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    "When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

    Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

    Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

    Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

     *2 per order. Very limited quantity available.

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  • Oroborous
    Joined:
    ABBA!

    LOL, yeah when I was little I used to wonder why I got this funny feeling when ever they were on lol.
    Think those outfits could be any shorter?

  • Oroborous
    Joined:
    Buenos Dias Rockeros!

    SIXTUS: digging the new sign! Tee it up Bra! FOOOUUUUUURRRRRR! Do they yell that in disc golf?

    ESTPRO: yaaaassssss, it seems to be the tapes. Like your synopsis! And it is about the mystery, though it bums me out that such a great show (s) dosent come from a better source : (
    FALL 73 Baby!..., now if we could just get: 9/11, and (pick one 12,15 or 17, hey, don’t wanna be greedy!), 10/25, 10/30, and of course 12/18! So Jim and KF, how’s that tunnel coming?

    JIM: 17 meters? Which note/string are you referring too E, A, D, or G, as the length will vary accordingly!
    What c/c? 😉...the only problem is all the scaffolding. She’s used to all the audio cartons etc, but she’s getting a little wiggly about the scaffolding?

    CARLO: dude you crack me up. Think most of us have been there one way or another, Ha! This isn’t the first time you’ve shared a similar fun story with us (fun now, perhaps not then lol) When the going gets weird....
    Thanks for sharing!

    AJS: Dominator MX 10?....weren’t those what Hasek got into? Heard it didn’t go so well and now he’s selling em outta the trunk of his car?

    MR SMITH: harsh is actually a term used frequently in audio lingo. Killer Dead indeed!
    Thanks for the cool Mickey link and as always the awesome scans!

    PF/TM: yeah, inquiring, drug ravaged, senile, dirty old men wanna know!

    DARK-STAR: glad your not hearing “it”; as it would damper your appreciation of such an otherwise stellar release!
    Attack, Sustain, and Decay are fundamentals of ALL sounds. Attack you get, sustain is sorta how long the main body of the sound is, and decay is the “trail off”. These can all been different types or times/lengths...many pro audio devices can manipulate these. Garcia’s Mutron Envelope Filter is one example. Good Compressors will have these controls.
    So there good very well be some of that, but I think unfortunately, overall it’s just not a very good source...
    And yes that is the problem with 2 track tapes, so the mix it what it is, but hey, even a bad Dead tape is usually better then some DIY tinny, noisy, crowd cassette of 80s Hair band LOL. Or as my cousin Eecktar would say “a little bit o sumthin is better than all of nothing!” Really it kinda amazes me how much really good stuff there is considering all the ways that a tape can end up unlistenable!
    I actually like the mix for the most part, cept Kieth being too low on occasion and the whole Bob thing?

    DREADING: 6/24/73 Big RR Blues. I don’t hear a problem, though when the ride cymbal comes in from 2:13 until 3:08 (right speaker if your wired correct) it is prevalent and at first I thought perhaps he was using a sizzle ride ( the kind with the rivets? Loosely attached to give it a more sizzle sound than a normal ride cymbal), but I think it’s just the way it’s EQd/miced...I can see on certain gear it could sound too prominent...

  • proudfoot
    Joined:
    Aliced wins

    I love my wife dearly, but....oh my goodness...

    https://www.youtube.com/watch?v=YFk6-Mn-8yg

  • AliceD
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    Joined:
    Two Hot Women Sigers

    Maybe ABBA? Those two were sweeties.

  • That Mike
    Joined:
    Dish Proudfoot

    You piqued my curiosity! I’m thinking maybe Heart, maybe the Bangles…? Inquiring minds wanna know !

  • Dark-Star
    Joined:
    Oroborous / Uncle Sam

    Hi Oroborius, I meant that maybe Jeff Norman used something in the mastering of the tape to restrain any "sharp attacks" that existed on the master (good term BTW, I never heard it used before but I understood what you meant immediately). My understanding is when they recorded these things the night of the show, they were constantly making adjustments to the mix and levels throughout the show, so it's possible the master was a bit hot on places, and Norman tried to compensate? This could account for what you're describing in that one quote that I posted of yours from the other day. I forget exactly what you said but it just made me think that maybe this was the potential cause. Just a guess. I really don't hear what you're talking about, but I keep trying. I do hear some loud symbols now and then like somebody mentioned but nothing that is nearly as noticeable as the bass that was added to the Berkeley show. I don't hear anything abnormal except for the usual stuff and some occasional loud symbols.

    Hi Uncle Sam, when you say there should be a better balance of all the people playing in the band and that you hope the people who master these ancient tapes do a better job next time, it makes me think you are not aware of the difference between two track and multi track recordings. Dave's Picks are all two track recordings, which means Jeff Norman (the "masterer") only has two tapes to work with. That means multiple instruments and vocals are recorded to each tape, so there is really no way to turn anyone up or down. The reason Weir and Garcia are the two loud ones on 9/8 is because that's the way the band was recorded the night of the show. With only two tapes with which to master this release, the only thing that can be turned up and down is the left or right speaker, but I don't I think any of us would be happy if they were uneven. It's really the person who recorded the show you have to approach with your comment. With multi track recordings every instrument gets its own reel of tape. If the show was recorded on a multi track recorder then the person who masters the tapes for release CAN make some people playing in the band louder than others. But all Dave's Picks and Dick Picks and Road Picks are all two track recordings so we get what we get as far as levels are concerned. If you want a list of multi track shows PM me and I will send.

  • proudfoot
    Joined:
    speaking of two

    I happened upon an old video from a certain pop band from the 70s

    the two singers are sooooooo hot

    - a wistful middle-aged man

  • proudfoot
    Joined:
    wind in the willows played tea for two

    Carlo drank both cups, apparently

  • Sixtus_
    Joined:
    re: Carlo & Tea

    that's some pretty funny $hit man. Sounds about right and I've definitely had similar warps of space and time.

    When are we playing some Hilltop Disc Golf???
    Course is open, fully vaxxed, it's time!
    Shoot me a PM if there is interest.

    Sixtus

  • JeffSmith
    Joined:
    Thanks Oroborous

    Amazing look at all of the sonic ingredients of the 'stew' that is Dave's 38. With my old ears and modest sound system, even I heard the difference between 9/7 and 9/8 on first listen – thought at the time that 9/8 was 'oddly harsh' (my naive terminology). After reading your methodical and excellent analysis, I better understand why. Makes me more aware of all the miracles I take for granted that allow us to listen to 50-year-old Grateful Dead MUSIC as cleanly as is technically possible. I re-read all the chapters of your 'treatise' (without hearing aids this time 🤪), and have an even greater appreciation for the rabbits our archivist and remastering whiz continue to pull out of their hats multiple times each year. And thanks to everybody for all the great posts Uro inspired!

    Looks like Dave's 38 is the exception that proves the rule (and even so it's still 4 CDs of killer Dead!). . . Well done Dave, Jeffrey. And especially well done Oroborous.

    And speaking of Mickey's recording prowess, checkout his and Zakir's 'Sound Consciousness: Drones for Sonic Bathing': https://www.onecommune.com/sound-consciousness-mickey-hart-zakir-hussai…

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3 years 4 months

"When it came to 1973 Dead, I was always drawn to the big second-set jams, 'Dark Star' or 'The Other One,' and all of the places those songs could go that year. One week during my initial stint with the Dead, Dick was spending a lot of time listening to 9/8/73, and he could not stop raving about it. He was very intent on pointing out that despite the absence of the 'Big Two' from 1973, every song, every solo, every moment was out-of-this-world excellent. He played me the first set, giving a play-by-play of each song and what made it special. In those listening sessions, Dick taught me a lot about how to listen critically and objectively. Of course, the subjective self always creeps in, those moments when you whoop and holler at how good a performance is, but that objective listening is critical. After many days of listening, Dick moved to other eras, as was his wont, since he carried the responsibility of selecting the best Dead shows from all eras to represent the Dead’s recorded legacy. But he made it clear and inarguable that he felt 9/8/73 was one of the best-played shows from one of the Dead’s best years." - David Lemieux

Despite the gloriously blustering artwork above, the forecast for DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 is blazing hot! With a double endorsement from archivists Dick Latvala and David Lemieux, you know it's a MUST HAVE. This one's got inspired playing from start to finish, with soon-to-be-minted Wake Of The Flood classics, a first-ever "Weather Report Suite," Keith polishing his chops on "Let Me Sing Your Blues Away," Jerry tapping into era-defining sound with his Wolf guitar, and we'd be remiss if we didn't mention Bob's exquisite playing too.

Among our 2021 Dave's Picks subscribers? The subscribers-only bonus disc featuring nearly an hour and a half from 9/7/73 is coming your way too. (P.S. there's 35 minutes of 9/7/73 on Dave's Picks Vol. 38, to boot)

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 38: NASSAU VETERANS MEMORIAL COLISEUM, UNIONDALE, NY, 9/8/73 was recorded by Kidd Candelaro and has been mastered to HDCD specs by Jeffrey Norman.

Didn't subscribe? You'll want to jump on this one now as it is guaranteed to sell out.

 *2 per order. Very limited quantity available.

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Dennis & Nappyrags - You’re welcome. I am a fan, too, of Morgan. I read his bio, and how he was mentored by Art Blakey as a young player, and then the documentary was released, which intrigued me more. An interesting part of this release is Jack DeJohnette sitting in for part of a set; Jack is kind of like the Jim Keltner of jazz, has played with so many different artists and albums, incredible. I was fortunate enough to see him play with John Scofield (and meet him after). Regardless, this set is definitely on my radar, especially since things are a little “dry” on the Dead front.

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New picture on Dave’s Twitter feed of a tripod and video camera next to the shore. Unless he’s teasing us, I reckon we’ll see something around the Friday mark

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In reply to by That Mike

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That Mike - it doesn't look like Ginger Baker left a trail of happiness wherever he went, that's for sure. Apart from when he was on stage, that is.

Miles Davis excepts from "Jack Johnson" L.P. on the way to my house via RSD. I haven't got the box set set of these recordings, so I am looking forward to hearing what this sounds like. A freight train, probably.

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I think the mystery dark star is from 30 DOD 2019. 10/12-13/68 would make a nice box either way. Late 89 sounds good.

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I compared this to the 9/2/68 Dark Star from Betty Nelson’s Organic Raspberry Farm, based on Doc’s observations. It compares favorably, so I’ll say sometime between Sept.-Nov. of ‘68.

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Jim, SDUBBZ03, sounds like you guys concur on 10/12/68. Thank you also Mr. Ones DOC for your input. Even better that I can go through the 30 Days of Dead pick it up. It was one of those deals where I stumbled upon it and normally wouldn't have paid much mind to it, but I thought it was just really really extraordinary good. So then the hunt began, but I didn't have it on my phone on any of the official releases or the many soundboard dark stars I have uploaded to it. And of course I don't have 30 days of dead on my phone. That may change soon, because I also just recently found a much better recording of Bird Song from 9/10/72 on 30 Days of Dead.

I ended up putting together a bunk bed set today and haven't had a chance to grab this elusive Dark Star, but I did listen to it a bunch of times on the YouTube video. It will be in my Jam playlist by sunset.

I used to have software to do that kind of editing and crossfading. Made a couple of cool Pink Floyd mixes about 20 years ago when CD burners were all the rage. I'm looking for some kind of comparable software do that with now. I would love to meld together a mix like this again.

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In reply to by KeithFan2112

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O sure woI'll ld like that.

I sure would like that.

I heard 6 22 86 set one for the first time earlier today. Glorious Greek energy.

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39 years ago today, I was down in Ventura for the 2nd show of the weekend, it was the first year the Dead would play in Ventura. They brought back Crazy Fingers on this day , they hadn't played it in awhile. I'm sure there are enough good shows from Ventura to make a great box. Ventura, Greek, and Frost, not a single release yet, I tell ya, a lot of those shows seemed pretty good to me at the time.

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It bothered the heck out of me when I saw the Dark Star date was 10/12/68, because......where is Pigpen with his repetitive keyboard melody? (this is what had me guessing as late as 1970). Went to archive.org to look at the show and read "Notes: Pigpen was absent".

The world is back to normal.

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So found myself Truckin' up to Buffalo with the wife and her wonderful sister, her awesome husband, and my fantastic teenage niece. So far, since they arrived last Wednesday, we have taken in a trip to Newport, RI for some good food at a place called the Red Parrot we ate at a few months ago, and took a quick walk down to the sea at the Cliff Walk. Then drove back home outside Boston, slept, then off to Falmouth and a ferry to Martha's Vineyard. When we got there, we decided bikes in the heat and humidity would kill those of us well beyond the thought of in shape, and thus rented a Jeep. After lunch at a packed spot, where at one point a very soft acoustic guitar and bass began the familiar rhythm of Scarlet Begonias, then a soft female voice sang it. Hard to hear over the din of the restaurant, but unmistakably Scarlet. But food down our gullets, we proceeded to cover most of the island in several hours. (Several hours of this idiot foregoing sunscreen and the top in the Jeep. Though, at least I wore my hat to protect the bald pate.) We saw several lighthouses, but fog shrouded much else. Though some cliffs were visible, just nothing beyond 20 ft of the water or so, but the sun appeared in spots. We ferried back, and today we set out for Niagra Falls, and in the search for something to do on driving day, I suggested we stop for waterfalls in Ithaca and Barton Hall for a quick few photos.

What a great decision! There is something really fantastic about Cornell and Ithaca. The college is situated on top of a large hill overlooking a valley carved by glaciers, and the massive Cayuga Lake behind it. Seeing it behind the lake on the way out was just magnificent, you could get a better idea of the grandeur of the architecture or Cornell. Barton Hall itself is a giant track and field brick barn. It looks like an acoustical nightmare, as Bob Weir himself said it was. But it sits neatly among these awe inspiring buildings on a campus that has produced incredible things in a variety of fields and done so for a long time. I think that partly has to do with the idyllic setting. If you ever have the chance to pass that way, do yourself a favor and go through campus and check it out. Peek in the window, and imagine the crew setting up for the show. Peer up at the scaffolding in the ceiling and think of the dying chords of Morning Dew reverberating their last on that Mother's Day evening... Right after that we went to the Ithaca Falls, which is right down the road, and behind the campus. Walking down a little gravel strewn path for a couple hundred yards towards an intensifying roar of water thundering down 156' falls gives you a sense of the power of a place like this. But tomorrow those falls shall be eclipsed by those at Niagra.

Back on the road following our visit to the site of the mind control experiment, when it came my musical selection I chose Jack Straw from Cornell. I wanted Scarlet, but they would have balked at 12 min, so went with Jack at 6. As it played, I found I could picture them playing it there in a way I really couldn't before.

Ithaca is indeed a very cool place.

Based on the timing of your post, you have likely left for Buffalo. I would’ve given you some other places to check out. Feel free to send me a PM if you would like.

It’s unfortunate that Canadaland is still closed. The falls are something to behold from that side. Also, Niagara on the Lake is a neat little town.

And the Anchor Bar is overrated for wings. Duff’s is decent and is right on your way to the falls.

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In reply to by Angry Jack Straw

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Ithaca, sweet hidden gem, used to have some cool funky culture too...
Letchworth State park would of made another nice stop along the way...
Concur, Anchors ok, Duffs is better, but Mammosers is the shit!
Even most of the locals don’t know about it!

Unfortunate Canada’s still locked down, the falls are much nicer on the Canadaland side...
Albright Knox Art gallery is nice if your into that and there’s a nice lake/park there to go for a walk or sit and eat lunch. Historical museum and the Zoo are nearby...
City hall and Frank Loyd Wright house if your into architecture, Chippewa Street is a whole street of clubs/bars etc, Naval Park and the waterfront, especially if they have concerts on Thursday nights..

Safe Travels!

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Was just there again for our annual summer bike-beach trip over the 4th. If you were in a deadhead bar in Edgartown theres a good chance it was the Sea Shanty. There's a massive framed MV-themed stealie on the stairs heading to roofdeck, always warms my heart to see it still there even after all the years...even if it is missing its nose holes. No nose you say? How does it smell?! Like the ocean. And with the mention of Letchworth y'all seem to following me around this summer. Birds of a feather indeed. Hope everyone is finding some comfort and repose during this summer of insanity. Highly recommend the new King Gizzard and the Lizard Wizard album, Butterfly 3000. Every single album they put out is unique but uniquely their own...HIGHLY recommend for heads into neo-psychedelia and incredible musicianship. To some it can be a tough listen at first but you WILL be rewarded deeply for exploring multiple offerings of theirs.. Also go see Khruangbin at Newport Jazz, they are one of the BEST new bands the last decade.

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In reply to by Angry Jack Straw

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..but I think I will pass on taking my boat off Niagara Falls. (one side note, there is a rapid called Little Niagara on the river I live on, so I'll get my Niagara fix today). Cool story, I am a big venue enthusiast.. my next trip to Europe I plan on visiting some new venues.. a lot of us seem to have a venue fascination and it's great how you can turn almost any road trip into a GD themed adventure.

One other parting note, we need a new release..

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4 years 9 months
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A show from Frost or Ventura, I think they are saving up for a Greek box.

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Sounds good to me, Billy. Ventura may be more likely, since the Frost shows were broadcast live on the Stanford radio station each year. I'm ready for that Greek box, like you I attended every one.

For a while I've been digging into 1970 Dead, enjoying the unique psychedelic guitar work of Jerry on Dancing', Good Love, Hard to Handle, Man's World, Lovelight, Masons children.

TTATS 1970
Dave's 6
Dave's 19
and of course the radio broadcast that got me into the Dead, released decades later as Dick's 8. 5/2/70 Harpur College. Boy in 1972 I was cranking that radio broadcast! I was fortunate enough to have my friend's older brother had recorded it off the radio. And off I went on the bus, later in August 1972 at the Berkeley Community Theater, never to be the same again!

Good stuff. I really like 1970 Dead.

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11 years 11 months

In reply to by Oroborous

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Gabriel's Gate also has some fine wings. Right near Chippewa Street, which Oro already correctly pointed out as being awesome.

Edit: Also, don’t forget to try a Beef on a Weck.

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In reply to by Angry Jack Straw

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Pretty sweet Nitecat to get your start at the Berkeley Community Center in August 1972. Those are shows are high on my list. Glad you made it through all these years.

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Nitecat, the 1970 show in TTATS, is my favorite show in the whole box.

King Crimson Court on CD which I bought at Harvest Records in Salem
6 22 86 disc 2
Zappa Guitar tracks from disc 2
Motorhead Iron Fist
12 11 72 disc 2 :)))))))))))))))))))))))
6 22 86 disc 3

Tasty

....yummy. But not now. Stupid vguy made chicken last night and didn't check the expiration date. Got my son and I both sick today.
Not covid, but damn. Food sounds gross right now.
Just plopped in Dave's Jai-Alai Fronton. More digestible lol.
Iron Maiden just put out a new track. The Writing On The Wall. They continue to age like a fine wine.

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In reply to by Vguy72

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Oh, sweet mama.. VGuy's got them old chicken blues...

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I checked that out from 10/12/68. That scratchy thing Mickey plays is extremely loud and annoying. Gets in the way of some premier liquid Garcia. I am a big fan of the primal Dead late 60s two drummer make up of the band during the big jams, when Bill and Mickey were in sync and nailing it, but sometimes like this Mickey should have just sat on his hands. Didn't miss that scratchy thing or gongs after he left. He could be a little much at times.

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In reply to by proudfoot

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Schwabl’s....Period!!
Since 1837

For more, check out Buffalo Stories: Schwabl’s Restaurant (since the world would end if we posted you know what’s)

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No, not the GD!
The Another Timbre label are putting out a 4 CD box of pieces by John Cage in August, so that gives me something to look forward to. Not long to #39 being released.
Edit: Has Vguy come up with another definition of chickenshit?

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I enjoy going over to Bobby Weir's Sweetwater in Mill Valley periodically for lunch or dinner and a show on occasion, but have been on hiatus from there since the mean ol' pandemic struck.

Sounds like they've brought in a new chef with a pretty good pedigree, even though the food was quite good before as well. Looking forward to getting back on track there with the new menu, and shows starting up again in September:

Information from an article on the sfchronicle website on July 20, titled "Marin's popular Sweetwater Music Hall is leaning into food with a cozy new restaurant".

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Hey all,

There looks like a stand alone release for GD 12/10/71 3cds or Vinyl. I already ordered on Amazon

Edit: if this turns out to be part of a bigger boxset, I’ll cancel my order. That’s the beauty of Amazon

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Thanks for the heads up, adedhead68, this looks really cool, let's hope it's part.of a bigger #1971 box set.

...has been reissued at Real Gone Music and available for preorder for anyone who may have missed out on this monster gem.

Sixtus

Hasn’t got to Amazon in the UK yet. Didn’t show up on the US site when I searched for Grateful Dead CD but found it looking in all departments searching Grateful Dead. It’s due out on 1st October. Let’s hope there’s more to come

Edit Three attempts before the above would post I had to remove the final full stop and add a couple of blank lines at the end

Edit2 Had to remove a colon after Edit to post the edit

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Yeah, I order cd & vinyl. Copy I have from archive sounds very good, but?!?!

Here's hoping for a larger more complete box and yes, easy to cancel from bezos (he's back from space)

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Awesome standalone release, but I'd personally prefer a multi-year Fox box over a Fall '71 set. Between Dave's 22 and 26 (plus bonus discs) and the Road Trips Austin release, we already have a good bit of music from this era, which isn't all that high on variety in setlist or in playing.

More new music is always a joy regardless, but the '71 set just wouldn't be my first pick.

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Any clues, gents? Checked Amazon, Googled it, etc.

This is very nearly proto-Euro '72, in a sense.

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Did not see that coming. Interesting.

Yeah. That’s our box I believe. Bezos leaked from space.

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The 12/10/71 show might be a 'break out' release from a Fall '71 box? The artwork looks pretty legit (similar to June '76 box). Odd choice for a box since they released plenty from this period already (RT 3.2, DaP 22,26) Anyway, looking forward to it!

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My guess was a combo of lineups from 71 for a box, but it could be a multi-year fox box . This is a good show someone recently recommended I think it was Keithfan. And it comes up easily looking under Grateful Dead Fox on Amazon. Thanks for the tip adedhead68.

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Yo! Rockers!!!

If I read their 12/10/71 playlists correctly, the second set closing NFA suite and OMSN are not included. It's definitely in the vault, it has been played at deadnet (2016 Tapers Section). This makes me suspicious that it's an official "official" release. A complete version would make an excellent release, but a lot of 71s have come out recently.

I remain skeptical until confirmed by TPTB. Remember, in the past there was an "official" Fall/Winter 71 FM box set, that turned out to be bootleg.

Doc
The good life is one inspired by love and guided by knowledge......

On the amazon page for this preorder it says the manufacturer/label is 'Grateful Dead Production';
Shouldn't there be an 's' on the end of that? i.e. 'Grateful Dead Productions'?

Makes me think it is supposed to look like the real deal, but may not be.
Further sleuthing required.

Sixtus

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In reply to by Sixtus_

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A copy of the CD apparently was sold on e-b-a-y two days ago.

This from
music tap-dot-kom

On October 1, Grateful Dead Productions via Warner Bros Music will release a new live set, this one from a show at the Fox Theater in St. Louis on December 10, 1971. The show is amply available on bootlegs the internet over, but this release is a nicely packaged set that will be issued on 3CD and 5LP sets. The tapes for this issue has been worked on via Plangent Processes, a process that adds life to projects and has been used on studio releases including Springsteen’s Darkness On The Edge Of Town remaster.

The 5LP package will be pressed onto 180g-weight vinyl.

Fox Theater – St. Louis, MO 12/10/71 – Grateful Dead

01 Bertha
02 Me & My Uncle
03 Mr. Charlie
04 Loser
05 Beat It On Down The Line
06 Sugaree
07 Jack Straw
08 Next Time You See Me
09 Tennessee Jed
10 El Paso
11 Big Railroad Blues
12 Casey Jones
13 Good Lovin’
14 Tuning
15 Brokedown Palace
16 Playing In The Band
17 Run Rudolph Run
18 Deal
19 Sugar Magnolia
20 Comes A Time
21 Truckin’
22 Drums
23 The Other One
24 Sittin’ On Top Of The World
25 The Other One

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8 years 10 months

In reply to by icecrmcnkd

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The one sold on e-b-a-y two days ago was an FM recording.

Whoever bought that is going to be bummed if an official copy really does get released.

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16 years 11 months
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I only see it as a pre-order which isn't charged til shipping on release date. So if this is bootleggers they are being very patient by offering up pre-orders with no collection of funds. Doesn't seem like the business model of someone trying to turn a quick buck on vinyl sets of released shows. Never seen a bootlegger offer up a set as non-charged fully refundable product but maybe thats their grift. I pre-orderered one but will probably cancel it before shipping once the official announcement comes out if its for real.

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17 years 1 month
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I’m kinda concerned about the lack of an (s) on Grateful Dead Production, but FWIW, on Amazon, disc 3 lists the NFA suite and OMSN

product sku
081227891749
Product Magento URL
https://store.dead.net/music/dave-s-picks/dave-s-picks-vol-38.html