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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • Forensicdoceleven
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    It is good medicine to go to a concert hall .....

    50 years ago today…..

    April 7, 1971
    Boston Music Hall, Boston, Massachusetts

    Set 1: Me And My Uncle-Next Time You See Me-Casey Jones-Playing In The Band-Loser-Me And Bobby McGee-Hard To Handle-Sugar Magnolia

    [possible set break?]

    Set 2: China Cat Sunflower>I Know You Rider-St. Stephen>drums>jam(x)>Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away>Johnny B. Goode

    Growing up outside Boston, the Music Hall was our Mecca. Santana in 72, Pink Floyd in 73, Zappa, Steve Miller, and of course the good old Grateful Dead…………….

    Unusual Me & My Uncle show-opener (apparently this occurred only one time in 1971). Unusual positioning of Casey Jones. St Stephen from a standing start. Oddness accrues….

    It’s unclear if this is two sets, with a distinct set break, or one long set. There is no audible set break announcement after Sugar Magnolia and there is no audible break in the recording between Sugar Magnolia, the tuning that follows it, and the start of China Cat. The available evidence, while not conclusive, suggests one long set.

    This show is victim to one of the best known---and most painful---tape edits in 1971. After about two minutes of the jam following drums, the tape apparently ran out. By the time the next tape was set up, it’s already the beginning of Not Fade Away. Sigh………………….

    Certainly worthy of a leafy listen…………

    Rock on!

    Doc
    The great problem of the concert hall is that the shoebox is the ideal shape for acoustics but that no architect worth their names wants to build a shoebox

  • Colin Gould
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    DaP 38 ‘pre-order’

    Hendrixfreak

    Remember the announcement for the 2021 DaP subscription. It said that the individual sets would not be offered for pre-order. They would be made available on their release dates. From memory this means that the seaside chat and order forms should appear on April 30th, unless dead.net change their minds. It would be good to get a box set announcement before then but I doubt it.

  • hendrixfreak
    Joined:
    Back to biz....

    Hey Doc, great to see you posting with enthusiasm on the 50th '71 shows. Great work analyzing their specific strengths and peculiarities.

    I'm now guessing that now we're entering the pre-hype period for DP 38, we'll likely get a Dave video and pre-order announcement on the upcoming Sept '73 shows. Meaning that a box announcement may well come in late May, after we've all received (or not) our copies.

    I'm still pulling for a fall '72 box along with an early "50th" for Wake of the Flood. But I'd take an April '71 box in a heartbeat...........

  • Forensicdoceleven
    Joined:
    I'm okay with being the oddball…..

    50 years ago today…..

    April 6, 1971
    Manhattan Center, New York City, New York

    Set 1: Bertha-Beat It On Down The Line-It Hurts Me Too-Me And Bobby McGee-Dire Wolf-Oh Boy-Hog For You Baby-Playing In The Band-Midnight Hour-Mama Tried-Cumberland Blues-Casey Jones

    Set 2: Greatest Story Ever Told>Johnny B. Goode-Loser-Good Lovin'-Sugar Magnolia-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away>Truckin'

    If you like your Grateful Dead oddball, maybe this is the April 1971 show for you. Was it something in the water? Was there acid in the air? Full moon perhaps? Maybe just Friday the 13th……………???

    I love this if for nothing more than the quirky gooey goodness of the first set, with its abundance of kinda scarce to definitely rare tunes----It Hurts Me Too, Dire Wolf, Oh Boy, Hog For You Baby, Midnight Hour, Mama Tried. Did people in attendance realize what great little musical nuggets were being dropped on them? LOL! The second set is more “traditional repertoire”, with rockin’ versions of Johnny B Goode and Sugar Magnolia, a rappin’ Good Lovin’, but just an OK NFA suite UNTIL they cap the whole thing off with a crazed Truckin’! Absolutely recommended!

    Rock on!!

    Doc
    When you feel like an oddball, it never really leaves you…..

  • nappyrags
    Joined:
    @Snafu...

    Did you get the "Hot Rats Sessions" box set that came out a couple of years ago??? Effin' amazing...there's a 15 minute instrumental version of "Willie The Pimp" that Zappa & Sugarcane just effin' go off on...also a lot of stuff that was used on "Weasel's Ripped My Flesh" & "Burnt Weenie Sandwich"...a newly remastered version of the original pressing is also included...And I was lucky enough to see the "Hot Rats Band" at the Olympic Auditorium in LA when the LP came out....

  • Vguy72
    Joined:
    I saw Electric Flag....

    ....thought it was Black Flag. Hi Snafu! 🙌
    And music IS the best!

  • snafu
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    One more not solo

    Here's one I've burnt through since the day it was released. Hot Rats ...FZ
    Music is the best. I know there's at least one person on here that gets that

  • snafu
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    Not all the good ones are locked

    Electric Flag's A Long Time Coming is a did for me. Granted it's not a solo but Bloomfield was the driving force before he left. Almost like Kooper and BS&T another did. Of course he didn't leave voluntarily

  • Forensicdoceleven
    Joined:
    Youth doesn't need friends - it only needs crowds.....

    50 years ago today…….

    April 5, 1971
    Manhattan Center, New York City, New York

    Set 1: Cold Rain And Snow-Me And Bobby McGee-The Rub-Loser-Playing In The Band-Big Railroad Blues-Me And My Uncle-Big Boss Man-China Cat Sunflower>I Know You Rider-Casey Jones

    Set 2: Truckin'>drums>The Other One>Wharf Rat-Sugar Magnolia-I'm A King Bee-Bertha-Deal-Sing Me Back Home-Not Fade Away>Goin' Down The Road Feeling Bad>Turn On Your Love Light

    Does the intensity of the show match the density of the crowd? What’s the distance from Marathon to Athens?

    Perhaps the best of the three nights. Really solid performance. Good dose of well performed Pigpen tunes (including the rarities The Rub and King Bee). Fine Truckin’/Other 1/ Wharf Rat big jam. The premiere of the Dead’s cover of Sing Me Back Home. The NFA/GDTRFB that later appeared on Skullfuck. This show gets much more respect than the previous night, and maybe deservedly so. Perhaps not a certified “top tier classic” but certainly worth the $5 it took to get in. Especially if you like yodelling…………..

    Rock on!

    Doc
    We tell our triumphs to the crowds, but our own hearts are the sole confidants of our sorrows

  • estimating prof
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    Flyin Solo

    Happy Spring Fellow Heads!

    Catching up on the forum here this morning. Lot's of great posts. Fun to read

    There are a lot of solo albums that I enjoy and many of them were mentioned here. Some of my favorites:
    - "Garcia" - one of the best studio albums from the full Dead catalog IMO. All killer, no filler on that record. Second side is a mellow psychedelic masterpiece.
    - Crosby - "If I could only remember my name" - loved this one since the first time I heard it. Vibes!
    - Jorma - "Quah" - does it get any better than Genesis? I'm putting this on later today for sure :-)
    - I might put on some Gene Clark today too - can't go wrong with any of his solo albums. I think of him more on his own than in the context of the Byrds.
    - "Imagine" is one of my favorites from the whole Beatles catalogue.

    I'll add:
    Mickey Hart - "Planet Drum" - my favorite of his. I listened to that one a lot in the 90s.

    For something more recent, Stephen Malkmus, one time leader of Pavement, put out a solo album called "Traditional Techniques" in 2020. Mostly acoustic instruments, great players, well worth your time IMO.

    I'm sure there are other solo albums that I love that I'm forgetting.

    Second the shout outs to the great solo artists that keep this circus on the road - Mary E and Dr Rhino - Thank you for all that you do!

    Happy 50th Acid Month! Turn it up!

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Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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Lowest # I've ever had.

Couple spoilers ahead if you haven't received yours yet.

Just queued up the show. I think Bertha / Uncle is my favorite Jerry / Bobby 1-2 opening duo. "Smoking" I think Carlo said about disc one. Yeah, I hear it so far. Jerry is really tearing it up on Me & My Uncle. Even Sugaree is a bit harder than usual. Works for me.

I hear you AJS on the Bertha sound issues. They should have pre-opened every show with LLR to straighten out the audio.

I'm hearing Bobby much louder than usual. As loud as Jerry at least. Keith is nowhere to be found, but I'm strangely okay with it for the moment, I think because Bobby is playing that Gibson so well and it sounds so good.

Yeah, another cookin' solo in Tennessee Jed. Good stuff. Oh dear, LLR came on and I'm enjoying it. Lol, guys, honestly I probably should have sobered up to report the real story here. Well I mean - it's not the alcohol so much as I probably shouldn't have drunk all of that cough syrup this morning.....stay gold Pony Boy.

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Been awhile, glad to see you weighing in. I don't know if it's that I usually listen on headphones or what, but I found the three PNW '73 shows very uneven from an audio standpoint. I figure it has to be the headphones because everyone else loves them. By "uneven" I hear the symbols coming in piercingly loud on half the tracks maybe. Also some tape hiss creeps in and out and there. My recollection is the Bird Song show is the least affected of the three. And the Dark Star / Eyes of the World from show #2 is right on the money. But overall I'm constantly dicking around with the EQ trying to get the sound right on PNW "73

Now the '74 shows are a completely different story; the audio on these is about as good as I've heard any '74 show sound. They've just about eliminated the tinniness that those Wall of Sound phase cancelling microphones used to cause. Not sure how they did it but they did. Or maybe I just wore out the mid-range in my ears. That could definitely be it. But yeah, those '74 shows are ultra smooth. I should revisit those '73 shows again. I recently listened to the Dark Star => Eyes of the World after Daverock mentioned how well Bobby was playing on that Dark Star; but otherwise it's been awhile. Now I feel like I should do an immediate comparison. I may have undiagnosed ADD.

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Your right about the loud vocals bob and jerry sing. It was the first thing I noticed as the first set played through. The high vocals make this Dap a lot of fun.

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Yeah, when I was listening to China rider, I noticed the audio seemed a bit edgy. Maybe with headphones I'll be able to isolate what I was hearing, but I went back and toggled it with one of the 1973 NW box china rider and the sound is very different. As if somebody's signal is a little too high in the mix and getting slightly distorted maybe? Or maybe the master recording's levels were a little too high making the mix sound a bit saturated? Not sure.

Not a complaint, just an observation. Great show. Listened to most of the release last night, and it's glorious.

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9 years 7 months

In reply to by Thin

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...I've noticed this same thing on the sound Thin. You've described it pretty well. And, I don't hear a whole ton of Phil either, which usually helps to solidify and round out the overall sound with some deeper depth. Not so much here. I assume it's because of the limitations of a two-track to some extent.

I will say though, the 'Let Me Sing Your Blues Away' caught me surely off guard, where I had to stop and do a double take before a huge grin took over my stolen face. It's a pretty jaunty tune, a shame it was shelved so soon.

Hope Others' are receiving theirs and enjoying the ride - off to get #2 JAB shortly, here's to hoping for no adverse events!

Sixtus

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I have been seeing that a bunch of people have had their 38s for a few days now. I’m sitting here in Colorado still waiting on a shipping notice. Should I be worried??

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In reply to by MDA

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MDA - I also live in Colorado and have yet to receive a shipping confirmation email...we must be the last batch of subscriptions to ship. Hopefully we hear something soon.

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In reply to by MDA

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What, me worry?

With all the versions of "The Shipping Blues" in the past, one might.

Give it until at least next Friday before any panicking.

No, I am still not a robot.

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No worries Jimbobwe and Proudfoot. Keep the faith. I was thinking the same then got my shipping notice here in Colorado this week showing Monday 5-3 for delivery. You never know. My July '78 box is #36/15,000.
Cheers!

I wouldn't worry about a shipping notice. For #36 I never received one but it came the usual 4 days after date like all the others. Come to think of it a notice has been an iffy thing. More than a couple of times I didn't get one yet it came nonetheless.

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In reply to by daverock

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I watched a documentary a few days back. I am sure you all have seen on the History Channel the various docs. I cant remember what the title was, and like I have written, memory aint what it used to be. It was on the building of the Golden Gate Bridge. I had posted a few years back that on the day off during the NYE1987 run, my friends and I walked to the mid-point of the Golden Gate Bridge and back, somewhere around 10 pm. It was super cold and a strong western wind. In the documentary, it talked about them at one point putting up a net to protect the bridge builders. I also remember a couple of years back that they had a drive to collect money to put another permanent net type device to prevent jumpers. Any way, long story short, I never put it together that the live album, Without a Net, was not just shot in the dark title (about the circus coming to town and the razor's edge of improvisation without a net) but also some San Fran history to boot. Those guys were on top of so much Americana that it is mind blowing.

If I had missed the page for the sale of #38. Now I know this is maybe a new rule for sales. Ship subscribers and dont open for sale until the day of release. Not sure if that is true or is it the or some special artwork??? Cant wait to see. I hope it is the poster for these shows, which I have. Will write more later, not wanting to spoil the trip...

Edit: well just checked my farseer email and see the artwork. Not the poster. Email sent 10 minutes ago...

Edit 2: OOOps wrong show poster is for March shows, see old brainism

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