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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • daverock
    Joined:
    what blew my mind was the records

    Starting with Anthem of the Sun in 1976. I had no idea how they presented themselves on stage, or the fact that they changed the set list every night until the 1980s. When they came to London in March 1981, it never occurred to me to see them more than once - and it amazed me when I heard the live broadcast of the show from Essen Germany in March that year, and realised they played a different set to the one I had seen. Its very different, following the Dead if you don't live in America. The music that turned me on initially was the music they recorded in the 1960s, and had nothing to do with me seeing them live.

    Alvarhanso...I agree with every word you said. 3/1/69...I'd rather have that on vinyl and not get the rest of what comes out this year than the other way round.

  • fourwindsblow
    Joined:
    Lost Live Dead

    Hey DOC, they say it's was a short show not even an hour long.

    ps, also looks like they stuck to cover songs, could have only been five or six songs played.

  • Forensicdoceleven
    Joined:
    We yearn for the beautiful, the unknown, and the mysterious.....

    50 years ago today………………

    March 5, 1971
    Oakland Auditorium Arena

    Black Panther Benefit.

    Not a lot is known about this show---either how it came about, or what the Dead played that night. I have never seen published full set lists for the show, and I have never heard of (or even heard rumor of) circulating audience or soundboard recordings of this show. According to first hand accounts, “Midnight Hour” and “Lovelight” were played. The rest currently remains shrouded in the fog of time…….

    An enigma wrapped in a mystery.

    See: http://lostlivedead.blogspot.com/2010/02/march-5-1971-oakland-auditoriu…

    Rock on!!!

    Doc
    The true adventurer goes forth aimless and uncalculating to meet and greet unknown fate

  • Crow Told Me
    Joined:
    I Don't Know, Maybe It Was the Mushrooms

    All I know I could not leave it there. The thing I remember most vividly about my first show was that, to my amazement, somewhere there in the second set, I started dancing, Me, who never danced, anywhere, to anything! And I didn't even realize I was doing it. Just dancing out of pure joy to (I think) a Scar>Fire. This was back before taping was really much of a Thing, so I'd never heard that particular segue before, didn't even know they ever did that.

    Mind = blown. Body = dancing.

    And then I had this flash of self-consciousness, like, dude, you are a tall geeky white man, and you cannot dance without embarrassing everyone within 100 micrograms, what the fudge do you think you're doing? And then I looked up, and all around, and I saw that EVERYBODY in the theatre was dancing, from front to back, top to bottom. And smiling. Smiling! And I thought, I have seen the Stones, I have seen Zeppelin, I have seen the Who, but I have never seen this. What is it about this band? They're just standing there and playing, how can they do that?

    Still trying to figure that out.

  • icecrmcnkd
    Joined:
    Record Store Day 2021

    Hoping for Alvarhanso’s pick.

  • JimInMD
    Joined:
    What Blew My Mind About the GD

    What blew my mind at my first show was how completely and effectively they destroyed my brain with their powerful brand of sonic sorcery, mind = blown, a full cranial Chernobyl. Then little by little after space it somehow magically rebuilt itself.. atom by atom, synapse by synapse starting with a calming and placid standout version of the wheel. Sometime right around dawn it was better, faster, stronger than it had ever been and all was fine with the world.

    Or it could have been the acid. Hard to say. Let's call it a tie.

  • proudfoot
    Joined:
    there's a certain band I never connected with...

    mostly because they were so...theater.

    I always liked the GD being so in the moment. no jumping around, no pyrotechnics, no "ARE YOU READY FOR THIIIIISSS?"

    anyway

    to those singing the Shipping Blues...my sympathies. I hope I never win that Frustration Lottery.

    some receive a ship-ment
    some receive a shit-ment

    Uncle Bezos...lol

    back when the Viaduct still operated in Seattle, there was a section of tunnel. At the entrance, someone graffiti'd, "FUCK BEZOS".

  • alvarhanso
    Joined:
    3/1/69 vinyl?

    Just recalled this anniversary just passed, made me recall it's still overdue for vinyl release. Not that it would be released smoothly and equitably. And, yes, foolhardy of me to even bother to ask about another release when there are still several of us who also passed the 4 month mark on no DaP 36, and my order for the glass and shirt and a la carte DaP 37 have yet to finish processing, but I really want that That's It For The Other One on vinyl. I remember downloading it at the library as a college freshman off the then lightning fast T3 connections. Whole show took 45 min to download while I knocked out a couple of papers. And then heard Bill Graham's, "The American version of the Japanese film, Magnificent Seven, the Grateful Dead." Needless to say the next 20 minutes left a smoking crater of my mind before my next class. That Cryptical Reprise is just ripping, and I do not know of one that powerful. There are better Other Ones by far, and better complete TIFTOOs, but I'd love to find a comparable Cryptical ending. And they opened the show with it!

    There are those who will point out we need this vinyl like a hole in the head, but trepanning gets a bad rep. I definitely want this on vinyl more than I wanted the last few Dave's Picks and I already own this in the cd box set (thanks again Pierre!), but when they announced the vinyl releases of these I was more pumped because it meant down the line this show would be released on vinyl. So make with the brown vinyl box Dave. Pretty please.

  • icecrmcnkd
    Joined:
    6-17-91 vinyl

    Sounds really nice.
    On my first listen.

    And to think, I got it from Uncle Bezos for less than from Rhino, and free shipping that only took 2 days and had tracking that worked.

    If only Rhino valued its customers like Uncle Bezos does.
    And let’s not forget that WMG let our personal info be stolen.

  • deadegad
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    Joined:
    GD not ShowBizzy!

    I was once channel-surfing and stopped when I saw; The E Channel True Hollywood Story of Jerry Garcia replete with scandalous voice over. Of course I thought Jerry Garcia Hollywood???!!! The man was the antithesis of Hollywood.

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6 years 7 months

Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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10 years 2 months
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Lowest # I've ever had.

Couple spoilers ahead if you haven't received yours yet.

Just queued up the show. I think Bertha / Uncle is my favorite Jerry / Bobby 1-2 opening duo. "Smoking" I think Carlo said about disc one. Yeah, I hear it so far. Jerry is really tearing it up on Me & My Uncle. Even Sugaree is a bit harder than usual. Works for me.

I hear you AJS on the Bertha sound issues. They should have pre-opened every show with LLR to straighten out the audio.

I'm hearing Bobby much louder than usual. As loud as Jerry at least. Keith is nowhere to be found, but I'm strangely okay with it for the moment, I think because Bobby is playing that Gibson so well and it sounds so good.

Yeah, another cookin' solo in Tennessee Jed. Good stuff. Oh dear, LLR came on and I'm enjoying it. Lol, guys, honestly I probably should have sobered up to report the real story here. Well I mean - it's not the alcohol so much as I probably shouldn't have drunk all of that cough syrup this morning.....stay gold Pony Boy.

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10 years 2 months
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Been awhile, glad to see you weighing in. I don't know if it's that I usually listen on headphones or what, but I found the three PNW '73 shows very uneven from an audio standpoint. I figure it has to be the headphones because everyone else loves them. By "uneven" I hear the symbols coming in piercingly loud on half the tracks maybe. Also some tape hiss creeps in and out and there. My recollection is the Bird Song show is the least affected of the three. And the Dark Star / Eyes of the World from show #2 is right on the money. But overall I'm constantly dicking around with the EQ trying to get the sound right on PNW "73

Now the '74 shows are a completely different story; the audio on these is about as good as I've heard any '74 show sound. They've just about eliminated the tinniness that those Wall of Sound phase cancelling microphones used to cause. Not sure how they did it but they did. Or maybe I just wore out the mid-range in my ears. That could definitely be it. But yeah, those '74 shows are ultra smooth. I should revisit those '73 shows again. I recently listened to the Dark Star => Eyes of the World after Daverock mentioned how well Bobby was playing on that Dark Star; but otherwise it's been awhile. Now I feel like I should do an immediate comparison. I may have undiagnosed ADD.

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7 years 6 months
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Your right about the loud vocals bob and jerry sing. It was the first thing I noticed as the first set played through. The high vocals make this Dap a lot of fun.

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11 years 4 months
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Yeah, when I was listening to China rider, I noticed the audio seemed a bit edgy. Maybe with headphones I'll be able to isolate what I was hearing, but I went back and toggled it with one of the 1973 NW box china rider and the sound is very different. As if somebody's signal is a little too high in the mix and getting slightly distorted maybe? Or maybe the master recording's levels were a little too high making the mix sound a bit saturated? Not sure.

Not a complaint, just an observation. Great show. Listened to most of the release last night, and it's glorious.

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9 years 11 months

In reply to by Thin

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...I've noticed this same thing on the sound Thin. You've described it pretty well. And, I don't hear a whole ton of Phil either, which usually helps to solidify and round out the overall sound with some deeper depth. Not so much here. I assume it's because of the limitations of a two-track to some extent.

I will say though, the 'Let Me Sing Your Blues Away' caught me surely off guard, where I had to stop and do a double take before a huge grin took over my stolen face. It's a pretty jaunty tune, a shame it was shelved so soon.

Hope Others' are receiving theirs and enjoying the ride - off to get #2 JAB shortly, here's to hoping for no adverse events!

Sixtus

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3 years 6 months
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I have been seeing that a bunch of people have had their 38s for a few days now. I’m sitting here in Colorado still waiting on a shipping notice. Should I be worried??

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4 years 7 months

In reply to by MDA

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MDA - I also live in Colorado and have yet to receive a shipping confirmation email...we must be the last batch of subscriptions to ship. Hopefully we hear something soon.

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4 years 3 months

In reply to by MDA

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What, me worry?

With all the versions of "The Shipping Blues" in the past, one might.

Give it until at least next Friday before any panicking.

No, I am still not a robot.

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10 years 1 month
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No worries Jimbobwe and Proudfoot. Keep the faith. I was thinking the same then got my shipping notice here in Colorado this week showing Monday 5-3 for delivery. You never know. My July '78 box is #36/15,000.
Cheers!

I wouldn't worry about a shipping notice. For #36 I never received one but it came the usual 4 days after date like all the others. Come to think of it a notice has been an iffy thing. More than a couple of times I didn't get one yet it came nonetheless.

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9 years 3 months

In reply to by daverock

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I watched a documentary a few days back. I am sure you all have seen on the History Channel the various docs. I cant remember what the title was, and like I have written, memory aint what it used to be. It was on the building of the Golden Gate Bridge. I had posted a few years back that on the day off during the NYE1987 run, my friends and I walked to the mid-point of the Golden Gate Bridge and back, somewhere around 10 pm. It was super cold and a strong western wind. In the documentary, it talked about them at one point putting up a net to protect the bridge builders. I also remember a couple of years back that they had a drive to collect money to put another permanent net type device to prevent jumpers. Any way, long story short, I never put it together that the live album, Without a Net, was not just shot in the dark title (about the circus coming to town and the razor's edge of improvisation without a net) but also some San Fran history to boot. Those guys were on top of so much Americana that it is mind blowing.

If I had missed the page for the sale of #38. Now I know this is maybe a new rule for sales. Ship subscribers and dont open for sale until the day of release. Not sure if that is true or is it the or some special artwork??? Cant wait to see. I hope it is the poster for these shows, which I have. Will write more later, not wanting to spoil the trip...

Edit: well just checked my farseer email and see the artwork. Not the poster. Email sent 10 minutes ago...

Edit 2: OOOps wrong show poster is for March shows, see old brainism

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