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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • daverock
    Joined:
    Turning art into commerce

    "Col." Tom Parker seemed pretty reprehensible, too. The man who had the most positive influence on Elvis Presley realising and expressing his talent was surely Sam Phillips. Parker was instrumental only in orchestrating his decline.

    The Beatles solo album I used to play the most, back in the 70's, was the John Lennon one with "I Found Out" and "Working Class Hero" on.

  • simonrob
    Joined:
    Managers...

    There have been some abhorrent people who have managed bands over the years. Names like Saul Zaentz and Matthew Katz spring to mind but the award for the most loathsome manager surely has to go to Peter Grant. A man in a league of his own.

  • Mr. Ones
    Joined:
    More solo fun

    I love a good theme, with a challenge attached. A couple of people here have already stolen my thunder. It’s not easy to find great solo albums from(most) great bands of the ‘60’s-‘70’s.
    My friends frequently accuse me of being purposely fond of less popular fare, which may be true, to a point. But I’m never going to say I like an album, just because I think it would be ‘cool’ or out of the main stream. So......
    I agree led ded that Robert Plant’s Dreamland is a fantastic album, and he really turned a corner with that one. He’s always claimed to be a big fan of ‘60’s music, and his last 2 decades of solo work bear that out.
    When it comes to the Stones, I have to go with Mick Jagger’s Wandering Spirit, a truly fine album.
    With Floyd I agree that Roger Waters’ Amused To Death is also fantastic, and best heard start to finish.
    As far as The Who, I really like Pete Townshend’s “Psychoderelict”. There is a version without all the dialogue that’s great. Also, he played a 3-hour show at the Philly Tower Theater on that tour that blew my mind!! (White City is very good too!).
    As far as Beatles, I really feel like you need one from each. So again, I second a vote for “ All Things Must Pass”.
    Plastic Ono Band from John.
    McCartney just has too many albums, but I’ll go with Ram.
    And Ringo(yes, even Ringo). His Ringo album is truly fine, but he had a hell of a lot of help on that one.
    Sorry for going on, but I just can’t shut up, because:
    Music is the Best!!

  • LedDed
    Joined:
    Rock managers

    There should be a book (collective) on rock and roll managers and their contribution to musical history. Vast it would be! There are plenty about individuals, among them

    Peter Grant: The Man Who Led Zeppelin

    Is a fascinating read. I got it off amazon. Tons of stuff about the band I never read anywhere else. I never realized how important he was to them. He was a pretty good guy underneath all the boorishness, and at his peak he was untouchable. Who could blame him?

    Col. Tom Parker, Brian Epstein, Don Arden (not to mention $auron, er, Sharon), Irving Azoff, etc.

    Producers. Promoters. So many people had so much to do with the success of these bands we grew up on and love to this day.

    Cheers!

  • Strider 808808
    Joined:
    All Things Must Pass

    Fantastic album.

  • proudfoot
    Joined:
    my thoughts at THIS. EXACT. MOMENT.

    Vguy: re GD n Gucci...clever

    Syd Barrett Madcap better than any Pink Floyd album? Uhhh....everyone has a right to their own opinion. Ummagumma, Meddle, Piper...

    On the rare occasion when I force myself to listen to something not GD, I reach for a variety of stuff, not-least-of-which is MOTORHEAD. That stuff always gets me going.

  • unkle sam
    Joined:
    shout out

    to Roger Waters' "Amused to Death". Great album and one that is as good as any later day Pink Floyd lp. Jeff Beck plays on it and it has some great tunes there that he rips it up on. I agree that Roger's other solo lps "Pros and Cons of Hitch hiking" "Radio Chaos" and his latest effort are for sure not that good, but Amused to Death is one I think all Floyd fans should check out. Released in 1994 I think and has been re released just in 2019 for 25th anniversary. It's best if you sit down and listen to it completely to get the proper effect.
    David Gilmore's solo efforts are good but again nothing compared to the Floyd, his first being his best and his latest is also very good.
    Was going to check out Saucer full of Secrets band but never got a chance and then ..... but have heard a few cuts and they sound great.
    I agree Daverock, Syds stuff is great too.

    Big shout out to Mary E, she has helped me so much in the past and I would have left this site long ago if not for her and her uncanny ability to get things done for me and all or any who need her help. She is the best. our love is real not fade away

  • Vguy72
    Joined:
    Not sure what to make of this....

    https://liveforlivemusic.com/news/grateful-dead-gucci-collaboration-cus…

  • daverock
    Joined:
    Never heard of Alan Parker?

    Mike-no neither have I. Apparently he went on to play for Blue Mink, which is a bit of a step down from Soft Machine and Led Zeppelin, and did some sessions with David Bowie and Elton John.

  • That Mike
    Joined:
    Alan Parker?

    Dave - That’s a new name to me. I am not familiar with the name at all, or his work. One of those enduring mysteries is Hurdy Gurdy Man - one of the most distinctive guitar parts in 60s rock, yet no one can pin down who it truly was (although I like to think it was Alan Holdsworth). And Page is certainly out, if John Paul Jones discounted him.

    A great tune, regardless!

    My choice for solo album is an off the wall one - The Tin Man Was A Dreamer, by Nicky Hopkins. Produced by David Briggs (Neil Young), lots of great players on it, including Mick Taylor, and it still holds up after nearly 50 years. A great sideman to so many great artists and albums.

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Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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Lowest # I've ever had.

Couple spoilers ahead if you haven't received yours yet.

Just queued up the show. I think Bertha / Uncle is my favorite Jerry / Bobby 1-2 opening duo. "Smoking" I think Carlo said about disc one. Yeah, I hear it so far. Jerry is really tearing it up on Me & My Uncle. Even Sugaree is a bit harder than usual. Works for me.

I hear you AJS on the Bertha sound issues. They should have pre-opened every show with LLR to straighten out the audio.

I'm hearing Bobby much louder than usual. As loud as Jerry at least. Keith is nowhere to be found, but I'm strangely okay with it for the moment, I think because Bobby is playing that Gibson so well and it sounds so good.

Yeah, another cookin' solo in Tennessee Jed. Good stuff. Oh dear, LLR came on and I'm enjoying it. Lol, guys, honestly I probably should have sobered up to report the real story here. Well I mean - it's not the alcohol so much as I probably shouldn't have drunk all of that cough syrup this morning.....stay gold Pony Boy.

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9 years 10 months
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Been awhile, glad to see you weighing in. I don't know if it's that I usually listen on headphones or what, but I found the three PNW '73 shows very uneven from an audio standpoint. I figure it has to be the headphones because everyone else loves them. By "uneven" I hear the symbols coming in piercingly loud on half the tracks maybe. Also some tape hiss creeps in and out and there. My recollection is the Bird Song show is the least affected of the three. And the Dark Star / Eyes of the World from show #2 is right on the money. But overall I'm constantly dicking around with the EQ trying to get the sound right on PNW "73

Now the '74 shows are a completely different story; the audio on these is about as good as I've heard any '74 show sound. They've just about eliminated the tinniness that those Wall of Sound phase cancelling microphones used to cause. Not sure how they did it but they did. Or maybe I just wore out the mid-range in my ears. That could definitely be it. But yeah, those '74 shows are ultra smooth. I should revisit those '73 shows again. I recently listened to the Dark Star => Eyes of the World after Daverock mentioned how well Bobby was playing on that Dark Star; but otherwise it's been awhile. Now I feel like I should do an immediate comparison. I may have undiagnosed ADD.

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7 years 2 months
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Your right about the loud vocals bob and jerry sing. It was the first thing I noticed as the first set played through. The high vocals make this Dap a lot of fun.

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11 years
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Yeah, when I was listening to China rider, I noticed the audio seemed a bit edgy. Maybe with headphones I'll be able to isolate what I was hearing, but I went back and toggled it with one of the 1973 NW box china rider and the sound is very different. As if somebody's signal is a little too high in the mix and getting slightly distorted maybe? Or maybe the master recording's levels were a little too high making the mix sound a bit saturated? Not sure.

Not a complaint, just an observation. Great show. Listened to most of the release last night, and it's glorious.

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9 years 7 months

In reply to by Thin

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...I've noticed this same thing on the sound Thin. You've described it pretty well. And, I don't hear a whole ton of Phil either, which usually helps to solidify and round out the overall sound with some deeper depth. Not so much here. I assume it's because of the limitations of a two-track to some extent.

I will say though, the 'Let Me Sing Your Blues Away' caught me surely off guard, where I had to stop and do a double take before a huge grin took over my stolen face. It's a pretty jaunty tune, a shame it was shelved so soon.

Hope Others' are receiving theirs and enjoying the ride - off to get #2 JAB shortly, here's to hoping for no adverse events!

Sixtus

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3 years 2 months
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I have been seeing that a bunch of people have had their 38s for a few days now. I’m sitting here in Colorado still waiting on a shipping notice. Should I be worried??

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4 years 3 months

In reply to by MDA

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MDA - I also live in Colorado and have yet to receive a shipping confirmation email...we must be the last batch of subscriptions to ship. Hopefully we hear something soon.

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3 years 10 months

In reply to by MDA

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What, me worry?

With all the versions of "The Shipping Blues" in the past, one might.

Give it until at least next Friday before any panicking.

No, I am still not a robot.

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9 years 9 months
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No worries Jimbobwe and Proudfoot. Keep the faith. I was thinking the same then got my shipping notice here in Colorado this week showing Monday 5-3 for delivery. You never know. My July '78 box is #36/15,000.
Cheers!

I wouldn't worry about a shipping notice. For #36 I never received one but it came the usual 4 days after date like all the others. Come to think of it a notice has been an iffy thing. More than a couple of times I didn't get one yet it came nonetheless.

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In reply to by daverock

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I watched a documentary a few days back. I am sure you all have seen on the History Channel the various docs. I cant remember what the title was, and like I have written, memory aint what it used to be. It was on the building of the Golden Gate Bridge. I had posted a few years back that on the day off during the NYE1987 run, my friends and I walked to the mid-point of the Golden Gate Bridge and back, somewhere around 10 pm. It was super cold and a strong western wind. In the documentary, it talked about them at one point putting up a net to protect the bridge builders. I also remember a couple of years back that they had a drive to collect money to put another permanent net type device to prevent jumpers. Any way, long story short, I never put it together that the live album, Without a Net, was not just shot in the dark title (about the circus coming to town and the razor's edge of improvisation without a net) but also some San Fran history to boot. Those guys were on top of so much Americana that it is mind blowing.

If I had missed the page for the sale of #38. Now I know this is maybe a new rule for sales. Ship subscribers and dont open for sale until the day of release. Not sure if that is true or is it the or some special artwork??? Cant wait to see. I hope it is the poster for these shows, which I have. Will write more later, not wanting to spoil the trip...

Edit: well just checked my farseer email and see the artwork. Not the poster. Email sent 10 minutes ago...

Edit 2: OOOps wrong show poster is for March shows, see old brainism

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