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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • billy the kid
    Joined:
    Anniversary show. 3/19/77

    44 years ago today, I was sitting up in the balcony at Winterland watching the Dead put on a great show. Big fun! Could these 3 shows be the upcoming box set? We shall see.

  • hendrixfreak
    Joined:
    I'll say it again

    The shows/experience and the tapes are two different worlds. And there are worlds within the tapes.

    I caught 'only' about 75 shows, 1972-1992, and stopped going after '87 (3 nights at Rocks, 2 days in Telluride in one week), as I'd been intensely onboard for 15 years, from age 15 to age 30. I caught some big shows:
    Sept '72 (1)
    Summer '73 (6)
    '76-79 (a shit ton)
    every single Rocks show they played

    At least (3) Red Rocks shows actually sucked, based on the high standards set by the band elsewhere (Jersey City '72, RFK '73, Watkins soundcheck, fall '73 Nassau Coliseum (upcoming DP), Capitol Theater '76 & '77, Boston Music Hall '77, Englishtown '77, Rocks '78 & '79, '80s).

    That said, the "average" GD show tended to be a real good time. The best shows changed my life. The worst shows = the price of admission to higher planes sometimes costs more than you originally were willing to pay...

    Then there are the tapes. Some shows that might have seemed a little tame in person become these perfectly executed sets on tape. Or the wildly exuberant performances become the slightly off-the-hook tapes. Or some tapes can be explored repeatedly and reveal new things -- impossible in the moment you're experiencing them in concert.

    Quite the enigma wrapped in a tortilla within a fortune cookie and still amazing after all these years. Now a solid 50 years for me. Sort of a "What in hell just happened" spread over a 20 year period for me. Then another 30 years with the tapes. (Although we had obtained tapes when the band was still in pre-hiatus phase.)

    Okay, ready for the Box News!

  • 1stshow70878
    Joined:
    Weather Report

    Had to use that title. Probably my favorite jazz players.
    Oro: Don't think it was '03 The Dead on The Rocks. That was my last Dead related show. 25th anniversary of my first show and Phil brought up that subject saying,"How many of you were here 25 years ago?", and a huge number said YEAH!! Then he follows with one of his cornier comments, "Whoah, your grandparents must have all our albums!". Wait, we were almost grandparents by then ourselves. It was nice and warm that night, but I guess it could have been cold the next night if there were two shows. It is Colorado. We all carry an extra layer every day of the year. That was the Jimmy Herring version of The Dead. I'm an ABB fan too and LOVED it. Every song had those jazzy intros where you have lots of time to guess what song it is, then they change key and you've guessed wrong. Seems like D. & Co. still do a lot of that. Loved how Jimmy added the ABB sound to so many Dead classics. Shades of when Warren Haynes first played with ABB (also a Red Rocks show for me, maybe '90?) and I got chills hearing Duane speak through Warren's guitar. Oh yeah, we got a Mason's Children that night too! Bonus! Cheers all!

  • Oroborous
    Joined:
    Good Day Sunshine!

    DMCVT: sounds idyllic!...cool band, nice vibe..

    PF: 😁 unfortunately I have to use the skip button more and more as years go by on certain songs,...but, then sometimes, still get shown that light...

    NAPPY 😁

    VGUY: NICE! Congrats on the twofer! Any side affects?

    HF: congratulations! Lol

    DOC/Augusta: wasn’t at Augusta, but those were exactly the kind of places we were looking for to freak freely as years blew by and the scene got crazy. Partially why we stopped going as much. Instead of those places they were doing huge blocks at the same big venues in the same big nasty cities etc...

    DENNIS: I think the breaks/timing, and even the set list of 7/4/86 was influenced by the Farm Aid live time slot they had to work with. But yeah it was nice, they played CR&S as it started raining, but the big synchronicity/psychedelic moment I recall was during Fire just as JG was peaking out, aaaaa, and so were we lol, all of a sudden the clouds parted just enough for this little shaft of sunshine to shine on him as if it was a follow spot. Can’t tell so much on the video, but I recall that one fondly, like WHOOOAAAA, “how do they do that” lol.
    Saw many of those over the years, enough to not be just coincidence, though one of my favorites, or the one I remember most lol, was the big storm at 3/30/95. I still think they some what staged it. Yeah there was obviously a big storm, but I recall them kinda waiting around on stage and Robbie Taylor was on the radio, and they were sorta looking out at the top/back of the stadium, so I’m thinking with the weather station they had at outdoor shows, they saw the front coming rapidly, so sent someone out front with a radio and told Robbie when that sucker was just about to hit the stadium and then as if on cue by the gods themselves “Raaaaiiiinn, I feel fine”...pretty fuggin cool!
    Didn’t have the pleasure of seeing the GD at Red Rocks but saw several Dead, Furthur etc shows there, and yeah, that place always has cool weather moments. HF, what was the one, I’m guessing the Dead around 03, 04, where it got all misty (like you could barely see and the lights were awesome etc) and pretty cold and the band rose above the diversity as only they could do! Perhaps some trippy Beatles and/or a that Miles tune they were doing? Maybe it was Phil and friends? Definetly a top weather show for this kid Whatever, cool place that awesome stuff happened at frequently. .

  • proudfoot
    Joined:
    gotta hear that Augusta again

    I am currently doing 3/18/71

    and then will do 7/19/74

  • proudfoot
    Joined:
    how did they do that

    a question I have always wanted to ask any band member...how did they keep their composure during the REALLY intense shows?

    There have been and are and will be times when things are so intense that I crawl out of my skin. They are making things happen...how do they keep it together?

  • Forensicdoceleven
    Joined:
    Maine out of season is unmistakably a great destination.....

    October 12, 1984, Augusta Maine

    Way down east. Excellent psychedelics. Maybe 20-30 feet back, dead center. No sardine effect, room to breathe and move around.

    OMG how did the Dead do that? We didn't think the Dead were capable of playing like that any more. Second life-changing Dead show (first was Providence in 1974).

    We spent the next 10+ years chasing Augusta. We never caught up to it again.........

    Doc
    Day off Friday

  • hendrixfreak
    Joined:
    Amazing Lightning...

    How do WE do that, the band asked itself.

    Early '80s at Red Rocks, we're up maybe 20 rows with a full view of Denver as a storm descends on downtown, not us.

    Big flash of lightning in the distance while the band jammed away, oblivious. Crowd collectively, audibly, goes oooooh!

    I see Bobby shoot Jerry a look: damn, we're good, aint' we, and the crowd knows it....

    EDIT: Ding, ding, ding: my first triple post! Dang, ain't I good.

  • hendrixfreak
    Joined:
    Amazing Lightning...

    How do WE do that, the band asked itself.

    Early '80s at Red Rocks, we're up maybe 20 rows with a full view of Denver as a storm descends on downtown, not us.

    Big flash of lightning in the distance while the band jammed away, oblivious. Crowd collectively, audibly, goes oooooh!

    I see Bobby shoot Jerry a look: damn, we're good, aint' we, and the crowd knows it....

  • hendrixfreak
    Joined:
    Amazing Lightning...

    How do WE do that, the band asked itself.

    Early '80s at Red Rocks, we're up maybe 20 rows with a full view of Denver as a storm descends on downtown, not us.

    Big flash of lightning in the distance while the band jammed away, oblivious. Crowd collectively, audibly, goes oooooh!

    I see Bobby shoot Jerry a look: damn, we're good, aint' we, and the crowd knows it....

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Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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Lowest # I've ever had.

Couple spoilers ahead if you haven't received yours yet.

Just queued up the show. I think Bertha / Uncle is my favorite Jerry / Bobby 1-2 opening duo. "Smoking" I think Carlo said about disc one. Yeah, I hear it so far. Jerry is really tearing it up on Me & My Uncle. Even Sugaree is a bit harder than usual. Works for me.

I hear you AJS on the Bertha sound issues. They should have pre-opened every show with LLR to straighten out the audio.

I'm hearing Bobby much louder than usual. As loud as Jerry at least. Keith is nowhere to be found, but I'm strangely okay with it for the moment, I think because Bobby is playing that Gibson so well and it sounds so good.

Yeah, another cookin' solo in Tennessee Jed. Good stuff. Oh dear, LLR came on and I'm enjoying it. Lol, guys, honestly I probably should have sobered up to report the real story here. Well I mean - it's not the alcohol so much as I probably shouldn't have drunk all of that cough syrup this morning.....stay gold Pony Boy.

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10 years 1 month
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Been awhile, glad to see you weighing in. I don't know if it's that I usually listen on headphones or what, but I found the three PNW '73 shows very uneven from an audio standpoint. I figure it has to be the headphones because everyone else loves them. By "uneven" I hear the symbols coming in piercingly loud on half the tracks maybe. Also some tape hiss creeps in and out and there. My recollection is the Bird Song show is the least affected of the three. And the Dark Star / Eyes of the World from show #2 is right on the money. But overall I'm constantly dicking around with the EQ trying to get the sound right on PNW "73

Now the '74 shows are a completely different story; the audio on these is about as good as I've heard any '74 show sound. They've just about eliminated the tinniness that those Wall of Sound phase cancelling microphones used to cause. Not sure how they did it but they did. Or maybe I just wore out the mid-range in my ears. That could definitely be it. But yeah, those '74 shows are ultra smooth. I should revisit those '73 shows again. I recently listened to the Dark Star => Eyes of the World after Daverock mentioned how well Bobby was playing on that Dark Star; but otherwise it's been awhile. Now I feel like I should do an immediate comparison. I may have undiagnosed ADD.

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7 years 4 months
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Your right about the loud vocals bob and jerry sing. It was the first thing I noticed as the first set played through. The high vocals make this Dap a lot of fun.

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11 years 2 months
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Yeah, when I was listening to China rider, I noticed the audio seemed a bit edgy. Maybe with headphones I'll be able to isolate what I was hearing, but I went back and toggled it with one of the 1973 NW box china rider and the sound is very different. As if somebody's signal is a little too high in the mix and getting slightly distorted maybe? Or maybe the master recording's levels were a little too high making the mix sound a bit saturated? Not sure.

Not a complaint, just an observation. Great show. Listened to most of the release last night, and it's glorious.

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9 years 10 months

In reply to by Thin

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...I've noticed this same thing on the sound Thin. You've described it pretty well. And, I don't hear a whole ton of Phil either, which usually helps to solidify and round out the overall sound with some deeper depth. Not so much here. I assume it's because of the limitations of a two-track to some extent.

I will say though, the 'Let Me Sing Your Blues Away' caught me surely off guard, where I had to stop and do a double take before a huge grin took over my stolen face. It's a pretty jaunty tune, a shame it was shelved so soon.

Hope Others' are receiving theirs and enjoying the ride - off to get #2 JAB shortly, here's to hoping for no adverse events!

Sixtus

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3 years 4 months
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I have been seeing that a bunch of people have had their 38s for a few days now. I’m sitting here in Colorado still waiting on a shipping notice. Should I be worried??

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4 years 5 months

In reply to by MDA

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MDA - I also live in Colorado and have yet to receive a shipping confirmation email...we must be the last batch of subscriptions to ship. Hopefully we hear something soon.

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4 years 1 month

In reply to by MDA

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What, me worry?

With all the versions of "The Shipping Blues" in the past, one might.

Give it until at least next Friday before any panicking.

No, I am still not a robot.

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9 years 11 months
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No worries Jimbobwe and Proudfoot. Keep the faith. I was thinking the same then got my shipping notice here in Colorado this week showing Monday 5-3 for delivery. You never know. My July '78 box is #36/15,000.
Cheers!

I wouldn't worry about a shipping notice. For #36 I never received one but it came the usual 4 days after date like all the others. Come to think of it a notice has been an iffy thing. More than a couple of times I didn't get one yet it came nonetheless.

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In reply to by daverock

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I watched a documentary a few days back. I am sure you all have seen on the History Channel the various docs. I cant remember what the title was, and like I have written, memory aint what it used to be. It was on the building of the Golden Gate Bridge. I had posted a few years back that on the day off during the NYE1987 run, my friends and I walked to the mid-point of the Golden Gate Bridge and back, somewhere around 10 pm. It was super cold and a strong western wind. In the documentary, it talked about them at one point putting up a net to protect the bridge builders. I also remember a couple of years back that they had a drive to collect money to put another permanent net type device to prevent jumpers. Any way, long story short, I never put it together that the live album, Without a Net, was not just shot in the dark title (about the circus coming to town and the razor's edge of improvisation without a net) but also some San Fran history to boot. Those guys were on top of so much Americana that it is mind blowing.

If I had missed the page for the sale of #38. Now I know this is maybe a new rule for sales. Ship subscribers and dont open for sale until the day of release. Not sure if that is true or is it the or some special artwork??? Cant wait to see. I hope it is the poster for these shows, which I have. Will write more later, not wanting to spoil the trip...

Edit: well just checked my farseer email and see the artwork. Not the poster. Email sent 10 minutes ago...

Edit 2: OOOps wrong show poster is for March shows, see old brainism

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