Grateful Dead

Orb - Funny story about the left handed monkey wrench, 6 foot shoreline and such - reminds me of the swimming pool on the roof in high school we used to send the Freshmen to. Glad your copy finally arrived.

Proudfoot- I'm really enjoying 9/8 a lot. As for your suggestion - l'll put it this way - I've been listening on over-the-ear noise cancelling headphones, and people five feet away are asking me to turn it down....so yeah, give it a whirl on 11 and see if that rocks your head.

I feel like a turncoat saying this, but the appeal to me is that they sound like a four-piece hard rock band because Keith is pretty much absent. Donna didn't sing nearly as much pre-hiatus, so she's also not on too many songs. It's Jerry loud in the left and Bobby loud in the right. Billy's in the middle with Phil, and Phil is lower than the rest - audible for sure, but lower. Jerry's having a great night, which is not unusual, but but Bobby is ripping it up like I've never heard him before. He's playing chords crazy fast, bending notes, picking more, and he even sounds like he's using more distortion than normal. He was known to pull out an SG once in a while, and its tone is thicker and muddier than the ES-335 that he used most of the time in '73 (or the ES-345 to a lesser extent, which sounds thicker than the 335 to me, but more mid-rangey than the SG). My Uncle had a 335 that my cousin played a bit while we were in our teens, and it has a much "stringier" sound than other guitars I've heard up close; he really had to turn the distortion all the way up to get it to sound like a hard rock instrument. It also has a lot more sustain than the SG, so I would think bending notes like Weir does on this 9/8 show would create a messier sound. I've never played an ES or learned how to get my fingers to move the strings with any dexterity, so I'm guessing on this point.

I couldn't find a list of shows or a date range when Bobby played the SG, but I think what has been so appealing to me about this show is what I said earlier in my babbling - they sound like a rocking quartet and Bobby may be running his pick over twice as many strings as most nights. I am almost positive he's not playing the ES, and whether by coincidence or whatever, he's way louder than normal as well. So I'm good with a night off from Keith for the uniqueness of this show. I haven't listened to the bonus disc yet, but have been into the main release about 5 times. Bonus Disc coming up next....

....worth checking out.
Dan R. Joined since pretty much the start of dead.net. where you been?

Finally blasting this on the home speakers. One of the greatest Truckin’ jams of all. Weather Report Suite had a great debut. Cool show.

As for recent other listening, June 9, 1990 is a surprising Phil tour de force. Incredible performance!

Owsley foundation has a new release out, it is Tim Buckley from 1968 , from the Carousel Ballroom in S.F. Now, I couldn't tell you one thing about Tim Buckley, but if you are a Tim Buckley fan Im sure this would probably be something that would interest you.

....i knew that. But still. Happy Anniversary!!

Warlocks 1st show was back in 1965. that was 56 years ago today.

....The Warlocks played their first show. Too bad Jim's John Deere is in the shop currently.

This is a top notch show, I hope everyone who wanted it got it. Also, if you skipped the sub, you picked the wrong year not to sign up. This is the best bonus disc of the DaP series, and probably the best since Road Trips (remember those!) 4.3 with excerpts from 12.6.73, ya know, the one with the 58 minute Dark Star > Eyes. Non-stop rotation starts.....NOW

That studio Visions is truly something to behold. It’s by far my favorite version of that tune, even though those 95 versions are poignant and emotional. The two 86 versions are nothing to scoff at either, it’s just that the other versions are way better. As for GarciaLive 16, I’m very excited. I’ve regularly been listening to the Ain’t No Bread in the Breadbox from that show(there’s video too), so I’m very excited. The cover art looks very nice also, a major change up from the previous 15. That’s my 2 cents

JEEZ! 19:01 of bliss. From like the 10-16 minute marks they are a pure jazz quintet.
I started with the bonus disc to go chronologically and the whole time I'm saying it's good but not monumental (a bit like Proudfoot) then the Eyes kicked in and it clicked for me.
Most of the Dick's and Dave's have that sublime moment in there somewhere that you know was the reason they picked that show. We all lived for that moment in the live performances and having only seen a dozen or so I can say they never disappointed. If we were lucky it was a whole set! Who else can even play an hour and a half non-stop and manage to smoothly transition songs they have seldom (or never before) jammed together with a different improvisation each time? (Just a rhetorical ? Phish fans)
Hope the 9-8 is as good as that Eyes.
Cheers!