new stuff as the Dead, and from WM and AB, AND both Bob and Jers recent solo albums, why Bob, why LOL ; ) Perhaps trying to bring more American “culture”?
    As far as reinterpreting songs, I think they always did that, though some more than others and with various results.
    I guess that’s yet another thing dependent on the listeners taste and chever way yer pleasure tends…
    But I’d bet the biggest factor on this tour was trying to get at least one good useable version of all the new material since they purposely chose this methodology to get the new songs out on a new album. That and mix in some familiar stuff as you never want to do all unknown songs. I could tell ya a story about doing that lol

  • 1stshow70878
    Joined:
    Bickershaw again

    Finishing up as I write.
    Highlights: Dark Star, The Other One, Lovelight (Jerry!).
    The line-up for this festival is astounding. Woodstock level of mud too.
    DR, guessing you've heard Hawkwind's performance. Good?
    Cheers

  • daverock
    Joined:
    Repetition

    Is that true, though, that there was more repetition of songs during the E72 tour than others in the late 60's and 70's?
    I haven't checked it out, but listening to shows, I always get a sense that they had a core group of songs that they leaned on during specific tours. It was the same listening to the 1973 box that has just come out. There weren't any shows that were wildly different from any other - possibly 6/10/73. That has a different feel than the earlier ones.

    That's not a criticism - the more they played specific songs - especially the ones incorporating jams, the better they got to know them and the more they were able to re-interpret them. Part of the ongoing mystery - especially from late 1971-1974. Maybe.

  • Oroborous
    Joined:
    5/13/72

    The make up show.
    Yeah 1stshow, there is definitely a looooot of repetition! Lol
    But yeah, all good, perhaps getting a little burnout, though I haven’t had a lot of good, sit down sessions.
    By necessity, some I’ve been just streaming on crappy work device, (or I’d be still doing this months from now and I’m getting itchy for some other Dead ) I’ve tried to hit those shows multiple times.
    5/13 was one, and another first time show.
    I thought it was a mostly well played show, especially considering it was another cold outdoor show.
    Loved JG joking about a movie and playing drive ins lol
    The PITB seemed a little different, and awesome! Oh, loved Pig making Europe sounding police sirens on the organ during the first spacey part of TOO, another beauty. Nice how their starting to work He’s Gone into the flow of the set.
    Don’t have my info here, but believe this might be the first show without a Good Lovin, which no offense, but I am getting burnt on. Have really been enjoying the other stuff, especially Hurts Me Too and Mr Charlie! And I need to learn the rest of the words to ChinaTown Shuffle as I can’t get the chorus outta my head lol.
    In fact slightly light on the grease, perhaps the chilly cold and being on the road, or maybe time limits? This show was a little shorter by E72 standards, more like a “normal” Dead show.
    Wonder if that was due to having to get back on the road, the cold, or…?
    Overall another great show, though if hard pressed I don’t think I’d include in top five or whatnot…
    Kudos to them though in spite of being less than ideal circumstances and this far into the tour etc

    Oh, I think the repetitiveness and lack of certain songs was totally by design.
    Always good to have as many good versions of songs to attempt to choose from. Nothing worse than wanting a certain song badly but only having a so so version…
    They had all those new songs they wanted to get out, or try to, so I can fully understand not doing too many other recently released songs.
    Making the album was a big part of the tour and after hating their studio stuff versus the great live albums, they were trying to make an album, but live in front of grooving people. Same sorta MO they did with In The Dark. Kinda surprises me they didn’t use this approach more often since it obviously worked so well for them.
    And perhaps unknown to some, but even though they played all tracks live, they did go back and clean up and/or sweeten some things in the studio afterwards, so really a sorta highbred album. Same with Skullfuck.
    Ok, on to 5/16/72 and a world radio broadcast!
    Onward!

  • 1stshow70878
    Joined:
    Bickershaw 5-7-72

    Just started Bickershaw and it occurred to me that 12 shows into the tour there weren't all that many songs in the setlists from either Workingman's or American Beauty. A quick look to verify only found Sugar Mag and Truckin' from Beauty (whoops found a Brokedown too) and five out the eight from Workingman's with two of those played maybe once or twice in the tour. I knew going in to the full EU72 tour I was in for a lot of repetition in the setlists and having glanced at them beforehand saw the order of songs or placements were also similar, i.e. Casey Jones to end many a first set. So maybe knowing they were doing the album they did so many of the same ones to get a better shot at getting one that would be just exactly perfect for the album, more to choose from. Seems a bit opposite to their usual format of no format or you get what feels right that night. These shows are certainly not carbon copies by any means and I'm not complaining at all but just wanted to explore why they all sound a bit the same. Clearly some doing them all in a row impressions happening but not burnout at all. They are all just too good!
    Cheers

  • Oroborous
    Joined:
    Where’s Waldo

    Errrrrr I mean Hendrixfreak?
    That’s just it, he was out and about in Montana and was supposed to be back end of August…
    Hopefully he’s just busy, wherever, and there’s no fuckery about?

  • icecrmcnkd
    Joined:
    MIA HF

    I suspect that he is in the outback freeing his mind and prepping for the Fall equinox.

    Or maybe he went to Burning Man and is still stuck in the mud.

  • Oroborous
    Joined:
    Motherjumpers!

    #Freethereels!

  • JimInMD
    Joined:
    Right..

    Just as we are about to poke through the concrete of the basement 6 floors under the vault.. they find us. Coincidence? Certainly not!

    Help, We're Being Repressed!

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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17 years 4 months

In reply to by The Good Ole G…

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....yes Dave. One of the more interesting ones I've come across.
"Ira Kaplan and Georgia Hubley formed the band as a couple in 1984. They chose the name "Yo La Tengo" (Spanish for "I have it," referring to a female-gender object or person). The name came from a baseball anecdote that occurred during the 1962 season, when New York Mets center fielder Richie Ashburn and shortstop Elio Chacón found themselves colliding in the outfield. When Ashburn went for a catch, he would scream, "I got it! I got it!" only to run into Chacón, a Venezuelan who spoke only Spanish. Ashburn learned to yell, "¡Yo la tengo! ¡Yo la tengo!" instead. In a later game, Ashburn happily saw Chacón backing off. He relaxed, positioned himself to catch the ball, and was instead run over by left fielder Frank Thomas, who understood no Spanish and had missed a team meeting that proposed using the words "¡Yo la tengo!" as a way to avoid outfield collisions.[5] After getting up, Thomas asked Ashburn, "What the hell is a Yellow Tango?""
Hilarious. Don't miss those team meetings Frank!!

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In reply to by Vguy72

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pretty good

all together now..."it's not Europe 72, but..."

it's still pretty good

PS I got my work done that day, my friends...luckily, I didn't have to answer to my dad, since he is in Salem Oregon

update on 12/3/79...there's one of those weird patches where all of a sudden we go from soundboard to the hallway and then back to the soundboard.

Onward into Friday. I will do my best to stay focused on my ish.

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In reply to by DeadVikes

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Perhaps my favorite '77 show, add in the bonus tracks and you have a really special release.

Thanks for carrying the torch folks and keeping this alive. Been a bit busy the last few weeks and struggling just to hang on here. Gotta admit, I missed a few of these shows. Trying to manage getting stuff done with the best winter we have had here in more than a decade. Winter is fun, GD is fun, winter and GD is more fun. Add 2/26 to the mix, sublime.

Blink or relax for just a moment and when you snap out of it.. you're old. I cannot play as hard as I used to.

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In reply to by proudfoot

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some slowness in there

2/26/77: Jerry sparkling and spry

2/17/79: still plenty bouncy

12/3/79: ssaayyyyy whhhhaaaa...? Terrapin and Wharf Rat....

Jerry, Jerry, Jerry.

It must have been horrifying for the rest of the band to see such a rapid decline.

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I think I might do a first course of Uptown 81, followed by a Swing 77 dessert!

Happy Friday, DeadLand! Keep the good vibes rolling!

Of, for those of you who like a good Matrix, here is 2/26/81: https://archive.org/details/gd1981-02-26.mtx.chappell.sb02a.28383.sbefa…

Like most shows, give it a minute to "settle down easy" :)

Peace

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Def. not a top-tier pick for me, which is a shame because Fall/Winter 79 is one of my favorite periods of GD. Kind of puzzled why this was chosen, TBH. However, if memory serves, the "Truckin'" is massive if listened to in the proper state of mind and at the proper volume (LOUD!) I do love the artwork on this one...

Overall though, many better shows from this era.

Peace

I think we all know what the top picks are and what constitutes as filler.

If we all had a crystal ball of truth.. it would reveal what we know. Each year until this comes to a screeching halt.. we are going to get a mix of what is deemed releasable shows. The great and the truly good.

That's how it's gonna play out my friends. No need to hope each and every show is a top ten. I will add, I want to see all the releasable shows get a Full Norman. What we are listening to each day and night is history and these shows need to get released.. here's my twenty five bucks, bring it, even 12/3/79, which is not the worst Dave's Picks..

On a separate note, all the remaining Dave's Picks need to have a Cumberland or they will have a revolution on their hands. Who's with me?

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I am happy with what we get.. I was thinking how some releases are wow for the quality or reputation... Others like the July 78 box were more of whoa we have soundboard releases that never existed to us... Would I be happy if we got a Dane County from Feb 15, 1973 oh yes, but a Feb 24, 1973 University of Iowa show would fall into that July 78 box set release type of emotion.. That type of release is what I wish we would get a little more often, but I wonder what the potential amount of releases would even fall into that category . be good everyone. bob t

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I am there, DARK STAR

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In reply to by unkle sam

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I'm there with BTK, UNKLESAM, ICECRMCNKD & everyone else who loves these shows.

52 years ago, 4 of the greatest shows ever started at the Fillmore West and holy shit they're amazing.

The Dark Star the band played on 2/27 is beyond.... description.

Big props to Betty Cantor for picking this one out of the bunch and putting it on the first live Grateful Dead release for all of us to freak out over.
Crazy, she did that before I was even born.
Bow to the Queen.

My little memory on the importance of the Fillmore West Complete Box Set release. (which I've told before)
I saw on the internet that the Grateful Dead was going to release all of Europe '72, I hadn't been collecting the Dead in years as I was booking local rock shows at a club and was into a completely different local music scene that had been eating my brain so in many ways I felt that I'd moved on from the Dead.

But seeing that the WHOLE Europe '72 tour was going to be released just stopped me in my tracks.
When I followed the rabbit down the hole..
one of the first things I saw, they'd already released the COMPLETE Fillmore West '69 run!
The Bus came by that day, and I got back on.

WALSTIB indeed.

This Dark Star rules.

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In reply to by unkle sam

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...be a Debbie downer. I just don’t like when EVERYDAY is a “anniversary” pick, or more to the point, perhaps SOMETIMES we do an anniversary from different years that never get any love.
But who can the weather (or the music) command.
Onward!

EDIT: I’ve been blissfully wallowing in Dave’s Picks 33, 35, 36, and 37. Still have that 72 stuff to get to, but some 69 is always fine, yuck, yuck..

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In reply to by Oroborous

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Haha

This is not "this Day in Dead History" you all ;)

I'm just playing...

“[To poop] originally meant ‘to produce a short blast of sound,’”

Maybe OB just wanted us to hear a short blast of sound?

OB, you know I'm just taking the mickey out of you cause you haven't listened to 10/18/72 yet?
I dig all your input mang.

On a more musical note.. Get it?!?!

I don't think I noticed that patch in The Eleven on 2/27 before 7:54-8:49..
I wonder if that had something to do with them using the 1/26/69 version on Live Dead.
hmmm

You guys are funny.

The Fillmore West box is sorta of a white whale for me. On the fence with release announcement and when I finally went to pull the trigger it had sold out in previous 24 hrs. Not the last time I was slow on the draw but that was a tough one and years later when i started checking resellers it was a bit pricey. Do have the compilation. Someday.

So I'm going with Live Dead today and the Dark Star sounds glorious right now.

Onward!

I know y’all giving me shit, which is nice!
I think my suggestions are not being seen in the right light. Not trying to be negative...Think of it this way;
There’s over 2300 shows, I’d like to hear as many as possible, even if just once, vs listening to say, only the same 200 shows repeatedly. So more shows equals a positive, no? Especially looking for those weird little chestnuts that only a super squirrel finds 🐿
Also, it’s a fragile eco system. Been listening for over forty years already, hope to be able to do so for many more.
Variety is the spice of life!
Ok,enough of all that,
ONWARD!

EDIT: as your senator from the great deadnet state of altered consciousness I hereby propose an amendment to the cosmos hear-by declaring that henceforth the Elevan, should, and must be played on, well....11!

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In reply to by bluecrow

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I also missed out on FW and the steamer trunk, although I did get the 72 AME.

Have FW 27 and 28 on vinyl. Both say Plangent Process. I don’t believe that the FW69 Box says Plangent, but I don’t have a physical copy to look at.
Can some check their Box to see if it says Plangent?
If it doesn’t then that suggests that FW69 has been remastered - Plangentized, Normanized, and vinylized.
27 and 28 sound really nice.
The question is, when will they release the 24/192 hi-def copies?
They could put it on BluRay audio like Led Zep did for Song Remains The Same.

No offense meant Oro, I don’t actually keep up with the picks every day, mostly just on weekends since I don’t listen to music at work. Sometimes do partial shows at night.

Well, it’s around 50 here, the snow is gone, and there’s 2 months of dog poop in the yard....
That's going to take like 45 minutes to clean up.

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In reply to by Oroborous

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Conekid, no Plagent was not used on the Filmore box. The first box they worked on was Winterland 73.

Oroborous, yes, we are still not This Day in Grateful History. Shoot, we are coming up on the one year anniversary of The Pick of the Day. Let's keep it rolling!

Do you all remember what the first pick was?

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In reply to by DeadVikes

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I've got the POTD list ;)

Might've missed a day or two here and there when there wasn't a pick or it wasn't clear what the pick was.
But usually would jot down a notation.
For the most part it's complete.

VGuy... I wrote down 2/27/69 for today.

It's too epic not to give it the nod.

But.. that leaves room for more goodness, might have to do 2/27/81 later.

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17 years 5 months

In reply to by proudfoot

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None taken!
This ones for you and the job ahead
https://m.youtube.com/watch?v=mLNAkPsjAEk

EDIT: lol I thought we were doing 69 today? or am I a day late and a dollar short again!
Dbl Edit: yeah, nice work GOGD...we oughta call him scribe, or Radar O’reily

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In reply to by Oroborous

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Plangent or not, still sounds pretty good!
Haven’t heard these since some awesome person turned me on to copies s couple years ago...so good call, ...was due!

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8 years 10 months

In reply to by Oroborous

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A man walks down the street
He says, "Why am I soft in the middle, now?

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8 years 10 months

In reply to by proudfoot

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And Betty when you call me,
You can call me Al.

Yeah... listening to the Dead all day can make you a little soft in the middle.
But what a way to go.

Don't want to end up a cartoon
In a cartoon graveyard
Bonedigger, Bonedigger

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8 years 1 month

In reply to by billy the kid

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God I love DeadHeads, I just wish there were more in my neighbor.

FW Box was a Multi Track release.

....tbh Proudfoot, I dabbled. Started with him circa 1980, then moved forward and backward. Got distracted with another band. Circling back.
Like most nuts, pistachios are healthy and good food.
Avocados are up there too.

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God, I must be getting old. A good hit on Friday night at work, up all night, cloudy all Saturday, passed out early, up now.

Anyway,,, coming home from work Friday night fairly electric. Got billboard hits of 1973 playing and the Temps come on with Papa Was a Rolling Stone. (the 12 minute version) My Buick has a ok sound system so I cranked it up. What a great recording. Wonderful separation of sounds, the relentless cymbal. If you haven't heard in a while, pop that bad boy on,,, good headphones sound great,,, and crank it.

I always say Motown is like coke,,,,,, everybody likes coke,,,,,, and sara lee.

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4 years 3 months

In reply to by Vguy72

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The Zappaverse is vast. I like some of it, dislike some of it, ignore much of it.

If it didnt take, thats cool. His stuff is definitely not for everyone.

If you decide to try it again, i recommend WOIIFTMoney

Also, I happened upon a youtube video called Zappa 60s guitar solos yesterday. That stuff rocks

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4 years 3 months

In reply to by proudfoot

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Uhhhhhh....

I am on a "no GD for now" diet. So, I got nothing for POTD.

I was surprised yesterday by several facts. Biggest, Temps not the original band,,,, Undisputed Truth (yes, Smilin Faces), put out the first cut and when I scanned my collection I was shocked at the number of covers. And yes, there were maybe 3 from Mickey's band :-)

Another one of those songs the Dead should have done,,,,,, right after Ghost Riders in the Sky!

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17 years 4 months

In reply to by Dennis

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....is Mickey Harts Mystery Box CD. Or the last show from Anchorage.
Choose wisely.