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    We're feelin' Philly 4/26/83 and its '80s highs. See what we're on about when you pick up DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83, the final show of a three-week tour, played at the venue that the Dead played more than Madison Square Garden (there's your daily dose of Dead trivia). This one fires on all cylinders, with extremely well-played, high-energy tight sets featuring newbies "West L.A. Fadeway," "My Brother Esau," rarities like Brent's tune "Maybe You Know," precise medleys "Help>Slip>Franklin's," an inspired new pairing "Throwing Stones>Not Fade Away," and the Dave's Picks debut of "Shakedown Street."  And before you come down, we've got a prime slice of bonus material from the previous Spectrum show 4/25/83 and an extra dollop of '83 from the War Memorial Auditorium, Rochester, NY 4/15/83 (featuring the Bobby rarity "Little Star").

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman.

    *2 per order. Very limited quantity available.

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  • leedesj
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    jim in MD

    so jim... you mentioned your first show was 4/82, was it norfolk scope? that was a long (for the era) great show, then you said you went to 4 shows in 83 including hampton and the meriweathers, so was the other one richmond 83? that is a very under the radar great 83 show (in my hometown), 2nd set started with dayjob, playin>crazy fingers, had a sung spoonful and also they go into sugar mag at the appropriate end spot, seemingly realize they had played it the night before and then seamlessly switch to good lovin, people had been walking out during dayjob encores, but they didnt walk out on this one

  • estimated-eyes
    Joined:
    literal

    I know I took the cover band comment too literally and understood what you were generally saying, but you might want to come up with a different expression for your thoughts on the band's sound. The band's sound continually evolved-- hell, you can hear it not just from one band lineup compared to another, but sometimes from tour to tour. I, for one, am glad that a China-Rider from 1972 sounds quite different from one in 1989. That is why we collect shows like we do-- every show didn't sound the same. We didn't go to shows in 1989 to hear them sound like they did on Europe 72, we went to hear their new interpretations of the songs in the catalogue.

    One factor was band lineup, obviously. Again, Mickey's reincorporation played a big part in why they took a less jazzy approach, in my opinion. A less obvious factor was following music trends. While the GOGD did not follow all the trends of popular music throughout their 30 year history, they loosely followed them while maintaining their own unique x-factor (though I would argue the period 1973-75 they were a band doing their own thing entirely). To wit:

    1966-69: psychedelic SF rock and roll band like many others
    1970-71/2: like many bands following the Band's 'Big Pink', the Dead moved into the folk rock style on their albums and in their live shows, while maintaining their unique psychedelic sound
    1972-75: wild card era with unique exploratory shows
    1976-80: Disco overtakes America and the Dead incorporated disco into their sound along straight up rock and roll
    1980-95: For the most part, they charted their own course and kept playing rock and roll during a dismal time for popular music. In The Dark is as close as they got to a pop record in the 1980s and though they didn't fully incorporate the pop music of the 1980s into their sound, that album comes close. Brent's synthesizer was very 80s and his songs sound like they could be sung by Michael McDonald. They totally shunned the grunge sound of the early 1990s and kept doing their thing.

    Long way of me suggesting they followed musical trends of each era while keeping their core identity and sound intact. I saw my first show in 1988, but my wheelhouse is the 1968-74 era. But I love shows from all these time periods (though mostly shun the post-Brent era) and love the change of pace each era gives me. In fact, I absolutely love the Hartford 87 release-- great shows.

  • JimInMD
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    First Show 82

    But my sweet spot is solidly 68 - 74. (67 even, but there are so few recordings from this year). I am really looking forward to the Fox Box (St. Louis, 73 isn't from the Fox).

    But do enjoy good shows (and good sequences) from all years. I do know a lot of people that enjoy post hiatus more, however, and there's nothing wrong with that. It is different. Most bands with longevity approaching the GD sounded much different in the later years than they did in the early years.. think Rush for example.. and the bands that sounded the same often fell into obsolescence after their first five or ten albums. It's not such a bad thing that the GD felt the need to reinvent themselves and morph as the decades roll on. In fact, it's quite Grateful Deadlike.. new instruments, new influences, etc. I guess we could have done with less demons, better health and crisp vocals into their Sr. years, but that's way beyond our control.

    Anyway.. first show 80's and my sweet spot is solidly 68-74. The Grateful Dead is like food.. I might love sushi and Thai food but every now and then some good Italian scratches the itch.

  • icecrmcnkd
    Joined:
    A Hunter clunker

    Samba In The Rain.

    I forgot to mention So Many Roads as a good new song.
    The late era Jerry songs wouldn’t have had the same impact if sung by young Jerry.

    I listen to all years which allows me to move around eras and never get burned out on any particular year.

  • Angry Jack Straw
    Joined:
    We all have our favorite eras

    but Dave and Simon's assessments are right on point. No getting around it.

    I posted this a year or so ago. Sure I like to occasional Shakedown, So Many Roads, etc., but the overwhelming majority of songs I skip are from 1978 on. To be fair, even though my preferred era is 69-74, I cannot envision the band without FOTM, H>S>F and Terrapin.

  • leedesj
    Joined:
    Dap 39

    actually i think a lot of us here didn't get on bus till the 80s yet we still prefer single drummer eras or earlier, i am one of them, but life would be a little more boring if all we had was 71-75, and as someone pointed out without the extra popularity they achieved from 76-95 we might not even be on here today talking about them, i think this DaP 39 is an incredible release and has encouraged me to listen to more 83, including shows i went to in high school, it has been a great diversion from my favorite period, it really is sweet spot, i think brent's sounds are amazing and jerr's voice is seasoned yet strong (at this particular show), new songs were fresh, i never heard so much phil in an early 80s recording, and drums sound great, thanks

  • simonrob
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    Change is continuous.

    Certainly there were some excellent songs written post hiatus, but there were also some real clunkers. I doubt anyone could be critical of Hunter's skills as a wordsmith.

    I think it is reasonable to suppose that most people's favourite period of the band corresponds to the time that they got into the band and started going to shows. Not only did the band's music change with time, all aspects of society and popular culture changed as well. For instance, the counterculture of the mid to late 60s was, at best, a distant memory by the 1980s when society had totally different values and a very different outlook.

  • DeadVikes
    Joined:
    Post 1974

    If the band stopped after Winterland 74 this site would not even exist. Decline? I don't think so. Different? Yes, always changing and always evolving. All kinds of ups and downs through out the 30 run.
    They stayed the course for 30 years. Do you I like ever year? No, some are better than others but what a ride.

  • icecrmcnkd
    Joined:
    Perfect example of a cover band

    FW 69
    Same songs, night after night, with little variation and little innovation.
    And that continued for the whole year.

    Fortunately the band didn’t want to be a cover band forever and started to write new songs.
    As I believe Hunter said in Anthem To Beauty, “we went from experimenting with sounds to experimenting with words.”

    Some excellent songs were written after 1974.
    Help/Slip/Franklins, Crazy Fingers, Music Never Stopped, Estimated Prophet, Terrapin, Shakedown, Saint of Circumstance, Althea….
    The conjoining of Scarlet and Fire…..
    Late era songs like Days Between, Built To Last, Standing on the Moon are good too.

  • simonrob
    Joined:
    Timelapse schizophrenia.

    I pretty much agree with Daverock's analysis of the decline of the band post hiatus. I think they had trouble trying to assimilate Mickey back into the band and how this worked out was at least part of the reason Keith and Donna bailed out when they did. After their departure and Brent's arrival the band's sound changed dramatically and not for the better in my opinion. I can listen to their later shows and enjoy them, but they are lacking the magic that was what originally attracted me to the band.

    I don't recall any of the original "cover band" comments stating that the band were a cover band. As I recall, the point being made was that they began to sound like a cover band which is not the same thing. We all know that they played covers throughout their career, but in later years their sound changed so much and the way they played their own songs was so different from how they played them earlier that they did, in a way, sound like a cover band of themselves.

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We're feelin' Philly 4/26/83 and its '80s highs. See what we're on about when you pick up DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83, the final show of a three-week tour, played at the venue that the Dead played more than Madison Square Garden (there's your daily dose of Dead trivia). This one fires on all cylinders, with extremely well-played, high-energy tight sets featuring newbies "West L.A. Fadeway," "My Brother Esau," rarities like Brent's tune "Maybe You Know," precise medleys "Help>Slip>Franklin's," an inspired new pairing "Throwing Stones>Not Fade Away," and the Dave's Picks debut of "Shakedown Street."  And before you come down, we've got a prime slice of bonus material from the previous Spectrum show 4/25/83 and an extra dollop of '83 from the War Memorial Auditorium, Rochester, NY 4/15/83 (featuring the Bobby rarity "Little Star").

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 39: THE SPECTRUM, PHILADELPHIA, PA, 4/26/83 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman.

*2 per order. Very limited quantity available.

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Well , well , well, 40 years ago today I was at the Greek Theatre to see the good ole Grateful Dead, this was my favorite show of all the Greek shows, this 1981 run was my favorite run of all the Dead Greek runs. Cousins, you're right these 3 shows would make an excellent box set. Time to get the steaks on the bbq and crack another beer. Muddy Waters is playing Louisiana Blues and another killer day here in the Bay Area.

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You know how I know Ron Wood is fuxing great? Because he’s been in so many great bands. Ever listen to the Creation, his early, mod-era band? Fuxing great. And of course you’ve heard the Jeff Beck Group albums, with Rod on box? Fuxing great, too, right? And then there’s the Faces, no need to say more about their fuxing greatness. And then the Stones, who experienced a renaissance with the arrival of (huh huh) Wood and made their last great records with him.

Ronnie joined the Stones at a time when nobody in that band like anybody in that band. They weren’t speaking to each other, let alone jamming together, but Ronnie was a guy that everybody liked, everybody got along with, and he got them talking to each other, and jamming, again. He was a perfect match for Keef, and unlike some I could mention (**cough**Mick Taylor**cough cough) he didn’t care who got credit.

Also, the Man did Shred. For anyone seeking confirmation, I would like to refer you to his solo on ‘Gimme Shelter’ on the “L.A. Friday” release, which is on Youtube. I was at that show, and my face hasn’t unmelted yet.

I would also argue that, by jeebus, his solo albums are better than any other Stones’s.

I will say without apology that you can’t pretend to love rock and roll without loving the Stones. But I will also say that by all indications, Mick and Keef stopped giving a shit decades ago, as evidenced by their inability to produce anything resembling a great new Rolling Stones song since at least 1989 and “Mixed Emotions.” That’s over 30 years ago, kids. And their perpetual oldies tours have just gotten embarrassing. Swear to Bog, you could probably prop up a scarecrow, put a burning fag in the kisser, and tell people that was Keef Richards, and they’d give you $200 ticket.

OK, I’m pretty hard on the post-‘80s Stones. It’s only because they were so fuxing great back in the early ‘70s when I basically lived to Rock, and I loved ‘em so much back then, and now for almost 40 years they’ve been a Dad Rock punchline. They’ve kind of disgraced their legacy, IMO. But you can’t blame Ronnie. At least they let him in the band pictures, unlike the bass player who’s been with them for 30+ years now, longer than Brian Jones walked the Earth.

Wood. Huh huh. Huh huh huh huh huh. ````````` (SHUT UP AND PASS THE BOLE, DUDE.)

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In reply to by Crow Told Me

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Brian Jones was prince of cats in the 60s.
Ron Wood was also in a pretty cool band in the 60s called The Birds. Check out "I'm Leaving Here" later covered by Motorhead.

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Yeah, HF I thought that title sounded a bit fawning. But if you want the real story, go to an authoritative source. And technically I was at 7-7-78 but was hanging out in the parking lot trying to avoid security without a ticket. Got there maybe halfway through the first set after working in Ft. Collins and tried to find my friends' cars so I could catch them after the show. After hanging (hiding) out in the upper lot and hearing a fair amount of the show I got chased back to the lower lots where I did find their cars. Turns out I was needed as a designated driver as some within the group were feuding about something or other after the show so I'm glad I went. Then had the real ticket for 7-8-78 and have never been the same since. Literally. Can't say it was a "bad" trip, as I've never really had one, but I did some weird things afterward. Sort of had the fugue state going for a couple of weeks after that one. I always blamed it on having tripped while still getting over being sick with the flu. But, as usually happens, a not so good thing can lead to better things and I got the wild idea to move over to the Western Slope. Best thing I ever did! And I got to see what for me is the Holy Grail of my limited eleven shows attended. It has been a real pleasure getting to compare what came before and after my first show here on this site with so many knowledgeable people. I should also credit David Gans show when I discovered it shortly after he started The Grateful Dead Hour. Helps me realize how special my user name is to me. Every time I listen to that show now I can appreciate what a ripper it was in the context of the day and what was to come later. (despite Bob learning slide on our time) So keep it coming HF!
Cheers and Latvala!

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In reply to by 1stshow70878

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Liked "despite Bob learning slide on our time" The gift that keeps on giving...

Love the good vibe posts, keep em coming.

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40 years ago today, another great show at the Greek Theatre, . The Dead kicked it off with a killer version of Shakedown Street. Hopefully, these tapes are in the vault and will be released one day.

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One of them shows where they played not only China>Rider, but Scarlet>Fire AND Estimated>Eyes. DaP 20 is another. Can anyone come up with YET another? Sorry, don't have my DeadBase handy...

So glad you made it, billy the kidd. You're right, it doesn't look like a board tape has seen the light of day. Here's hoping it will some fine day... :-)

Have a Grateful Week, everybody! :-)

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If you'd had the purple dragon blotter, you'd have been fine. Hope you got the box with these two shows or the tapes, both nights were scorchers. I especially appreciated the Jack Straw opener and Jer's Candyman -- first night, I think.

That is all. Off to the Green River for a couple days of paddling. Irony: air quality, for once in weeks/months, looks good, though Moffat County has the highest covid infection rate in Colorado. I'll stop once for automated gas and hit the camp chair with a guitar and a beer ASAP tomorrow night, then 15 miles down the cool Green, which is running 1615 cfs -- low but good enough for this house-bound zombie Red Rocks evangelical.

Don't even get me started on the Allman Brothers, Bonnie Raitt, Bob Dylan, Santana shows I caught there as well, starting 47 years ago..........

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Yes, someone did say, "Motorhead". It was this fire/knife juggler guy in the Danger Committee, whom I saw Labor Day at the MN Renaissance Festival! During their crazy-good (and just crazy) show, wherein they tossed all kinds of heavy/dangerous/flaming objects to/over/around each other, as part of their banter the main guy mentioned Motorhead, at which point another guy in the group made a joke about how obscure the main guy's references were. I DID imagine that you would have liked to have been there to hear that!

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I just read a very timely article in something called the bold italic by a cat named Steve Kettman. He was a grad student at Cal and these were his first shows. He had contacted Rex Jackson at some point to recollect on the shows, and Rex said "One thing that is interesting about it is there are no soundboard tapes of it". Sorry, but I can't post the Lancelot Linc.

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Glad you liked that memory. Woke up today thinking I had shared too much. You reminded me that I'm among kindred spirits here. I think it was the orange sunshine microdot, or maybe the purple dot. Everyone else who had it did not end up streaking the neighborhood for fun at midnight a few days later. The roommates had some 'splainin to do when the cops showed up after I was already asleep. Their loss I guess.
Ah yes, the '90 Allman Bros. at The Rocks was my first ABB since the 1974 Mile High Feyline Sun Day #1(6 bands? OK there was ABB, Marshall Tucker, Steve Miller, Elvin Bishop, and Wet Willie. Only 5 if I haven't forgotten anyone). Pretty sure the '90 RRocks ABB was my first time seeing Warren Haynes and he slayed it. I was sure they had reincarnated Duane. Maybe a Bonnie Raitt around then too. And Tom Waits. Bonnie brought her new hubby on stage for a bow and it turns out she married Noonan from Caddy Shack! Really! The other standouts are the mid-70's Eagles and CTI (record label) Jazz All-Stars shows. I don't have the quantity but loved every show, hence the never saw a RRocks show I didn't like disclosure.
Have fun on the Green R. HF! Sounds perfect. (not CCR's Green River I guess)
Cheers all!
Edit: Looked up the Feyline shows and they were all called Sun Day #something and by year. So I think that mine was June 23, 1974 but the list on a blog site was iffy and hampered by faded memories of both Barry Fey and his ticket buyers. If there was a 6th band it may have been the J. Giles Band. Warm Coors and not enough porta-potties. May explain why I still can't stand Coors!

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slobber and drool, the red dragons were also very good, along with the gold dolphins and the purple unicorns. Those were the days.

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Box set coming soon to a doorstep near you.....

Was just listening to Road Trips Autumn '71 / Austin 11/15. Jerry nice and loud. Good PITB for not having the extended jam.

.. Any You knew you could trip then
You were young and liked girls, not men.
Mister we could use some acid like
Orange Sunshine again....

Next verse someone else....

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Didn't need subscription rate
everybody ordered late
Gee my burner's working great
These are the days!!

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In reply to by Mr. Ones

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having a good belly laugh

:))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))

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In reply to by Mr. Ones

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People seemed to be getting bent
Five dollars a balloon was heaven scent
Freaks Were In the Shakedown Tent
Those were the days...

Good fun guys.. that came out of nowhere.

Edit: By balloon.. Nitrous, not H Balloon. Happy go lucky, not dark and gloomy...

I had a choice between a colonoscopy or seeing D & C tonight.........I went with the colonoscopy. But at the first sound of "What's Become of the Baby", "You Don't Have to Ask", "Cream Puff War", or any song that has not been in their rotation for the past 5 years, I will jump off the couch and head to Deer Creek, a/k/a Ruoff.

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Stoked to see D&C added two Red Rocks dates next month. SO glad I held back on going to Fiddler's (it blows in every way) and I'll bet there are mixed feelings among those who plunked down major coin for that debacle only to have Red Rocks appear at the last minute like the miracle it is.

To each his own about D&C, I shall not debate anyone here. It is what it is, and what it isn't, it isn't.

First 5 post-pandemic shows:

Guns N' Roses
Eagles
Van Morrison
Dead & Co.
Ween

Jerry Cantrell lined up for 2022.

\m/

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Ha.. great add Proudfoot. I had to edit my last post and replace Herbert Hoover with Owlsey Stanley. I could not let the old title stay..

Too funny, great add, I had to use it.

As for D&C, I think Led said it best. I will add.. it would be a lesser world if new GD music ceased after Jerry's passing. I am glad the torch gets passed. Believe it if you need it.

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In reply to by JimInMD

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In a way, archival releases, and records I never heard at the time of their release, feel like new music to me when I hear them now. I have no nostalgic feelings whatsoever about this new 1971-1973 box. I barely knew who The Dead were then. So to me, this will be as fresh and relevant when I first hear it as if it had been recorded yesterday. Not coming to England, D&C barely register with me. I don't feel tempted to buy one of their live cds though. If there are any.

I also noticed that there are moves to make possession of nitrous oxide illegal here in Blighty. Not that I have ever had any. I think the only way of accessing that in the 70s was if you had a tooth out.

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Here in the Netherlands more and more cities are banning the use of nitrous oxide. It's use is totally out of control here. If you drive down a motorway, chances are you will see drivers with balloons hanging out of their mouths. After quite a few traffic accidents, the police have found balloons or tanks in the crashed cars. There are shops where you can buy as much as you want or need and tanks can be delivered to your door if that is what you want. It's use has been lynked to a number of spinal cord injuries in some heavy users, though how the injuries are related to nitrous use is not clear to me.
Personally I have no experience of the stuff. Way back when I was very young and the dentist administered an anaesthetic, I always chose the cocaine injection instead of the nitrous gas. That was back in the good old days before the real thing was replaced by Novocaine, it's synthetic equivalent which merely blocked the pain without delivering the pleasure.

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Jeff Spicoli says "People on Nitrous should not drive..."

I think there's a few posters here that have first hand experience on why driving and nitrous should never mix.

I don't believe you can legally buy tanks here in the US.. but you can get those little whipped cream cartridges. Then again.. you can still find tanks at dead shows (I think) so someone is able to buy them. We used to call them the Nitrous Mafia back in the day.. it's not clear how some people were able to buy copious volumes of tanks and they didn't look too much like dentists. I always wondered if there was an organized crime element.. where you found tanks you found people with fists full of cash and they seemed to have more questionable business practices than the grilled cheese around the corner.

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In reply to by JimInMD

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rufkm

my minimal experience with N2O taught me to...not drive with N2O going on. and pretty much to avoid N2O.

YIKES.

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In reply to by simonrob

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It seems to me to be the height of stupidity to drive under the influence of any mind altering substance, not just nitrous oxide.
I'm amazed it is so popular in the Netherlands - maybe it is here and I just don't know about it. I associate it with people in their mid teens for some reason - like solvents were in the 70s and 80s.

Typical reaction to ban a substance that's perceived as problematic, though. You would have thought history and current affairs would have demonstrated that this hardly ever works.

Also typical of the Brits to substitute cocaine with a substance that relieves pain but offers no pleasure. Good God, you can't have people enjoying themselves!

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I was at a nitros party once and this couple I vaguely knew left with several balloons for their drive home. 10 minutes later they were back, huffing balloons. Turns out, they were doing those balloons on the drive, went off the road, wrecked the car, and decided to go back for more. That cracked me up, but a little sad as well.

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In reply to by Vguy72

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Guilty as charged, no cure for young and dumb cept hopefully age...
Not to justify, but I was “experienced” at much of these things by then.
We were in FLA for the fall 88 shows. My buddy was there in his terrapin turtle van with his three tanks of medi-pure...
Can’t remeber the details, another serendipitous GD story, but once he acquired the tanks through automotive or mechanical means or such, he stumbled into access that some how having the proper HW and? Luck, BS? Can’t recall, probably didn’t want to know lol, but next thing ya know he’s way dialed in.
Same with Oxford and much of 88...
But in Miami, we’d had been given a HUGE Lincoln Town car by the rental agency since they didn’t have what we rented...long fun story there, hell that whole trip to Miami was interesting...
So big beautiful car,
It was a HUGE five lane highway with zero traffic...
Cousin Pumice was right there in case his assistance was needed...
Scorching Bucket blasting on the big stereo...
Ballon was intended for back at the pool, but it was a perfect FLA late afternoon and, well, it happened....
Not too much, Just a touch of the mojo hand...
Fortunately, only consequence was after a very brief moment I was over a lane and Pumice, not a man of many words or expressions, thus the name, just calmly said “don’t ever do that again” which from him meant something, and so, no, “that’ll never happen no more”....
My only defense is reading Fear and Loathing too much...buy the ticket...
at least that’s my excuse and I’m stickin’ to it!
And though it was interesting, and I cannot caution all, still might warn a few....

Edit: another thing that we got into some what briefly but beyond a superficial level, and another thing that I didn’t court long as I felt like “this is not good for my body”...same with x, and even acid among others...
Never felt that way about fungus or erb. Keep it organic kids!

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In reply to by Oroborous

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Nitrous (non-medical grade) is used in drag race cars, so there are small portable tanks (fit in a duffle bag) that can be mounted in vehicles to give a rocket boost when needed.
Sulfur is supposed to be added to make the gas stinky so that people won’t inhale it.
But, some places didn’t have sulfur in their nitrous….

For an even smaller portable tank, think Blue Velvet (the movie).

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all hell breaks loose over here!

Ah, the nitrous, we absorbed using whippets -- single cartridges.

And no, you shouldn't be doing anything but drooling in your lawn chair after a hit. Can we all agree on THAT??

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Impossible - my balloons were always spent by the time I got to the car.

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In reply to by KeithFan2112

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Ha!!!...Driving home from the Hollywood Bowl on two hits of Sunshine was a blast....

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and I was kind of scared of it, tell ya the truth. I think somebody told me that the way it "works" is that it cuts off the oxygen supply to brain. Which sounded maybe Not Good? So it wasn't my thing, and I never drove on it, which is kind of remarkable, considering how we all used to drive on Whatever.

I am reminded of a comment made to me by an ex girlfriends dad, back in the beginning of time. Words to the effect that if young men don't kill themselves or someone else by the time they are 21, they've got it made.

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In reply to by daverock

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And yes Crow I remember the term "hippie crack". Apt.

First time a friend and I were in Vancouver BC. Some guys liked our GD shirts. We hanged out and they produced little silver containers. I inhaled and went into a headcave. "Thats all for me, thanks."

Then Eugene in 94. Got into a tourbus and inhaled. Stella Blue sounded so beautiful...then I came back and stayed with other "goodies" from then on.

Driving? HOW?

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Never heard of Flashback World Productions who produced and published this 2-CD of 6-29-76 Chicago Aud. Theatre. Looks like an unauthorized publication (read bootleg). Found on FleaBay and they are asking an outrageous $77.77 + shipping. Haven't done my research. Hasn't this show been released elsewhere? Probably someone's poor attempt at stealing a show off the radio or the like. Any clues? Why would they think they can ask this much?
Cheers to the weekend!
Edit: Yes, a radio broadcast on WXRT. And it has the final Mission in the Rain according to Deadbase-X. Thank you Colin!
Edit 2: Saw that Euro (LUX.) copy on Fleabay for $129.95!!! Another through Discogs for 10 (British pounds) with the note that it could not be sold in USA. Makes me wonder if Mojo Filter and Flashback World Productions are one and the same. Come on folks, it is not that rare. I found an old traded tape copy in my own collection of this FM broadcast. Prices on older DiP's and DaP's vary widely out there.

The 29 June 1976 show was also put out, in Europe at least, by another grey area company Mojo Filter. In the UK this was (is?) available from Amazon for about $16. They describe it as taken from a radio broadcast. One track ‘The Wheel’ is on the ‘So Many Roads’ compilation.

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14 years
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Thanks to whomever posted about the Greek 81 Story. I googled Steve Kettmann and Greek Theater and found it. Great read, highly recommended! It quotes Blair Jackson saying the Greeks were the beginning of several California outdoor venues - Greek, Frost, Cal Expo, Ventura.

Thanks to every one here for such interesting and informative conversations.

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3 years 2 months
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This is a killer show, if you have it please put it out as a release. You can put it together with 9/20/70 another killer show, looks like soundboards exist for both shows. 9/19, 20/70 would make for a great Dave's Pick #40.

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