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    We're feelin' Philly 4/26/83 and its '80s highs. See what we're on about when you pick up DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83, the final show of a three-week tour, played at the venue that the Dead played more than Madison Square Garden (there's your daily dose of Dead trivia). This one fires on all cylinders, with extremely well-played, high-energy tight sets featuring newbies "West L.A. Fadeway," "My Brother Esau," rarities like Brent's tune "Maybe You Know," precise medleys "Help>Slip>Franklin's," an inspired new pairing "Throwing Stones>Not Fade Away," and the Dave's Picks debut of "Shakedown Street."  And before you come down, we've got a prime slice of bonus material from the previous Spectrum show 4/25/83 and an extra dollop of '83 from the War Memorial Auditorium, Rochester, NY 4/15/83 (featuring the Bobby rarity "Little Star").

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman.

    *2 per order. Very limited quantity available.

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  • icecrmcnkd
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    Lemieux and Norman

    What’s the scoop?
    Is the HDCD logo on the releases just false advertising?

    Have you considered doing a few releases of awesome sounding Plangentized reels as BluRay Audio, 24/192?
    Led Zeppelin did that with the Song Remains The Same soundtrack.

  • 1stshow70878
    Joined:
    Maybe You Know

    Wow! First time I've heard this. I love it. Kind of Loose Lucy sounding. Will have to pay more attention to the lyrics but at first listen was most impressed with Jerry's chording like Chuck Berry. A special treat in a show where Jerry is hitting an amazing number of notes. Arpeggio maximus. How did he just keep getting faster even as his health was declining?
    Cheers all!

  • icecrmcnkd
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    Sorry that was so long

    I would have just posted the lynk if I could.

    It came from a site called audio asylum.

  • icecrmcnkd
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    Thanks for the info

    Arthur,
    What you posted appears to be from VLC. If you used VLC to convert a 16 bit CD to 24 bit FLAC you just put 16 bits into a 24 bit container. That’s not the equivalent of playing a 720p DVD in a BluRay player that upconverts to 1080p.
    If you used actual software that decodes HDCD please tell us what software that is.

    Ziffle,
    What you said is in line with what I’ve read online.

    Simon,
    I thought you had a CD player that let you toggle between CD and HDCD.

    Since I can’t post a lynk, here’s the text.

    Huge misconception regarding HDCD
    Posted by Charles Hansen (M) on June 12, 2017 at 23:26:28
    In Reply to: RE: MQA vs HDCD posted by Jeff Starr on June 9, 2017 at 02:03:01:

    >> HDCD was a way to get 20 bit sound out of a redbook CD. <<
    That is what Pacific Microsonics (PM) *claimed* for HDCD. The truth is that was simply marketing hyperbole. PM built an A/D converter designed by Keith Johnson, called the Model One. The later Model Two was similar but added support for both dual- and quad-sampling rates. There were three unique features of the PM A/D converters that comprised the HDCD system:

    1) Peak Extend (PE) - was a compansion algorithm that compressed the top 9dB of audio signal during recording into the top 3dB of digital codes on the disc. When played back through an HDCD-enabled DAC or CD player, a "sub-code" that replaced some of the audio signal in the 16th bit (LSB) would instruct the DAC to expand the compressed signal and restore the full dynamic range.

    2) Low-Level Extension (LLE) - was a method to automatically boost the gain as the audio signal dropped, starting when the signal level fell to -45dBFS. It was boosted in 0.5dB steps as the level fell, reaching a maximum gain shift of 4dB if the signal ever fell another -18dB to -63dBFS. Again when played back through an HDCD-equipped DAC or CD player, the instructions mixed in the LSB of the audio signal would instruct the DAC to lower the gain (and background noise) by the appropriate amount.

    3) Transient Filter (TF) - was a method whereby the A/D converter measured the amount of high-frequency energy in the top octave. When it passed a certain threshold, the HDCD system would select from one of two available anti-aliasing filters (ie, "digital filters"). The original plan was apparently to have a complementary process during playback, but this never materialized. My best guess is that this was because Ed Meitner (then of Museatex) had beaten PM to the punch and already patented a DAC that switched reconstruction filters (ie, "digital filters) during playback, again by sensing the amount of high-frequency energy in the top octave.

    The problem is that the claimed 20 bits of resolution is a horribly distorted representation of the truth.. It was one of the greatest marketing misrepresentations in the history of high-end audio. In actuality, both PE and LLE could be *optionally* applied by the mastering engineer, and the instruction manual warned that there were specific reasons for not doing so on certain types of music. Also there never was any way to decode for the TF feature (which was always engaged). However every single CD made with a PM A/D converter would light up the mandatory "HDCD" logo light on a licensed DAC - even when there was no decoding of the disc even possible - apparently in an attempt to scare people into purchasing a new CD player or DAC that had HDCD decoding (and from which PM received royalty payments).

    The truth is that PE (*if* engaged by the mastering engineer) could only ever provide a maximum dynamic range increase of 6dB - and even then only if the recorded signal reached 0dBFS. In the very extreme case, this only adds 1 bit of resolution, to 17 bits.

    The truth about LLE is even more underwhelming. *If* the mastering engineer chose to engage it, it only became active when the audio signal dropped below -45dBFS. I have analyzed scores of HDCD discs using the tools available in Foobar. For popular music LLE was *only* ever engaged during song fadeouts. It turns out that -45dBFS is an extremely low level, nearly 8 bits below the maximum. Even with classical music recorded using LLE, the gain-shifting only activates infrequently - specifically during very quiet passages when only 1 or 2 instruments are playing. I have never seen an HDCD track ever use the full 4dB range of level shifting, as the signal level would have to fall to -63dBFS, nearly 11 bits below the maximum. The *theoretical* maximum gain shift of 4dB amounts to about another 0.6 bits of dynamic range.

    If *both* features were engaged by the mastering engineer, and everything completely optimized in an extremely unlikely real-world scenario, the most that HDCD could boost the dynamic range would be 1.6 bits to 17.6 bits. In more realistic situations, engaging both features would increase the effective bit depth between 0 and roughly 1.2 bits with classical music, and between 0 and roughly 0.9 bits with popular music.

    At this date we have all had chances to hear the differences between 44/16 files and 44/24 files. The most common example was the 2009 remaster of The Beatles box set. The CDs were dithered down to 16 bits, while the "green apple" thumb drive contained the original 44/24 files (reduced from the 192/24 tape transfers made with Prism A/D converters). Yes there is a difference in sound, but it is hardly "jaw-dropping" or "transformational". So if adding 8 true bits of resolution only improves the sound slightly, one wonders how much improvement would be heard with only 1 extra bit of resolution - *if* the HDCD features were even engaged by the mastering engineer.

    So where did PM come up with the "20 bits of resolution" claim? Simple - they added the extra bits as the A/D converter also had optional dither algorithms. This is where it gets weird. Prior to the PM converters, by far the most common alternative was the Sony PCM-1610. While it did not have any dither built into that converter, the incoming audio signal was always dithered anyway - by the tape hiss present on the analog tape that was being transferred to digital. There is no tape recorder on the planet that has an unweighted S/N ratio greater than 96dB, which is what would be required to create the need for external dither to be added.

    The next question is why was HDCD so enthusiastically received by the audio press and many mastering studios? Again the answer is quite simple - it sounded far better than the competing Sony unit. *Not* because of the HDCD features but simply because it was designed to a far higher "audiophile" standard by Keith Johnson, an extremely talented designer.

    The A/D converter is simply one box in the chain between the recording microphone and the playback speaker. We have all heard the difference made by replacing (say) a cheap preamplifier made with very old, low cost op-amps, electrolytic coupling capacitors, and low quality parts throughout with a mega-buck preamplifier made by one of the top designers on the planet using fully discrete circuitry, state-of-the art parts throughout, and designed for the absolute maximum performance.

    A change like this can completely transform the sound of a home stereo system. And a similar change to the A/D converter can completely transform the sound quality of a CD.

    That is the real story of HDCD - a superior sounding product that was sold through deliberately misleading marketing strategies and false comparison setups. For example at the 1997 CES, PM gave out free CDs with "comparison" tracks purporting to show the differences made by HDCD processing. The natural assumption was that the tracks were made with the same converter and simply engaging and disengaging the HDCD processing. But no, instead PM made three tracks with the PM A/D converter and three "comparison" tracks with a Sony PCM-1610 converter.

    In addition HDCD was dreamed up to be a money-making machine. The converters were sold to the studios for $20,000 each (I'm unsure if there were licensing costs there.) On the playback side each manufacturer had to pay a $5,000 licensing fee up front (later raised to $10,000), plus purchase a special decoding IC from PM. The IC was priced artificially high so as to constitute an easy-to-track royalty payment for each player sold.

    It fooled a lot of people for a long time. There were two separate events that led to the demise of HDCD. The first was that only a couple of years after HDCD was available to the public, both DVD-Audio and SACD offered true high-resolution formats, obviating the need to "hop up" the out-of-date Redbook CD format (by only a single bit of actual resolution). The second was that PM had paid roughly $500,000 to develop their custom decoding IC chip. It was made on a 600 micron process. (By comparison we are now down to the 12 to 16 micron range with semiconductor processes.) By 2002 or so that technology was so out of date that the fabrication house was dismantling the line and halted production. It would have cost another $500,000 to make a new version. There was an aborted attempt to fabricate it as a pre-programmed Motorola (?) DSP chip, but apparently there was only one sample batch ever made before PM sold the entire thing to Microsoft, where it died off fairly quickly.

    The only positive note to the whole story is that there are still a good number of mastering houses that still use the PM A/D converters. Even though the Model Two is over 15 years old, there are only a handful of other brands that can compete with it sonically. It is still one of the best sounding A/D converters ever made, just as the Marantz 9 was one of the best sounding power amplifiers ever made. Good sound never goes out of fashion.

    As far as any similarities between the 20-year old story of HDCD and the current story of MQA, I will leave that up to the reader to judge.

    As always, strictly my own opinions and not necessarily those of my employer or guru.

    EDIT: The above post was dashed off quickly and likely contains some minor errors. For example the units used in the discussion of semiconductor fabrication should have been "nanometers" and not "microns". Nevertheless I believe the overall arch is historically accurate. Corrections are highly welcomed.

  • Dennis
    Joined:
    That Mike and Ornette

    Saw Ornette at Town Hall in NYC when he was doing the Song X tour with Methany.

    Didn't understand one bit of it!!!

  • Dogon
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    Dennis, Joe and Lee

    I dont think you will be disapointed when it arrives.
    There is a rumour that a Lee Morgan 60s set is in the works, unfortunately you have missed the Hank Mobley 60s set, but keep your eyes open, it might turn up used, if it does, pounce!
    Also in Japan a whole slew of Lee Morgan reissues are being released in conjunction with the Live at the Lighthouse box.
    CD Japan is your friend, and if you were to order from them you will be surprised, after dealing with all the highs and lows of dealing with Deadnet, of the smoothness and efficiency of the transaction!
    I always pay for shipment via DHL, a bit more expensive, but 2, max 3 days delivery from Tokyo to my door in Sweden.

  • ArthurDent
    Joined:
    Encoding Info

    Artist Grateful Dead
    Title Let It Grow
    Album 1983-04-26 - Dave's Picks Vol. 39 - The Spectrum, Philadelphia, PA
    Track 10/10
    Disc 1/3
    Genre Rock
    Year 1983
    Rating
    Composer
    Size 79.88 MB (58% Compressed)
    Original Size 189.63 MB
    Length 12 minutes 31 seconds
    Channels 2 (stereo)
    Sample Rate 44.1 KHz;
    Sample Size 24 bit
    Bit Rate 2,116 kbps (DVD)
    Encoder FLAC reference libFLAC 1.3.2 20170101
    Encoder Settings
    Audio Quality Perfect (Lossless)
    Contains CRC, ID Tag [Vorbis Comments]
    Channel Mapping
    File 10 Grateful Dead - Let It Grow
    Type FLAC Audio File (VLC) [.flac]

  • Forensicdoceleven
    Joined:
    Only the guy who isn't rowing has time to rock the boat………….

    50 years ago today……

    August 7, 1971
    Golden Hall, San Diego, California

    Set 1: Big Railroad Blues-El Paso-Mr. Charlie-Sugaree-Mama Tried-Bertha-Big Boss Man- Promised Land-Hard to Handle-Cumberland Blues Casey Jones

    Set 2: Truckin'-China Cat Sunflower-I Know You Rider-Next Time You See Me-Sugar-Magnolia-Sing Me Back Home-Me & My Uncle-Not Fade Away>Goin' Down the Road Feelin' Bad>jam>Johnny B. Goode

    Deadicated to Seth Hollander, Oxford 88, Mr_Heartbreak, gcdeadhead, Shafts Of Lavender, Gratefulpeds, Gbow22, frampton, jpdonn1, chilly1214, and deadyettipa, because nothing fixes a thing so intensely in the memory as the wish to forget it…..

    Released as part of Dick’s Picks 35 in 2005, one of the so-called “houseboat tapes”, somewhat of a revelation at the time, as not all summer 71 shows circulated. Not the greatest show but I will always take whatever 71 is officially released!!

    There’s not a “big jam”---although there is an interesting but short jam between GDTRFB and Johnny B Goode---but it’s OK. What I call “the three R’s of live Dead”----rockin’, rowdy, and raucous!! Needless to say, worth a listen!!!

    Rock on!!

    Doc
    We are imprisoned in the realm of life, like a sailor on his tiny boat, on an infinite ocean……

  • simonrob
    Joined:
    HDCD...

    I have no idea if HDCD encoded discs sound better. I only have one CD player and that has no possibility to turn the HDCD on or off, so making a comparison is not possible. My player, like most, has the DAC built in. A comparison using my player and another with a different DAC and no HDCD would reveal the differences between the DACs as well as any differences with HDCD on or off, making such a comparison pointless. I can only read discussions on this by others, such as Ziffle, who are (or at least claim to be) better informed than me on the subject. I don't lose sleep over this as there is nothing I can do about it- I just put CDs in the player, hit 'Play' and the magic begins.

  • Angry Jack Straw
    Joined:
    Satisfaction

    Wharf - I believe you are referring to the 8/8/82 Alpine Valley show. The whole show is awesome stuff.

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We're feelin' Philly 4/26/83 and its '80s highs. See what we're on about when you pick up DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83, the final show of a three-week tour, played at the venue that the Dead played more than Madison Square Garden (there's your daily dose of Dead trivia). This one fires on all cylinders, with extremely well-played, high-energy tight sets featuring newbies "West L.A. Fadeway," "My Brother Esau," rarities like Brent's tune "Maybe You Know," precise medleys "Help>Slip>Franklin's," an inspired new pairing "Throwing Stones>Not Fade Away," and the Dave's Picks debut of "Shakedown Street."  And before you come down, we've got a prime slice of bonus material from the previous Spectrum show 4/25/83 and an extra dollop of '83 from the War Memorial Auditorium, Rochester, NY 4/15/83 (featuring the Bobby rarity "Little Star").

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman.

*2 per order. Very limited quantity available.

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Hey Nappy, on your north rim adventure, did you take the 75-mile dirt road out of Pink Coral State Park, Utah, south past Vulcan's Throne to the campground with the awesome organic toilets?? I've got a great Vulcan's Throne story for you...

Angry One, ah the good old daze, which imprinted more at the time than we could appreciate. And there's nothing like looking back 48 years later to make the old daze seem like the "good old daze," eh? I mean, they definitely were, but it was rugged at the time... the paradox of time...

Vguy, you're KILLING ME!! Dancing to the GD with a shrimp cocktail in your hand.... man, when we were little kids at our first GD shows, we grew wary of the Hum Zone (aka Phil Zone), which was the first 20-30 feet back from the stage where everyone was tripping madly and packed in tight. You show up there with a shrimp cocktail, circa 1972, and you'd a been without shrimp cocktail in seconds! Why they'd a taken the flesh right off your bones!! Yeeehhhiiiii! What a great image, though.

Yeah, that "luxury box" thing is, I think, only for events you don't give a hoot about. If it's a show you want, you go down to the floor and get some. And being barred from smoking, toking, vaping?? Nah, give me KAOS on the floor (with Siegfried) instead!

Oh, and I did enjoy DaP 39, especially West LA Fadeaway, which made me curious to hear a few of the '80s shows from the Rocks, just to hear what I saw... We were impudent young scalliwags back then, old enough to know better but too young to quit.

I gotta stop reading this forum, cuz I keep ordering CDs that I suddenly "need," including Coltrane '65. Will you guys cut it out for, say, 30 days??

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That was the whole point of the story.

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In reply to by Angry Jack Straw

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....duly noted. I agreed.
And I love shrimp cocktails.
Luxury boxes are stagnant and boring imo. Had a box during a hockey game. Was fun for ten minutes, then I got bored and left.
Found a seat in the lower bowl. Much better.
Even if I was rich, which I am not, I would still mingle with the "unfortunate souls".

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Absolutely.

A bunch of us husbands have season football tickets just so we can hang out, catch up on old times and drink a few beers. Our seats, by choice, are in the very last row. With the “commoners” as you put it. We have a blast.

Invariably, at every game, one of the attorneys in the group invites us to his firm’s luxury box. No thanks is the universal response. We’re fine right here.

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In reply to by Angry Jack Straw

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....you don't need to be concerned about some asshole behind you trying to start shit. YouTube sports fans fighting in the stands. Back row is a safe spot.
I'm proud to be a humble knave.

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Just got home after a week on a Greek island. There it was 34° (93° F) with endless sunshine whereas here it is 17° (63° F) and grey, overcast and raining. What a shit summer it has been here in north west Europe. It was easy adjusting to lashings of Greek food and litres of ice cold Mythos beer. Now I'm home I'm wondering why I didn't stay there. At least it helped to pass the time while waiting for the box set.

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The thing I always liked about uphill seats, no security!!!

You could have a damn bong up and smoking and no one was gonna come up to get you. Even if they did you had an unobstructed view of those coming up!!

Always somebody I intended to listen to, but sadly never did. That goes for Jamaican and dub music as a whole really. It was very popular in mid-late 70s England - I can still remember a poster of the cover Peter Tosh's album "Legalize It" in the window of a shop opposite where I lived circa 1977. I've got that, Bob Marley's "Catch a Fire" and a smattering of compilations from Studio 1 - which I think pre-dated reggae slightly.
So much to get into, so little time !

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4 years 4 months

In reply to by daverock

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Don't tell it again. Get lost, whoever the (n(^ you are.

addendum 2 hours later...

Thank you for getting rid of that interloper, GD/Marye

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...no I didn't take that route...I live on the South Rim so I just drove east out of the park to Cameron...then north to the 89A cutoff, over Navajo Bridge on the Colorado River to Jacob Lake and then south to the rim...Might have to look up the route you're talking about, sounds delightful....I almost took the road to Point Sublime but after a few miles of the road steadily worsening I did a quick U and headed back to paved roads...I had about another 15 miles to go...

...just looked it up on google maps...Vulcan's Throne looks awfully close to the Toroweap Overlook which suggests the campground you're talking about is the Tuweep Campground....

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Nappy, sounds about right. Man, we hammered down that dirt road, which was pretty well maintained. I had Bonnie Raitt blasting and did some hoovering of Peruvian marching dust along the way. My buddy was in another vehicle, so as fellow lunatics we raced each other at times, passing in bad places. So, to Vulcan's Throne... we parked just off the road and, immediately, I noticed a large, dessicated rattle from a diamondback sitting on the ground. It's still on my desk, probably ~25 years later. So we proceed to clamber down a do-able outcrop and make our way across a valley to Vulcan's Throne. Ahead of me, my buddy yelps really loudly and I look up to see him catapulting through the air, impressively high off the ground. I was just getting off on the shrooms so I laughed really hard. He looked so funny! When we caught up he pointed out an absurdly large diamondback, fat as your forearm and maybe 6-8 feet long. A sobering sight, but not for long, as the shrooms did their magic. So we climb to the summit of Vulcan's Throne; it's a cinder cone, formerly a volcano (its flows formed Lava Falls on the Colorado River below, sometime in the last 2 million years), so sight lines were good. We're on the summit, peaking, and I said casually, for effect (not believing it myself), "You know, there could be large snakes under any one of these rocks," pointing to a handful of summit rocks maybe 2-3 feet high and 5-6 feet wide. We'd sat on one after reaching the summit. I point my walking stick at the nearest rock and we look underneath: there's another fat diamondback wrapped around the underside, staying warm. We looked at several other rocks: diamondbacks under nearly every single one. We were aghast: we'd just been sitting on one of those rocks. We managed not to panic, but we decided rather swiftly to exit the area, and to do so very carefully. My entire being is now fully programmed for visual identification of diamondbacks. My buddy tried to get conversation going as we hiked back to the car but I told him to stop because I didn't want sound to interfere with my visual scan of the terrain ahead. We encountered a few more rattlers in the valley, but if undisturbed, they're harmless. The key concept here being "if undisturbed." Here in Colorado we have small prairie rattlers (which can still put you in the hospital) and nocturnal faded midget rattlers (diamondbacks only in Las Animas County on the NM border), but the size of your neighbors, Nappy -- truly fat diamondbacks -- definitely intimidated me and I'll never hike the North Rim again without paying FULL attention to every single step. (Good practice anywhere.) We spent 5-6 days out there, truly stupendous country. (The Tuweep toilets were a marvel of Scandanavian design; love me a good outhouse!) Managed to locate some very primitive rock art nearby that suggested they were more than 1,000 years old -- crude symbols with lots of patina.

That's the easy answer as to why cowboys wear cowboy boots, I can say that. And I'll say this: the road trip from Grand Canyon to Grand Junction is one loooong drive. As you probably already know, keep your eyes peeled when you're on foot in northern AZ!

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Sometimes I wish there was a consumer protection law that would require that classic rock bands have to include at least 51% of their original members if they’re going to perform under their original name. Kind of like how Taco Bell has to have a certain percentage of its ground beef if they’re going to call it ground beef.

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In reply to by nappyrags

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....my thoughts. But homemade tacos can't be beat. Jerry's quote wouldn't work regarding....
"Not everyone loves licorice, but the ones that do really loves licorice."
Everyone loves tacos.....

Believe it or not, but google ShaNaNa law, a suit that was started in NJ where none of the original members of the band performed under that name. Now there must be at least one surviving member in the band of it to call themselves that. Like at Queen. They have only two original members. Sorry I used to work as a booking agent ans that was part of our licensing test.

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Got the new email for th download for Playing In Ther Band from the St Louis Box Set but it isn't working...not just me but others too...no problems with the first two that were made available...this kinda stuff is getting really really old fast...

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I had the same problem trying to download my FLAC of PITB. I hope TPTB are on this.

While we wait, maybe somebody can explain to me why they don't just make your downloads available as soon as you buy the box set? What's the point of releasing one song, and then waiting a month, and releasing another, and then waiting another month for the next one? Maybe it's kind of like kindergarten, where sometimes they just want you to practice waiting for things?

Glad to hear about the Sha Na Na law law law, but we would have to agree that's a pretty sad standard: you only need one of the original 12 members? What's that, a mere 8%? I expect more beef in the burrito.

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In reply to by Crow Told Me

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It's good to have a house
It's good to have food
It's good to have intellect
It's good to have a job
It's good to work in a school
It's good to have the GD
It's good to have this little outpost of the internet
It's good to have Listen To The River arriving soon
It's good to have health

"rejoice, rejoice, we have no choice but to carry on"

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How about the one on the way to Taos High Bridge:

"Do Not Throw Litter"

Of course, it's perfectly okay to carefully place toxic waste on the ground, just don't THROW it?

Or my fav from Alaska: "At Your Own Risk Road." We did not go down that one.

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In reply to by Crow Told Me

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The saddest part will be when the whole band is gone, is it just tributes then? ESP since we are now at a point where the first rock and rollers are going faster and more often. Copeland just died and how Mick and Keith outlasted him is beyond me. Jagger just had a hip replacement and his youngest SON just turned 4. He is also a greatgrand father!!!

A contribution to best sign,
Reported in UK Guardian many years ago.
Sign in an otherwise empty field reading ' do not throw stones at this sign'.

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Sotheby's is auctioning off some of the wall of sound, including a McIntosh amplifier with a rolling parts box. The other items include owlsleys LSD original chemistry set given to 'ramrod' before bear went to the kink. The chem set is estimated to go for $10.000-15,000. Let's start a collection for that chemistry set, guys.

King Crimson have only had one original member playing on stage with them since they split up at the end of 1969. Lyricist and sound mixer Peter Sinfield stayed on board up until 1972.
Hawkwind have only had one original member with them since 1976, and Gong have literally none, although they had the blessing from founder Daevid Allen before he slipped this mortal coil.
All three bands still performing live under their original name.

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:Dogon, that's a classic example of a sign that will invite stones to be thrown.

Out here in the American West, it's practically any sign that is riddled with bullet holes, large and small. Except, thankfully, on the Interstate.

One sign that is fairly ubiquitous is: "Speed monitored by aircraft"! Yeah, right! Maybe that was true for like 15 minutes 40 years ago, when the cops "realized" that that was not cost effective, now they're just a punchline.

O-kay, t-minus 29 days and counting... yes, I know I'm on the wrong thread. Story of my life..............

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Thanks to D. for hooking me up with the RTR show. What a show.

Reminds me of the school of thought that suggests that legislating against something often makes the thing being legislated against more attractive than it would otherwise have been.

Dogon - I think you referred to Help Yourself as being a bit like Quicksilver in a recent post, and I have just noticed that a new box set by them has been released of their complete studio recordings. I have never heard them, myself, but they sound worth checking out. If that makes sense.

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A fine, fine band. Certainly worth anyone's time and effort to check out their music. The new 6 CD box set anthology has to be considered essential.

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12 years 4 months
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I saw that there is a vinyl box set that is or has been released that will include Wake of the Flood, From the Mars Hotel, Blues for Allah and Steal Your Face in a slip case. It's called Box of Dead Gems.

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10 years 3 months

In reply to by simonrob

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Good enough for me. Maybe not today, but definitley before the night draws in.

that I was in a record store and found some GD bootlegs (true bootlegs) with weird nonsense song titles. I think they were from 76.

On the drive to work I checked to see if my "no GD right now" rut was still in place. First two tracks of 11/30/79 rocked nicely. So, hopefully that rut is over.

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12 years 1 month
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Ordered a while back, but Richard Thompson's Mirror Blue, in limited CLEAR vinyl came in today.

The clear is really cool!!!

Forgot they were limited to 1200!

Anyone else get this one?

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10 years 11 months
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The highs are really high, and the rest is good stuff for an end of tour show in the bustling metropolis of Binghamton on November 6, 1977. I particularly enjoyed the St Stephen> Not Fade Away> Wharf Rat> St Stephen Truckin' segment much more this time 'round. The ending of the Truckin' is really strong, and they really nail the ending, and I swear for a moment in the ending, it sounded like Jerry wanted to reprise St Stephen, perhaps forgetting they had already done that after Wharf Rat, which admittedly had rocky lyrical moments. Jerry was also forgetful on Scarlet Begonias, but that's only part of why I've never connected with this Scarlet> Fire, and still didn't this time. Dire Wolf was also an excellent choice in the 1st set, and somewhere I thought I heard Jerry teasing the Dire Wolf lick, maybe Truckin'. Clearly from the tape, they were having fun in the last shows for almost 2 months.

Dave's 26 (11/17/71 & 12/14/71) came up next and I went with it to prepare to Listen to the River in a month's time. Remarkable how different, yet also the same, Truckin' was in those intervening 6 years. And they had to restart Sugaree, and Jerry begs the crowd's forgiveness seeing as "We're new around here", alluding to their New Mexico debut. I listen to The Other One from this show every few months and usually the absolutely incredible Not Fade Away> GDTRFB> NFA. Billy's intro on the drums is just exquisite. First time in New Mexico and they destroy it where Buddy Holly recorded it and Dan Petty gave himself a co-writing credit for producing.

10/18/72 is coming...

My last listen was Dicks 31-the compilation of tracks from 8/4/74-8/6/74. Incredible sky high jams that seem to leave the songs they grow out of behind.
Earlier in the day I finished off 6/9/77, which is also great - very bright and breezy. Skims across the surface a bit compared to the 74 shows. The Help-Slipknot-Franklins is the centre piece of this one for me.

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10 years 8 months

In reply to by daverock

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Has always been a favorite of mine, as well, Dave. The only flaw being the shows are incomplete. But we definitely get the meat. Arby's has nothing on that Playin - Scarlet - Playing on CD 4. (As a brit, DaveRock, you likely don't get that joke, unless Arby's has made it's way across the pond. And if so, on behalf of all Americans, I'm truly sorry.)

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16 years 2 months
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David Crosby is releasing IICORMN which will include outtakes from the session. Do believe Jerry was involved big time with this release and some new unreleased gems will be included in this 2 cd set. The second cd will be all out takes and demos and some new unheard tunes. Always loved this lp and I need to add it to the list of cd's to pick up when it is released in Oct.
Would love some 1970 for Dave's 40.

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11 years 10 months

In reply to by carlo13

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as regards Owlsleys LSD original chemistry set...I wonder how much they'd charge to just lick it?

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12 years 3 months
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Just finished listening to this again. I must say, I liked it much better the second time around.
That is all.
Have a wonderful Saturday!!

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10 years 3 months

In reply to by lebowski99

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Lebowski99 - no, I'm afraid I don't get it. But I can tell by the tone of your post that there is nothing to apologose for!

Sam - yes, that's a classic album by David Crosby - one more reissue to look out for.

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17 years 5 months

In reply to by daverock

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....until my first concert since Iron Maiden in September 2019.
Billy Strings in on tap.
Such a long long time to be gone, but a short time to be there.

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7 years 5 months
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It’s amazing to me how fantastic some of these releases sound after putting them on the shelf FOR YEARS!! We used to discuss having time to go back and listen to the “oldies”, but I certainly haven’t spent much time doing that lately.
The Dark Star>Sitting’ ’ On Top>Dark Star is a gem to me, given it’s mere 17 minute length. The places the boys go in that first 14 minute section are time travel to me. On to Dave’s Vol.5!!
I do wish all a safe and healthy Labor Day weekend.
Music is the Best!!

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