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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • alvarhanso
    Joined:
    Proudfoot

    Sorry for the griping, just feeling a little more salty about it seeing it takes 5 days to go from a shipping label's creation to going out the door in a professional shipping department. And I've had a few responses since the whole debacle with DaP 36 started, so that's left me hopeful that that avenue is still partially open.

    But, as they say, we will get by, we will survive. Touch was my favorite part of DaP 36. Such an infectious song, and Jerry is really feeling it. That's one track where the matrix really enhances things. Oh, and I only know how it sounds because I bought one off ebay. Hoping for a digital copy of 37 to tide me over so I don't have to waste more money on multiple purchases.

  • icecrmcnkd
    Joined:
    Oroborous, roller coasters

    What about that old raggedy thing along I-70 in Denver? Badger?
    I think that it has been torn down.
    I never rode it but drove past it many times driving between Stapleton/DIA and skiing.

  • icecrmcnkd
    Joined:
    Hey Unlearn

    Thanks for the input.
    Hopefully the entire Louisville set2 will come out eventually. The Whole set probably wouldn’t have fit as filler on this release.

  • unlearnfear+hate
    Joined:
    Shipping Blues

    I hear you, but at least we are well past trading analog tapes when it might be 5-8 weeks before your new" stuff came in!

  • unlearnfear+hate
    Joined:
    First Leg Spring Tour - Why isn't Lexington 4/21/78 Not the Bonu

    I was at all the first leg of the Spring '78 shows from VPI, 4/14, through Illinois State, 4/24/78. Most were very high quality with only one dud (Columbus, 4/19 . . . lotsa cops - it wasn't at Ohio State so the "off-campus" site may have been part of the neg vibe). For me, the highlight personally was Lexington, 4/21/78, which is my hometown and where I was in college at the time. In my view both then and today re-listening to them all from my old Bettys and AUDS, I agree that the clear stellar shows from the Spring Tour are what have been released via Dicks, Daves and Road Trips (no 78 in Download Series): Nashville, 4/22 and Illinois State, 4/24. The second leg Spring 78 is well-repped too with the 5/10, 11 shows in New Haven & Springfield. 1978 was just a weird year with, as we know now, the toll of opioids beginning to have more of a direct impact on Keith and Jerry . . . and the inconsistency, even within a single show, was apparent to Heads then and now - particularly after the sustained utter brilliance of nearly all of 1977. I remember lots of older Heads talking all during 1977 that the Dead were finally back from the retirement and playing at the high levels of 73-74.

    My argument for Lexington over Pittsburgh as the bonus stuff.

    The first set of Lex suffers some issues, though the stage-audience chatter was some of the best I've ever heard and the boys+girl kicked ass with a super latter segment of the first set that begins with Row Jimmy and ending with a rollicking MNS. The second set, however, . . . Lawdy, Lawdy!

    I've always felt this set was worthy of release. Pittsburgh was quite good, but for my money, Lexington outshines with a very unusual "Stayin Alive" Jam at the end of Drumz, a rocking Trucking and perhaps the all-time killer Stella (which is why it appeared on the first Dead Box, So Many Roads). I asked David Gans at one of his shows why they picked the Lex version for the Box, he said (and this is a pretty direct quote) "I ran into some old Head in the late 80s who gave me the tape of the Lexington show, which I already had, and said 'Man, this is the best ever Stella. Play it on the GD Hour. Trust me.' So, when it came time to pick the cuts for the Box I remembered that encounter - we all listened to it several times, and agreed it deserved to be on the release." I've never heard the second encore US Blues on any tape, SDBD or AUD, but I can tell you it both rocked in a very raw, sloppy way AND was totally unexpected . . . particularly after the treat of Werewolves (the first encore, and only second time played - this was pre-internet, so if you weren't at the Columbus show the night before or didn't talk to anyone, then this would have been a mindblower since "werewolves" was a huge hit then on Warren Zevon's breakthrough album).

    Pittsburgh was a very good show, but similar to Lexington in that it isn't from beginning to end so stellar as to deserve its own release and is lesser than Lex. Definite highlights, but nothing really to make it "special" for release . . . unlike Lexington with its stunning second set and double encore. Checkout the review of the show in Deadbase - its only one of two of the first leg Spring 78 shows reviewed (Springfield is the other).

    So, cannot wait for my copy to get out of the Louisville Shipping Center Dungeon (a mere 78 miles from my house!) as I am most ready to dig on one great show and memory - and happy to hear from Dave's Seaside Chat that I shared the space with Bruce Hornsby. Wonder if we was near me and we shared a joint?

  • Deadicated
    Joined:
    External CD/dvd drive

    I've been using one for going on a year, burning and listening - it's called Rooful. Costs 23.99. I go through these things fast, but not this one.

  • deadtony
    Joined:
    Its funny

    How people in Europe are receiving this before I am in NY..sounds shitty to say.. Subscribed right off the bat this year too. I know I'll get it eventually..just sucks. No offense to our brethren across the pond. After a week of ups saying they had no info on the tracking, mine too finally updated. Still sitting in California. Says expected Monday the 8th...I guess I'm just not patient...🙃

  • Thats_Otis
    Joined:
    Hello Fine Folks!

    I was wondering if anyone can recommend a good, but not too expensive, external disc drive. I just got a new laptop, and the darn thing doesn't have one! How will I burn my Dave's Picks (and the upcoming boxset) to my hard drive? Having one that can play DVDs/BluRays would be nice too.

    I'm enjoying Dave's 21 right now on the big boy stereo, along with some Pick of the Day folks. This is one hell of a release... I think 2nd only to Dave's 5 in terms of 73 releases in the series so far, and that's saying something!

    Thank you, and have a Grate night!

    Peace

  • proudfoot
    Joined:
    Alvarhanso

    If it's any consolation (and I know it isn't)...

    getting replies from anyone in "services" is truly hard. I have a couple professional emails out since last week that...crickets, but no cicadas...

    "customer service" is a facade on the front of an empty room

    truly, why are some people not receiving their orders? and why have "customer service" if nothing is going to be done?

    an ancient SNL reference...Lily Tomlin is doing her operator shtick..."Whoops! we just lost Peoria!" "we're the phone company. we don't care; we don't have to"

    some day, every Dave's subscriber will get their product on time, and we can say goodbye to the shipping blues.

  • alvarhanso
    Joined:
    6 more days

    According to UPS. Label was created 1/29/21 @ 10:25 am, allowing dead.net to put the status on my order as shipped. No email as yet. But UPS shows that it finally started its journey yesterday just before 5 pm, and will take another week to traverse the states, unless it happens to end up in Warrendale, PA, where my mail has been going to hang out for 5-10 days since December. Still no DaP 36, and at least no movement on the extra 37 and glass and shirt. If those a la carte purchases had shipped out before the subscriptions I'd be pretty pissed given the supposed change in shipping subscriptions first. I sub'd on 10/26/20, and tomorrow marks a week after release date, so I'd like to see that change actually be implemented, so far, the rollout has not achieved the goal. And I'd like my DaP 36 as well. And a response to my most recent email would be nice. But I guess I'm just a fool for expecting better at this point.

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6 years 7 months

Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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10 years 2 months

In reply to by Angry Jack Straw

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I only saw them 5 times...but what struck me was how muted the start of those concerts were, compared to some of the Spinal Tap style entrances some bands made. The Dead seemed more jazz like in their approach - shuffle on, ease into a tune..no crescendos or flashing lights. With some bands, the build up was so dizzying that you would have thought the Second Coming was at hand.

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However, note that the Atlanta '70 show on Stages has been superceded by "Freedom: Atlanta Pop Festival," which is more complete in better sound. Once you devour the Band of Gypsys nearly complete four-show set, try delving into the Dagger Records official bootlegs from the Jimi camp. There's quite a few excellent shows in pretty damn decent sound. Two I'd recommend: Live in Ottawa, 19 March '68/second show, and The Baggies Rehearsal Sessions, Nov-Dec '69 as the Gypsys warmed up for the Fillmore shows.

To daverock's point, when the GD opened a show, in my view, they focused on the energy not the volume and certainly not any theatrics. To your point, they always knew they were in for a long evening -- 3 hours of music, maybe 4-5 hours of "involvement," so I'd think pacing would be key.

Yes, it wasn't a criticism. If anything, it seemed indicative of the bands ability to communicate and develop a show, rather than bludgeon you into defeat with volume and lights. They played to an audience, rather than at them.

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15 years 10 months
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I live 30 minutes drive from where they ship Dave’s from in Carlsbad, CA. I have a subscription. A confirmation. But no shipping notice, no customer service rep to speak to, unanswered emails from Rhino....I’m tired of this SHIT. FIX IT

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17 years 2 months
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I hear you. The only thing that seems to work for me is to PM Marye and also send an email to Drrhino@wmgcustomerservice.com
Marye is great. She’s very kind and helpful

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9 years

In reply to by adedhed68

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Even better when it’s Stranger>Franklin’s.

Never witnessed one, but did just listen to the one from 7-10-89 GS Box.

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9 years

In reply to by daverock

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Roger Waters The Wall tour 2010-12.
It’s pretty cool.

Agree with Daverock that most bands need to grab the audience’s attention right away because the people are there for the show just as much (or more) as the music.
But for bands that play the same setlist every night, and tour once a year in support of a new album, that’s what they need to do to keep selling albums and tix every time they pass through town.

The Dead had a grate light show, but most people were there for the music (some were just there for the party).

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In reply to by icecrmcnkd

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There was an element of theatre with a lot of bands in the 70s. With some bands there still is-the opening of a Stones show-the last one I saw was about 2007 - there was still a sense of drama when they came on. The Dead seemed more like a jazz band in comparison with something like that. More like the Miles Davis Quintet of the 60s than the Rolling Stones.

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Certainly nothing wrong with attending a show for the party or socializing -- how many times have I gone to a show because pals urged me to go because "it'll be a good time." The crowd is (or was) almost always an exciting part of the whole endeavor. (Over time, that's changed for me as people act selfishly or talk constantly or jostle, whatever, plus the prices...)

On the other hand, when the early post-GD incarnation bands led by Bobby and Phil came to Red Rocks, some of us were raving about the vault releases coming out and nearly everyone we spoke to had no clue about them and weren't even interested to hear about them. Presumably they were there for the live music and the party, but not particularly interested in the music releases by the original band. No judgment here, obviously, as I have done both -- depending on the band -- but certainly a curious distinction, given that here, we all wait at the mouth of the cave, ready to devour whatever mastodon bones Dave throws to us.

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10 years
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I recently ordered a few items from another artist’s site, and as the items come due for delivery, I came across this in the fine print:
“ PLEASE NOTE that we are currently moving warehouses and with the current COVID-19 lockdown there may be delays in processing and shipping all orders. Thank you for your patience and understanding during these trying times.”
We have all been here before.

Best “theatrical” band opening I ever saw for an artist was a Peter Gabriel show. The lights in the arena go down, expecting the band to hit the stage, but instead very bright beacons lit up around the arena, as each band member entered at a different entrance, walking towards the stage, each holding one of these bright lights skyward. We sat right beside one of the entrances, and it startled my friend so much, his pipe and “tobacco” went flying a few rows forward, scared the wits out of him. I never laughed so hard!

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Recommended for the OSF - Bear's Sonic Journals: That Which Colors the Mind AAK with Indranil Bhattacharya and Zakir Hussain Live at the Family Dog at the Great Highway San Francisco, California, May 29, 1970 2-CD set

I see this set on the website, but don't seem able to buy. Too new? Anyone else see this? Anyone have opinions? Anyone order yet?

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14 years 9 months
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I was sitting here looking up an album by Zakir Hussain (Making Music) on my new streaming service (Qobuz), then read Zakir's name in your post!

I don't know about all my openers, but as I've mentioned here, my first show (6/24/91) opened with HSF, and the second set opened with China-->Rider. That was the best of the 23 shows I caught, and it, along with the show before it and the two following it, could make a sweet box.

Speaking of boxes, isn't it time for Dave to announce the 14-CD box of everything usable from 1968?

Thanks guy,,,, I was using the large red button, "buy now",,,,, didn't scroll down to see the "Order Now" button!

It's ordered,,,, now sure if it's coming out in the future,,, or available now,,,,,, but it is ordered!

"....here, we all wait at the mouth of the cave, ready to devour whatever mastodon bones Dave throws to us." Ha..

mmm Mastodon Bones, meaning it must be very old which could only mean a 14 CD Box Set of everything releasable from 1968 + a two disc bonus show from the fall of 67. Glad you two figured it out, makes perfect sense.. With Bolo's whereabouts currently unknown.. it's good to a few step forward and fill in the gaps.

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7 years 10 months
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Over on the Tapers section this week, it has 8.21.68 which was the music included with the ORIGINS deluxe edition on vinyl, for those of you who haven’t heard it.

I recommend the Ali Akbar Khan album. I bought it in December and it was delivered just in time for Christmas. I have to admit I didn’t order directly since doing that with largely unlimited releases just adds to the price with the various charges that are added when they are imported into the UK.

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I second Colin's opinion on this release. It is a fantastic late night, lights off, headphones album, or, if you happen to have some of what David Crosby called "pullover pot". It was available late last year. You can buy from OSF, or from Amazon. It's well worth the price. Zakir Hussain was just a pup when this was recorded. Beautiful stuff indeed.

Music is the BEST!!

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It'd be RSD with 8-21-68, no need to empty the vault of all '68 ... just yet.

As for Dead & Co. being "the best" post-Jer group? Bosh! You must not have caught the Phil Lesh Quintet. That little band was a dynamic monster and easily the top post-Jer band.

Okay, boys, gauntlet thrown!

Just keepin' it alive til that fall '72 box announcement...

Hey JimMD, is there an incantation that'll lure Bolo out to offer one of his knicker-twisting clues?

While Joe Russo's Almost dead does not qualify for the "post-Jerry" category they are fantastic so JRAD together with DSO; et, al, and the Bob and Phil incarnations, our collective GDead itch gets scratched very, very well. JRAD are great!

I hear if you say his name three times he magically appears. That is unless he's in a precariously tensioned contraption in a medieval dungeon somewhere, which is always a possibility.

Agree with HF, Deadegad (and others). As much as I like D&C, some of Phil's bands were incredible and JRad shreds it. Nothing's gonna bring Jerry back and I love some of the interpretations of GD music out there, both with and without the original band members.

I was trekking in the Pyrenees on the trail of some Portugese cartel bad hombres when all of a sudden I found myself at the corner of Post and Steiner in San Francisco.

What the heck just happened?

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C’mon man. Winterland was at the corner of Post & Steiner. So, a Winterland box, but from what year??

It's the Winterland Box, the Other Ones (all unreleased Winterland shows).

Ok. Makes perfect sense to me.

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13 years 4 months

In reply to by JimInMD

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I still think MHammond's Wall of Sound Box was one of the best concept ideas.. the box would look like the Wall of Sound and contain all remaining Wall of Sound shows. As a nice bonus they could include a fathead Wall Of Sound graphic to stick on your wall behind the big screen and surround sound. The bonus discs would be all 1974 non Wall of Sound shows (the ones before the Cow Palace show).

Who are these marketing clowns at Rhino.. they should just hire us.

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13 years 9 months

In reply to by JimInMD

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77 years young to one of the best pipes in the biz.....and to add to it the celebration THE WHO SELLOUT for you "WHOHEADS"

SUPER DELUXE EDITION OF THE CLASSIC GROUNDBREAKING ALBUM
112 TRACKS ACROSS FIVE CDS & TWO 7” VINYL SINGLES
FEATURING 46 UNRELEASED TRACKS INCLUDING 14 UNHEARD PETE TOWNSHEND DEMOS
80-PAGE HARD BACK BOOK WITH NEW LINER NOTES BY PETE TOWNSHEND AS WELL AS RARE POSTERS, INSERTS & MEMORABILIA
RELEASED 23 APRIL ON UMC/POLYDOR

And for some added fun The Dead and Pete Townshend in 1981
https://youtu.be/-Oym_LQCsPc

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13 years 9 months
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Thin, my friend, you are not alone. It has now been just over four months since I received my shipping notice for DP 36 at the end of October, with a tracking number that shows that it never actually shipped. So now I'm still waiting for my unnumbered "make up" copy. This is unacceptable...and how many others must be in the same boat! At the very least dead.net should be offering us some kind of extra to compensate for the appalling level of service, lack of communication/transparency, and the LONG wait. This experience has left such a bad taste in my mouth that after subscribing to all previous years of Dave's, and all the Road Trips, and only missing a couple of Dick's volumes, I reluctantly decided not to subscribe this year. Enough is enough.

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17 years 4 months

In reply to by Shrewnews

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....I'll take one of every Grateful Dead keyboardist and rotate them as my current listening revolves.
Used to have some of every Spinal Tap drummer, but they mysteriously combusted.
I blame gardening.
Edit. Bolo gave a clue and it included a mountain range. I was focused on Andorra.

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11 years 4 months
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Sorry Shrew. This too shall pass. Someday we'll get our unnumbered DaP36's and we can move on.

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16 years
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The paper holds their folded faces to the floor
And every day the paper boy brings more

And if the dam breaks open many years too soon
And if there is no room upon the hill
And if your head explodes with dark forebodings too

I'll see you on the "Dark Side of the Moon!"

"Winterland" could mean the box is from a colder region that has mountains...Alaska?

Be careful the hills have eyes!

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10 years 3 months
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While my preference would be a 1972 box with a dozen shows featuring Dark Stars Bird Songs, the Winterland idea could produce some gems:

1969 - October (2 shows)
1970 - NYE
1971 - March (2 shows) , May (2 shows, one is partially released on LP) & NYE
1972 - October (1 show), (December 4 shows, including the behemoth from NYE)
1974 (2 shows in Feb, and not sure what to do with the October leftovers from the movie soundtrack - maybe bonus tracks)
1977 (3 in March, 3 in December)
1978 (leftovers of the 5 show From Winterland with Love run).

Lots to choose from.

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16 years
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Would love if it were Winterland Oct. '74 with video.

I listened to the soundtrack release yesterday and it didn't sound as good as you would hope coming from multi-track and all. This really needs the killer mixing by Jeffrey Norman.

"(TRI Studios) is a state of the art, world-class audio, video, streaming venue, and recording facility."

We may just be getting a few boxes like the Giants box in the future!

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10 years 8 months
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An incantation is created, offered, and POOF! The genie comes out of the freakin' bottle, murmuring ... clues?

It's a trick! as Jer was wont to say, when a stage announcement came that told "Smedley" (not his real name) to meet his friend at the concession stand for his "medicine."

I suspect a diversionary tactic: a) it cannot be that easy, b) Bolo's not going to steal DL's thunder, and c) it cannot be that easy.

Though I note that 12-10-72, 12-11-72 and 12-31-72, all played at Winterland, have yet to be released.

Dang it, Bolo, ya did a cannonball into the pool. It may not be "meaningful," but the fools at poolside simply cannot afford to ignore the splashing.

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16 years
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Looks like it's a small spring Winterland, '77 box, and then a box in the fall of 1980.

The hints are pointing to two boxes.

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17 years 5 months
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April 77 (Palladium), April 78 (4-12, 4-14, 4-16, 4-19 and 4-21) or April 69 (Hark! The Ark.)

P.S. Crosswalks

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13 years 4 months

In reply to by wilfredtjones

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https://www.youtube.com/watch?v=WIE1BpW2zyw

It's a relentless conspiracy, HF. Each morning we all get (well, everyone but you) hundreds of PM's from the good and evil folks here with fake and creative ideas to duke you into box set fever. It's been going on for years. You'd think it would have gotten old, yet we are endlessly amused. Some of these ideas are pure gold, priceless.

My favorite is the Ark Box. The Ark shows, like Cornell, never happened.. they were spliced together at TRI from other shows, many of which have been released by now and inauspiciously uploaded to Archive.org. Yes.. TRI meaning Bob Weir is in on the scheme. Bob, Phil, Mickey, Bill, even the dead keyboardists are in on it thanks to modern technology and the Ouija board. They all think it's hilarious.

Just kidding.. but I do enjoy a good box set fever and multi-track delirium. Especially on an uneventful Tuesday morning. Ark ark.

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10 years 9 months
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Get it while you can, only 2000 of them.

And, I am also very much looking forward to the Super Deluxe Who Sell Out!

Real Gone just announced a vinyl pressing of Dicks Picks 36.. one of the all time classics. Sweet. One day I will set up my turntable again and when that happens I don't myself leaving the room for a couple of weeks.

Edit: Ha.. right on Alvarhanso. I missed that before I wrote mine.

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15 years 1 month
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I’m starting to feel like an obituary service, but I have to say RIP Bunny Wailer.

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Product Magento URL
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