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    "When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

    Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

    Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

    Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

     *2 per order. Very limited quantity available.

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  • JimInMD
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    Sound Issues / DaP 38

    There is really only one solution. It's a bit complicated.. so hang in there with me. This is what we all need to do.

    1) Get out the credit card with the greatest limit.
    2) Google, select and purchase the new Wall of Sound, Home Edition TM (C) R with this credit card. As soon as the purchase is made destroy this card.
    3) DO NOT TELL your partner/significant other.
    4) Go to the roughest bar in town and tell some raunchy mom jokes to the bouncer. Keep doing this until he pummels you.
    5) Come home and tell your partner / significant other you were mugged and robbed. Tell them all they took was your credit card.
    6) If your partner is suspicious file a police report.
    7) Install the WOS Home Edition in your listening room while your partner is not home. If complaints arise later, amnesia from the head trauma is your response. "honey, I am having trouble remembering anything from that week.
    8) Replay Dave's Picks 38 at high volume.

    Your sound issues are now resolved. Happy listening.

  • icecrmcnkd
    Joined:
    The levels are too high

    I mentioned that a while ago, after others had already detected it with headphones.

    I played the CDs twice on my stereo system are did not detect any sound issues.
    Onkyo 6-disc CD changer
    Cambridge Audio receiver
    Onkyo subwoofer
    Bose 301 speakers

    I then imported to computer and made ALAC files for my music players and AAC files to play from a USB flash drive in the car.
    When I played the imported AIFF files on the computer there was extensive distortion through the small external computer speakers.
    The colored bars that show the sound levels (not volume) on the computer audio software were almost hitting red. Clearly too high, but don’t know if that is on the original recording or the result of mastering.
    Recall that on 8-25-72 Norman boosted Phil’s bass beyond what was on the original recording.
    Maybe he boosted the levels for this release.

    I played the ALAC files with an iBasso DX120 music player connected to my Cambridge Audio receiver. Did not detect any distortion or other sound flaws.
    Been playing the AAC files in the car this week and have not heard any issues so far (set 2 started just before getting to work today).

    So, it definitely depends on your system whether you hear the issues.
    Crappy computer speakers sound terrible.
    Apparently a high end system like Oro’s reveals the sound problems too.
    My midrange system sounds good as does the audio system in my car.

  • unkle sam
    Joined:
    sound quality

    Upon several listens to these cd's, I concur, this release has a few abnormalities that don't take away from the overall enjoyment of listening to these discs, but they are noticeable and makes me wonder if it was the master tape or was it a mailed in mastering job?
    This has also made me wonder, will the rest of Dave's sound like this? I love me some Jerry right up front, why I'm here, but there should be a better balance of all the players in a band, not just one or two.
    Disappointing? yes, deal breaker? not sure yet, will have to wait and see, but if there is any more killer shows that they do want to release, lets hope that the folks who do the mastering of these ancient tapes does a little bit better job than this release.
    On a separate note, I was privileged to receive a code for the Dead and Company presale going on today at 10 am. Funny, I did not receive a code last tour, not privileged I guess. The price for these tickets is outrageous. A vip guaranteed reserve seat is over 250.00$. That's for one ticket.
    It was fun getting excited like the old days, yahoo, the dead to tour, get your head together, get some tickets, get excited, get ready.....then I realized that those days are over for me. I can go see Billy strings, get a great hotel room, then go to the hot air balloon festival and get to ride on a hot air balloon, all for the same amount of cash. Kinda seems like a no brainer here, twice as much fun for the same dollars.
    I realize that Bobby, Mickey and Billy are getting up there and there won't be too many more tours for them, and I would love to revisit these guys one more time.
    The last time I tried to get tickets and got them, the show was cancelled due to Mayer's appendicitis. I don't want to jinx it so I will pass on this tour, besides, it's just too soon for me to be out there with all those vaccinated and unvaccinated people. Too all those who decide to go, enjoy.

  • Angry Jack Straw
    Joined:
    Dreading

    I ultimately reached the conclusion that part of the issue is how people are listening. I do not listen on headphones, computer speakers or use any type of equalizer. So far I have not listened in the car. I did try using Dolby on one of our stereo systems, which reduced the noise to a certain extent, but not entirely.

  • dreading
    Joined:
    That's a fact

    I've been in the record business all my life and agree with AJS. There is almost no way an audio anomaly like what was described could occur on some discs and not others for Dave's Picks. These discs are pressed ùfrom the same master. There would need to be two different master mixes for a subset of CDs to contain an anomaly. I would say the player could be a factor, but Obo ruled that out already. I assume like Jim said we are not counting Bertha because it is uneven for obvious reasons. I hear a decent sounding 1973 show here. The master tapes sound better better than Pacific Northwest but not as good as DaP 5. I don't hear many audio issues at all. I would like to hear what Obo and AJS are disliking. I whipped out the Bose headphones and all I hear is Jerry "shredding". What a night he is having. Weir too. Early on somebody said Keith was gone and that is true. Every once in a while I will hear a section that sounds like a tunnel for 5 or 10 seconds, but they are few and far between. Or Weir will just stop playing like in China Cat Sunflower but he needs to rest sometimes. He played China Cat, HCS, EOTW and Bird Song all in one night ;-)

  • Angry Jack Straw
    Joined:
    Sound

    The chances are virtually nil that some defect would have only affected such a small number of discs. Furthermore, it only occurs on the 9/8 show, not 9/7. I am very surprised as well that others are not hearing it.

  • Dark-Star
    Joined:
    Oroborous

    I don't hear it, which isn't saying much. I rip everything to my hard drive as WAV files and run them through an equalizer with a bunch of sound options. "Concert Hall" is perfect for these old Dead tapes, plus I push up the four EQ sliders all the way to the right about halfway.

    That being said Oborious, this sentence got my attention. You say:

    I’ve noticed the phenomena/artifact on several instruments and vocals, usually only noticeable when that source is loud and/or with sharp attack...but it’s never like everything is distorting all at the same time.

    This phenomena sounds like something Norman may have done in production. It sounds like a feature I have that prevents clipping at high volume. I am a fan of good sound but no engineer so I will copy the internet definition, which you probably know:

    Clipping is a form of waveform distortion that occurs when an amplifier is overdriven and attempts to deliver an output voltage or current beyond its maximum capability. Driving an amplifier into clipping may cause it to output power in excess of its power rating.

    When I play stuff too loud this feature cuts back on only the parts that are causing the clipping. It is obvious to the ear when this feature on my system gets activated. It sounds exactly like your description where you say 'several instruments and vocals, usually only noticeable when that source is loud and/or with sharp attack...but it’s never like everything is distorting all at the same time.'

    My theory is that the master tapes Jeff Norman worked with had some hot spots so he used a feature like what I have on my equalizer to "even out" all the levels as he input the music from the master tapes on to a digital storage.

    I am not sure why I don't hear it but I guess my EQ is dressing it up. If I listen to the CD with no EQ it sounds like the treble needs to get turned up all the way. Even then it doesn't sound even close to the quality of the EQ and Concert Hall enhancement. It makes me curious if a lot of people out there listen straight off the CD with nothing 'extra' to improve the sound.

    On a different note I laughed heartily at the quacking duck interview. Well done whoever made that up. It sounds like something Jerry would say.

    And last, I listened to the Dark Star / Morning Dew that KF mentioned on 5/18/72. I don't know how I overlooked that one but it is much better than I remembered. Somehow the Europe 72 Dark Stars never stuck with me. Probably because I rarely play those shows. Only because I want them to be special every time.

  • JimInMD
    Joined:
    Re: That Mike

    Great joke.. made my day.
    I wholeheartedly agree.

    Yes.. the sound on 38 is a bit wobbly in the beginning. But isn't that Grateful Dead standard time? It sounds ok by the time they get warmed up.

  • KeithFan2112
    Joined:
    The Munich Invasion 5/18/72

    Next up on the E72 anniversary list. What at a great show. And it's Dark Star => Morning Dew night.
    I'm going to go out on limb here and say it's the first time they did this combo. This is one of my favorite shows from the tour. Jerry's guitar is louder than usual (and louder is always better). Crunchy guitars are tight!

    Sugar Magnolia really hits a groove, and Billy has this absolutely ridiculous drum fill at the....drum fill part; I've never heard him play it quite like this - it's like gets a running headstart. Great version despite a classic Bobby lyric miss early on (proof of the weed).

    Jack Straw is great. This is maybe the second one where Jerry sings the Watchman and Tulsa verses, and Bobby forgets it's not his line anymore - so they both jump the Watchman - not a fair fight at all.

    And some great banter after Black-Throated Wind. Jerry always makes me laugh up there. He was the king of one-liners:

    Girl Fan (to Jerry): Lovelight!

    Jerry: Turn on YOUR Lovelight baby.

    Girl Fan: You Turn on yours first.

    Jerry: Oh no, after you...

  • alvarhanso
    Joined:
    Sound quality on 38

    I was surprised this is the first real discussion about it. I got my copies a week ago, and have made it through the Bonus and Bird Song and Playing as I ripped and converted and had 9/7 first. Also, made it up to Weather Report Suite on the release. The sound struck me as incredibly washy, and while it's great to hear Keith and Bob much more than usual (some releases you wonder if Keith played on much at all from his presence on the tapes, but these are great for Keith fans!), so I just balance that with the cymbal heavy mix. Maybe they were trying new mic placements for the drums. Not Kidd Candelario's best tape by any stretch. He's usually top notch, though. Jai Alai Fronton last year is a phenomenal Kidd tape. That may be my favorite Wall of Sound release for sound quality.

    Also, I'm surprised, or have missed, no reference to the Bonus Eyes ending not with its Slipknotish jam, but ending with a Here Comes Sunshine jam. A fantastic Eyes! Phil with a different start to his solo, and a different feel, maybe reacting to the Wolf darting around? So far enjoying the release and bearing with the sound.

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"When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

 *2 per order. Very limited quantity available.

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I'm listening to 5/13/72 and the Hurts Me Too is particularly good. Jerry has some great solos in there.

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In reply to by daverock

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Dave's Picks 12. A fine little show if you ask me. Give it some love, Dave.. The Jones Brothers Band..

Rock and Roll Hall of Fame? ok, sure, whatever.. have fun.

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In reply to by icecrmcnkd

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D&C chose not to come to Vegas because they figured that you would be to tired to see them after all those Phish shows.

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Good call Jimbo. DaP 12 is the first Dave's Picks that I didn't have to buy off of eBay :D

Shows vs releases gets a litttle dicey, but I think of DaP 12 as one show in my head, even though all of Disc Three is from Seneca. Daverock I highly recommend it - this thing's a powerhouse, especially if you gloss over Roses and Sunrise. Stella Blue has this ethereal intro like nothing I've heard.

A fine show indeed. The only misstep is that it should have been the 13th release. Colgate folks will know why. A very interesting backstory on how the concert came about if you haven’t already read it.

Our daughter will be attending that fine institution in the fall. A tough grab for a college with an already low acceptance rate in a year when applications for admission more than doubled. I played 11/4/77 for a week straight after we got the news. It felt like scoring NYE tickets back in the day.

She could not be happier and we could not be more proud. I’ve already told her that I will be wearing my DaP 12 T-shirt on drop off day. She’s less than thrilled about that.

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In reply to by Angry Jack Straw

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....congratulations! I also own a Dave's 12 tee. I don't bust it out too much anymore because signs of wear are appearing. Besides! I got my Dave's 38 shirt today. Going into rotation. Dave's 12 tee is sized a little small, but this new shirt is like a glove.

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In reply to by Vguy72

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First.. a huge congrats, AJ. A huge win.

Second.. I bought two Colgate T's.. one I have worn and one I will wear when this one wears out. I get nonstop shit for the CD's and T Shirts I buy. I don't get it.. if it makes you happy, it can't be that bad (not to be played in front of a heroin junkie crowd)..

Anyway.. a huge congratulations are in order and an even bigger one when she graduates. Great news.

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In reply to by JimInMD

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Thank you both. Downstairs listening to the show again right now. One of my favorite versions of BEW and Let It Grow.

I love that T-Shirt and get comments on it all the time. I purchased two as well and the size does run small. The Large barley fits me.

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In reply to by Angry Jack Straw

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Those that did -thanks for highlighting this show - obviously it got lost in the shuffle a bit with me. I'll check it out again soon. With 1977, I start each year playing available shows, but I rarely get passed June - maybe September.
I should also say that some Daves Picks, post 1974, late Keith shows, do appeal - 2/26/77, 5/25/77 and 1/22/78 come to mind. One of the April 78 shows is pretty good, too,

I'm not really into the "rock n' roll hall of fame" or whatever its called. Maybe the best rock n 'roll band I saw in the 80s and 90s were The Cramps -clearly in a different orbit from award type bands. Similarly Hawkwind in the 70s.
I always liked the quote by Memphis musician Jim Dickinson -
" The best songs don't get recorded, the best recordings don't get released and the best releases don't get played." If you win an award - at anything - you are clearly doing something wrong.

And coincidentally, since typing the above, I have received an email to tell me that the North Mississippi Allstars, featuring Jim Dickinson's sons, have their 2020 show in London, of which I have a ticket, rescheduled to June 2022. Worth staying alive for.

Every time I read that name I flash back to an old toothpaste commercial

Colgate flouride MFP
helps prevent a cavity
and it tastes great naturally

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As always, thank you for the awesome service of getting us heads those cover art scans.

Looking at them all together...

Best cover art - Volume 26 - Albq. 11/17/71
Worst - Volume 4 - W&M 9/24/76

Love to hear your thoughts!

Peace

Edit: Other tops: Vols. 8, 10, 20, and 27 - Other bottoms: 4, 13, 17, 21, 22 - Best Bonus - 2018 (along w/ my favorite cover) - Worst Bonus - 2015 (Sorry, I made a whole list and I couldn't resist...)

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The best is a tough one, and my choice is a dead heat (pun intended) between Vol 31 - Chicago, and Vol 32 - Philly.
It’s hard to pick a “worst”, because these artists really are masters, but I’d say maybe Vol 13, Winterland.
Bonus Discs - Best was 2018, the worst was 2015.

...beards on Skeletons. That's my only complaint. On the bright side.. at least we didn't get any skeletal under arm hair or hair down there.

In all honesty I liked McDougall but he's long gone. More on the Road Trips and E72 than the Dave's Picks. I liked the Dave's Picks 10 guy too, wasn't that Tony Millionaire?? Colors are good in some of the later ones. Ok.. you can dist the cover art for DaP 13, but the quality of the show underneath should be enough to absolve the skeletal skaters..

It must be happy hour somewhere.. time to catch up.

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In reply to by JimInMD

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Box me
And us

I would love to have it for summer break

But probably for return to school in the fall

Cest la vie

6 18 74 plays currently

Eyes of the World

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I like the DaP 13 cover, but not really any of the others by that artist. Also like Tony Millionaire covers DaP 9 - 12 are all great. He also did the Grateful Dead ship in the ocean, which I think was an RSD cover.

Favorite might be DaP 1. Great colors, great show, and great tie-in to historical date of the show. DaP 10 might be my favorite too - love the Alligator and those colors. Oh, and Close Encounters with the Grateful Dead. Dave's Picks 23!

Least favorite...hmm. Maybe 14, 15 or the bicycle one.

AJS - congrats on your daughter's acceptance - great stuff. What is the significance of 13 with that show?

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In reply to by copperdomebodhi

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....partial to Truman's, but I enjoyed Tim's work in comics long before Dead releases.
Does the July '78 box count? Because that one is the bestest.
Sigh.....reminded me of the Arrowhead show. Going in.

I been thinkin bout that box too

I gotta listen to that again

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In reply to by KeithFan2112

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26 is the best for sure.

Top 3 would be: 26, 30 and 23

Bottom 3 would be: 20, 13 and 17

Keithfan - thank you for the kind words. Colgate has a unique affiliation with the number 13. Founded by 13 men, mostly Baptist ministers, who each contributed $1 to fund the college, who then said 13 prayers. The University still celebrates the number 13 today. It just would have been cool if it were DaP13.

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Stumbled upon this on on YouTube. I didn't know this kind of really good footage existed. I've seen a couple of short clips similar to this in various documentaries, but certainly never this. This is from the Download Series:

https://youtu.be/sjzNsjOnX0M

To think they played those awesome shows at the Fillmore East a week after this.

AJS - speaking of Fillmore East, I am a big fan of the Dave's Picks 30 cover art. Very original, and cool that it's the Fillmore East. Definitely one of my preferred covers. 26 is cool too - very relaxing and original as well. I forgot about the bonus disc art the number 26. I like that one a whole lot. There are some really good ones. I forgot about Dave's Picks 6 - that's pretty good for having a skeleton. I kind of dig 17 too, with the Wall of Sound skeltons in coattails (but the Road Trips Wall of Sound cover is better looking to me). Thanks for the info on Colgate, that's a really cool story actually. I'll have to check it out on a map one of these days. My whole extended family is spread out across different areas of New York.

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https://m.youtube.com/watch?v=tGvTW5s9_Pk. One of my all time favorite shows , thank goodness they still have the recording. 5/15/70, 5/2/70, & 9/20/70 are all killer acoustic sets, hopefully 9/20/70. will be released someday. The box set should be out anytime now, I hope it is something from 1969 or 1970
.

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In reply to by Angry Jack Straw

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Coming on here regularly, its hard to forget what a great cover Skull and Roses has. In fact a lot of those album covers were great. I remember they used to stand out when I flipped through record sleeves in shops, back in the early 70s, before I knew who they were.

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Billy the Kid it's really funny that you mention the acoustic stuff, because five minutes ago I put on Dick's Picks 8 Uncle John's Band as a prelude to the electric set on an hour-long car ride. The funny part is I've never listened to acoustic Dead before, except for that1980 PBS video. I don't know why. It's one of those deals I guess where I've been catching up on electric Dead for so long that I was just waiting for the right mood to hit me. This is a great Uncle John's Band!

Agree Daverock, the Dead had outstanding album art in the 70s. Tough to pick a favorite there. I guess I would go with Shakedown Street, and Blues for Allah as a second choice.

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It's been awhile since I've listened to any 1977, but I've been hitting these May shows from the original box set. Shows seem to sound better when I listen on their anniversary date.

First Estimated => Eyes on this one. I love when those opening chords to Eyes of the World kick in. I'm going with Dick's Picks 18 as my favorite (more for the Estimated Prophet than the Eyes). It was also the first Estimated I ever laid ears on, and the only one I had until they released To Terrapin: Hartford '77. Actually, come to think if it, I first heard it in person at JFK 7/7/89. I'm declaring it National Estimated Eyes day. Who has a favorite Estimated => Eyes?

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I've been impressed with just about all of the artists' efforts on the Dave's series. They've each applied their own styles to the Grateful Dead mystique. It's interesting to read how some folks favorites make other's 'worst list' and vice versa. I thought it was pretty cool when the artwork for Dave's 18 (Orpheum 7/17/76) continued on the 2016 Bonus CD – together they sort of echo the opened up Skull & Roses cover. And, altho some have them on their 'worst of list', I always kinda liked the painterly, melty, trippy approach Micah Nelson took with Dave's 13-16. Like the music they contain, my favorite cover art is usually on the Dave's I just looked at. . .

Nicely done Copperdomebodhi! Thanks! You inspired me to go back and add a little more Gaussian Blur to my Dave's 38 attempt. The fine linework in Helen's original art (hair, clouds, etc.) look like jagged lightning bolts when you zoom in on the printed separation on the CD cover. Your balance between sharpness and blur is spot on!

Onward.

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In reply to by KeithFan2112

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Keithfan, not sure if it's my favorite, but I gotta shout out the filler on Dick's 10 from 12/30/77. Love the jam between the tunes. Garcia builds and builds the tension like some great bird trapped in a tall glass building, slamming against the glass as he flies higher and higher until finally around the 9:50 mark he breaks through. Reminds me of Coltrane in the first act of Love Supreme.

Oh, and the eyes is followed by a nice St. Stephen.

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In reply to by KeithFan2112

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The July 5th '78 Omaha version is no slouch. I haven't really give much thought to my favorite. I think you might have to open up the discussion to Eyes > China Doll and really make it interesting. There's a few Eyes Estimated's that rank too. We could be here all week on this one.

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In reply to by JimInMD

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I like the one from 9/15/78 at Egypt. Heard by me on the bonus disc of Rocking The Cradle.

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The Estimated>Eyes from 9/2/83 might just be my favorite. 10/29/77, 4/12/78, and 11/26/80 are also very good. There’s just something about 9/2/83 that I really enjoy. The Estimated is probably the better of the two; extra jazzy and funky. Good Bob vocals. The Dave’s mix for the show is alright, but the Hunter Seamons matrix for the show is much better as far as sound quality, but both are good. There’s video for 4/12/78 too.

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The only one mentioned that I know well is Rocking the Cradle bonus. My first dead.net post was to see if anyone knew of another '78 Estimated Prophet other than DP 18 and DP 25. Was interested in '78 because Jerry extended his solo that begins around the 3:30 mark from 20 seconds to almost 2 minutes. At the time, Rocking the Cradle bonus and Road Trips were the only other '78 versions. There are many now. We've come a long way. Going to listen to these tonight.

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In reply to by KeithFan2112

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KF - though 5/15 has long been a favorite I did not realize that was the first pairing of Estimated > Eyes. Thanks for that bit of history.

Hands down my favorite cover art of the Dave's series is No. 11 - 11/17/72 Wichita, KS. Tony Millionaire knocked that one out of the park.

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Eyes=> China Doll I'm going with DaP 17 from July '74, Selland. The Eyes of the World is top-shelf 1974 (the vocal mix on this show I recall being exceptionally awesome). The China Doll has a beer bottle clinkering around at one point. You can almost see a dark alley with misty rain under a distant street light, when tragedy strikes.

Bluecrow, when I was writing up favorites my daughter said she liked the Wizard of Oz cover best. That one's a classic.

Lebowski, that's an enticing description of the DP 10 version. I haven't put that release on in ages.

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4/2/73 Dave’s 21……..you can hear a pin drop during China Doll…..haunting version

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All the 1970s talk and I didn't pay homage to Road Trips 5/15/70. Time to get on it. I threw all of the electric stuff together in the order they played it. I recall there's about 3 minutes of Dark Star where Jerry sounds like he's in Orbit. Maybe around 11 or 12 minutes. Attics of My Life is up there with Brokedown Palace in my book. We could use a few more versions of that one. I think for the 70s it's this one and DP 11 only.

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11 years 11 months

In reply to by KeithFan2112

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The NHL playoffs start today. The single best sporting event on the planet.

Good luck to your Golden Knights. I am all over Canadaland this year. Edmonton and Connor McDavid are my team.

The big money is on Colorado. They are young and fast, as I said last year. Will be tough to beat.

I know you are hoping for a Leafs joke, but I will forgo one until they actually fold.

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17 years 3 months

In reply to by Angry Jack Straw

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....Vegas has injuries. Got Minnesota.
Should be fun.
Had a $50 bet with my Avalanche loving cousin for most points.
Ended up a damn tie.
Four months of trash talk for a TIE!
Good times.
Drop the damn puck already.
And yes AJS. The NHL playoffs IS the best sporting event on the planet.

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In reply to by Vguy72

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An old friend

Sounds really good

Lots of Phil

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But I don't know a damn thing about hockey, even though I live in The State of Hockey, about five miles from where the Wild play! Perhaps DeadVikes would like to bet with you . . . ?

I do know that Minnesota playing Las Vegas in hockey is such an odd juxtaposition that it boggles my mind. :) Here we have tons of water and uptight old people, and it's bitter cold much of the year. Vegas? Likely the opposite? I was there once, to see the GD in 1993.

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Settling into 5/16/72, Radio Luxembourg. Has one of the best Promised Lands of 1972 I think. There is also a soundcheck of Big River, with a cool mellow Jerry intro. Bertha is one of the better tour versions (and the last for E72). Small radio audience, 400 - 500 DeadHeads only.

Lost track of hockey several years ago. Grew up with the Broad Street Bullies. Lived next door to Machine Gun Kelly until I was 5, but the only recollection I have is the pool party at his house. Watching the Flyers lose it all in '87 against Gretzky in 7 ripped my soul out for a while. It was such a grind to get there and almost beat The Great One in his prime. Tough being a Philly-ite.

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...a little late to the game but heck yeah, some of my favorite GD segments of all time are these two tunes smooshed up together.

April 16, 1978 - just a really great version of both tunes; the Estimated gets a little spooky in there for a bit as Bobby plays some slightly off sounding chords there toward the end of the segue....followed by a nicely played, relatively fast Eyes. Love how at the every end, they come back to the Eyes theme one final time before splatting away into drums: https://archive.org/details/gd1978-04-16.sbd.miller.82273.sbeok.flac16

October 15, 1989 - this one seems to get overlooked due to its proximity to the 'Nightfall of Diamonds' official release, but it is a great sounding show (and recorded to 24 track, I believe). The Estimated>Eyes is a standout section of the second set; Bobby plays some really interesting midi-stuff during the segue covering several different sounding instruments (including a xylophone at one point (!); it then drops right into a fast paced, blistering Eyes....just a really nice but more modern take on the duo if that suits you:

https://archive.org/details/gd1989-10-15.sbd.walker-scotton.miller.8329…

Wheelhouse discussions = good

Be Well People!
Sixtus

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