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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • KeithFan2112
    Joined:
    Stillwaters

    Some of my E72 favs. Ran out of time after 5/10, so skipped a few shows:

    Dark Stars excluded for the most part. They're too much of a "hear for yourself" experience.

    4/7
    * Greatest Story Ever Told (I love Donna's "cool clear water well you can't always tell" vocal. She really hits it.

    * The Other One, Pt 2 => Wharf Rat

    4/8
    * Bertha

    * Caution

    4/11
    * China / Rider

    * Truckin' / The Other One

    * Brokedown Palace

    4/14
    * Transition from Dark Star => Sugar Magnolia

    *Banter after Cumberland Blues

    4/16 (Donna Absent)
    * Black-Throated Wind

    * Playing in the Band

    * Not Fade Away, Pt 2

    4/17
    * Cold Rain & Snow

    * China / Rider

    4/21 (Beat Club Studio)
    * The Other One

    4/24
    * He's Gone

    * Dark Star, Part 2 => Wharf Rat => Sugar Magnolia ***** (BOAT)

    * Good Lovin' Parts 1 & 2 (jam excluded); Part 2 especially the beginning with Pigpen's foreshadowing remarks.

    4/26

    * Bertha

    * Good Lovin' (I chose this for the main song parts, before and after the jam; there is an incredibly smooth groove to the main guitar hook during the verses that is super jazzy - they hit it in a manner that resonates like a harmonic in my ears).

    * Truckin'

    * The Other One

    *Lovelight=> (+ transition into GDTRFB)

    4/29
    * Sugaree - Bobby is really playing some great fills here and Pigpen's organ great when he engages.

    * Loser

    Chinatown Shuffle - Keith actually has something that resembles a piano solo. Very cool.

    5/3
    * Me and My Uncle (approximately every 15th performance someone hollers "whoooo!!" after the hi-low Jack lyric; this is one of them)

    * China Cat Sunflower - original E72 version. Jerry solo perfection. Not crazy about the attached Rider on this one, due to the vocal overdubs they recorded right onto the master.

    * Tennessee Jed - also from the original E72, but if the supplemented vocals, it's not glaring at me. But I think it was chosen for the incredible instrumental arrangement that supports Jerry's guitar solo, then back into the chorus; they build up to a perfect crescendo here.

    5/4
    * Brown-Eyed Women

    * Big Railroad Blues

    * The Stranger (Two Souls in Communion) - 7

    5/7
    * Beat It On Down the Road

    * Lovelight =>

    * GDTRFB (I mentioned the transition into this one only one 4/26, but this is one great version beginning to end.

    5/10

    * Playing in the Band (clocks in at 12 and a half min once the before/after banter is taken into account, where most previous versions were in the 9 -10 zone; so extra jam time, and one of the best jams of the tour IMHO)

    * Wharf Rat (awesome beginning with nice loud Wharf chords from Jerry and drum rolls from Billy).

    5/16
    *Promised Land

    5/18
    * Jack Straw
    * Sugar Magnolia (they really hit a groove; 2nd best on the tour IMHO despite Bobby's vocal miss). Just listen to Billy's drum fill at the "Billy's drum fill part" - very unique and one of the best.

    5/23
    * Promised Land (I think only Veneta is better)

    * Hey Bo Diddly

    5/24
    * Cold Rain and Snow

    *LOVELIGHT - Pigpen's last and best in my opinion. By 1972 they had this streamlined down to about 12 to 15 minutes, and they jam like the Allmans. Unlike the other two Europe 72 performances, this one contains that classic quiet doot-doot-doo arrangement from Jerry, Bobby and Phil; it kicks in around 10:05 and goes on for a minute with Pigpen improvising the lyrics as he goes along. And then they pop back into "Without a warning" one last time.

    5/25
    *Brokedown Palace

    * The UJB medley

    * Ramble On Rose (dig the extended intro)

    5/26
    *Mr Charlie

    *Playing in the Band

    * He's Gone (the only time I've heard Bobby throwsome tremolo on, making it spacey and ethereal.

    * The Stranger (Two Souls in Communion). PigPen at his soulful best, really throughout most of the May versions.

    * There may be a good Morning Dew on this one.

  • Oroborous
    Joined:
    BEW

    Haven’t been back to check for sure yet, but I think their doing it on purpose. If you really listen to what Bobs trying to do with his right hand, that different staccato rhythm, it sounds like the drummers are trying to copy that but their not quite entrained? I forget the other one, but overall there’s not that much other obvious stuff here, hell I heard way more FUs on that 2/9/73 show. GD Warts, come with the territory folks!
    Oh, and the so called “flub” as JG starts to sing Half Step is more likely Healy not turning his mic up in time as I don’t think they had the trigger gates yet; those black rectangle pads on top of the Persian rugs right where they stand when they sing. It’s a switch/gate that activates the mic when you stand on it thus eliminating such errors. Before that the house mixer would have to “ride the mix”. and mute the mics during longer periods between vocals to eliminate unwanted bleed/noise from the super loud instruments.... Or possibly Beatty didn’t have him up yet on on the tape mix?
    On Passenger I’m pretty sure JG and others? are going into the Bridge after the instrumental, but Donna goes elsewhere. Luckily, tragedy is narrowly averted though!

  • Oroborous
    Joined:
    VGUY

    Look on the bright side, now if your accused of a crime you can simply say you don’t work there anymore and get off! ; )

  • proudfoot
    Joined:
    BEW drumming

    Same oddity can be heard on 4 11 78

  • Vguy72
    Joined:
    America let me down today....

    ....sensing a theme.
    Playing The Doors currently. Peace. Frog. Wishful. Sinful.
    Re; Carlos13. No. But in Yellow Submarine, Ringo had a hole in his pocket.

  • carlo13
    Joined:
    Time

    Does anyone remember what book this sentence came from? "I've got to pick a pocket or two." I'm still loving Dap 37. Was BEW meant to be like it is or was it an intentional experiment. Either way It was unique.

  • Oroborous
    Joined:
    Future Dave’s?

    Usually I wait to post this updated list of Dave’s, but since y’all guessing already, how bout some gas for the fire?
    And yassss, fourwindsblow, it has been a looonngg time for 69!

    BOXES: ya gotta think that chances are higher than not that they’ll go with more ABCD returns cause, ya know...
    So that being said, and since Dave’s been rooting around where he’s has, I’d think there could be be a spring 78, or “spring” 71, perhaps more summer 76, though probably too soon?,
    And as HF will tell ya “what about fall 72?,” and it is puzzling that he’s not gone anywhere near primal stuff since Fillmore (except the few 50th bonus tidbits)?
    I would hope that he stays away from 77 for a bit cause I know I’m not the only one feels that’s a tad over saturated comparatively. Think he’ll take a step back from 73/74, but ya never know, there is still a bunch of killer 73 not out. But since PNW is still not sold out?....
    Doubt we’ll see another 80s box for a while since he’s gone there a few times semi-recently, which bums me out since it’s no secret I’m jonesing for a fall 89, and “the complete Alpine 89 with video”. Although there is that tweet relating to fall 80 type box...
    I guess some kind of 90s is possible, but think it’s too soon after Giants, though it did sell well.
    In other words, who the fug knows LOL, but hey, it’s fun to try and guess eh?

    Here’s a Breakdown of Dave’s Picks
    (First Column) = Year:
    (2nd =)Total Releases from this year/
    (3rd = )How Many Releases since last pick from this year../
    (4th =)Release # of last pick from this year

    80: 1 / 30 / #8
    69: 2 / 28 / #10
    81: 1 / 18 / #20
    72: 3 / 14 / #24
    71: 3 / 12 / #26
    83: 1 / 11 / #27
    76: 3 / 10 / #28
    70: 2 / 8 / #30
    79: 1 / 7 / #31
    77: 5 / 5/ #33
    74: 5 / 4 / #34
    84: 1 / 3 / #35
    87: 1/ 2 / #36
    78: 4/ 1/ #37
    73: 5/ - / #38

    No Picks from:
    66-68, 75
    82, 85, 86,
    88-95

  • stillwaters
    Joined:
    DaveRock

    I am pleased to report that before I left for Europe '72 I listened to 3/36/72 (DaP 14), 3/28/72 (DP30), and parts of 3/21; 3/22; 3/23; 3/25, and 3/27 on a couple of bonus disc. Found 3/28 quite moving, not sure why.

    Thanks for the reminder!!!!!!!!!!!

  • billy the kid
    Joined:
    2/13/70 Dark Star

    https://m.youtube.com/watch?v=bpBR3VpAg3E

  • fourwindsblow
    Joined:
    @Vguy72 'Jamel'

    Hey there what's up vguy72.

    Can you see if Jamel would do a video on the US Blues from Duke '78?

    https://www.youtube.com/watch?v=eViobWoVLJo

    Thanks! fwb

    ps. He needs a bobble-head of himself with the headphones. haha

    pss. Dave I think the '69 Dark Star was a bit too much for him.

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Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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10 years

In reply to by Angry Jack Straw

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I only saw them 5 times...but what struck me was how muted the start of those concerts were, compared to some of the Spinal Tap style entrances some bands made. The Dead seemed more jazz like in their approach - shuffle on, ease into a tune..no crescendos or flashing lights. With some bands, the build up was so dizzying that you would have thought the Second Coming was at hand.

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However, note that the Atlanta '70 show on Stages has been superceded by "Freedom: Atlanta Pop Festival," which is more complete in better sound. Once you devour the Band of Gypsys nearly complete four-show set, try delving into the Dagger Records official bootlegs from the Jimi camp. There's quite a few excellent shows in pretty damn decent sound. Two I'd recommend: Live in Ottawa, 19 March '68/second show, and The Baggies Rehearsal Sessions, Nov-Dec '69 as the Gypsys warmed up for the Fillmore shows.

To daverock's point, when the GD opened a show, in my view, they focused on the energy not the volume and certainly not any theatrics. To your point, they always knew they were in for a long evening -- 3 hours of music, maybe 4-5 hours of "involvement," so I'd think pacing would be key.

Yes, it wasn't a criticism. If anything, it seemed indicative of the bands ability to communicate and develop a show, rather than bludgeon you into defeat with volume and lights. They played to an audience, rather than at them.

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I live 30 minutes drive from where they ship Dave’s from in Carlsbad, CA. I have a subscription. A confirmation. But no shipping notice, no customer service rep to speak to, unanswered emails from Rhino....I’m tired of this SHIT. FIX IT

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I hear you. The only thing that seems to work for me is to PM Marye and also send an email to Drrhino@wmgcustomerservice.com
Marye is great. She’s very kind and helpful

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In reply to by adedhed68

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Even better when it’s Stranger>Franklin’s.

Never witnessed one, but did just listen to the one from 7-10-89 GS Box.

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In reply to by daverock

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Roger Waters The Wall tour 2010-12.
It’s pretty cool.

Agree with Daverock that most bands need to grab the audience’s attention right away because the people are there for the show just as much (or more) as the music.
But for bands that play the same setlist every night, and tour once a year in support of a new album, that’s what they need to do to keep selling albums and tix every time they pass through town.

The Dead had a grate light show, but most people were there for the music (some were just there for the party).

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In reply to by icecrmcnkd

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There was an element of theatre with a lot of bands in the 70s. With some bands there still is-the opening of a Stones show-the last one I saw was about 2007 - there was still a sense of drama when they came on. The Dead seemed more like a jazz band in comparison with something like that. More like the Miles Davis Quintet of the 60s than the Rolling Stones.

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Certainly nothing wrong with attending a show for the party or socializing -- how many times have I gone to a show because pals urged me to go because "it'll be a good time." The crowd is (or was) almost always an exciting part of the whole endeavor. (Over time, that's changed for me as people act selfishly or talk constantly or jostle, whatever, plus the prices...)

On the other hand, when the early post-GD incarnation bands led by Bobby and Phil came to Red Rocks, some of us were raving about the vault releases coming out and nearly everyone we spoke to had no clue about them and weren't even interested to hear about them. Presumably they were there for the live music and the party, but not particularly interested in the music releases by the original band. No judgment here, obviously, as I have done both -- depending on the band -- but certainly a curious distinction, given that here, we all wait at the mouth of the cave, ready to devour whatever mastodon bones Dave throws to us.

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I recently ordered a few items from another artist’s site, and as the items come due for delivery, I came across this in the fine print:
“ PLEASE NOTE that we are currently moving warehouses and with the current COVID-19 lockdown there may be delays in processing and shipping all orders. Thank you for your patience and understanding during these trying times.”
We have all been here before.

Best “theatrical” band opening I ever saw for an artist was a Peter Gabriel show. The lights in the arena go down, expecting the band to hit the stage, but instead very bright beacons lit up around the arena, as each band member entered at a different entrance, walking towards the stage, each holding one of these bright lights skyward. We sat right beside one of the entrances, and it startled my friend so much, his pipe and “tobacco” went flying a few rows forward, scared the wits out of him. I never laughed so hard!

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Recommended for the OSF - Bear's Sonic Journals: That Which Colors the Mind AAK with Indranil Bhattacharya and Zakir Hussain Live at the Family Dog at the Great Highway San Francisco, California, May 29, 1970 2-CD set

I see this set on the website, but don't seem able to buy. Too new? Anyone else see this? Anyone have opinions? Anyone order yet?

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I was sitting here looking up an album by Zakir Hussain (Making Music) on my new streaming service (Qobuz), then read Zakir's name in your post!

I don't know about all my openers, but as I've mentioned here, my first show (6/24/91) opened with HSF, and the second set opened with China-->Rider. That was the best of the 23 shows I caught, and it, along with the show before it and the two following it, could make a sweet box.

Speaking of boxes, isn't it time for Dave to announce the 14-CD box of everything usable from 1968?

Thanks guy,,,, I was using the large red button, "buy now",,,,, didn't scroll down to see the "Order Now" button!

It's ordered,,,, now sure if it's coming out in the future,,, or available now,,,,,, but it is ordered!

"....here, we all wait at the mouth of the cave, ready to devour whatever mastodon bones Dave throws to us." Ha..

mmm Mastodon Bones, meaning it must be very old which could only mean a 14 CD Box Set of everything releasable from 1968 + a two disc bonus show from the fall of 67. Glad you two figured it out, makes perfect sense.. With Bolo's whereabouts currently unknown.. it's good to a few step forward and fill in the gaps.

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Over on the Tapers section this week, it has 8.21.68 which was the music included with the ORIGINS deluxe edition on vinyl, for those of you who haven’t heard it.

I recommend the Ali Akbar Khan album. I bought it in December and it was delivered just in time for Christmas. I have to admit I didn’t order directly since doing that with largely unlimited releases just adds to the price with the various charges that are added when they are imported into the UK.

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I second Colin's opinion on this release. It is a fantastic late night, lights off, headphones album, or, if you happen to have some of what David Crosby called "pullover pot". It was available late last year. You can buy from OSF, or from Amazon. It's well worth the price. Zakir Hussain was just a pup when this was recorded. Beautiful stuff indeed.

Music is the BEST!!

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It'd be RSD with 8-21-68, no need to empty the vault of all '68 ... just yet.

As for Dead & Co. being "the best" post-Jer group? Bosh! You must not have caught the Phil Lesh Quintet. That little band was a dynamic monster and easily the top post-Jer band.

Okay, boys, gauntlet thrown!

Just keepin' it alive til that fall '72 box announcement...

Hey JimMD, is there an incantation that'll lure Bolo out to offer one of his knicker-twisting clues?

While Joe Russo's Almost dead does not qualify for the "post-Jerry" category they are fantastic so JRAD together with DSO; et, al, and the Bob and Phil incarnations, our collective GDead itch gets scratched very, very well. JRAD are great!

I hear if you say his name three times he magically appears. That is unless he's in a precariously tensioned contraption in a medieval dungeon somewhere, which is always a possibility.

Agree with HF, Deadegad (and others). As much as I like D&C, some of Phil's bands were incredible and JRad shreds it. Nothing's gonna bring Jerry back and I love some of the interpretations of GD music out there, both with and without the original band members.

I was trekking in the Pyrenees on the trail of some Portugese cartel bad hombres when all of a sudden I found myself at the corner of Post and Steiner in San Francisco.

What the heck just happened?

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C’mon man. Winterland was at the corner of Post & Steiner. So, a Winterland box, but from what year??

It's the Winterland Box, the Other Ones (all unreleased Winterland shows).

Ok. Makes perfect sense to me.

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13 years 2 months

In reply to by JimInMD

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I still think MHammond's Wall of Sound Box was one of the best concept ideas.. the box would look like the Wall of Sound and contain all remaining Wall of Sound shows. As a nice bonus they could include a fathead Wall Of Sound graphic to stick on your wall behind the big screen and surround sound. The bonus discs would be all 1974 non Wall of Sound shows (the ones before the Cow Palace show).

Who are these marketing clowns at Rhino.. they should just hire us.

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In reply to by JimInMD

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77 years young to one of the best pipes in the biz.....and to add to it the celebration THE WHO SELLOUT for you "WHOHEADS"

SUPER DELUXE EDITION OF THE CLASSIC GROUNDBREAKING ALBUM
112 TRACKS ACROSS FIVE CDS & TWO 7” VINYL SINGLES
FEATURING 46 UNRELEASED TRACKS INCLUDING 14 UNHEARD PETE TOWNSHEND DEMOS
80-PAGE HARD BACK BOOK WITH NEW LINER NOTES BY PETE TOWNSHEND AS WELL AS RARE POSTERS, INSERTS & MEMORABILIA
RELEASED 23 APRIL ON UMC/POLYDOR

And for some added fun The Dead and Pete Townshend in 1981
https://youtu.be/-Oym_LQCsPc

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Thin, my friend, you are not alone. It has now been just over four months since I received my shipping notice for DP 36 at the end of October, with a tracking number that shows that it never actually shipped. So now I'm still waiting for my unnumbered "make up" copy. This is unacceptable...and how many others must be in the same boat! At the very least dead.net should be offering us some kind of extra to compensate for the appalling level of service, lack of communication/transparency, and the LONG wait. This experience has left such a bad taste in my mouth that after subscribing to all previous years of Dave's, and all the Road Trips, and only missing a couple of Dick's volumes, I reluctantly decided not to subscribe this year. Enough is enough.

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17 years 2 months

In reply to by Shrewnews

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....I'll take one of every Grateful Dead keyboardist and rotate them as my current listening revolves.
Used to have some of every Spinal Tap drummer, but they mysteriously combusted.
I blame gardening.
Edit. Bolo gave a clue and it included a mountain range. I was focused on Andorra.

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11 years 2 months
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Sorry Shrew. This too shall pass. Someday we'll get our unnumbered DaP36's and we can move on.

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15 years 11 months
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The paper holds their folded faces to the floor
And every day the paper boy brings more

And if the dam breaks open many years too soon
And if there is no room upon the hill
And if your head explodes with dark forebodings too

I'll see you on the "Dark Side of the Moon!"

"Winterland" could mean the box is from a colder region that has mountains...Alaska?

Be careful the hills have eyes!

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10 years 1 month
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While my preference would be a 1972 box with a dozen shows featuring Dark Stars Bird Songs, the Winterland idea could produce some gems:

1969 - October (2 shows)
1970 - NYE
1971 - March (2 shows) , May (2 shows, one is partially released on LP) & NYE
1972 - October (1 show), (December 4 shows, including the behemoth from NYE)
1974 (2 shows in Feb, and not sure what to do with the October leftovers from the movie soundtrack - maybe bonus tracks)
1977 (3 in March, 3 in December)
1978 (leftovers of the 5 show From Winterland with Love run).

Lots to choose from.

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15 years 11 months
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Would love if it were Winterland Oct. '74 with video.

I listened to the soundtrack release yesterday and it didn't sound as good as you would hope coming from multi-track and all. This really needs the killer mixing by Jeffrey Norman.

"(TRI Studios) is a state of the art, world-class audio, video, streaming venue, and recording facility."

We may just be getting a few boxes like the Giants box in the future!

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An incantation is created, offered, and POOF! The genie comes out of the freakin' bottle, murmuring ... clues?

It's a trick! as Jer was wont to say, when a stage announcement came that told "Smedley" (not his real name) to meet his friend at the concession stand for his "medicine."

I suspect a diversionary tactic: a) it cannot be that easy, b) Bolo's not going to steal DL's thunder, and c) it cannot be that easy.

Though I note that 12-10-72, 12-11-72 and 12-31-72, all played at Winterland, have yet to be released.

Dang it, Bolo, ya did a cannonball into the pool. It may not be "meaningful," but the fools at poolside simply cannot afford to ignore the splashing.

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Looks like it's a small spring Winterland, '77 box, and then a box in the fall of 1980.

The hints are pointing to two boxes.

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April 77 (Palladium), April 78 (4-12, 4-14, 4-16, 4-19 and 4-21) or April 69 (Hark! The Ark.)

P.S. Crosswalks

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In reply to by wilfredtjones

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https://www.youtube.com/watch?v=WIE1BpW2zyw

It's a relentless conspiracy, HF. Each morning we all get (well, everyone but you) hundreds of PM's from the good and evil folks here with fake and creative ideas to duke you into box set fever. It's been going on for years. You'd think it would have gotten old, yet we are endlessly amused. Some of these ideas are pure gold, priceless.

My favorite is the Ark Box. The Ark shows, like Cornell, never happened.. they were spliced together at TRI from other shows, many of which have been released by now and inauspiciously uploaded to Archive.org. Yes.. TRI meaning Bob Weir is in on the scheme. Bob, Phil, Mickey, Bill, even the dead keyboardists are in on it thanks to modern technology and the Ouija board. They all think it's hilarious.

Just kidding.. but I do enjoy a good box set fever and multi-track delirium. Especially on an uneventful Tuesday morning. Ark ark.

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10 years 8 months
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Get it while you can, only 2000 of them.

And, I am also very much looking forward to the Super Deluxe Who Sell Out!

Real Gone just announced a vinyl pressing of Dicks Picks 36.. one of the all time classics. Sweet. One day I will set up my turntable again and when that happens I don't myself leaving the room for a couple of weeks.

Edit: Ha.. right on Alvarhanso. I missed that before I wrote mine.

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I’m starting to feel like an obituary service, but I have to say RIP Bunny Wailer.

product sku
081227891695
Product Magento URL
https://store.dead.net/music/dave-s-picks/dave-s-picks-vol-37.html