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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • proudfoot
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    "The Dead do what they do"

    words of wisdom from the one and only Lemmy

  • twoswans
    Joined:
    A later 68 Box Set would be a great choice

    Since David has focused on the 80’s and 90’s with Giant Stadium, and the June 76 box, and last year’s DP’s covered 77 / 74 / 84 / 87. A late 68 series would definitely be a logical choice for the next set, as the band was really beginning to open up the set list, and still being freely experimental and free form. This was a transitional period for them and at times even they didn’t even seem to know where they were headed, which made for some wonderful moments of uncertainty, which was part of what I love about “live” Dead.

  • 1stshow70878
    Joined:
    A little late to the guilty pleasures party but...

    Any early Fleetwood Mac. Pre-Buckingham/Nicks, not that I don't appreciate Lindsey's finger picking guitar work which is excellent. And although Peter Green (RIP) was a guitar god and Then Play On is the classic early F/Mac I still like the Jeremy Spencer/Danny Kirwin era even more. Bob Welch starts the guilty part I guess but he really added what they needed in the in between time. My favorite albums have to be Kiln House, Bare Trees, and Future Games. Here's a topic for discussion; Bands that had the most different line-ups. F/Mac had around eight I think counting the new Mike Campbell version. And hey, that guy's pretty good too! Cheers from sunny Colorado today.

  • hendrixfreak
    Joined:
    Setlists

    Daverock, you make an interesting point on setlist variation and non-variation. I should add that in the two cases you cite for the GD -- FW '69 and Euro '72 -- they went into those shows seeking an outcome, a live recording for commercial use. So they did play the heck out of their live standards ('69) or their new songs ('72), hoping for a useful take. They wanted to capture that DS>St Stephen>Eleven>Lovelight medley for Live/Dead so they repeated it a few times. In '72 it was Mr. Charlie, Jack Straw, Brown Eyed, Tennessee, Ramblin' Rose, etc.

    That said, how to explain that the lengthy 'new' arrangement of Playing in the Band would be played (to my delight) every show? They weren't going to release a live version of that on the heels of Bobby's solo album, but they were hot on that newly explorative structure and enjoyed getting it on every show, having recorded Ace in Jan-March '72 (I think) and released in May (Euro '72 to follow in November). They weren't going to release any Dark Stars from that '72 tour, yet they played some of the best ever versions in spring '72. And look at China-Rider, as you suggest: not only very frequently played in '72 but across their entire history (I can't cite the beginning of that medley or the end, but it had quite a run). I'd call Euro '72 setlists pretty varied but with enough repeats to get a record (and they still did some studio dubbing, their prerogative).

    I'd suggest that '68 had a very limited setlist but they could whack out any of their standards in very different ways -- kinda like the one chord structure of Viola Lee Blues. Trying improving over one chord; it opens amazing opportunities. I do recall (I think) an early Rolling Stone review (that I read years later) in which the critic said the GD live were great, but that they had a limited repertoire. I'm dead sure Garcia read that and that, in part, led him to rapidly expand the setlist in late '68, early '69, when Hunter also came on board.

    I think I had a point, but lost it along the way....... and, I'm okay with that! Hope you are, too. Now I'm just rambling with my second cup of coffee with a dollop of tequila in it.

  • daverock
    Joined:
    Stones and varied setlists

    The Stones did start varying their set lists in the latter years. In Summer 2003 they played London three times, with a different set list every night. Their best recorded screw up is on The Bridges to Buenos Aires show from 4/5/98. The band swoop into "When The Whip Comes Down" and Jagger starts singing "Respectable." No sweat, Mick acknowledges the gaff and joins the band in a heartbeat.

    In a way, the more limited the set list, the greater scope for improvisation. The February- March 1969 Fillmore West run being a case in point. It also worked really well when they played Dark Star and The Other One at every other show ( with both at Bickershaw as we all know) during the European tour of 1972-with Playing in the Band every night ( I think). Those songs, along with the also oft repeated China Cat-I Know You Rider, represent the musical highlights of that tour for me, and they benefit through being played regularly.

  • Sydney Prentice
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    Duplicated Photographs

    Yes, that's right DeadVikes, also the back page photo in the booklet is the same as the centre spread of the digipak from Dap Vol 7.
    I'm pleased with the release, looking forward to giving this a lot of plays.
    Roll on the announcement that the Box is a '69 set of concerts, after all the back of my pick shows the #169, it's does mean something or another, surely I'm right in my prediction.

  • Vguy72
    Joined:
    Stereo on....

    ....TV muted.
    It worked today. Played Ween, Beatles and Boingo in the foreground. Here's my angry face. (this is the part where you peeps imagine my angry face and say "yeah. I get it.")
    Edit to dead vikes. Yea. I noticed it but I refrained from being a spoiler.
    Edit. https://youtu.be/80dcUvmVWzM

  • JimInMD
    Joined:
    Whoops

    Snafu - so true.

    Cone Kid, - "Anyway, I’m pulling a Vguy."

    That's a crack up. The worst thing that could possibly happen might involve attorney fees, but hey.. you might just become Senator.

  • snafu
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    The GD whoops

    No question if other bands say the Stones walked the tightrope of playing a large part of their songbook they'd be messing up regularly. That said except for certain periods they were notorious for not practicing which will cause trouble.

  • icecrmcnkd
    Joined:
    Where is KCJanes?

    Today could be his day.

    Anyway, I’m pulling a Vguy.
    TV on, sound muted, GOGD playing.

    Got DaP 37 loaded on my music player today and am now playing 4-18%.
    Split the shows up into respective folders and made all necessary edits and crossfades.
    FYI, Lazy/Supplication goes after Jed, but the last ~32 seconds of Jed is tuning for Scarlet. So, that edit needs to be made.

    Super Sunday for me.
    The Red Wings won!!!

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Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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9 years 10 months
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Lowest # I've ever had.

Couple spoilers ahead if you haven't received yours yet.

Just queued up the show. I think Bertha / Uncle is my favorite Jerry / Bobby 1-2 opening duo. "Smoking" I think Carlo said about disc one. Yeah, I hear it so far. Jerry is really tearing it up on Me & My Uncle. Even Sugaree is a bit harder than usual. Works for me.

I hear you AJS on the Bertha sound issues. They should have pre-opened every show with LLR to straighten out the audio.

I'm hearing Bobby much louder than usual. As loud as Jerry at least. Keith is nowhere to be found, but I'm strangely okay with it for the moment, I think because Bobby is playing that Gibson so well and it sounds so good.

Yeah, another cookin' solo in Tennessee Jed. Good stuff. Oh dear, LLR came on and I'm enjoying it. Lol, guys, honestly I probably should have sobered up to report the real story here. Well I mean - it's not the alcohol so much as I probably shouldn't have drunk all of that cough syrup this morning.....stay gold Pony Boy.

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9 years 10 months
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Been awhile, glad to see you weighing in. I don't know if it's that I usually listen on headphones or what, but I found the three PNW '73 shows very uneven from an audio standpoint. I figure it has to be the headphones because everyone else loves them. By "uneven" I hear the symbols coming in piercingly loud on half the tracks maybe. Also some tape hiss creeps in and out and there. My recollection is the Bird Song show is the least affected of the three. And the Dark Star / Eyes of the World from show #2 is right on the money. But overall I'm constantly dicking around with the EQ trying to get the sound right on PNW "73

Now the '74 shows are a completely different story; the audio on these is about as good as I've heard any '74 show sound. They've just about eliminated the tinniness that those Wall of Sound phase cancelling microphones used to cause. Not sure how they did it but they did. Or maybe I just wore out the mid-range in my ears. That could definitely be it. But yeah, those '74 shows are ultra smooth. I should revisit those '73 shows again. I recently listened to the Dark Star => Eyes of the World after Daverock mentioned how well Bobby was playing on that Dark Star; but otherwise it's been awhile. Now I feel like I should do an immediate comparison. I may have undiagnosed ADD.

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7 years 2 months
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Your right about the loud vocals bob and jerry sing. It was the first thing I noticed as the first set played through. The high vocals make this Dap a lot of fun.

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Yeah, when I was listening to China rider, I noticed the audio seemed a bit edgy. Maybe with headphones I'll be able to isolate what I was hearing, but I went back and toggled it with one of the 1973 NW box china rider and the sound is very different. As if somebody's signal is a little too high in the mix and getting slightly distorted maybe? Or maybe the master recording's levels were a little too high making the mix sound a bit saturated? Not sure.

Not a complaint, just an observation. Great show. Listened to most of the release last night, and it's glorious.

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9 years 7 months

In reply to by Thin

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...I've noticed this same thing on the sound Thin. You've described it pretty well. And, I don't hear a whole ton of Phil either, which usually helps to solidify and round out the overall sound with some deeper depth. Not so much here. I assume it's because of the limitations of a two-track to some extent.

I will say though, the 'Let Me Sing Your Blues Away' caught me surely off guard, where I had to stop and do a double take before a huge grin took over my stolen face. It's a pretty jaunty tune, a shame it was shelved so soon.

Hope Others' are receiving theirs and enjoying the ride - off to get #2 JAB shortly, here's to hoping for no adverse events!

Sixtus

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3 years 2 months
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I have been seeing that a bunch of people have had their 38s for a few days now. I’m sitting here in Colorado still waiting on a shipping notice. Should I be worried??

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4 years 3 months

In reply to by MDA

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MDA - I also live in Colorado and have yet to receive a shipping confirmation email...we must be the last batch of subscriptions to ship. Hopefully we hear something soon.

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In reply to by MDA

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What, me worry?

With all the versions of "The Shipping Blues" in the past, one might.

Give it until at least next Friday before any panicking.

No, I am still not a robot.

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9 years 9 months
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No worries Jimbobwe and Proudfoot. Keep the faith. I was thinking the same then got my shipping notice here in Colorado this week showing Monday 5-3 for delivery. You never know. My July '78 box is #36/15,000.
Cheers!

I wouldn't worry about a shipping notice. For #36 I never received one but it came the usual 4 days after date like all the others. Come to think of it a notice has been an iffy thing. More than a couple of times I didn't get one yet it came nonetheless.

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In reply to by daverock

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I watched a documentary a few days back. I am sure you all have seen on the History Channel the various docs. I cant remember what the title was, and like I have written, memory aint what it used to be. It was on the building of the Golden Gate Bridge. I had posted a few years back that on the day off during the NYE1987 run, my friends and I walked to the mid-point of the Golden Gate Bridge and back, somewhere around 10 pm. It was super cold and a strong western wind. In the documentary, it talked about them at one point putting up a net to protect the bridge builders. I also remember a couple of years back that they had a drive to collect money to put another permanent net type device to prevent jumpers. Any way, long story short, I never put it together that the live album, Without a Net, was not just shot in the dark title (about the circus coming to town and the razor's edge of improvisation without a net) but also some San Fran history to boot. Those guys were on top of so much Americana that it is mind blowing.

If I had missed the page for the sale of #38. Now I know this is maybe a new rule for sales. Ship subscribers and dont open for sale until the day of release. Not sure if that is true or is it the or some special artwork??? Cant wait to see. I hope it is the poster for these shows, which I have. Will write more later, not wanting to spoil the trip...

Edit: well just checked my farseer email and see the artwork. Not the poster. Email sent 10 minutes ago...

Edit 2: OOOps wrong show poster is for March shows, see old brainism

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