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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • Vguy72
    Joined:
    Jane's Addiction covering Ripple....

    https://youtu.be/YxOlQrVa-84

  • proudfoot
    Joined:
    since my wife is of Irish descent, I can say this...

    when did an Irishman ever walk out of a bar?

    I thought they crawled or rolled out

  • That Mike
    Joined:
    Warners

    I agree with you 100% Mr Ones - when CDs are no longer available, my collecting days will be too. I’m currently having a problem with Warner/WEA for another artist, just horrible service. To throw me off the trail, they sent me an email last week with “Post Office Tracking”, product to be delivered on March 16. My dog could tell all they did was create an electronic label, never affixed it to the product and mailed it out. No response to any email. I wouldn’t care, but this, and other items I have were prepaid, and available no where else, otherwise I’d say forget it. Just drives you nuts because you are a fan, you’re an easy touch. How does their business model ever expect to “capture new business”, if they show such disdain for the folks that eagerly tap in their payment info? Sorry to beat the drum on this, but it is certainly not just this site, and Rhino. PS - They also threw me the “warehouse issues” line! Not even original. No green beer for them!

    On a happier note, and in toast to St Paddy’s Day, an Irishman walks out of a bar...

  • Dennis
    Joined:
    Ice Cream Kid and Angel's Share

    Yes I finally got it. I hate to say it but it was Marye who accomplished that feat for me. I only hate to say it, because, I not sure if Marye is actually a employee of ANYONE! I would hate to lumber Marye up with anymore work or speak of her like she's responsible for helping us fools. I always get the feeling (and no reason why), that Marye just has the ear of someone in the know and is kind enough to mention the blight of our troubles to them.

    In any event, I got the download.

    Thanks Marye, and if there are more in the background that helped,,, thanks to you too.

  • icecrmcnkd
    Joined:
    Tangible items

    The world of art collecting is going digital. Last week some fool paid $millions for digital art.

    Vinyl is back, cassette tapes are even being produced in limited quantities. I don’t think that CD’s are going away yet, there are too many of us lunatics who demand them.
    Digital is the future, and what we are doing is paying for the digitization and remastering of the reels when we buy the CD’s. The digital files are stored and will be available as downloads at some point in a few decades. The ‘limited’ statement only refers to the current pressing and release of the batch of CD’s.
    The downloads are inevitable, and will probably be hi-res, but most of us will probably be gone by then. So for now, order your CD’s and cross your fingers that they actually arrive, are undamaged, and are not defective.
    For those who want downloads now, you must not be aware that Rhino isn’t actually competent enough to run a download service. It’s been proven over and over.
    Dennis, did you ever get your Angel’s Share download?

    And the 3rd-party warehouse incompetence has been going on for years.

    Read what the employees say about Direct Shot (Franklin, IN).
    https://www.indeed.com/cmp/Direct-Shot-Distributing/reviews

    Recall that before Gnarlywood your CD’s came from Franklin.
    Before Franklin they came from outside of Nashville, and before that they came from Crozet.

    It has only gotten worse with each warehouse/distributor change.

  • Mr. Ones
    Joined:
    Shipping woes etc.

    It occurs to me that it was reported some time ago, about a new fulfillment center that took over Warner's and others shipment of products. Clearly, they seem to be answerable to no one, and feel as if customer service is an unnecessary evil. They seem to feel that since there is nowhere else to go, then "screw you" is their right as a response to any and all complaints.
    I have spoken with the management of my local "Indie' record shop, and they have told me that getting Warner and related product is next to impossible. It kind of feels as if we have nowhere to turn, because I don't believe they care if we boycott or don't. I wish I was proposing a reasonable and viable solution, but alas, I do not have one.
    Maybe this is part of the "grand plan" to eliminate cds altogether. When physical product disappears, then I am done collecting. I know I am old and out of touch, but I don't want to "own" something that I cannot see, hear, feel, and most importantly, read.
    I know cd production will end sooner rather than later, I was just hoping that it could remain until I no longer exist. Sorry for the long rant, but I feel everyone's frustration, and I believe that we all have the "right" to feel this way.

    Music is the best-I just hope it stays physical.

  • hendrixfreak
    Joined:
    what's in the box, vol. XXVI

    Proudfoot wants to know the year. I want to known how many discs, thus cost. The calculus is complex. If the year is 1968-1972, I no longer care about how many discs, because I'm buying it, while wishing it won't exceed 20 discs/$200. If it's 1976-1995, we'll have to know the exact year and dates, PLUS the number of discs to determine whether to purchase. At this point I'm being choosy on 76-78, but there's smokin' shows in 79-81 that I'd go for.

    A word on mylar balloons someone just mentioned: please don't use these mobile bits of trash. I have been in some of the remotest and pristine parts of Colorado -- generally the high desert between 5,000 and 10,000 feet -- and seen a shiny object that turns out to be HAPPY [5th-100th] BIRTHDAY for whomever. Gotta stuff it in my pack and dispose of it properly. Those damn things show up in the least appropriate places. That and Bud Light cans on the backroads. When you're done with it, poke a hole and place it in the trash, please. This PSA brought to you by Get Off My Lawn Enterprises.....

  • Forensicdoceleven
    Joined:
    There are mysteries, secret zones in each individual…..

    50 years ago today……………..

    March 17, 1971
    Fox Theater, St. Louis, Missouri

    Information about this show is a bit sketchy. According to setlists.net, Me & Bobby McGee and Lovelight were played.

    The following partial set list has been posted at jerrygarcia.com: Next Time You See Me-Me And Bobby McGee-Hard To Handle-Cryptical Envelopment >drums >The Other One >Cryptical Envelopment. If correct, a full CE/TOO/CE suite would have been unusual…….

    According to first hand accounts, the show opened with Truckin’, Hard To Handle was played early in the first set, the show closed with NFA/GDTRFB/NFA and Johnny B Goode, and Lovelight was not played.

    Next Time You See Me and Me & Bobby McGee were played on “Tapers Section” at dead.net in March 2007, at which time David Lemieux referenced reel cuts in Hard To Handle and The Other One. The sound quality was very good, but with tape hiss. And yes, Next Time You See Me rocks!

    As somebody who “grew up” on bootleg tapes and got used to edits, flaws, and omissions in Dead recordings, I would be totally OK with it seeing the light of day eventually……….

    Rock on!!

    Doc
    When we remember we are all mad, the mysteries disappear and life stands explained

  • Dark-Star
    Joined:
    2/14/70 Dark Star

    This 2/14 version never amounted to anything special in my play list. To me it suffered through the gongs like most 1970 Dark Stars, but didn't have anything "special" about it. That was after 15 or 20 plays since it came out on Long Strange Trip.

    Tonight was like the first time ever hearing it. This one has some face melting moments. I'm still not crazy about gong time but isn't it great how a Dead performance can be like catching a good wave!

  • Vguy72
    Joined:
    Don't know Bob. Haven't been there in over a year....

    ....probably not as hopping as when we were there, but its a slow, cautious climb. We added a new hotel though in that neck of the woods. The Circa. Google their amazeballs sports book.. My first shot is tomorrow. EXACTLY one year to the day that Sin City was forced to shut down.
    I also concur with the JRAD assessment.

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Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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10 years 3 months
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Lowest # I've ever had.

Couple spoilers ahead if you haven't received yours yet.

Just queued up the show. I think Bertha / Uncle is my favorite Jerry / Bobby 1-2 opening duo. "Smoking" I think Carlo said about disc one. Yeah, I hear it so far. Jerry is really tearing it up on Me & My Uncle. Even Sugaree is a bit harder than usual. Works for me.

I hear you AJS on the Bertha sound issues. They should have pre-opened every show with LLR to straighten out the audio.

I'm hearing Bobby much louder than usual. As loud as Jerry at least. Keith is nowhere to be found, but I'm strangely okay with it for the moment, I think because Bobby is playing that Gibson so well and it sounds so good.

Yeah, another cookin' solo in Tennessee Jed. Good stuff. Oh dear, LLR came on and I'm enjoying it. Lol, guys, honestly I probably should have sobered up to report the real story here. Well I mean - it's not the alcohol so much as I probably shouldn't have drunk all of that cough syrup this morning.....stay gold Pony Boy.

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10 years 3 months
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Been awhile, glad to see you weighing in. I don't know if it's that I usually listen on headphones or what, but I found the three PNW '73 shows very uneven from an audio standpoint. I figure it has to be the headphones because everyone else loves them. By "uneven" I hear the symbols coming in piercingly loud on half the tracks maybe. Also some tape hiss creeps in and out and there. My recollection is the Bird Song show is the least affected of the three. And the Dark Star / Eyes of the World from show #2 is right on the money. But overall I'm constantly dicking around with the EQ trying to get the sound right on PNW "73

Now the '74 shows are a completely different story; the audio on these is about as good as I've heard any '74 show sound. They've just about eliminated the tinniness that those Wall of Sound phase cancelling microphones used to cause. Not sure how they did it but they did. Or maybe I just wore out the mid-range in my ears. That could definitely be it. But yeah, those '74 shows are ultra smooth. I should revisit those '73 shows again. I recently listened to the Dark Star => Eyes of the World after Daverock mentioned how well Bobby was playing on that Dark Star; but otherwise it's been awhile. Now I feel like I should do an immediate comparison. I may have undiagnosed ADD.

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7 years 6 months
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Your right about the loud vocals bob and jerry sing. It was the first thing I noticed as the first set played through. The high vocals make this Dap a lot of fun.

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11 years 4 months
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Yeah, when I was listening to China rider, I noticed the audio seemed a bit edgy. Maybe with headphones I'll be able to isolate what I was hearing, but I went back and toggled it with one of the 1973 NW box china rider and the sound is very different. As if somebody's signal is a little too high in the mix and getting slightly distorted maybe? Or maybe the master recording's levels were a little too high making the mix sound a bit saturated? Not sure.

Not a complaint, just an observation. Great show. Listened to most of the release last night, and it's glorious.

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10 years

In reply to by Thin

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...I've noticed this same thing on the sound Thin. You've described it pretty well. And, I don't hear a whole ton of Phil either, which usually helps to solidify and round out the overall sound with some deeper depth. Not so much here. I assume it's because of the limitations of a two-track to some extent.

I will say though, the 'Let Me Sing Your Blues Away' caught me surely off guard, where I had to stop and do a double take before a huge grin took over my stolen face. It's a pretty jaunty tune, a shame it was shelved so soon.

Hope Others' are receiving theirs and enjoying the ride - off to get #2 JAB shortly, here's to hoping for no adverse events!

Sixtus

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3 years 6 months
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I have been seeing that a bunch of people have had their 38s for a few days now. I’m sitting here in Colorado still waiting on a shipping notice. Should I be worried??

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4 years 7 months

In reply to by MDA

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MDA - I also live in Colorado and have yet to receive a shipping confirmation email...we must be the last batch of subscriptions to ship. Hopefully we hear something soon.

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4 years 3 months

In reply to by MDA

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What, me worry?

With all the versions of "The Shipping Blues" in the past, one might.

Give it until at least next Friday before any panicking.

No, I am still not a robot.

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10 years 2 months
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No worries Jimbobwe and Proudfoot. Keep the faith. I was thinking the same then got my shipping notice here in Colorado this week showing Monday 5-3 for delivery. You never know. My July '78 box is #36/15,000.
Cheers!

I wouldn't worry about a shipping notice. For #36 I never received one but it came the usual 4 days after date like all the others. Come to think of it a notice has been an iffy thing. More than a couple of times I didn't get one yet it came nonetheless.

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9 years 3 months

In reply to by daverock

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I watched a documentary a few days back. I am sure you all have seen on the History Channel the various docs. I cant remember what the title was, and like I have written, memory aint what it used to be. It was on the building of the Golden Gate Bridge. I had posted a few years back that on the day off during the NYE1987 run, my friends and I walked to the mid-point of the Golden Gate Bridge and back, somewhere around 10 pm. It was super cold and a strong western wind. In the documentary, it talked about them at one point putting up a net to protect the bridge builders. I also remember a couple of years back that they had a drive to collect money to put another permanent net type device to prevent jumpers. Any way, long story short, I never put it together that the live album, Without a Net, was not just shot in the dark title (about the circus coming to town and the razor's edge of improvisation without a net) but also some San Fran history to boot. Those guys were on top of so much Americana that it is mind blowing.

If I had missed the page for the sale of #38. Now I know this is maybe a new rule for sales. Ship subscribers and dont open for sale until the day of release. Not sure if that is true or is it the or some special artwork??? Cant wait to see. I hope it is the poster for these shows, which I have. Will write more later, not wanting to spoil the trip...

Edit: well just checked my farseer email and see the artwork. Not the poster. Email sent 10 minutes ago...

Edit 2: OOOps wrong show poster is for March shows, see old brainism

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