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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • The Good Ole G…
    Joined:
    Through the transitive nightfall of diamonds

    I'm hip.. it's been awhile.

    Always loved this run and played the 7/15/84 tape to death back in the day.. Might have to dust that off too.

    Alrighty then, shall we go...

  • Vguy72
    Joined:
    7.13.84 sound good to me....

    https://archive.org/details/gd1984-07-13.mtx.seamons.105570.flac16
    ....this will be officially released at some point. It's just a matter of time.

  • The Good Ole G…
    Joined:
    What Time Is It? Game Time!

    Studio Album Double stretched into a Triple

    Ace - I agree with Bolo24 the band nailed that Playing In The Band, that’s about as close to their live sound as I’ve heard them jam on record. I can’t even think of any contenders off the top of my pointy head. Anybody?

    And it’s recorded really well by Bob & Betty.

    The band & Jerry in particular sound pretty comfortable at Wally Heider’s by this point.

    The ole “What If?” Scenario comes to mind.
    What if they’d recorded the other new songs there at this time…

    It struck me that part of the reason they played at such a high level during the Europe ’72 tour could’ve been directly related to this extra Studio time that Weir booked.

    It would seem that when the band got together and worked on stuff, it usually showed on tour.

    This wouldn’t be the only factor, but just an additional factor to why they played so good on that tour / year. Just speculation, but damn ’72 is a good year!

    and I like to think about the reasons why…

    Garcia’s album is timeless.. I love his playing, his choice of what to play never ceases to please. His tasty organ fills especially stuck out to me upon this listen, check out Bird Song. The Wheel that’s some good jams.

    Mickey’s Album was a fun listen.. filled with oddness and seems to represent Mickey quite well. I hadn’t really listened to that one other than the Main Ten & Pump Song, and was curious. It’s different, just like Mickey!

    Alright, what’s on the haps today? I saw some mention of May ’83 & July ’84 Greek Theatre shows.

    Taper’s Section made me want to listen to the first Acoustic set from 12/19/69

    Picks, picks anybody got some Pick’s of the Day?

    RE:GOLLUM - that’s a good rain check to have my friend!
    Enjoy that when it’s the right time, I’m still recovering, it’s definitely a music experience to be savored.

    RE:VGUY72 - What you’re saying here is pretty much cool with me ;)

    RE:DENNIS - PM received, Thank you!

  • daverock
    Joined:
    Rolling Thunder - nice cover, but...

    This was the one I was least familiar with, out of the three, so this was the one I played last night. And I remembered why its the least played. I don't like it very much. I didn't then, and I'm afraid I don't now. With one shining exception...who plays that blinding guitar solo on Deep Wide and Frequent? Looking at the guitarists who feature, I assume its Jerry, but I wouldn't have identified him if I had been played the track without knowing who was on it. Sounds like John McLaughlin to me.

    I don't know if I'll get round to the other two-but I remember them as stone classics.

  • Vguy72
    Joined:
    The studio picks of the day....

    ....go by so fast. General consensus that The Garcia Wheel is certainly special. It's cool that what I think is cool is pretty much cool with y'all.

  • Gollum
    Joined:
    Tripleheader

    The solo album triple header was a great idea. Thanks to all. I don't know why I've ignored those albums before, but now all 3 are going to be getting plenty of love from me.

    Thanks for the excellent 5/15/70 write-up GOGD. Spreading the listening out over a few days is definitely the way to go with such an epic show. Anyways, several of us now have a rain-check for the show. To be continued!

  • Dennis
    Joined:
    the good old g...... and 5/15

    check you're pm's

  • bolo24
    Joined:
    Ace / Garcia 1

    Ace: "Playing In The Band" is my pick for a studio recording that most closely resembles a quality live performance. Just splendid! Jerry's nothing less than a savant on this one.

    Garcia: "The Wheel" is sublime, my favorite version across any spectrum. The way that frantic opening just dissolves into a vat of honey-dripping pedal steel goodness is soul-cleansing. And Eep Hour - wish it went on for another 20 minutes. So calming and transportive, then handing the baton off to that ethereal "To Lay Me Down." Just what I needed yesterday.

  • Thats_Otis
    Joined:
    Hello All!

    I've been out for a bit - just needed to take a bit of a break from the computer, as that is now all that I do during the work-week. That being said, I grilled some brats and veggies on Friday, which was hot and sunny here in Bmore, and listened to all three discs of 5/15/70 - what a release. I was planning on skipping it, as I had listened to it quite recently, but I am glad that I thought better of it and dug in. I agree with all here - those acoustic tracks may be the best acoustic 70 released. Love it!

    I didn't do the solo albums yesterday, as I was away from the house and I do listen to them on a regular basis - well, Garcia a lot, Weir a bunch, and Rolling Thunder here-and there... I will at least try to give Rolling Thunder a relisten soon.

    Yesterday and today I've listened to Greek 8/13/83, and today I have gone through 8/14 and 8/15... loving it!

    I think that today is 7/13/84? Perhaps I will put that on if I ever get out of this Greek Theater 83 groove. Talk about a box set that is crying to be let out!

    Peace

  • The Good Ole G…
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    5/15/70 = The Music Experience Category

    Presented in three segments, an evening with the Grateful Dead featuring the New Riders Of The Purple Sage falls more into the category of a music experience than a concert. - Jeff from Variety May 27 1970

    I spent the weekend having that music experience, Friday for the Early Show & Saturday for the late show. And it all lined up on the 50th anniversary.

    It was an epic revisit of some beloved shows. Throughout this revisit, I couldn’t help thinking as I listened to the amazing quality & completeness of this material that I would’ve killed to have these tapes in high school. It was unattainable for me then. But I used to dream of it…
    Well, we’ve got them now!

    These two shows represent the first “an Evening with the Grateful Dead” at the Fillmore East and the last time they did Early and Late Shows there. By this point the NY heads had learned that the early shows were kept short & the true magic happened in the late shows.

    There’s magic in both of these shows, but the “true” magic definitely happens in the late show.

    I decided to do the full meal deal on these two and grabbed the NRPS sets as well, which are both nicely recorded by the patched in Fillmore East crew, I believe.

    Early Show -
    Acoustic 9 songs = 46 minutes
    NRPS 8 songs = 30 minutes
    Electric 7 songs = 1 hour
    Over 2 hours of music

    Late Show -
    Acoustic 10 songs = 51 minutes
    NRPS 13 songs = 1 hour 13 minutes
    Electric 14 songs = 2 hours
    Over 4 hours of music!

    TOTAL BOTH SHOWS = Over 6 hours of music!

    The Acoustic set for the Late Show is one of the best ever, as previously mentioned here on this thread. Pigpen teases Good Lovin’ in the early show a couple of times, and throughout both shows, they didn’t play it until like 5 hours later and boy when they did, it is Hot. The Dark Star > St. Stephen, incredible! Throughout it all you can feel the Fillmore East vibe, especially apparent during the closing Turn On Your Lovelight rave up after about 6 hours of melting minds.

    What it must’ve been like in the Fillmore East that night! The Dead lit that place on FIRE. While listening, I sat there shaking my head so many times, amazing amazing stuff here folks, just amazing.

    The only real flaw in the music we have here is the omission of the late show Candyman*, which suffers from a reel flip on the FE crew tapes & was left off the official Vault release. That makes me curious to compare the uncirculated Vault version of the Bob Matthews recording to the FE crew version and see if there’s some patch material. It is an amazing version of Candyman! Very similar to Calebration version from 8/30/70, but earlier and more intimate, somehow. Jerry’s voice is just amazing on both of these shows and in 1970 in general.

    I’ve always had some issues with this release due to the tracking of the songs being cut up and spread out on various CDs. I’ve had them in the right order for years in my music player, but the in’s & out’s weren’t working for me, causing my completist OCD to flair every time I listened and therefore avoid repeated plays. I understand the reasoning behind these edits and am not complaining, just saying. But this weekend I found myself with the time and finally re-tracked the songs, especially the late show, added the NRPS and was able to fully immerse myself in the music in it’s original order at this high level of quality.

    At the time of these shows, Workingman’s Dead was done and pressed and would be released shortly after this show (the exact date seems to be in question, but in my research it drops about 10 days later.) This show represents the new material as good as any shows from this time. You get every song that would be on Workingman’s Dead except High Time (played quite well the night before) and you get the three songs that they’d already written and were performing from American Beauty: FOTD, Attics & Candyman.

    Cool point of interest.. Robert Hunter would be writing 3 more new tunes very soon after this, all in one day, when the band headed to England for the Hollywood Music Festival on 5/24/70: Ripple, To Lay Me Down, Brokedown Palace.

    * The Late Show Acoustic set group of Black Peter, FOTD, Uncle John’s Band, Candyman is a must hear in it’s original order, even with the reel flip. It’s some of the finest representations of these songs at this point in the Dead’s recorded history. Also of note the missing banter after Candyman leading up to Pigpen’s performance is fun and worth a listen. Jerry announces that they’ll finish off the Wooden Section with a gospel tune with some NRPS, Pigpen says wait a minute don’t I get to play a song before you do that fuckin’ religious song? And Bob hops on the mic asking the crowd if they wanna hear Pigpen, and does his Dog Suckin-ist man in showbiz rap. Then you get to hear the rare set up & crowd situation of Fillmore East, somebody does a Tarzan Yell, and Pigpen says “Heard You’re Fired!” (Sonny Heard), another Tarzan Yell, “You’re fired twice” and then a female audience member does it too, it just makes you feel like you’re there. And then you get Pig’s two fine acoustic tunes from the release.

    That brings me to wonder if David Lemieux has ever posted the 5/15/70 late show Candyman from the Vault anywhere? I’d sure love to see if we can patch this FE crew Candyman with the Vault version. It’s worth an ask as the version is sublime.

    David Lemieux may we request a 5/15/70 Late Show Candyman please? Thank you very much!

    Well if you made it this far… thank you very much!

    I wonder how many people actually saw both shows from that night and lived to tell about it.. if you’re out there, I would love to hear your stories.

    To wrap it up, when I first heard “rumors” of these legendary shows the Dead would do in 1970, with an Acoustic Set, the NRPS and The Electric Dead and they’d call them An Evening with the Grateful Dead, I would drift off and think how amazing it would be to hear that!

    Well some 35 years later, it’s as amazing as I’d always dreamed it would be.

    PS - Yesterday’s pick of Garcia, Bob Weir “Ace” & Mickey Hart “Rolling Thunder” was the perfect music to come down from this here wild trip through 5/15/70.

    Thanks Bolo!

    PPS - Strider88: Thanks for that great story!
    Everyone Else Here: Thanks for picking shows to listen to everyday and for your wonderful input and insights.
    BobT: 7/13/84 you say, I’ll listen to that.

    Be Well

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by The Good Ole G…

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....yes Dave. One of the more interesting ones I've come across.
"Ira Kaplan and Georgia Hubley formed the band as a couple in 1984. They chose the name "Yo La Tengo" (Spanish for "I have it," referring to a female-gender object or person). The name came from a baseball anecdote that occurred during the 1962 season, when New York Mets center fielder Richie Ashburn and shortstop Elio Chacón found themselves colliding in the outfield. When Ashburn went for a catch, he would scream, "I got it! I got it!" only to run into Chacón, a Venezuelan who spoke only Spanish. Ashburn learned to yell, "¡Yo la tengo! ¡Yo la tengo!" instead. In a later game, Ashburn happily saw Chacón backing off. He relaxed, positioned himself to catch the ball, and was instead run over by left fielder Frank Thomas, who understood no Spanish and had missed a team meeting that proposed using the words "¡Yo la tengo!" as a way to avoid outfield collisions.[5] After getting up, Thomas asked Ashburn, "What the hell is a Yellow Tango?""
Hilarious. Don't miss those team meetings Frank!!

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In reply to by Vguy72

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pretty good

all together now..."it's not Europe 72, but..."

it's still pretty good

PS I got my work done that day, my friends...luckily, I didn't have to answer to my dad, since he is in Salem Oregon

update on 12/3/79...there's one of those weird patches where all of a sudden we go from soundboard to the hallway and then back to the soundboard.

Onward into Friday. I will do my best to stay focused on my ish.

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Perhaps my favorite '77 show, add in the bonus tracks and you have a really special release.

Thanks for carrying the torch folks and keeping this alive. Been a bit busy the last few weeks and struggling just to hang on here. Gotta admit, I missed a few of these shows. Trying to manage getting stuff done with the best winter we have had here in more than a decade. Winter is fun, GD is fun, winter and GD is more fun. Add 2/26 to the mix, sublime.

Blink or relax for just a moment and when you snap out of it.. you're old. I cannot play as hard as I used to.

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In reply to by proudfoot

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some slowness in there

2/26/77: Jerry sparkling and spry

2/17/79: still plenty bouncy

12/3/79: ssaayyyyy whhhhaaaa...? Terrapin and Wharf Rat....

Jerry, Jerry, Jerry.

It must have been horrifying for the rest of the band to see such a rapid decline.

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I think I might do a first course of Uptown 81, followed by a Swing 77 dessert!

Happy Friday, DeadLand! Keep the good vibes rolling!

Of, for those of you who like a good Matrix, here is 2/26/81: https://archive.org/details/gd1981-02-26.mtx.chappell.sb02a.28383.sbefa…

Like most shows, give it a minute to "settle down easy" :)

Peace

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Def. not a top-tier pick for me, which is a shame because Fall/Winter 79 is one of my favorite periods of GD. Kind of puzzled why this was chosen, TBH. However, if memory serves, the "Truckin'" is massive if listened to in the proper state of mind and at the proper volume (LOUD!) I do love the artwork on this one...

Overall though, many better shows from this era.

Peace

I think we all know what the top picks are and what constitutes as filler.

If we all had a crystal ball of truth.. it would reveal what we know. Each year until this comes to a screeching halt.. we are going to get a mix of what is deemed releasable shows. The great and the truly good.

That's how it's gonna play out my friends. No need to hope each and every show is a top ten. I will add, I want to see all the releasable shows get a Full Norman. What we are listening to each day and night is history and these shows need to get released.. here's my twenty five bucks, bring it, even 12/3/79, which is not the worst Dave's Picks..

On a separate note, all the remaining Dave's Picks need to have a Cumberland or they will have a revolution on their hands. Who's with me?

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I am happy with what we get.. I was thinking how some releases are wow for the quality or reputation... Others like the July 78 box were more of whoa we have soundboard releases that never existed to us... Would I be happy if we got a Dane County from Feb 15, 1973 oh yes, but a Feb 24, 1973 University of Iowa show would fall into that July 78 box set release type of emotion.. That type of release is what I wish we would get a little more often, but I wonder what the potential amount of releases would even fall into that category . be good everyone. bob t

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I am there, DARK STAR

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In reply to by unkle sam

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I'm there with BTK, UNKLESAM, ICECRMCNKD & everyone else who loves these shows.

52 years ago, 4 of the greatest shows ever started at the Fillmore West and holy shit they're amazing.

The Dark Star the band played on 2/27 is beyond.... description.

Big props to Betty Cantor for picking this one out of the bunch and putting it on the first live Grateful Dead release for all of us to freak out over.
Crazy, she did that before I was even born.
Bow to the Queen.

My little memory on the importance of the Fillmore West Complete Box Set release. (which I've told before)
I saw on the internet that the Grateful Dead was going to release all of Europe '72, I hadn't been collecting the Dead in years as I was booking local rock shows at a club and was into a completely different local music scene that had been eating my brain so in many ways I felt that I'd moved on from the Dead.

But seeing that the WHOLE Europe '72 tour was going to be released just stopped me in my tracks.
When I followed the rabbit down the hole..
one of the first things I saw, they'd already released the COMPLETE Fillmore West '69 run!
The Bus came by that day, and I got back on.

WALSTIB indeed.

This Dark Star rules.

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In reply to by unkle sam

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...be a Debbie downer. I just don’t like when EVERYDAY is a “anniversary” pick, or more to the point, perhaps SOMETIMES we do an anniversary from different years that never get any love.
But who can the weather (or the music) command.
Onward!

EDIT: I’ve been blissfully wallowing in Dave’s Picks 33, 35, 36, and 37. Still have that 72 stuff to get to, but some 69 is always fine, yuck, yuck..

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In reply to by Oroborous

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Haha

This is not "this Day in Dead History" you all ;)

I'm just playing...

“[To poop] originally meant ‘to produce a short blast of sound,’”

Maybe OB just wanted us to hear a short blast of sound?

OB, you know I'm just taking the mickey out of you cause you haven't listened to 10/18/72 yet?
I dig all your input mang.

On a more musical note.. Get it?!?!

I don't think I noticed that patch in The Eleven on 2/27 before 7:54-8:49..
I wonder if that had something to do with them using the 1/26/69 version on Live Dead.
hmmm

You guys are funny.

The Fillmore West box is sorta of a white whale for me. On the fence with release announcement and when I finally went to pull the trigger it had sold out in previous 24 hrs. Not the last time I was slow on the draw but that was a tough one and years later when i started checking resellers it was a bit pricey. Do have the compilation. Someday.

So I'm going with Live Dead today and the Dark Star sounds glorious right now.

Onward!

I know y’all giving me shit, which is nice!
I think my suggestions are not being seen in the right light. Not trying to be negative...Think of it this way;
There’s over 2300 shows, I’d like to hear as many as possible, even if just once, vs listening to say, only the same 200 shows repeatedly. So more shows equals a positive, no? Especially looking for those weird little chestnuts that only a super squirrel finds 🐿
Also, it’s a fragile eco system. Been listening for over forty years already, hope to be able to do so for many more.
Variety is the spice of life!
Ok,enough of all that,
ONWARD!

EDIT: as your senator from the great deadnet state of altered consciousness I hereby propose an amendment to the cosmos hear-by declaring that henceforth the Elevan, should, and must be played on, well....11!

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In reply to by bluecrow

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I also missed out on FW and the steamer trunk, although I did get the 72 AME.

Have FW 27 and 28 on vinyl. Both say Plangent Process. I don’t believe that the FW69 Box says Plangent, but I don’t have a physical copy to look at.
Can some check their Box to see if it says Plangent?
If it doesn’t then that suggests that FW69 has been remastered - Plangentized, Normanized, and vinylized.
27 and 28 sound really nice.
The question is, when will they release the 24/192 hi-def copies?
They could put it on BluRay audio like Led Zep did for Song Remains The Same.

No offense meant Oro, I don’t actually keep up with the picks every day, mostly just on weekends since I don’t listen to music at work. Sometimes do partial shows at night.

Well, it’s around 50 here, the snow is gone, and there’s 2 months of dog poop in the yard....
That's going to take like 45 minutes to clean up.

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In reply to by Oroborous

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Conekid, no Plagent was not used on the Filmore box. The first box they worked on was Winterland 73.

Oroborous, yes, we are still not This Day in Grateful History. Shoot, we are coming up on the one year anniversary of The Pick of the Day. Let's keep it rolling!

Do you all remember what the first pick was?

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In reply to by DeadVikes

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I've got the POTD list ;)

Might've missed a day or two here and there when there wasn't a pick or it wasn't clear what the pick was.
But usually would jot down a notation.
For the most part it's complete.

VGuy... I wrote down 2/27/69 for today.

It's too epic not to give it the nod.

But.. that leaves room for more goodness, might have to do 2/27/81 later.

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In reply to by proudfoot

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None taken!
This ones for you and the job ahead
https://m.youtube.com/watch?v=mLNAkPsjAEk

EDIT: lol I thought we were doing 69 today? or am I a day late and a dollar short again!
Dbl Edit: yeah, nice work GOGD...we oughta call him scribe, or Radar O’reily

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Plangent or not, still sounds pretty good!
Haven’t heard these since some awesome person turned me on to copies s couple years ago...so good call, ...was due!

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In reply to by Oroborous

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A man walks down the street
He says, "Why am I soft in the middle, now?

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In reply to by proudfoot

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And Betty when you call me,
You can call me Al.

Yeah... listening to the Dead all day can make you a little soft in the middle.
But what a way to go.

Don't want to end up a cartoon
In a cartoon graveyard
Bonedigger, Bonedigger

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In reply to by billy the kid

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God I love DeadHeads, I just wish there were more in my neighbor.

FW Box was a Multi Track release.

....tbh Proudfoot, I dabbled. Started with him circa 1980, then moved forward and backward. Got distracted with another band. Circling back.
Like most nuts, pistachios are healthy and good food.
Avocados are up there too.

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God, I must be getting old. A good hit on Friday night at work, up all night, cloudy all Saturday, passed out early, up now.

Anyway,,, coming home from work Friday night fairly electric. Got billboard hits of 1973 playing and the Temps come on with Papa Was a Rolling Stone. (the 12 minute version) My Buick has a ok sound system so I cranked it up. What a great recording. Wonderful separation of sounds, the relentless cymbal. If you haven't heard in a while, pop that bad boy on,,, good headphones sound great,,, and crank it.

I always say Motown is like coke,,,,,, everybody likes coke,,,,,, and sara lee.

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In reply to by Vguy72

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The Zappaverse is vast. I like some of it, dislike some of it, ignore much of it.

If it didnt take, thats cool. His stuff is definitely not for everyone.

If you decide to try it again, i recommend WOIIFTMoney

Also, I happened upon a youtube video called Zappa 60s guitar solos yesterday. That stuff rocks

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In reply to by proudfoot

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Uhhhhhh....

I am on a "no GD for now" diet. So, I got nothing for POTD.

I was surprised yesterday by several facts. Biggest, Temps not the original band,,,, Undisputed Truth (yes, Smilin Faces), put out the first cut and when I scanned my collection I was shocked at the number of covers. And yes, there were maybe 3 from Mickey's band :-)

Another one of those songs the Dead should have done,,,,,, right after Ghost Riders in the Sky!

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In reply to by Dennis

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....is Mickey Harts Mystery Box CD. Or the last show from Anchorage.
Choose wisely.