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    "When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

    Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

    Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

    Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

     *2 per order. Very limited quantity available.

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  • #1351
    Angry Jack Straw
    Joined:
    Speakers

    Get a pair of the Dominator MX-10s. That will solve the problem.

  • #1352
    DeadVikes
    Joined:
    Carlo

    Carlo,

    Ha!

    Man, we need a box announcement. How about tomorrow or today depending on your time zone. Let's get it out Thursday, May 20.

    And stop yelling out songs we already played tonight.

  • #1353
    carlo13
    Joined:
    Tea

    I remember once at a giant's stadium show, I meet this chick who offered me some mushroom tea and being new to this way of consuming shrooms, I sat in my car staring up at the ceiling and realizing I swigged too much. I then started to hear the show beginning but I waited it out till I could contain myself. I finally got out of the car feeling enough time had passed and realized that the music was only a boom box playing a dead tape next to my car. I felt like a total doorknob and never mentioned it to anyone till now.

  • #1354
    JimInMD
    Joined:
    Re: Oro

    It sounds to me like your bass cabinets are not tall enough. A standing bass wave is 17 meters in height.. you need bigger speakers, stacks of them, preferably able to play in quadraphonic.. one 17 meter stack for each string of the bass guitar.

    That is all. See my previous post on what measures to take to make this problem go away. Don't forget to destroy the credit card.

  • #1355
    estimating prof
    Default Avatar
    Joined:
    It's the tapes man...

    Great discussion going here. I can't resist getting drawn in with my own 2 cents.

    Caveat emptor - I am not an audio engineer or expert in such areas. I do listen to a lot of music and grateful dead shows.

    My two cents is the audio "distortions" that we have commented on here are in the source recordings of Sept 8 1973.

    Why do I think this?

    - Dick talked about releasing this show in the 90s and Dave says it's one of his favorite 73 shows, and it was just now released 20 some years later. If you've followed Dave for any length of time, you know that he doesn't release shows with lesser audio quality unless he really has to. He's also too good of a salesman to come out and say "we didn't release this until now because the tape has some issues. Jeffrey worked on it again and says it's as good as it's gonna get, so we're releasing it because it's A Tremendous Show"...Right?

    - Seems to me on any given night a recording of a grateful dead concert might not be perfect because those involved in making it were distracted - for any number of reasons.
    In the grand scheme of things, it's seems to me much less likely that we would end up with as many really good recordings as we have. They stopped caring about recordings for a lot of the 80s and a lot of those tapes don't have good audio - compared to a Betty board.

    - My experience with this release is that the recording of 9/8 sounds significantly different than 9/7.
    9/8 was indeed jarring when I first put it on.

    All that said, it really is a fantastic and unique show. I've been loving it. I listened to discs 2 and 3 at proper volume with some beverages last weekend and it knocked my socks off again.

    Just can't resist a good mystery.

  • #1356
    Sixtus_
    Joined:
    ORO

    I bow to my new sound technician overlord.
    What a fantastic and forensic analysis.
    Bravo.

    Sixtus

  • #1357
    icecrmcnkd
    Joined:
    Nice work detective Oro

    Caveat emptor indeed needed

  • #1358
    Oroborous
    Joined:
    Sorry/thanks..

    I’ll go back to lurking now ; )
    GO AVs!

  • #1359
    Oroborous
    Joined:
    Caveat Emptor Indeed!

    DaP 38
    No doubt Mike, but I think some of us were concerned it was a production issue versus usual GOGD zits and all..
    But!,

    After furthur review, I think this is just a perfect storm of normal, smaller issues that combined can be very noticeable and thus annoying.
    I think perhaps this was a case of a great show, but not the best source? Perhaps the ravages of time were more than they considered, but bye the ticket...once committed, they had to see it through?

    Examples you say? Since I spent all day...
    $ = quick and dirty references if you don’t want the full report lol ; )
    BERTHA starts with usual opening idiosyncrasies that are not part of our focus except in how these “usual” suspects interact and combine with our target issues. Listen though to the snare, and eventually the Hi Hat (that shows up more later). Part of the problem is the snare wires resonating and bleeding through other mics. Then you throw in Bob who’s really loud. It seems his speakers must be set up in front of Billy somewhat as Bobs guitar seems to exasperate the snare problem...
    You can really hear this in the quiet just after the song when Bobs banging some chords, listen to the snare wire rattle etc! It gets better but I think it’s a reoccurring ingredient of this aural stew. Bobs level and distortion (both intended and otherwise) are another stew ingredient.
    Listen to both guitars and keys during the instrumental section. Think this is more normal type distortion but again, adds sometimes to the stew...

    ME & MY UNCLE: more of the same early in especially...I found it useful to use my balance control throughout and it’s often the right channel where the problems mostly live.
    By SUGAREE it sounds like maybe some kind of processing added for the snare issue? Early on not too bad, occasionally usual type moments of old R& R tape and/or guitar distortion, but around 6:18 you can hear some noise on the snare roll etc, by 6:23 through 6:33 you can get a good taste of the overall phenomena. But generally the song wasn’t bad.
    Status quo fir next couple, LL RAIN I seemed to notice the Hi Hat more prevalent and adding to and getting snare bleed etc. Made me think there’s something up with one of the Drum overhead mics? If so, bleed from everything! would exasperate an issue there? Perhaps another stew ingredient...Bob has some noticeable distortion, perhaps “normal” around 3:45 or so and 4:40+. It overall kind of kicks in on the end chorus’, but not too bad overall.
    JACK STRAW not so bad, a little somethin round 3:40 with snare/hat/cymbals?
    Also, I think this show suffers overall from the goofy custom condenser vocal mics that add to our stew. Listen to the end of Row J between the 8:30 and 9:00 mark...
    Let It Grow is overall not too bad. Get usual Phil spikes occasionally on peaks, and my notes suggest that I’m convinced much of the “problem” here and throughout is Bobs too loud? Not sure if too loud is correct, perhaps he’s playing really loud (it was a big hall with loud NY crowd for that period?) and the recordings fine, your just hearing his rig distort? But though I really dig his sound and prevalence in the mix, cause he’s killing it, perhaps he’s occasionally a tad loud relative to other sources? (Good example in upcoming tape splice)
    Oh, and what the hell was that weird “organ” sound starting around 12:55 or so lol, certainly not a B3! Pretty wild whatever it was.
    ROLLL OUT the Barrel sounded pretty good lol.
    EYES you can get a good taste during the instrumental section around 2:30..and a good example of normal piano clipping (sensitive pickups), but then he switches to ? guessing the Rhodes, which occasionally has its own distortion characteristics, but this is more of what I call normal stuff.
    Listen around 9:40+ for what I call FM like static. This is another stew ingredient that is harder to hear, not always there, but there on occasion?
    More of the same minor stuff through to about 3:30 in BIG RIVER, though Bob goes way outta tune at 2:25 in GSET and seems to take a few tunes to fully get back lol.
    $ LET ME SING is perhaps the best overall example of many things going on on this release. This and $ CHINA CAT are the most obvious examples of the idiosyncrasies on this release. Check out LMS at 2:00 mark and at the end etc.
    check out Weirs intro licks to China Cat and some of that drum stuff at 1:30+...eventually it gets better and by RIDER it’s sorta status quo again (meaning instances but nothing huge).
    From there on I mostly stopped with notes and just listened, though $ Trucking, GDTRFB etc are good examples of the “stew” especially the blending of the cymbally snare FM static with Bobs distortion whether intentional or not, it all adds up.
    EDIT: $$$ end of show especially One Mo Sat is really dirty all the way around, and
    TRUCKIN’ TAPE SPLICE? $$ Check out how “it” almost disappears at 4:56, actually something starts to be tweaked a little before that? Bobs not there at all until around 6:00 but he’s back at 6:22. Sounds like a tape splice, perhaps using a cassette, or perhaps some processor kicked in and out, but what’s most interesting is listen to Bob comparatively during these 2 sections, before, during, and after, it’s amazing how much different the 2 sound, especially Bob, and seemingly our phenomena too!
    By George I think we’ve figured most of this out!

    Conclusion: it’s the battered old tape, complicated by a perfect storm of minor, often normal anomalies, and an unusual Weir mix for good or for ill, and when occurring simultaneously, often during song peaks, it can unfortunately be distracting.
    Listening equipment, environment, and personal habits no doubt play a roll in individual experiences. I can see how many folks might not notice much of this.
    But on revealing equipment with certain ears it can be so obvious as to be jarring on first occasion.
    Like many uncertainties, once the knowledge is gained, the dissonance is usually manageable. Getting better with every listen, though at low volume : (
    VERDICT: Caveat Emptor indeed, but with perhaps an extra pinch...

    EDIT: this in no way shape or form describes the musical content, which is superb!

  • #1360
    That Mike
    Joined:
    Point Set Match to Oro

    Oro - That is quite a great dissertation on sound production! You know your stuff!
    I’ve never had the ear of a Brian Wilson/George Martin, and I know Dick’s & Dave’s come with the odd hiccup and blemish, but at the end of the day, it’s The Grateful Dead.

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"When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

 *2 per order. Very limited quantity available.

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Submitted by unkle sam on Mon, 06/21/2021 - 03:57

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Great reads on the thread today, Ah yes, good old Black Sabbath, I saw them twice, once in 72 and again in 76, what a difference 4 years can make. In 72 they were like a hippy peace band, that was really loud and really rocked hard, Tony just shredded that guitar more than once and Ozzy was all over the stage. No opening act, just a night with Sabbath, real Heavy. Flash ahead 4 years and a totally different band was on stage. The equipment on that night was tightly packed together and over head was a large cross, like an iron cross design, and each band member had a large cross or crosses around their necks. Ozzy was wasted and flopped about like a fish out of water, Sabbath Bloody Sabbath had just been released or was about to be and they played most of that lp with a smattering of hits thrown in, the biggest ovation was when they played Iron Man, of course, but my favorite tune of the night was the wizard, never heard that one live before. The opening act that night was......Peter Frampton. Yeah, I know, what a pairing, but it was awesome. Frampton was good, real good, this was before his big live lp had made it to #1 and he played all those tunes from that lp, he and his band Frampton's Camel I think it was called, were excellent, stole the show. After that, I became a Dead Head and became obsesses with them, still am.
I think you have to go thru several bands before you are ready for the Dead, then it hits you like a ball and chain and you can't believe your ears. Hooked

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Submitted by Colin Gould on Mon, 06/21/2021 - 04:30

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Reading the GD article in Uncut magazine I noticed
‘It’s safe to assume there’s a box set announcement for 2021 coming soon’ - DL
Of course my idea of soon may not be Dave’s

Talking of the Europe 72 50th anniversary he’s quoted as saying ‘There are still new and exciting ways to present that music … we’ve been looking at creative ways to get people engaged with that tour again, to make it more accessible in a format we think people are really going to want ‘
Something to look forward to in 2022

Edit It took three attempts to post this plain text message. It only worked when I removed a final exclamation mark.

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Submitted by JimInMD on Mon, 06/21/2021 - 05:40

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..but clearly have ill intentions. I couldn't get a post to go either, after much trial and error, it was a dreaded hyphen or perhaps the back slash that did me in. Henceforth and forever back slashes and hyphens deemed as evil characters to never be used for civil discourse.

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Submitted by Forensicdoceleven on Mon, 06/21/2021 - 06:09

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Yo, rockers!!!

Kcollins1974, check your pm................

Have had no problems with posting things with dots, dashes, question marks, or exclamation points! Probably cuz I paid the ransom................

However, I continue to struggle with semicolons..........

Rock on!!!

Doc
Life is a little like a message in a bottle, to be carried by the winds and the tides.....

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Submitted by Strider 808808 on Mon, 06/21/2021 - 06:17

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I’m still listening to every 1971 Grateful Dead show on the 50th anniversaries. And can combine the audio with the film. Audio first, then the film.

By the way, speaking of Doc. The other recently mentioned Dock or the Dock Ellis story is fantastic. Thank you Billy the Kid for bringing that to our attention.
Yesterday we had a thunderstorm with almost no rain and winds that must have gusted up to 40-50 mph. Lightning popping in all directions. So around late morning we should be seeing more smokes. I’ve done some wildland fire fighting and fire lookout work when I worked seasonal Forest Service trail work forever and a day. On a side note , no retirement benefits for seasonal federal employees. Maybe that’s been changed in the 20 years since I worked as a “green collar” man. Solo social (in)security is better than nothing. I own my home and am in excellent health. But it all goes to hell with age.
As the Merry Pranksters said;- “Nothing Lasts”.
After posting this by identifying parking meters I think of these two songs, “Lovely Rita” from Sargent Peppers- the Beatles.
And “Don’t follow leaders, watch your parkin’ meters” from Bringing it all Back Home” - Bob Dylan (he said that)

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Submitted by Oroborous on Mon, 06/21/2021 - 08:31

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Strider, same here, dry thunderstorms and high winds, so as of yesterday have a fire 12 miles away!
As of last night, it’s only in National forest and only about 200 acres, but they haven’t given us any updates yet...
With the fuel and terrain between here and there, if the wind changes it could get interesting...
Could see it from bed last night. Pretty wild visuals, almost like a volcano erupting...
Think it was just the flames reflecting off the clouds, not the actual flames, but still, when you can see that from your bed....
Have had temps mostly in the high nineties since last week, which for here at elevation is pretty hot, of course no rain in sight...
And and to think it’s barely summer! Usually doesn’t get like this here until July...

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Submitted by Dennis on Mon, 06/21/2021 - 08:35

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does this work ,,,,,,,,,,,,,,,,, ------------------ !!!!!!!!!!!!!!!!!

how about a small limmnk

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Submitted by Dennis on Mon, 06/21/2021 - 08:36

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cuff..... you have to wonder what idiot thought the word linnnnnnnkkkkkk was bad?

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Submitted by bluecrow on Mon, 06/21/2021 - 09:32

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yep, here in the west hot, dry, and what looks to be a long scary fire season. for several days seemed like an early attempt at a monsoonal pattern, lots of lightning notifications on lightning tracker. we even got 15 minutes of rain here in the "lowlands" after a wall of crazy wind and dust out in front of the cell. good luck and stay safe.

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Submitted by Mr. Ones on Mon, 06/21/2021 - 10:00

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For the Mingus recommendation. I haven't picked up any "new" Mingus since the "Jazz In Detroit" 5-disc set a couple of years back. That set was great, but could have easily been 3 discs. No matter, I was tempted to get this new 'expanded' version, was waiting for feedback, which you provided. I will pick this up pronto.

Only 96 hours until "upgraded" Skull and Roses. I'm ready!!

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Submitted by Angry Jack Straw on Mon, 06/21/2021 - 10:12

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Take solace in the fact that the series is right where it should be. Fleury gave away game three and Lehner literally saved your ass last night.

Should be an exciting game 5.

Good luck.

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Submitted by Oroborous on Mon, 06/21/2021 - 10:53

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Somethings off, it’s like the knights are turning into the AVs...
Haven’t watched enough to put my finger on it, but they don’t seem quite the high speed freight train that they were.
Habs been shuttin’ em down in the lanes etc and keeping the shots down just like the Kiniggits did to the AVs...
No worries though if they go back to the fortress and git er done they’ll be in the drivers seat!

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Submitted by Dennis on Mon, 06/21/2021 - 12:08

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which volume is this? I see rhino has announced a deluxe edition coming next month,,, 3 lps 45 bucks.

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Submitted by frankparry on Mon, 06/21/2021 - 13:36

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Not sure about the vinyl edition but I received the 2cd a few days ago. I believe the original was just two long tracks from the jam session of the second set and that this new edition from Carnegie includes the first set which was 75 minutes long.

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Submitted by Dennis on Mon, 06/21/2021 - 22:01

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Thanks guy. I ordered both from Amazon,,, free shipping.

CD coming instantly,,, lp's are preorder and not released until next month.

I really don't need the vinyl, but Mingus is a giant in the jazz world and thought it be nice to have for down the road value.

We'll see :-)

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Submitted by proudfoot on Mon, 06/21/2021 - 23:30

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Big tunics in two stores

I am looking for a T

High roller, thats what call me

The neon museum = cool

....I opened a bar for men with erectile dysfunction.
It was a total flop. Nobody came.
😁
Proudfoot. You should check out Area 15 while you're in Vegas.

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Submitted by proudfoot on Tue, 06/22/2021 - 12:58

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Walking tbrough Planet Hollywood

"GK gear sold here"

One xxl with GK logo, no wording

Just over 30$ with tax

:)))

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Submitted by icecrmcnkd on Tue, 06/22/2021 - 16:11

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To get that post below to go through.

It’s not even in violation of the new rules.
Can I say ‘rules’ here, or is that banned too?

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Submitted by proudfoot on Tue, 06/22/2021 - 16:16

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I just got brainwashed by Vguy

Kraken is next season

"You could almost think
that youre postin double"

A couple of really good jokes...what are you a comedian in residency?

I think David Zaslav, CEO of Discovery, and an attorney, is trying to figure whether Rhino fits in with his future plans. I know Simon stated a few days back that he was watching the European Football Championship. Discovery owns pretty much all of Europe's sports broadcasting networks and now own's Warner who owns Rhino. He may hate GOGD. Still believe that is what is slowing official news. Shakedown Stream take me away...

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Submitted by Gary Farseer on Tue, 06/22/2021 - 16:46

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T-shirt not Jersey?

Still a great price for "official" shirt.

Edit: saw t-shirt ooops

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Submitted by wilfredtjones on Tue, 06/22/2021 - 16:46

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Doing some trail work today, a la Strider. Got bit in the lip by some type of insect. Now, my lip is swollen and I look terribly funny. I'm the guy I used to laugh at. Anyway. On the bright side, lots of Dead listening today: 10-21-83, 10-12-84, 4-22-78, 7-31-82- 7-3-88. How's that for a day of Dead listening? I hope the swelling goes down...

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Submitted by Angry Jack Straw on Tue, 06/22/2021 - 19:36

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He’s not playing bad, but I have no idea why Fleury started over Lehner. Bad Karma.

The way the GKs are playing, I also have no idea how they beat the AVs.

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Submitted by Vguy72 on Tue, 06/22/2021 - 21:06

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....believe me I know.

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17 years 6 months

Submitted by simonrob on Wed, 06/23/2021 - 02:08

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Badkamer. That is Dutch for Bathroom.

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10 years 1 month

Submitted by That Mike on Wed, 06/23/2021 - 06:18

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VGuy - A real back and forth series, but it’s do or die time now. I will definitely be checking out that next game. Same Bat Station, same Bat Time.

A shout out to Robert Hunter, who would have been 80 years young today. A great wordsmith, a Dylan Thomas for his times.

Fuckers starting to swell...no bueno!

Yes Vguy is our resident comedian, he’s just been on hiatus for the playoffs

I think it’s imperative that PF leaves Vegas ASAP. No fault of his own, but I think he’s brought some kind of bad Seahawks juju with him that is causing the unexplainable demise of the mighty Kiniggits....the flux capacitor must be demagnetized immediately, repeat, demagnetize the FC IMMEDIATELY!

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Submitted by Deadheadbrewer on Wed, 06/23/2021 - 07:39

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Yes, Happy Birthday, Robert Hunter! The Grateful Dead would not be anywhere near as fascinating without your contributions.

Joni Mitchell's album "Blue" turned 50 yesterday, and apparently there is a box set with new remasters (and for the first album, a re-mix) of her first four albums coming out in a week. Plus, for those Joni fans, the Archives Vol. 2 box is coming out this fall, containing demos and live tracks from the period covered by the first four albums.

For anyone who hasn't listened to Joni before . . . I envy you! Even if all you did was give "Blue" and "Court and Spark" a serious listen, you would have improved your musical life immensely. :)

Be kind, rewind.

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Submitted by hendrixfreak on Wed, 06/23/2021 - 07:46

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Correction: The Grateful Dead could not have been who they became if it wasn't for Robert Hunter. He was the thought man, the wordsmith, who made them great. Without him? Nothing to catalyze around and nothing for the listeners to truly sink their teeth into, nothing to sing , future uncertain, at best.

Edit: I'm gettin' antsy, wanting to know whether the box announcement will be a pass or fail in my book.

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Submitted by That Mike on Wed, 06/23/2021 - 08:15

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I never saw Joni in concert, but in 2013 she was invited to speak at a New York Times Talks with host Jon Pareles, just prior to a 70th Tribute Concert being held for her by Herbie Hancock et al at Massey Hall. I couldn’t get tix for the musical part (house band had Bill Frisell in it, a favourite), but I got tix for the NY Times talk, held at a small concert hall at the University of Toronto. She appeared with drummer Brian Blade (who I saw a few years later play with Wayne Shorter - WOW!), and it was about a 90 minute talk, and she was quite fascinating. She spoke in depth of her career, how she played coffee houses a block or two away in the 60s, her breakout career in California, her love of jazz, and the art of Emily Carr. She is a fascinating individual, a good songwriter and a very good visual artist. It was a really enjoyable evening, and I got a lot out of it, quite different than a concert. Her health is bad now (she smokes incessantly), but I wish her well, and she was yet another color in the palette that is music.

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Submitted by Gary Farseer on Wed, 06/23/2021 - 09:10

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He is the man.

I think it is own the documentary "From Anthem to Beauty" that Mr. Hunter talks about writing Ripple, To Lay Me Down, and Brokedown Palace in one day while in London with the fellas. I think he said 1970. So is this a on May 25, 1970 when the dead were getting ready to play the The Stand Lyceum in London? Of course this is the day after playing Newcastle-Under-Lyme or Hollywood Festival or Lower Finney Green Farm, Leycett.

Maybe Dogon could help with what the actual title of this venue and festival is. I assume it is just some minor dispute based on land allotment., or something to that effect.

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12 years 2 months

Submitted by Angry Jack Straw on Wed, 06/23/2021 - 09:26

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My first two picks after Price are going to be Gallagher and Suzuki. They are not marquee names, but those guys are grinders who do the little things that win games.

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