• 1,587 replies
    Srinivasan.Mut…
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    What's Inside:
    7 Previously Unreleased Complete Shows On 20 Discs
    Fox Theatre, St. Louis, MO 12/09/71
    Fox Theatre, St. Louis, MO 12/10/71
    Fox Theatre, St. Louis, MO 10/17/72
    Fox Theatre, St. Louis, MO 10/18/72
    Fox Theatre, St. Louis, MO 10/19/72
    Kiel Auditorium, St. Louis, MO 10/29/73
    Kiel Auditorium, St. Louis, MO 10/30/73
    Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
    Mastered in HDCD by Jeffrey Norman
    Restoration and Speed Correction by Plangent Processes
     
    Individually Numbered, Limited Edition of 13,000

    Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
     
    LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
     
    The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
     
    The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
     
    All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
     
    Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
     
    Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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  • Forensicdoceleven
    Joined:
    I am a magpie. My eye collects details............

    Yo! Rockers! And especially Keithfan...............

    If I recall correctly, the comparison was 12/5 vs 12/10. I know, just a small detail, but still.................it's probably because you listen to too many Dark Stars...................

    To me, 12/9 has always been an anomaly. For years it's been postulated that there was a missing reel. My guess is they were running late. I know, shocking for a professional band....................

    Every man's life ends the same way. It is only the details of how he lived and how he died that distinguish one man from another.................

    Rock on!

    Doc
    Once you hear the details of victory, it is hard to distinguish it from a defeat......

  • daverock
    Joined:
    Bad - no. Bumpy - yes

    It isnt all plain sailing for me between 1969 and 1972. Not by any means. How could it be-given the nature og what they did? For me, the first half of 1969 is stellar - a real peak in terms of material and performance. But things ran less smoothly from about June onwards when the "Working Mans" and country songs started getting introduced. To me, these early versions sound a bit awkward, and the energy of the first half of the year gets dissipated a bit. Plus, the "Lovelight's " get tediously extended. Typically, these are the only shows from 1969 represented in Dave's Picks.

    In 1970, its more of the same-interstellar jams, awkward short songs and interminable "Lovelight's". I should say though that I do like the acoustic sets from this period.

    1971 seems to be a complete reverse - they are now spot on with the country style-but what's happened to the jams? Look no further of course - in October, with Keith onboard they return, and the Dead became lords of all they survey. Every type of song they play they take ownership of. And the "Lovelight's" get shorter.

    That's a ridiculosly truncated summary of course-just a general impression I have this morning in repsonse to Keithfans post. I wouldn't descibe The Dead as rock n' roll, either. They sometimes played it , but only in the context of a greater whole.

  • KeithFan2112
    Joined:
    Forensic '71s

    Yes I'm onboard with Vguy: Doc's reviews are great reading, especially if I catch them in the morning with that cup if French Roast. And it's not just the show reviews - you also get some pearls of wisdom to stimulate thy waking brain. Heh. I said "thy". Been reading a lot of Tolkien lately.

    Sure get stoned at night Big Boss Man. Just tuning into 12/9 the past couple of days after reading about the predicament Doc found himself in, with the 12/9 vs 12/10 comparison request (kk

    I hope it wasn't me). Comparing Dead shows on back-to-back nights is especially difficult. Assuming the audio quality is the same, it's almost down to the set list.....almost. I don't think I've heard a "bad" show from '67 to '77. The factors that influence my replay likelihood are:

    Recording Quality - this affects me more than I like to admit, and sometimes my tolerance grows over time. As a headphone listener, an undercurrent of buzzing, drones, excessive tape hiss, or other anomalies will definitely impact the frequency that I play a show.

    Mix - If I can't hear Jerry, I'm not going to be happy, whatever else is going on. Sometimes it happens - not much you can do except move the balance a little bit to the left. The opposite is true for me too. If Jerry is high in the mix I'm going to listen a lot more (examples of hHigh Jerry: DP 23 from '72, DaP from Nassau 9/7/73, Road Trips '74, DaP from the Orpheum '76, DaP from Swing Aud 2/26/77, and pretty much most multi-track releases, to name a few).

    Performance / Energy - did they play well?/ I think pretty much every night before 1978 was at least an A- on the grading scale right? But most nights I think they had some extra rocket sauce and played extremely well - an A night. And then there were some nights where they had "the stuff". You know "the stuff". FW 2/2/69, 5/2/70, 4/29/71, 5/3/72, 11/11/73, 2/24/74, eckcetra, eckcetra). Sometimes there's this vibe that even the tapes catch. 12/10/71 feels like lightning in a bottle to me.

    Setlist - it somehow factors in sometimes, I suppose. If the tape quality and performance are top notch though, the setlist almost doesn't matter. What's that? Yes you in the back. What if it's Dark Star night? Well perhaps, yes, that can be special - but a Dark Star does not an A+ concert make.

    Thanks for all of the great insight Doc. It's only rock 'n roll but I like it.

  • Forensicdoceleven
    Joined:
    Man is a messenger who forgot the message......

    Yo! Rockers!!

    Speaking of messages, does anybody check PMs any more? Hint hint................

    As they say at my office, "Sure is dead around here......"

    Rock on rockers!

    Doc, paperwork day
    You die, but most of what you have accumulated will not be lost; you are leaving a message in a bottle.....

  • Forensicdoceleven
    Joined:
    Love is a smoke made with the fume of sighs……

    50 years ago today…..

    December 2, 1971
    Boston Music Hall, Boston, Massachusetts

    Set 1: Bertha-Playing In The Band-Mr. Charlie-Sugaree-Beat It On Down The Line-Black Peter-Next Time You See Me-Jack Straw-Tennessee Jed-Mexicali Blues-Smokestack Lightning-Big Railroad Blues-Casey Jones-One More Saturday Night

    Set 2: Sugar Magnolia-Deal-El Paso-Brokedown Palace-Uncle John's Band-Not Fade Away>Turn On Your Love Light>Goin’ Down The Road Feeling Bad>Not Fade Away-Johnny B. Goode

    Deadicated to Ken Kirk and Joe Lydon, for all the shows we shared together……

    Maybe not a top-tier classic, but it has its own quirky gooey goodness. One of only two 1971 shows with both Black Peter and Brokedown Palace, and the only 1971 show with both Smokestack Lightning and Turn On Your Lovelight.

    Back in the very early years of my crazy tape trading daze this was one of the first “local Dead show recordings” I had, so it has a special place in my Grateful Dead heart of hearts. It never seemed like the greatest Dead show ever, yet I still treasured it then---AND now.

    Definitely worth a listen…………

    Rock on!!

    Doc
    There may be a great fire in our hearts, yet no one ever comes to warm himself at it, and the passers-by see only a wisp of smoke…..

  • Vguy72
    Joined:
    The Doc knows his stuff....

    ....good to know you're still healing Forensic.

  • KeithFan2112
    Joined:
    Re: China Rider 10/19/72

    Just to clarify, what I hear is a distinct increase in volume from China Cat to Rider.

  • proudfoot
    Joined:
    12 1 71

    I heard that one a few months back...nice and happenin'.

  • Forensicdoceleven
    Joined:
    The Earth is like a child that knows poems…..

    50 years ago today……

    December 1, 1971
    Boston Music Hall, Boston, Massachusetts

    Set 1: Truckin'-Sugaree-Mr. Charlie-Beat It On Down The Line-Comes A Time-Jack Straw-The Rub-Tennessee Jed-El Paso-Big Railroad Blues-Casey Jones-One More Saturday Night

    Set 2: Ramble On Rose-Me And Bobby McGee-Big Boss Man-Cryptical Envelopment>drums>The Other One>Me And My Uncle>The Other One-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

    Deadicated to Albert, where ever he may be. Don’t go all existential on me…..

    There is nothing like returning to a place that remains unchanged to find the ways in which you yourself have altered. After an absence of eighteen shows, Pigpen returns, albeit in a slightly subdued mode. But it’s good to have some grease back………..

    This was the first show with both Pigpen and Keith Godchaux. It includes the final performance of The Rub, which is actually a pretty decent, hard rocking version. The Other One reprise has some nice, energetic “interior jamming” before they return to the Other One theme and the second verse, after which they fairly abruptly stop. This is followed by extended tuning prior to the start of Not Fade Away.

    Hard to assess the first set due to “suboptimal sound quality” of the first set audience recording, but it seems well played and well received. The second set is very fine, highly recommended!

    Rock on!!

    Doc
    I have just returned from Boston. It is the only thing to do if you find yourself up there……

  • Forensicdoceleven
    Joined:
    So that we might have roses in December……

    Yo! Rockers!!!

    We’re in the home stretch. Cold winter beckons, warming music arrives……..

    This is not the winter of our discontent. The anniversaries of eleven fine shows await. Two bona fide classics, maybe more, all worthwhile. October good, November better, December best. Be prepared!

    Rock on!!

    Doc
    A man's work is nothing but this slow trek to rediscover, through the detours of art, those two or three great and simple images in whose presence his heart first opened…..

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6 years 5 months

What's Inside:
7 Previously Unreleased Complete Shows On 20 Discs
Fox Theatre, St. Louis, MO 12/09/71
Fox Theatre, St. Louis, MO 12/10/71
Fox Theatre, St. Louis, MO 10/17/72
Fox Theatre, St. Louis, MO 10/18/72
Fox Theatre, St. Louis, MO 10/19/72
Kiel Auditorium, St. Louis, MO 10/29/73
Kiel Auditorium, St. Louis, MO 10/30/73
Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
Mastered in HDCD by Jeffrey Norman
Restoration and Speed Correction by Plangent Processes
 
Individually Numbered, Limited Edition of 13,000

Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
 
LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
 
The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
 
The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
 
All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
 
Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
 
Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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9 years 8 months

In reply to by Fulda

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hello, i'm sure this has been brought up before, but does anyone know if the CD cases for this box set will be standard size or the larger kind they do for some of the box sets (a man has to plan out his bookshelf layout you know).

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10 years 11 months

In reply to by 80sfan

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Not yet known, but at 20 cds, it is the largest box other than 30 Trips since Spring '90 The Other One, and only one more cd than PacNW '73-74 but a whole extra show, which is in a massive box, but as a design aesthetic, and it was a much more attractive box than Spring '90 Either One. The picture we've all seen reminds me of Get Shown the Light. Kinda hoping not. I hope they do the digipaks for the shows like those Spring '90s and PacNW. I love the size of July '78 and June '76, but not the packaging for the cds. For 7 shows, I'm expecting a hefty box, and I'll rearrange things to make room. Which is also the solution to the future problem posed by my attainment of a Europe '72 steamer trunk, but with the rest of those lotto winnings, my Dead collection may just get its own room.

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10 years 3 months

In reply to by Fulda

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Fulda - hello to you, too ! You have joined at a stellar time, and hopefully have the box on order. Though of course, its not compulsory. I agree with Alvarhanso-this is a weighty release, and needs a weighty box to house it in. Nothing flimsy or tricky.

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17 years 6 months
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Hopefully they come in the digipacks like PNW. Not a fan of cardboard sleeve cases.

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10 years 11 months

In reply to by SPACEBROTHER

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Quite an interesting mix! Keith is waaaaay up there in the mix, as is Bob, especially on Black-Throated. Jerry scratches above the surface on his solos, but he is not nearly as prominent as we're used to in 1972 tapes, especially ones recorded by Bear. But he's also now getting familiar with recording that piano. But a very interesting sound from these snippets. Comes a Time is gorgeous, and Jerry's lead is back out front. This is the box I have been wanting since PacNW, I just didn't know it. Man, this Comes a Time is really pumping! Didn't recall it kicking like that on previous listens, but I admit mainly going back to that Playing> Dark Star> Dew> Playing segment more than anything. And very interesting vocal mixing by Bear on Jack Straw. Phil doing some of those Veneta slides. Phil very prominent on this 10/19 track, very much akin to Bear's mixing of 11/18/72 Hofheinz, and Phil does not disappoint.

We're now inside two weeks! Are we expecting shipping by 10/1? What a foolish question, but hopefully soon after.

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7 years 8 months
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I agree on the bobby and keith on BTW. Comes a time is as gorgeous as a beautiful blond deadhead chick. The tinkling of Keith and the sweet sound of jerry on comes a time is soothing.

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12 years 3 months
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Allow me to pontificate on the box size. In the description tab it specifically says "the collection comes in a slipcase." a slipcase is "a protective box with one open end or more," clearly this suggests to me it will be like Veneta, July 1978, or June 1976. I very much doubt the CD's will be in a digipack.

You're welcome.

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4 years 5 months
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I'm glad I'm not the only one thinking about this. I think it's going to be similar in form to the Get Shown The Light All-Music edition, except slightly larger (10 x 10 inches instead of 9 x 9) with three disc folios, one for each year*; the larger dimensions would be necessary so that each page of each folio can hold two discs instead of one.

* or maybe two folios for 1972, since otherwise we would be looking at a 5-panel folio.

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11 years 4 months
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Check out the August 2021 Grateful Dead Bulletin. It's a picture of the slipcase. I personally wish they were individual also, like the PNW so they are easier to transport and less of a potential to scratch the discs then sliding them in and out like most of the box sets. So is life, I just can't wait to have this great music in my possession!

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9 years 2 months

In reply to by musicnow

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Musicnow is correct, there is a picture of it in the August Bulletin.
A square slipcase with a tray that slides out.
In the tray are the square cardboard sleeves that presumably hold the CD’s.
Can’t tell how the CD’s are arranged within the sleeves.

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In reply to by musicnow

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I agree with all comments on this. I myself have completely given up on the topic and have been out of room for years.. I just scatter them about the house and try to keep them out of direct sunlight so they don't get a dreadful tan.

The only rooms off limits are the attic and the basement because of excessive heat and flooding.

Sage strategy? Perhaps not.. but it is what it is....

ConeKid, kindly post the Lancelot Linq for the box design so I can take a peek.
(kidding of course)

Edit: All jokes aside.. I finally took a close look at my almanac email and I'll be damned if I can find a pic of the box set. ..but really, it's two weeks out and I doubt if I will finish the addition to my house needed to give all the friggen box sets the space they deserve. In any case, I am really very, very happy to see these shows get released and especially happy to see them get the Full Norman and make it here in one box. I hope they do the same for the remaining BCT 72 shows. This is truly a special offering.. I cannot believe Dave did not over-hype it. Perhaps that was on purpose. Save the hype for the shows that need it, this one does not.

Dos Edit: A kind soul sent me the email. It still took me some time to find the box set reveal, and I think all we are seeing is a digipack, right? So we still know not the look of the box. Which is completely fine.

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10 years 3 months

In reply to by JimInMD

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Yes, my boxes are all over the house, on on the top of book shelves, in clothes draws, in the attic - I think the bathroom is the only room where there aren't any. I keep the curtains drawn and place old L.P.s in front of them to protect them from sun light at certain time sof the day. Needless to say, I live alone.
With boxes where the cds are shoved in tightly in cardboard apertures, I simply take them out and place them in paper sleeeves and keep them in shoe boxes. In one box I have- a King Crimson one, the adhesive glue came off the inner cardboard sleeve onto the the cds! Luckily I managed to salvage them - but its not good.

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9 years 2 months

In reply to by daverock

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The Fare Thee Well Box is 8x8 inches and has 19 discs and a small book.

The STL Box could be of similar dimensions.

I think that some lucky folks might get a shipping notice this weekend.

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15 years 3 months
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oh...never mind, it's my wife's new oven mitts.

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12 years 1 month

In reply to by icecrmcnkd

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I have it on good authority that the new box will be called "the Loaf".

It will be a 6x6x12 inches long, cd's just stacked one behind the other.

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17 years 6 months
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I currently have 3. Both Spring 90s and E72. Am I inviting disc rot? Time will tell...

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3 years 3 months
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Shipping to Germany: 70$.
Does this include the new European Tax?
Does anybody know anything about this?
There must be some way out of here.
Somebody please help us Europeans!

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17 years 6 months
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Nothing from Deadnet, but UPS just sent me a tracking notice from WEA ECOMM GNARLYWOOD. Could it be
Drp out

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12 years 2 months
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I too received a shipping notice from UPS. It says the package is 2 pounds. Dead.net has my St. Louis order as “processing”.

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17 years 4 months
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Sounds a little light to be St. Louis. But then again what do I know?

Originally posted by: wilfredtjones on Thu, 09/23/2021 - 12:28 box sets in the bathroom
I currently have 3. Both Spring 90s and E72. Am I inviting disc rot? Time will tell...

XD (LOL)
1.) Are they using the facilities? If not, ask them to leave or get kicked out. Human fecal matter and human urine just love the compact disc as a magnet, the human waste will gravitate to the discs along with the humidity during a shower or bath. But... If you invite me over, I'd probably take the 2nd Spring 90 box.

2.) To heck with the dirty off-color jokes and all kidding aside, yes, I believe you should take those box sets out of the bathroom. Reason my aforementioned possible/probable humidity problem.

Disc rot? I have never encountered that problem with pressed discs or CD-R or DVD. My first CD: "So" Peter Gabriel - USA release: May 1986. I bought my copy during the Memorial Day 1986 weekend at an independent record store. I still have the original copy in the original jewel case and I just played it in late August of this year with no problems with the disc itself or playing it. Last time I played it was in the last couple of days of 1999, maybe NYE day '99, local time.

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13 years 5 months

In reply to by drpryan

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$70 could be about right.. for a multi-hundo dollar box, I would think they would include some protection, but even without it.. go to your local post and take what might be a similar sized box and try to send it back to the US. I bet they give you a number higher than $70 US. I know it's a sin.. wish it was easier and cheaper.. but in 2021 getting crap shipped across the pond is not as easy as it once was.

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4 years 2 months
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No shipping notice, but at least it says "processing." Which is progress! Unless it isn't.

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10 years 11 months

In reply to by Crow Told Me

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And also baffled at 2 pound weight, including Light Into Ashes. I got a box for a buddy last week, and the shipping went from $11.99 in July to $26.99 last week, so that made me think it was going to be hefty...

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17 years 6 months
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I don't know about anyone else here, but I have it bad. After I ripped all my discs I started noticing it on my DaP's 1-4. I suspect there are more, too. Could it have been from storing them in the car? Just think how hot it gets in there in the WI summer with the windows rolled up. I still regret my duh pretty bad, but I also remind myself at least I have it all digital (and the packaging).

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12 years 1 month
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Two pounds is the weight of the two LP Light Into Ashes. I received my Dead.net shipping notice and that’s the only thing being shipped so far.

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13 years 5 months

In reply to by wilfredtjones

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The culprit seems to be storing hits of acid covered with aluminum foil in your Dave's Picks.

For all you people out there that do that.. quickly take the acid out of the sleeves in your dave's and dicks picks and put them in a queen or foreigner cd.. or led zep if you never purchased pop music. Do it quickly...

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10 years 3 months

In reply to by JimInMD

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I've probably looked after my music collection better than I have looked after myself over the years, so physical deterioration and brain rot may be more of a problem for me than disc rot.

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17 years 6 months
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On the way shipping notice form dead net store. No word on the CD set. still says processing

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9 years 2 months

In reply to by wilfredtjones

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I’ve checked my CD’s before when you reported rot and all mine played fine.

I never stored any of my commercial releases in my car.

I did store over 600 CD-R’s burned from torrents in the car (two 300+ CD cases in the trunk, and would rotate them into a 100 CD case in the cockpit), and after 10 years about 10% of the CD-R’s had the silver starting to flake off from the plastic. The remaining CD-R’s still play fine, I gave them to a friend for his car since my current car can play from a USB drive.

Not a good idea to store your ‘valuable’ CD’s in the car, make CD-R copies for the car.
Probably shouldn’t store them in the bathroom either.

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12 years 3 months
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So I'm listening to the Ark shows on the Archive. So they sound too bass heavy to be enjoyable?

Or do I need to reassess my medication?

Thanks bunches!!

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10 years 9 months
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In fact, I just logged on to see if anyone had rec'd one. Crickets so far...

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16 years 3 months

In reply to by hendrixfreak

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I have that strange feeling that I will get this box set BEFORE I get a shipping confirmation email. That has happened to me several times, but not too often. 1 Dave's Picks, Vol 10 (Thelma 12/12/69); Road Trips 2.4 (Cal Expo 93).

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10 years 6 months
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I got a shipping notice for just the Light Into Ashes double LP. Nothing about the box yet.

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17 years 6 months
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Two things stand out. This date is the anniversary of Dicks Picks Vol 11. 9/27/72 is a favorite of mine from a peak era tour. I remember ordering this from the Home Shopping Network. The only time I remember Dick Latvala doing anything like that. Somewhere I have a VHS recording from the broadcast.

The concert itself is stellar.

....also it happens to be my next revolution around our interplanetary orbit around this star we call The Sun. 54 of them.

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10 years 3 months
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Light Into Ashes shipping notice but not moving yet.
Don't really care when you printed the label.
Bought something once on fleaBay and the jerk took 9 days between printing the label and getting it to the shipper!
Pirate walks into a bar with a steering wheel sticking out of his pants. Bartender says, "Hey, you've got a steering wheel sticking out of your pants!". And the pirate says, "Arrr, and it's driving me nuts!".
That's all I have to say about that. F. Gump.
Coming soon enough I guess. Cheers all!

Edit: Happy Birthday Brother!

Edit 9/28: Light Into Ashes now expected delivery Oct. 1st. Right on target for the small vinyl package.

Joy, joy to space bro!
Hope it’s a good one, perhaps fire up that KILLER DP 11, one of my favorite disc threes! Come on, a DS, Cumberland, and Attics! Fo git a bout it!

Rut, roh, Ist show is going after Vguys dead.net comedy chair!

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13 years 5 months

In reply to by Oroborous

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Happy SpaceDay, BirthBrother.

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16 years 6 months
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50 years ago today………..

September 1971 is the only month of the year in which there were no live Dead shows. However, the Dead did hold rehearsals with Keith Godchaux in late September and early October 1971, supposedly at the Santa Venetia Armory in San Rafael, California.

For an excellent discussion of the Dead’s rehearsal spaces/places, see the following:
lostlivedead.blogspot.com/2013/01/grateful-dead-rehearsal-spaces-1965-1995

For an excellent discussion of the circumstances of Keith joining the band, please see:
deadessays.blogspot.com/2012/09/how-keith-joined

The rehearsals themselves appear to have been held on September 28-30 and October 1, 1971. Variable quality recordings from these dates have circulated for quite some time, and predominantly consist of run throughs of short songs, including new material (such as Jack Straw, Tennessee Jed, One More Saturday Night, Mexicali Blues) and some material that subsequently was not played later in 1971 (Deep Elem Blues, Attics Of My Life, Ripple). While there are some short jams, no longer, free form jams appear on the commonly circulating recordings.

If the only new thing we have to offer is an improved version of the past, then today can only be inferior to yesterday. Hypnotized by images of the past, we risk losing all capacity for creative change……

Rock on!!

Doc
Face your fears and doubts, and new worlds will open to you…..

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8 years 2 months

In reply to by JimInMD

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So, the release date is October 1, 2021. Does that mean we will receive it on October 1 or does that mean it will ship out on October 1? Should we expect any other announcements on October 1?

Looking forward to this box.

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3 years 4 months
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You can just look at your account on the deadnet store and it tells when it ships, just enter your email. You probably already know this.

Arthur is correct, the release date on the page has been switched to 10/8.

I can wait another week as long as that delay is to make sure that everything is just exactly perfect.

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8 years 1 month

In reply to by icecrmcnkd

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Product details page still says October 1. Who knows. It is not looking good and what happened?

When did we pay for this box, July, late June? I am going to have to go back and check.

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8 years 8 months
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The vibes around this release are a little odd. Barely any promo aside from the main release announcement, no packaging reveal, no quantity markers added, release pushed back quietly... what gives?

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9 years 2 months

In reply to by DeadVikes

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Go to the main announcement page where you place your order. Right under the price it says 10/8/2021.

product sku
889198321643
Product Magento URL
https://store.dead.net/special-edition-shops/st-louis-collection/listen-to-the-river-st-louis-71-72-73-20-cd-1.html