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    "When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

    Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

    Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

    Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

     *2 per order. Very limited quantity available.

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  • JimInMD
    Joined:
    Sound Issues / DaP 38

    There is really only one solution. It's a bit complicated.. so hang in there with me. This is what we all need to do.

    1) Get out the credit card with the greatest limit.
    2) Google, select and purchase the new Wall of Sound, Home Edition TM (C) R with this credit card. As soon as the purchase is made destroy this card.
    3) DO NOT TELL your partner/significant other.
    4) Go to the roughest bar in town and tell some raunchy mom jokes to the bouncer. Keep doing this until he pummels you.
    5) Come home and tell your partner / significant other you were mugged and robbed. Tell them all they took was your credit card.
    6) If your partner is suspicious file a police report.
    7) Install the WOS Home Edition in your listening room while your partner is not home. If complaints arise later, amnesia from the head trauma is your response. "honey, I am having trouble remembering anything from that week.
    8) Replay Dave's Picks 38 at high volume.

    Your sound issues are now resolved. Happy listening.

  • icecrmcnkd
    Joined:
    The levels are too high

    I mentioned that a while ago, after others had already detected it with headphones.

    I played the CDs twice on my stereo system are did not detect any sound issues.
    Onkyo 6-disc CD changer
    Cambridge Audio receiver
    Onkyo subwoofer
    Bose 301 speakers

    I then imported to computer and made ALAC files for my music players and AAC files to play from a USB flash drive in the car.
    When I played the imported AIFF files on the computer there was extensive distortion through the small external computer speakers.
    The colored bars that show the sound levels (not volume) on the computer audio software were almost hitting red. Clearly too high, but don’t know if that is on the original recording or the result of mastering.
    Recall that on 8-25-72 Norman boosted Phil’s bass beyond what was on the original recording.
    Maybe he boosted the levels for this release.

    I played the ALAC files with an iBasso DX120 music player connected to my Cambridge Audio receiver. Did not detect any distortion or other sound flaws.
    Been playing the AAC files in the car this week and have not heard any issues so far (set 2 started just before getting to work today).

    So, it definitely depends on your system whether you hear the issues.
    Crappy computer speakers sound terrible.
    Apparently a high end system like Oro’s reveals the sound problems too.
    My midrange system sounds good as does the audio system in my car.

  • unkle sam
    Joined:
    sound quality

    Upon several listens to these cd's, I concur, this release has a few abnormalities that don't take away from the overall enjoyment of listening to these discs, but they are noticeable and makes me wonder if it was the master tape or was it a mailed in mastering job?
    This has also made me wonder, will the rest of Dave's sound like this? I love me some Jerry right up front, why I'm here, but there should be a better balance of all the players in a band, not just one or two.
    Disappointing? yes, deal breaker? not sure yet, will have to wait and see, but if there is any more killer shows that they do want to release, lets hope that the folks who do the mastering of these ancient tapes does a little bit better job than this release.
    On a separate note, I was privileged to receive a code for the Dead and Company presale going on today at 10 am. Funny, I did not receive a code last tour, not privileged I guess. The price for these tickets is outrageous. A vip guaranteed reserve seat is over 250.00$. That's for one ticket.
    It was fun getting excited like the old days, yahoo, the dead to tour, get your head together, get some tickets, get excited, get ready.....then I realized that those days are over for me. I can go see Billy strings, get a great hotel room, then go to the hot air balloon festival and get to ride on a hot air balloon, all for the same amount of cash. Kinda seems like a no brainer here, twice as much fun for the same dollars.
    I realize that Bobby, Mickey and Billy are getting up there and there won't be too many more tours for them, and I would love to revisit these guys one more time.
    The last time I tried to get tickets and got them, the show was cancelled due to Mayer's appendicitis. I don't want to jinx it so I will pass on this tour, besides, it's just too soon for me to be out there with all those vaccinated and unvaccinated people. Too all those who decide to go, enjoy.

  • Angry Jack Straw
    Joined:
    Dreading

    I ultimately reached the conclusion that part of the issue is how people are listening. I do not listen on headphones, computer speakers or use any type of equalizer. So far I have not listened in the car. I did try using Dolby on one of our stereo systems, which reduced the noise to a certain extent, but not entirely.

  • dreading
    Joined:
    That's a fact

    I've been in the record business all my life and agree with AJS. There is almost no way an audio anomaly like what was described could occur on some discs and not others for Dave's Picks. These discs are pressed ùfrom the same master. There would need to be two different master mixes for a subset of CDs to contain an anomaly. I would say the player could be a factor, but Obo ruled that out already. I assume like Jim said we are not counting Bertha because it is uneven for obvious reasons. I hear a decent sounding 1973 show here. The master tapes sound better better than Pacific Northwest but not as good as DaP 5. I don't hear many audio issues at all. I would like to hear what Obo and AJS are disliking. I whipped out the Bose headphones and all I hear is Jerry "shredding". What a night he is having. Weir too. Early on somebody said Keith was gone and that is true. Every once in a while I will hear a section that sounds like a tunnel for 5 or 10 seconds, but they are few and far between. Or Weir will just stop playing like in China Cat Sunflower but he needs to rest sometimes. He played China Cat, HCS, EOTW and Bird Song all in one night ;-)

  • Angry Jack Straw
    Joined:
    Sound

    The chances are virtually nil that some defect would have only affected such a small number of discs. Furthermore, it only occurs on the 9/8 show, not 9/7. I am very surprised as well that others are not hearing it.

  • Dark-Star
    Joined:
    Oroborous

    I don't hear it, which isn't saying much. I rip everything to my hard drive as WAV files and run them through an equalizer with a bunch of sound options. "Concert Hall" is perfect for these old Dead tapes, plus I push up the four EQ sliders all the way to the right about halfway.

    That being said Oborious, this sentence got my attention. You say:

    I’ve noticed the phenomena/artifact on several instruments and vocals, usually only noticeable when that source is loud and/or with sharp attack...but it’s never like everything is distorting all at the same time.

    This phenomena sounds like something Norman may have done in production. It sounds like a feature I have that prevents clipping at high volume. I am a fan of good sound but no engineer so I will copy the internet definition, which you probably know:

    Clipping is a form of waveform distortion that occurs when an amplifier is overdriven and attempts to deliver an output voltage or current beyond its maximum capability. Driving an amplifier into clipping may cause it to output power in excess of its power rating.

    When I play stuff too loud this feature cuts back on only the parts that are causing the clipping. It is obvious to the ear when this feature on my system gets activated. It sounds exactly like your description where you say 'several instruments and vocals, usually only noticeable when that source is loud and/or with sharp attack...but it’s never like everything is distorting all at the same time.'

    My theory is that the master tapes Jeff Norman worked with had some hot spots so he used a feature like what I have on my equalizer to "even out" all the levels as he input the music from the master tapes on to a digital storage.

    I am not sure why I don't hear it but I guess my EQ is dressing it up. If I listen to the CD with no EQ it sounds like the treble needs to get turned up all the way. Even then it doesn't sound even close to the quality of the EQ and Concert Hall enhancement. It makes me curious if a lot of people out there listen straight off the CD with nothing 'extra' to improve the sound.

    On a different note I laughed heartily at the quacking duck interview. Well done whoever made that up. It sounds like something Jerry would say.

    And last, I listened to the Dark Star / Morning Dew that KF mentioned on 5/18/72. I don't know how I overlooked that one but it is much better than I remembered. Somehow the Europe 72 Dark Stars never stuck with me. Probably because I rarely play those shows. Only because I want them to be special every time.

  • JimInMD
    Joined:
    Re: That Mike

    Great joke.. made my day.
    I wholeheartedly agree.

    Yes.. the sound on 38 is a bit wobbly in the beginning. But isn't that Grateful Dead standard time? It sounds ok by the time they get warmed up.

  • KeithFan2112
    Joined:
    The Munich Invasion 5/18/72

    Next up on the E72 anniversary list. What at a great show. And it's Dark Star => Morning Dew night.
    I'm going to go out on limb here and say it's the first time they did this combo. This is one of my favorite shows from the tour. Jerry's guitar is louder than usual (and louder is always better). Crunchy guitars are tight!

    Sugar Magnolia really hits a groove, and Billy has this absolutely ridiculous drum fill at the....drum fill part; I've never heard him play it quite like this - it's like gets a running headstart. Great version despite a classic Bobby lyric miss early on (proof of the weed).

    Jack Straw is great. This is maybe the second one where Jerry sings the Watchman and Tulsa verses, and Bobby forgets it's not his line anymore - so they both jump the Watchman - not a fair fight at all.

    And some great banter after Black-Throated Wind. Jerry always makes me laugh up there. He was the king of one-liners:

    Girl Fan (to Jerry): Lovelight!

    Jerry: Turn on YOUR Lovelight baby.

    Girl Fan: You Turn on yours first.

    Jerry: Oh no, after you...

  • alvarhanso
    Joined:
    Sound quality on 38

    I was surprised this is the first real discussion about it. I got my copies a week ago, and have made it through the Bonus and Bird Song and Playing as I ripped and converted and had 9/7 first. Also, made it up to Weather Report Suite on the release. The sound struck me as incredibly washy, and while it's great to hear Keith and Bob much more than usual (some releases you wonder if Keith played on much at all from his presence on the tapes, but these are great for Keith fans!), so I just balance that with the cymbal heavy mix. Maybe they were trying new mic placements for the drums. Not Kidd Candelario's best tape by any stretch. He's usually top notch, though. Jai Alai Fronton last year is a phenomenal Kidd tape. That may be my favorite Wall of Sound release for sound quality.

    Also, I'm surprised, or have missed, no reference to the Bonus Eyes ending not with its Slipknotish jam, but ending with a Here Comes Sunshine jam. A fantastic Eyes! Phil with a different start to his solo, and a different feel, maybe reacting to the Wolf darting around? So far enjoying the release and bearing with the sound.

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"When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

 *2 per order. Very limited quantity available.

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While we wait, and once we get word of a release, well...we'll be waiting again, eh.

Cued up 9.16.72....monumental showing.

It's got: ....Bird Song, Stella Blue, Playin, Morning Dew, Dark Star....

and so much more

BRING IT

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I'll represent that... just short of 70 trips around the sun...catching up on the many posts with a few comments. No question that our "hosts" will wait until after the release of S&R, soon the box set announce circa July 1. It's all about the Ben Jammin's. More Pig, please.

After leaving DC area for school in Maine, pro hockey became a big deal. Not a rabid fan, have been to pro games as well as a few at Dartmouth, those Ivy guys will play hard and there is nothing, nothing like in person live hockey down on the ice.

Noted earlier, missed a few east coast shows before finally catching the GOGD in Baltimore 1973 for the first time, the Wolfman Jack show. Saw them a few months later at Watkins Glen. First "rock" show was Jimi at the Washington Hilton March 1968, had to be driven there, thanks dad.

Transitioning to celebrity, so much is chance... first big live music event was at the White House, when the Black Watch played there early November 1963... afterwards, this sixth grader had the chance to shake hands with JFK and Jackie before the unthinkable happened eleven days later.

Through a long episode as a working chef, met some top food dogs, including Paul Bocuse. In various restaurants, cooked for Ed Muskie, Phil Rizzuto, Peter Ueberroth but best of all, cause I met and asked him to sign a menu for me, Cab Calloway.

Most recent in person, backstage at the Kennedy Center June 2017 with Pat Metheny, Antonio Sanchez, Linda May Han On and Gwilym Simcock the night Pat was announced NEA Jazzmaster... bushed from the long tour, they had about thirty minutes before they had get on their bus that night to their final show in Cleveland.

Hanging with Martin Hayes after a small house concert in northern NH.

Last six
Bitches Brew: Miles
Gypsy Rumble: Stephane Wrembel Trio w/ David Grisman
Stratospheric Boogie: The flaming guitars of Speedy West and Jimmy Bryant (novelty item)
Borboletta: Santana
Turmoil & Tinfoil: Billy Strings
Northern Song: Steve Tibbetts

Any comments made previously, regarding audio issues with DaP 38 are tempered with the warts and all acceptance in delirious joyfulness that we have this music so well preserved for us. The Bonus Disc is tremendous.

Now where is that 69/72 box set announce??

I still have never listened to Gainesville...Since everyone raves about, I was hoping for a release. Since they really started releasing stuff, I waited for the release. Now I think I need to pop my cherry and go ahead and listen to it.

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In reply to by Gary Farseer

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Just kidding of course. Really appreciate DMCVT and Dogon and Snafu chiming in for me or us. It really means a lot to me, and I know this padawan could learn a lot about the lifestyle from you guys.

Example: Just the little nugget from Dogon about Mungo Jerry and In the Summertime, had to go down a little rabbit hole of discovery. Isn't that what this all about, helping each other during the trying times. Of course I remember In the Summertime but I was just about to begin grade school when it came out.

Fortunately, I had a mom that played the radio in the car. So, as I have stated, I was born with some health issues which meant going to the doctors a lot as a child. The good that came out of it, was I came to consciousness very early. Therefore, I can remember even hearing Sgt. Peppers as a kid on the car radio. Hmmm, think that had any influence? So Dogon thanks for forth good material to chew on.

DMCVT - again just another great post on several of the streams of consciousness we have been discussing. Dogon and Snafu have given me just some perspective when I listen to shows. DMCVT the whole post is incredible. "I didn't realize it would be important 50 years later." Nice one! Snafu.

It still blows my mind just the things y'all saw, for example, DMCVT seeing Jimi I can only imagine. So that bears the question would you have rather seen Pig or Jimi? OK enough of that.

Maybe, if we can remember, we can make June the month of "Bring out your Dead" Heads from way back, month.

Again, thanks so much for posting, it means a lot to this head.

G

Hey Simon and Dogon - search youtube for Grateful Dead at Bickershaw there is some new video of Bickershaw. Simon, well new compared to when I sent you the little Bickershaw video I sent you the last time I searched.

Any way, It's Friday. Time to mix up the pitcher!

g

... this goes out to you! Peace be with you! 🙏😎
What's new, pussycat? Woah, woah
What's new, pussycat? Woah, woah, woah
Pussycat, pussycat, I've got flowers
And lots of hours to spend with you
So go and powder your cute little pussycat nose
Pussycat, pussycat, I love you, yes, I do
You and your pussycat nose
What's new, pussycat? Woah, woah
What's new, pussycat? Woah, woah, woah
Pussycat, pussycat, you're so thrilling
And I'm so willing to care for you
So go and make up your big little pussycat eyes
Pussycat, pussycat, I love you, yes, I do
You and your pussycat eyes
What's new, pussycat? Woah, woah
What's new, pussycat? Woah, woah, woah
Pussycat, pussycat, you're delicious
And if my wishes can all come true
I'll soon be kissing your sweet little pussycat lips
Pussycat, pussycat, I love you, yes, I do
You and your pussycat lips
You and your pussycat eyes
You and your pussycat nose
*Performance by Tom Jones!
Have a grateful day!
All right all right all right! ...Now, Let’s get this party started! 🙏❤️💀🌹

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I usually like to read the posts since I don't have much interesting to say. I am here every day and once in a while somebody says something that makes me perk up. Hendrixfreak, you said 6/17/75 is a returned Betty Board. Is there a list somewhere? Thank you. I listen to DaP 38 almost every day. I think it's wonderful. Jerry and Bobby both have above normal nights. I can't think of a show where they sounded better together. They both have a great night.

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4 years 3 months

In reply to by Gary Farseer

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Pop that Gainesville cherry!

Just be sure to give it your _full_ attention, and play it loud.

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Good call on the 5/3 Other One. Of all the E72 stuff, The Other One was the toughest for me to get on board with. The Space parts and meltdowns were appearing for just about the first time. I was much more used to the Cryptical Envelopment era, where they rocked harder and Spaced less....but man, once you get to appreciate what they're doing on those longer Spacier Other Ones. The first one to grab me from this tour was the Beat Club performance, and then Hundred Year Hall on 4/26. Great stuff. Wow wow wow wow wow. 4/11 from New Castle is also hot. And Part 2 from opening night at the Wembley swim club.

Well - this Road Trips Wall of Sound 6/18/74 is some serious shit. Certainly Keith's best Morning Dew.

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12 years 1 month

In reply to by proudfoot

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A boring and poorly played game. Each team with a ridiculous giveaway.

Good luck in OT.

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10 years
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The defence left MAF to dry…

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In reply to by That Mike

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....because of games like this.
Flower fucked up big time. Huge non call on the high stick by Marchessault in OT. 4 minutes easy. Vegas deserved to lose.
Onward!!

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At Hollywood, the audience liked Mungo Jerry so much that they were rescheduled for a second performance!
They were basically a jug band but Mother Mcrees they were not! Of course the song In the Summertime became an irritating ear worm that you could not escape that year,

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Fleury definitely let his mind leave the building during that tying goal. But, Vegas outshot them almost 2-1, forced more giveaways on the Habs by far, and out hit them. Just an adjustment hear and there. They got smacked a bit, they’ll smarten up.

“ When you're slapped, you'll take it and like it.”
-Sam Spade

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10 years 2 months

In reply to by KeithFan2112

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Keith fan - synchronicity at work-yesterday I listened to both the Other Ones from 5/3/72 and 6/18/74 too. Both fascinating deep space excursions. Amazing how this piece, among others, developed from 67-74 but also specifically from 72-74. In this period they seemed to move away from earlier psychedelic and primal high energy force fields to a more modern jazz/avant-garde approach. Increasingly so as the timespan developed.

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4 years 3 months

In reply to by daverock

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Nice
Albuuuuquerrrrrqueeee

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Trainwrecked, after I posted that statement I went looking for a l*nk. Typical: talk first, find proof of statement later.

I clearly recall seeing 6-17-75 on a list of the returned tapes and getting really excited. Great, short show. My quick search the other day turned up a couple incomplete lists, and none had 6-17-75. So I 'm not certain where I saw the list that included 6-17-75, but the lists that pop up first in a G search have some interesting content. And of course many have been released in the past ~3 years.

To sum up: definitely saw 6-17-75 on a list of returned Bettys, no idea where I saw that. But I posted the l*nk in this forum over the past year.

Feel like a ... ROBOT, mucho tequila last night.

Edit: So, to "protect our data, TPTB are restricting specific words in our posts, rather than add a security filter to ensure that hackers don't invade. That strikes me as a** backward...

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17 years 4 months

In reply to by icecrmcnkd

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OMG, Bailey Q, fo sure, yeah, Lonnie who?
Loved Bailey, the look and the person!
Man, I love the memories you guys conjure up!
RIP Herb!
Another awesome underrated 70s show!

GAINSVILLE, don’t think about it, just do it!

DCVMT: nice to see ya, thanks for sharing!

Guessing from looking at the GD June bulletin, since it’s mostly 71, that perhaps the box will be 71?
If so, what 71?

No Links, lame! That’s half the fun here. Why is it every time I like something in life, some jackass has to wreck it?

STOKED for Shakedown stream and another cool show I’ve not heard!
Wonder if this is just a special deal, celebrating RH and his amazing gifts to us all, or will it be a regular thing again, or will it be tied to product some how? Dammit Dave, inquiring minds want, no, NEED to know lol...

Skipped the game last night, it was just to nice out and was digging tunes with the Mrs, sounds like I outta check out at least the end?

6/17/75: pretty sure I remember seeing that that show is in the vault, probably via a l*nk that someone here kindly posted, to enhance our knowledge and enjoyment of this band/music, that drives us to purchase more than we’ll ever actually need, so we should probably stop allowing that...? Mmmmmhhhhhhmmm?

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Looks like they don't allow posting anymore, to bad . I never would have seen that cool list of all the guitars that Garcia owned over the years if it hadnt been posted by Keith fan, and all the other cool posts that have been on here, I'm gonna miss them. I wonder if they will ban the hookers and all the business posts that have nothing to do with the Dead.

How long there current distribution contract is. It was 10 years and renewed just a couple years back, I think. With changes, maybe renewed contract is void or has a time clause to make decisions after a major change. Weird thing, is our posts are part of their marketing arm...

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9 years 3 months

In reply to by Dogon

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Yeah I noticed that in the deadbase the other day. Did you see Sabbath? I was a huge Sabbath fan until I really got into the Dead, so around 83 Sabbath was gone, except for an occasional listen. Just dont listen to much stuff not associated with the Dead. I bet Sabbath 1970 was wild. Have you found tapes of that show?

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In reply to by Gary Farseer

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I eat earworms for breakfast. Now surf or fight.

With two 71 shows coming out last year, and this here Skull and Roses anniversary coming out, I think a 71 box might be over egging the pudding somewhat.

I think the Shakedown Street on the 23rd with Jim Lauderdale is in celebration of the date of what would have been Robert Hunter’s 80th birthday. Arguably the second best lyricist ever. True anecdote. A few months ago I received the Stanley Foundation NRPS collection, and as I’m reading the booklet, there is a nice dedication to Mr Hunter, which struck me as pretty cool. While I am opening this package, for some unknown reason, I’m playing Hunter’s spoken word album, Sentinel. That gave me a chill, a good one. An album I rarely touch, but if you are in the mood, it’s pretty neat, and he was an amusing narrator of his own wonderful prose.

I agree with DaveRock - I think 1971 has been very well served lately, so likely not a candidate for a box set. I did see Dave’s most recent Twitter feed was a photo taken at the seashore…you don’t think he had his video camera, too…like filming a SeaSide chat, do you….

Oro - Ms Quarters was the loveliest lady to grace television late 1970s/early 1980s, which says a lot, because she was competing with the Angels, etc.
You didn’t miss A Great Game last night, kind of a comedy of errors from both sides. I expect next one to be much better caliber. Just hoping VGuy is keeping cool in those Mars-like temps there, and now with his team down 2-1…Maybe thoughts of Bailey Quarters will cheer him up!

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Gary, there is always someone here who can answer your questions.

I saw Black Sabbath live at the Portsmouth Polytechnic Student's Union building on May 2, 1970. This was less than 3 months after their first album was released. Touted as a "heavy" band (the term "heavy metal" came much later) they were indeed heavy but most of all they were loud, really really loud. The Student's Union building was a barn of a place and it was shaking. People living miles away complained about the noise. As a result no more gigs were permitted there until the place had been soundproofed, something I don't think ever happened. The band had been well hyped by the music press so the place was packed. Everyone wanted to know what this sinister new band was all about. Ringing in the ears for days afterwards is what they were all about. I was suitably impressed as were most people present. A memorable evening. You had to be there!

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Simon has already responded about Sabbath, but I never saw them, had one pal who had the first album,he bought it because it was on the new progressive record label Vertigo, but I was never really interested in heavy music.
The Deads set at Hollywood was used as the soundtrack to Rik Griffins exhibition at Londons Roundhouse organised by Alcock and Dick, who were the BBC cameramen dosed by the Deads crew at Hollywood, (which resulted in,shall we say, less than optimal footage for the planned BBC Dead special, but as noted the soundmen did their job and recorded the concert). Alcock and Dick became fans/converts and subsequently took over UK distribution of Dead/Mouse tees circa Skullf*ck/Ace/ NRPS/Rolling Thunder.
I was at the opening and closing of Riks show where I met him with John Platt( perhaps some UK Dead heads will recognise the name of the editor of the magazine Comstock Load) and came away with several signed exhibits at 5 quid a pop, Rik was seemingly skint and needed funds to return Stateside. I still have my signed copy of Gathering of the Tribes, Human Be In poster till this day.

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If nobody ever mentioned a specific show again, you'd still hop on any GD release like a b*tch in heat.

I mean, here we all are, like vultures on a fencepost, just waiting wating waiting for the box set news to drop and wagging our tongues over two more DPs and some other release.

Daverock: "overegging the pudding"? This week's award for best use of language. Especially as this phrase was used to discuss 1971 GD releases! No wonder I lurk around here...

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In reply to by Gary Farseer

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Gary - I was a bit late to the party, but the first time I saw Black Sabbath was in March 1973. It was like being hit by a cannonball. Amazing that the building was still standing by the end of the night. Their albums up to that point had been quite slow in tempo, so I was taken by surprise by how rock n' roll the gig ( a gig-not a show) was. It felt like my very soul was vibrating in tune. Some of it turned up on the live album, "Live at Last", which has been included in the Volume 4 Deluxe Edition. Not that I have it. But between 1973-1975 I couldn't get enough, and saw them as often as I could up to 75.
Then my tastes changed, as I discovered the Dead, Quicksilver et al. But I did see them again one last time in February 2017-an incredible night, during which they focussed almost exclusively on their first 4 albums. There is a great dvd/blu ray of the last night from that tour-2/4/2017 in Birmingham.
Very rehearsed, compared to The Dead. In 2017 even the solos sounded the same as their recorded counterparts from 45-47 years earlier !

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I loved that expression also. Never heard that one,,, is it common in the UK?

Box set announcement? I think if we're getting one the announcement will be a month away. Next should be DaP 39 announcement I would think. It's scheduled for release 7/30 on my chart. I don't think we'll see two things come up at the same time. But what do I know.

Guesses on 39? (we know we're getting that!)

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Well that's easy, that. would be a 6/6/70. , 9/20/70, or a ,10/31/69........ yeah fat chance. Probably something from 78 or 88.

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An early 80’s Brent show.
But this time one with good sound quality.

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But what about Gainesville? Lol
Sorry, it was too easy!

Oh yeah, lol, forgot to 👍 for the egging/pudding comment brilliant as they say.
Love the English banter, hope someday I can go...

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# 39 will actually be Oakland Coliseum, 12-26-81.

That was SO EASY!

Unless of course (hedging, naturally), it's time for grease, which would mean two back-to-back '69 shows on 3 packed discs.

Meanwhile, where's my '66-'68, five-disc "special box." (Special because they can't release that period on the DP series as each show is short and they don't have many in the vault. And too few to make a real 20 disc box.)

I'm "California Dreamin'"..............

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Dennis - Oroborous - like a lot of what I say, I got it from somewhere else, without being aware of exactly where that somewhere else is.
I've just had a look online, and discovered that it is an English phrase, that first came into use in the mid 19th century. God, I'm older than I thought.

Mentioning the dentist reminds me of the Seastones from 6/23/74 that I heard earlier today - the aural equivalent of having a tooth out.

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TPTB announce a Meet Up At the Movies that features 6/22/91. The DVD of that show comes in the box set that includes CDs of 6/22/91, 6/24-25/91, and 6/28/91.

And then DaP40 (skipping ahead) is four discs of the best stuff from 1968 that is lying about in bits and pieces. Dave gave us a surprise four-disc set to wrap things up last year, so maybe he'll do so again?

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Weird.. certain words and keystrokes are restricted . So much for my kick off advertisement of my new Belarus limo Uber Service..

I think I am allergic to hockey. I've watched a few of these playoff games and they seem to be followed by getting to work a little late, feeling a little groggy and productivity post game day is off by 15%.

Is this normal?

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Was there. It has an Eleven Jam. Good memories.

Not weird but Weir-d.

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115

Bruh

Having fun tho

This is the thick air that Weir was actually thinking of

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....remind me later.
See Jim! Certain phrases.....thick air indeed. Wait, what?
Stoltz is in the neighborhood.

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Really good pick and incredible job mixing/mastering. Is there going to be a Box this year??? Feels late on any announcement.

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50 years ago today…..

June 21, 1971
Chateau d’Herouville, Herouville, France

Speaking of cooking, the Dead bring some American musical cuisine to French soil…..

Set 1: Truckin'-Loser-Me And Bobby McGee-Next Time You See Me-Morning Dew-Me And My Uncle-Hard To Handle-China Cat Sunflower >I Know You Rider-Promised Land-Deal-Playing In The Band-Big Boss Man-Black Peter-Bertha

Set 2: Casey Jones-That's It For The Other One>Wharf Rat-Sugar Magnolia-Sing Me Back Home-Johnny B. Goode

Cleary one of the most unusual, interesting “venues” that hosted the Dead in 1971. Built in 1740, on the remains of an even earlier chateau. At one time, the residence of Chopin. Painted by Van Gogh. After a fire in 1969, a 16 track recording studio was built there. There is no “seating capacity”—the Dead’s show was outside, on the grounds of the chateau.

Bakersfield, Pigpen, country/Weir/western, rockers, soulful, jamming, everything the French could expect from les morts reconnaissants…………

High quality audio AND video exists of this show. Definitely worth a listen. And a look !!!

Profitez et soyez bien!

Rock on!!!

Doc
Poor France, thy fine climate, rich vineyards, and the wishes of the learned avail nothing; thou art a destitute beggar, and not the powerful friend thou wert represented to me…..

Hendrixfreak- a 5 disc 66-68 special would be great. But I would also prefer a one disc Dave's from 66-68 to a three disc one from.....fill in blank. It would be a pity if strict adherence to the three disc format ruled out some of the most ground breaking and spectacular shows they ever played.

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