• 8,081 replies
    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • DeadVikes
    Joined:
    Dave's Picks #7 4/24/78

    Haven't listened to this show in a couple of years and wow, I think I like it even more now. A+ on sound quality and both sets deliver high energy Dead. Love the NFA, Black Peter, Around and Around and close it out with Werewolves of London. I went back and read the liner notes again and low and behold, they were written by Blair Jackson. Since I have 78 on my brain, I think I will check out Dave's 15 from 4/22 in Nashville. Of the three released from this time period 4/24 seems to be the top dog in my book. The William and Mary show is good, not great. On to Nashville.

    Hope you all have a great weekend.

  • rockthing
    Joined:
    1970-02-23

    You cats are already on to 1973. I'm still savoring the gentle respite in the oasis of Austin.

    Death don't have no mercy, but there's always time for lunch.
    Thanks for reminding me of LL. I need to see if I can get reinstated over there.

    Grateful Dead Live at The Auditorium, Austin, Tejas on 1970-02-23
    Harpur College was another of my heavy, heavy rotation tapes back in the day, along with the 2/18/71 Capitol Theater show I've already mentioned numerous times. Both were massive inspirations. For what seems in hindsight like a fairly significant period of time, if it wasn't one of those, it was Reckoning.

    I Know You Rider: Lovin' the energy and grit of this Rider. It's almost angst.

    High Time: This is a song! It's a pretty weird song, too, and after attempting it several times, myself, I must say it isn't surprising it wasn't played often. Damn, it's hard to sing. I submitted a completely deconstructed version of this for the February Dead Covers Project a few years back. I made a point of not revisiting to the original before recording, just going off memory and some notes left in an old binder of songs. I'm sure the ever-growing defenders of canon were thinking, "You ain't doin' it right if you ain't readin' it off a teleprompter." It was an "interpretation". Lol.

    Dire Wolf: What a lyric. An electric version, no less. Pretty mellow electric set, almost acoustic.

    Yellow Dog Joke… ah… well way to go for completely screwing up the joke, Bobby… actually, I'm not sure I've ever heard him make it all the way to the punch line. We should all heed Jerry's advice and "Don't encourage him." Everything was so light and positive in these days. Phil could be a bit surly, as we've already heard in this tape.

    Monkey and the Engineer: This was a standard in my old folk-rock duo. My partner played it and I just followed along. I'd have to start from scratch to figure out how to play it again. Such good stories in these tunes.

    Little Sadie: Nice. This wasn't on the Harpur College tape or Reckoning. Another dark story. I don't see how they could possibly be breaking strings playing such gentle music.

    Me and My Uncle: I don't recall hearing an acoustic version. It's a great song and works in any format. At this point everyone hadn't already heard it a million times. Imagine that!

    Black Peter: One of my favourite tunes ever. Doesn't get much darker than a song from the point of view of a death bed. Started doing this one myself occasionally a few years ago, but I always need a cheat sheet for the bridge. Nothing repeats. There are some interesting mnemonic connections between the chords and the words that help. Just have to sit down and do my homework. Ahh… yeah, Pig sittin' in nicely on the organ. This song needs a really delicate hand, but the organ adds a nice little gospel flavour. If only Pig coulda added just a touch more flair to his playing to fill in some lines before Jerry takes his solo. Pig's got the tone.

    Seasons of the Heart: Never heard this before. Great pick! Thanks.

    Uncle Johns: Have heard this one a few times. 😉

    Not Fade Away: I'm gonna call the union! The Galactic Rock'n'Roll Union! That needs to be a band name, or a song, or something! Crazy to think this tune was in their set their entire career. Some good ol' primal energy here. Jerry's "wild" tone. He must've had the amplifier turned WAY up, cause it sounds like he's not in the mix at all. His guitar is just being picked up by a vocal mic, or something. Basically, no drums, either. I can't keep track of which guitars he was playing in the early years. He seemed to play whatever was available after giving up the Starfire. Sounds kind of like a Stratocaster, The Graham Nash Strat, perhaps? Alligator did not come on the scene until later, if I recall correctly. This tone has even more of a stereotypical Stratocaster sound than Alligator, which retained very little Fender electronics by the time it gets heard on Europe '72. Anyone? Oh, cool call and response with Pig. TC has already left at this point? I need to get my timelines straight. Bobby diggin' in with some soulfully aggressive singing, rather than simply aggressive.

    Mason's Children: I can't recall ever hearing this, either. The name comes up often, but it's not on anything I've listened to regularly. Again, thanks for this pick! As you say, not exactly high-energy stuff, but some very rare pieces here. Always appreciate the chance to learn something new about this fascinating family.

  • Forensicdoceleven
    Joined:
    Chances are that the universe neither treasures nor regrets us

    Rockers!

    Lunch time. Death takes a breather. We're in the land of the living, gotta eat lunch.

    The "new, fixed" 2/17/73 was up at Lossless Legs first thing this morning. So, it sometimes pays dividends to get up early............

    So, one can get it there, or I can supply it to anybody who needs/wants..............

    The wise man does not lay up his own treasures. The more he gives to others, the more he has for his own......

    Rock on,

    Doc
    It is by going down into the abyss that we recover the treasures of life. Where you stumble, there lies your treasure......

  • DeadVikes
    Joined:
    2/17/73

    Hey Doc,

    Where is the new Miller for this show? I see a 2020 transfer from Miller on the archive as of this morning, and this one has issues.

  • Forensicdoceleven
    Joined:
    I met her accidentally in St. Paul, Minnesota......

    Mornin', rockers!!!

    For all you completists out there----as well as Row Jimmy fans----the talented Mr Miller just put out a "fixed" version of the fine St Paul show from February 17, 1973. Would make up part of a nice box set from early 1973----2/9, 15, 17, 19............

    Ah well, one can dream..............

    Rock on, happy Friday!

    Doc
    Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before........

  • Forensicdoceleven
    Joined:
    Music is the best means we have of digesting time......

    ROCKTHING.............

    Check your PMs...........

    Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend........

    Rock on,

    Doc
    I frequently hear music in the very heart of noise.......

  • Forensicdoceleven
    Joined:
    I have just got a new theory of eternity…...

    Hey rockers!!!

    Pick Of The Day: Austin, Texas February 23, 1970

    I reluctantly discussed this at the end of last year. Here I am again. It appears that I’m stuck in a time warp. The galactic rock and roll union. I have no special talent, I am only passionately curious…..

    It appears that the currently circulated recording of this show is the only surviving audio document from the Dead’s four show excursion through Texas in February 1970. It’s tough coming right after the wonderful, brilliant Fillmore West/Fillmore East shows earlier that month, and perhaps it’s not unexpected that the intensity level might come down a bit. That being said, this is still interesting, enjoyable, and worthy…..

    The band is in 1970 electric/acoustic/electric mode. The circulating recording appears to be missing part of the first electric set, coming in during Know You Rider. For fans of acoustic Dead, this set is nice---Monkey And The Engineer-Little Sadie-Me And My Uncle-Black Peter-Seasons Of My Heart-Uncle John's Band. The festivities are completed with a jammy NFA and Mason’s Children.

    The monotony and solitude of a quiet life stimulates the creative mind. I live in that solitude which is painful in youth, but delicious in the years of maturity……

    Did Bear travel to Texas, and did he record? Banana boxes, reveal thy mysteries…..

    Rock on,

    Doc
    Whoever undertakes to set himself up as a judge of truth and knowledge is shipwrecked by the laughter of the gods……

  • rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by JimInMD

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Bolo - I'll be there. Sorry to hear of your brother's passing. Always a funny feeling when memory carved in stone is suddenly shown to be misremembered. Hopefully the rest of the show is in the vault. If so, maybe Dave L. can lay it on us in the tapers section or jam of the week (hint hint). very nice that what we have of Set I includes that 20 minute Playing :)

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In reply to by JimInMD

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Thanks for sharing the memories Jim. Great stuff. I could not fit this one in today but will try for tomorrow along with 12/10/72. It will be a busy day.

Thanks for the picks.

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Lol, our first time to Hampton we thought we were going to spring break.
As northerners, we assumed it would be beach weather down there and were quite disappointed when we went to the beach and it was cold, windy, and not a bikini in sight.
Did score my one and only Fabulous Furry Freak Brothers comic at a head shop there, so all was not lost.

4/9 was hot, did 4/20 yesterday as I wasn’t in the mood for another partial old tape.
Interesting set list and another good spring 83 show.
Today we’ll go for 12/10/72. Unfortunately back at work so not the best listening conditions, but the dead’s always been good for helping the work get done!
ONWARD!

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In reply to by bluecrow

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Hampton 83. Man, did they play some great shows at Hampton. Good pick OB.
12/10/72👍. Wish we had the whole the show.

Tomorrow's pick. I would like to offer up 9/1/79. Great recording is available. The show starts with Half Step and the recording starts out rough but evens out mid way through and stays great throughout the rest of the show.

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In reply to by DeadVikes

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Pretty sweet show is right.. you get more than an hour and a half and it starts with Bertha.. almost like a mini-show in itself even though it's a partial.

Great listen yesterday..

Something seems funky at dead.net, a change in the interface? Anyone else noticing this? A phenomenon that often predates high-profile box set announcements..?

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In reply to by JimInMD

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which is fine 👍
In fact, I almost went to this show, but the rents put the kibash on it.
Don’t think I’ve ever heard it?

12/10 was aw-ight overall. Really liked the improve jam weirdness in TOO etc..
Wonder what Lil Bolo thought of all that lol.

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Never...I entered the world at 10+ pounds!

I don't recall if it was this 12/10 show or one of the 1973 concerts, but I do remember leaving Winterland after a sizzling show, pausing at the door to peek outside and make sure I was still in San Francisco. Or on Earth, for that matter.

Those Winterland shows were usually really special.

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Anyone else seeing some very odd messages?
Can’t find the DaP 38 comments at all and I’m told I can’t comment on some other threads

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In reply to by Colin Gould

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Count Vlad must have hacked Dead.net. Everything is weird...

Our only hope is that all this weirdness preludes the box set announcement we are (hopefully) going to get next week.

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In reply to by bolo24

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Yes,what the hell is going on with this site? Seems all messed up. 79, yes Oroborous, the lost years are high on my list 79, 80, and 81. You almost went to this show? No way. You for sure need to check it out, you won't be disappointed.

Great show.. high energy and a little something extra. Thanks man.. re-hitting some of the parts where distractions pulled me away now.

Liked the interesting Saint with not yet worked out lyrics etc, a little tentative by the band..Nice S/F, cool space, excellent Rat, fun Bertha with first hand accounts describing the sun going down just as JG sang that line...
Damn, I wish I could of gone, but I was still young and the rents were not there yet and the thought of going “all the way to Rochester” GASP! (An hour and a half at the time)
That would have to wait a year.
Probably didn’t help that the folks I would have gone with were all like 5 years older and full on freaks, some had been busted with over hyped headlines in the local paper (it was all BS and nobody ever got in any real trouble).
I remember they thought the show was just ok, and told of how the Good Rats were a terrible opener and how the crowd was throwing their toy Rats back at them along with other things and literally booed then off lol.
Aw well, missed it by that much 🤌

Good pick, glad I finally got to hear it!

10+ pounds, your poor mother!

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In reply to by Oroborous

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I guess since nothings shaking I’ll continue on my spring 83 journey.
Going with 4/23/83...
Hopefully listen to some released, better sounding show to massage my poor ears after listening on device all week...

AHEM, COUOD THIS FONT BE ANY SMALLER
HEY DEAD NET, THERES OLD PEOPLE HERE, SOME OF WHOM CANT SEE SO GOOD ANYMORE!

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In reply to by Oroborous

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It's hot as balls here, it was a water day.. and from a cold mountain stream with water temps it the 50's. Going to cut the grass though and plan to revisit '79.

Hope you all are having a great weekend. Nice 72 show on SiriusXM today (9/10/72 Hollywood Palladium).. I caught parts of the second set on the drive. Nice Dark Star > Jack Straw. That would be a nice one to hit one day.

Edit: Redit the highlights of 9/1/79. Very nice.. Jerry could still sing in '79, songs I do not normally gel to stand out, like FOTD and others. Lot's of emotion, especially from Jerry. Goes to show, you cannot judge a show by the setlist. One minor issue with the 79 forward recordings.. they either did not mic the drums well or the cassette masters flattened their tone. It is a really good recording but in the first set, sometimes the drums sound like popcorn makers. Again, no drawback from the performance.. but man I wish all the recordings were betty boards.

One last shout-out to '79..I believe Otis gets the 79 vibe.

As you were.. have a great rest of the weekend.

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In reply to by JimInMD

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I am having a tough time this weekend with this site. Hard to even read what I am trying to type. What happened to this site? So maybe they have a Betty Board in the vault of this show? Yes, the recordings are never perfect. Really also like the Franklins from 79 and this show. Love the Bob Weir intro into the second set. So good. Oroborous, these guys had so much material to work with after Go to Heaven. It was a great time to get your start. I can't imagine. Would love to see more 79 officially released. 8/31/79 is also worth a listen if you care to continue on with 79.

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Did 4/23 & 25/83 at work last couple days.
4/23 was good but lost me at the end.
Candyman AND a Peggy O, hell I really liked the whole first set, second was kinda standard fare...
4/25/83: ok show, didn’t resonate as well as the New Havens, especially that 4/22 show. So far I think I’d give the nod to the Providence show on 4/20 as far as the post Meadowlands shows?
Just 4/26/83 to go and I’ll have heard everyone on this tour in some form or another, though I didn’t do the whole everyone in order method...

Well, was hoping to fire up the beast and blast something good sounding, but my server may have issues, not cool Kyle, not cool!
Guess I’ll have to stream some more shows or maybe I’ll break out some vinyl?
So 8/31/79,10/9/72, and 4/26/83 are on the radar...did we do 10/9/72? It seems familiar...if GOGD hadn’t gone and flown the coop we’d know ; )

Yeah Jim, it’s your season eh?
How’s the runoff this year? I believe you said you had a wet spring so should be good...
Get your paddle on and git sum amigo!

Working a +40 in four days after not working for six months was brutal, I’m told old for this shit lol. Gonna lounge to the max, lick my wounds, and nail a retred to my feet.... oh yeah, and hopefully watch the AVs win ; ) (sorry vguy)
y’all have a great WE!

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In reply to by DeadVikes

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I just listened to 9/2/79 & I love it!
I’m betting 9/1/79 is another gratefully performance from 1979!
I love 1979, one of my favorite eras. Note , 1978 , is also a primo era from for the boys! 79 into a killer 1980s kick in first 80’s sound, from the gang! 🙏❤️💀🌹

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In reply to by DeadVikes

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Sounds good. I have a lot to do.

Having some fun with a house renovation in progress.. got some local, rough cut Cherry a couple years ago and recently milled it into some really incredible looking trim for the upstairs bathroom and kitchen (windows, shower, baseboard, etc.). Just completed the finish and some of the figuring on the boards looks almost tie dyed.. electric. Listening to good ole GD only seems fitting while I plow through the tedious finishing process..... a little buzz and 1979 GD really helps.. and I can't help but think the good ole GD shows up in the end product.

Been putting this off for years, covid finally freed up some time to get it done.

btw, 9/1 was a great recording for the era, good pick dvikes. The drum tones sometimes makes me wish they kept up the dedicated recording resources instead of piggy-backing on the PA and pumping that sound into a cassette deck. I still love them, first world problems I know.

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This show has garnered multiple listens from me. Rarer set II Let it Grow. Interesting take on Minglewood from what I remember. Inspired choice, good job guys. So how about 10-14-76 to 10-15-76, a la 9-1-79 to 9-2? Just a thought. Happy Tuesday all...

P.S. Nice to see things back to it's normal weird. :-)

Alright WTJ, looks like we have a pick for today and the full show is available. Thanks!

Jim, you must be extremely handy if you are milling your own wood. Wow!
Do you have a Workingman's Dead axe for that project?

I believe Betty was still recording shows in 1979. Not sure if there are official copies of these shows in the
VAULT.

We haven't had a box announcement for 16 months. The question is will we have Dave's #39 before the next box is announced?

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I do have the Workingman's Dead hatchet. It's one of the cooler trinkets they have carried. Expensive, but the real deal.

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Really enjoyed both 79 shows this week too. Both were really fun. Will be doing much of the same today so listening is in.

first set underway on car stereo

"Loserus interruptus" since I had to eventually leave the car and go into the school

but I'll pick up right where I left off on the way home

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Proud fus...I don't know if you know the setlist, but it is a nice show to do without knowing if it's a virgin listen. Especially set II. Some rarities in there...

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I listened a long time ago

I know there is some hot stuff in there

"This mountain majesty
This rediscovery"

- Chicago

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First He's Gone since hiatus, last 'til 5/21/77. Also, Comes a Time>Franklin's...a nice pairing with...Gainesville? :-)

-edit- On the topic of twofers: 10-14 and 15-76 (10-9 and 10-10 for that matter) 9-1 and 9-2-79 we just covered here. 3-9 and 10, 1981 is another good one. Looks like Alpine in 82, 84, 85 and 86 were all twofers. So many more...

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Great pick WTJ. I had to finish this one up this morning. Last show before the Cow Palace.
Great show, really like the He's gone, Other One, Comes a Time, Franklins as you mentioned... Sugar Mag closer is decent.

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Starting 10/15 now. Better late then never...

Might get some serious listening time today though, anything else on tap just in case?

I have two tricks up my sleeve.. the sister show to 3/24/73, Dave's Picks 32 two nights later in Baltimore. I always thought these two shows were partners in crime as Philly is to Baltimore in general. Another we could hit is 1/17/68, the first DS>China Cat>11 sequence.
https://archive.org/details/gd1968-01-17.sbd.cotsman.11795.shnf

Two random picks from the past that don't get too much discussion. For now, setting the wayback to 10/15/76.

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Baltimore won't disappoint.

Interesting tidbit.. yesterday the property and business owners in one of the cooler hangs in btown sued the state for neglecting their responsibility to cut crime, gang violence and keeping general misfits out of one of the more eclectic business/bar/restaurant blocks in the city. Actually, they did not sue they just said FU to paying taxes for services that are lackluster.

I don't agree or disagree, their point being their businesses have been increasingly isolated from the rest of the city by some crime infested areas.. such that it is not very safe to walk freely between other parts of the city and Fells Point.

It's a classic part of the city though,, for example, there's only one place to get Bertha's Mussels. Best in the city since 1972. Ever seen the bumper sticker that read, Eat Bertha's Mussels? Bertha don't you come around here anymore....

I have a sneaking suspicion not paying taxes will not furtur their argument.. but hey, don't let me drown out the party.

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Still working my way through this show Jim. Great pick and the recording is really good so far.

Spring 73 is so good, well okay all of 73 is hot.

Stay well out there.

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This working shit sucks! Lol
I knew coming outta “retirement” was going to be hard, but phew, pant, pant, pant, this is more work than chasing squirrels! So not only too busy to hang with y’all, but I’ve been stuck actually having to work with people, instead of my usual solo, which means no tunes! Uuuugghhhh!
And my servers @#$&(6&& and I don’t have time to take it to its maker 3 hours away....
Hopefully I can listen to this and dat this WE?

Funny B town story, think in that section your speaking of Jimbo.
I was doing merch with my ole buddy LaRoush. Big Head Todd opening for Ziggy and the Melody Makers at what ever that cool amphitheater is that sticks out into the harbor. At the time (mid nighties) we’d been told things were better, but to be cautious late at night. So my number one rule was when it’s time to leave with the cash, be together, don’t dawdle, and get the fug out...so after a count out/pay out in some dark creepy basement with cigar smoking mob like characters totally giving me the fear, I wanted out ASAP, but of course no LaRoush to be found, Dooah!
I venture out to the truck, but he’s not there? So here I am with a large stash of cash in my briefcase, and another nights worth in the truck, and no damn LaRoush? Fuuuuuudddgggeee, only I didn’t say fudge!
Finally after searching high and low, there he is backstage knawing on what’s left of catering because he got too stoned with Ziggys crew guys and now at 2AM has uncontrollable munchies lol.
I shoulda left him there like they used to leave Bobby at rest areas etc.
Only time I had the fear worse doing merch was in Detroit but that’s another story...

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Glad to see this is still happening. Giving my head space more Space. Taking a several month break from ganga. To a much lesser degree with Ted Dape, I mean Dead tapes.
I’m not as think as you stoned I am.

I hear you man. Hang in there...

Keep the mother rolling one more time.. like from the Here Comes Sunshine near the beginning of the second set, 3/26/73 Baltimore Civic Center? ..and how about that 8 minute Weather Report Suite Prelude into Wharf Rat?

This show seems on par and well matched to DaP 32. Releasable? yes.

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Great Show!
Another notch in the ole GD gun barrel.
Yeah, that whole second set sequence was sweet, especially that WRS jam!
Good call. Sounded good too!
Perhaps better than that DaP 38 fiasco...
Agree, this would make a good Dave’s.
Might go 4/26/83 next to finish off that tour and change it up.
DP 11 will make a nice Sunday afternoon session. Perhaps some Cheeebas are in order, those DS’ demand it lol.
Onward!

EDIT: make that 4/26/83 ooopps, worth checking out. Hot Shakedown once it gets rolling, LIG, H-S-F, hot Women are, cool jam into Truckin’, nobody’s jam out into Dew etc.
Good sounding Healy board too!

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Tasty.

This is one of those shows that I did not immediately get. I was just too busy to get sucked into that second set.

Times have changed and subsequent listens unlocked the mysteries.. that Dark Star > Cumberland Blues stands alone, nothing like it. The Uncle John's Band is tasty too among other highlights. Classic fall 1972 GD. Thanks for suggesting this. '83 tomorrow?

A pre HDCD release. Solid show, had to turn it up a little more. Great from start to finish. And as you said Jim, Dark Star, Cumberland and Attics is worth a listen.

83 for today you say OB? Let's do it.

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Yeah, if you like spring 83, you’ll like 4/26/83. Last show of the tour. Good Healy Board, not matrix...
Play close attention to the Shakedown, it’s cool to hear it unfold and get strong...

I’m actually psyched for Dicks 11. Perhaps my fav 72 show..?..HA! Who am I kidding, picking a favorite 72 is a fools errand, but I really like this show, especially for that sequence you guys mentioned!
I mean it’s got a DS AND a Cumberland, with an Attics for dessert!
Supposed to hit 91 up here today. Might need to eat cheebas, get necked and freak out the neighbors lol.
I think I need one of those kiddie pools to drink beer in ; )
Aw- right chil-rens, everybody into the pewal, oh wait, Jim’s got a big pool right out side his door!
Stay cool with at tall ice cold frosty Fremont Summer Ale and some cool GD!
Onward!

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Peak exhaustion setting in here.. Is it ever ok to wake someone up at 6:25 on a Sunday morning to ask a silly question and just say goodbye, I am leaving now? Silly question, no need to answer....

Setting the controls of the wayback to 4/26/83.. cheeba is in play.. I have much to do today that does not involve other people.. solitude and listening often go hand in hand.. I am off. I should feel a little better in about 20 min..

Spring tour 1983.. the first tour we figured out it was advisable to travel to see shows and see more than one show in a tour, although the latter would have to wait until Summer. It was strange to us then.. figuring out that with the Grateful Dead, you need to see more than one show in a tour, preferably consecutive shows in close proximity to maximize music and make your dollars stretch so you can then afford to see more shows. It was not in our vocabulary until that year.. Coincidentally, this was the year I bought my first car.

Have a good one all.. Sunday Sunday Sunday...

Lol, I’m such a bastard I think my poor ole lady would be scared to wake me up too early, for any reason!

SECOND PARAGRAPH: YES!!

Great synopsis of early touring methodology!
I would add trying to find the coolest places versus what would often be the easiest i.e., going to Maine for 2 shows instead of say Meadowlands for four....though that was not fully understood early on.
Personally I found quality over quantity to be more fulfilling, but 8 on one tour was the most we ever did, and in fact sold off our tix to 3 others, for various reasons. So I can’t speak for folks who did whole tours etc...some people lived for that...
I certainly don’t remember as much from the multiple run shows I did...
Three night runs, if you could spread em out, I liked best.
2 nights in a row damn near kills me nowadays lol.

Oh yeah, things don’t hurt so much anymore as the sun is actually shining in my back door, accompanying the music about such...hmmmm,
Almost time for a cool frosty treat!

Virgin listen for me and a great show.. I think it sounds better than any of the 83 shows released thus far.. and I prefer it to the 84 Philly released last year.

Right out the gate the get things moving with a ripping Shakedown. ..and you can tell they are having fun, in the dead space between Shakedown and Minglewood someone says, "I like that" (Jerry?Phil??). Nothing that unusual until the thundering set closer, Let It Grow, where Jerry just shreds it. There is some interesting and humorous banter mixed in, again showing they are having some fun.

The Help/Slipknot!/Franklins Tower is on point especially the Slipknot!, but they saved some special sauce for the Truckin'>Nobody's Fault but Mine/Spoonful Jam>Morning Dew. I think Phil must have been hitting the Heinekens for this one, he levels the power grid at the crescendo in the Truckin' outro Jam.. he just levels the place and again in Morning Dew. A really high energy show.. after listening to the whole thing I had to go back and hit the highlights to make sure it wasn't just me, which ended my day and my buzz.

So starts the new week. Great show.

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I knew nothing of this show, what a nice surprise!

Really enjoyed 9/27/72 (DP 11) yesterday, hadn’t heard it in a while.
Always a favorite. Another awesome 72 DS into....CUMBERLAND?......fo git about it!
Nice pick.
Today probably no tunes : (
but ya never no....

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...for me at least. I am going to hit Dave's Picks 35, The Spectrum 4/19&20/84 since I sort of compared this to the 4/26/83 show last night. We will see.... If I have extra time I might hit Dave's 36 to round up a mid 80's terror and help cement my understanding of these three somewhat recently released shows as I will probably put them away for a while.

Monday Monday.. Have a good week all.

Edit: Made cleaning the house last night and this morning 'almost' fun. At least it removed most of the boredom and monotony.. I hate cleaning but will likely never hire a cleaning service. I'd rather take the money and buy a Dave's Picks subscription and some edibles and do it myself.

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I almost never keep up with this endless list of shows, but cracked the Philly show open and did the opening Shakedown. Very nice. I have the Miller copy.

Jim - I don't see edibles and housework going together! :-)