• 1,587 replies
    Srinivasan.Mut…
    Joined:

    What's Inside:
    7 Previously Unreleased Complete Shows On 20 Discs
    Fox Theatre, St. Louis, MO 12/09/71
    Fox Theatre, St. Louis, MO 12/10/71
    Fox Theatre, St. Louis, MO 10/17/72
    Fox Theatre, St. Louis, MO 10/18/72
    Fox Theatre, St. Louis, MO 10/19/72
    Kiel Auditorium, St. Louis, MO 10/29/73
    Kiel Auditorium, St. Louis, MO 10/30/73
    Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
    Mastered in HDCD by Jeffrey Norman
    Restoration and Speed Correction by Plangent Processes
     
    Individually Numbered, Limited Edition of 13,000

    Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
     
    LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
     
    The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
     
    The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
     
    All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
     
    Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
     
    Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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  • mbarilla
    Joined:
    Search light casting

    Shall we go

    You and I

    while we can

    4.22.69

    Restarted the show on SiriusXM and Went outside when it was dark with everything still frozen in ice. Spinning Dark Star right now and it's getting light outside

    Dave L.SD send out a few shows with Mountains of the Moon

  • JeffSmith
    Joined:
    Well Done Doc!

    Bravissimo on you. Gonna miss your '71 insights, and the way you shared them. Enjoy your sabbatical. Onward.

  • Forensicdoceleven
    Joined:
    Men must live and create, live to the point of tears……..

    Yo!! Rockers!!!

    In the depth of winter I finally learned that there was in me an invincible summer…..

    Dear friends, my work here is done. Mission accomplished. I have carried the torch of 1971 live Dead for a long time, and will continue to do so. But now it will be in the background, lurking, watching, and continuing to listen. In order to understand the world, one has to turn away from it on occasion. It is normal to give away a little of one's life in order not to lose it all. Perhaps a return to normalcy. Nobody realizes that some people expend tremendous energy merely to be normal…..

    I made it through the 50th anniversary year relatively unscathed. This really isn’t the best forum for detailed analyses of every show, but every show did get its due. To all, enjoy the wonderful music that the Dead left us that year………….

    I’ve tried to acknowledge everybody I encountered during my long strange trip here. If I left you out, sincere apologies and no offense intended….

    I will continue to be a resource for all those interested in the music of the Grateful Dead in 1971. Or any other year. Or any other band, because, after all, no one can live on Grateful Dead alone. Believe me, I’ve tried! No limits, no restrictions, no questions asked. I’m just a pm away. Real generosity toward the future lies in giving all to the present. Your successes and happiness are forgiven you only if you generously consent to share them.

    There is a life and there is a death, and there are beauty and melancholy between. Thinking is learning all over again how to see, directing one's consciousness, making of every image a privileged place.

    I look forward to lurker mode. For anybody who needs or wants some light reading material about 1971 Dead shows, you know where to find me…….

    Since the day of my birth, my death began its walk. It is walking toward me, without hurrying…..

    Rock on!!!

    Doc
    This man is freed from servile bands,
    Of hope to rise, or fear to fall,
    Lord of himself, though not of lands,
    And leaving nothing, yet hath all.

  • daverock
    Joined:
    Occasionally psychedelic

    What surprised me about The Dead when I first started listening to them is that they are only occasionally psychedelic. As I have written before, they came to my attention through the English music press saying bands like Hawkwind and Gong were British or, in Gong's case "Franglaise" versions of The Dead. Both Gong and Hawkwind-certainly at that time, the early - mid 70's, seemed to live in "the zone". From the moment they appeared on stage to the moment they shambled off it they tripped the light fantastic. So it was quite a surprise to hear a band they were being compared to trot out versions of Chuck Berry, Hank Williams etc, songs. That isn't a put down of The Dead - they have endured for me - but they weren't quite the band I thought they'd be when I eventually heard them.

  • hendrixfreak
    Joined:
    Thanks again, Doc

    There couldn't be anyone on this forum who hasn't benefited from the good Doc's yeoman efforts to elucidate the nuances of 1971 and, therefore, a major transition period in the band's history. Thanks Doc!

    Now to pile on a specific point: the business of whether a show is a success based on the presence or absence of "big jams." Let's be clear: no first set, no jammy second set. The first sets up the second, both in terms of warming up the players to begin to expand their sensibilities, and in clearly, concisely articulating melodic songs that provide the textures for weaving later in the evening. That's when there is a "big jam." But, I think, folks miss the point that this band isn't your favorite orgasma-tron, there for launching everytime you buy a ticket or plug it in. These guys are/were human and rooted in structured music, which enabled them to stretch out when the mood hits them. Yes, they are rightly renowned for the "big jam," and went for it frequently. But a show without a big jam is still a triumph of well-played rock 'n roll and I caught a few. One in which we counted more than 30 songs played. All played balls to the walls with plenty of soloing, etc.

    I could change my name from Hendrixfreak to Mr. Big Jam and it would ring true. But my (overwrought) point is that it's ridiculous to judge a show based on whether the orgasma-tron got plugged in or not. For criminy's sake, enjoy what the band plays. (Unless it's Pigpen doing 'Hey Jude'.....)

  • Forensicdoceleven
    Joined:
    The music is the message……

    50 years ago today......

    January 2, 1972
    Winterland, San Francisco, California

    Set 1: Truckin'-Sugaree-Mr. Charlie-Beat it on Down the Line-Loser-Jack Straw-Chinatown Shuffle-Tennessee Jed-El Paso-You Win Again-Big Railroad Blues-Mexicali Blues-Playing in the Band-Next Time You See Me-Brown Eyed Women-Casey Jones

    Set 2: Good Lovin'>China Cat Sunflower>Good Lovin'-Ramble On Rose-Sugar Magnolia-Not Fade Away>Goin' Down the Road Feeling Bad>Not Fade Away

    Encore: One More Saturday Night

    Deadicated to Charlie Knutson, because was there ever in anyone's life span a point free in time, devoid of memory, a night when choice was any more than the sum of all the choices gone before?

    OK, calenderically speaking 1972, but very much “of a kind” with the December 1971 shows.

    Let’s clear up a couple of things. First, in the first set, there’s no “Leave Your Love At Home” between Chinatown Shuffle and Tennessee Jed. Second, in the second set, there’s no Know You Rider following China Cat, the band definitely goes back into Good Lovin.

    Though not quite as intense as December, it does have a decent dose of Pigpen, and the rare, possibly unique Good Lovin’/China Cat Sunflower/Good Lovin’ sequence. Another rarity----in the first set, two consecutive Garcia songs followed by two consecutive Weir songs. The show is generally well played, but opinions of it seem divided. Many absolutely love it, while others find it lacking because there’s no “big jams”. Decide for yourself, there is a Miller remaster and it definitely worth having…..

    Questioning the origin of music is like asking why the breeze is soothing, why you shiver in exhilaration when the spray from the waterfall hits you….

    Rock on!!

    Doc
    Music is my therapy and my straitjacket......

  • PT Barnum
    Joined:
    happy new year

    all you cats and kittens out there in deadland, love and peace to you all.

  • Born Cross Eye…
    Joined:
    Thanks, Doc!

    Doc, Thank you very much for your deadication to 1971. Many years ago, my collection of live Dead consisted of "Live/Dead" 2WS-1830, the 2 LP set; "self-titled" or "Skullfuck" 2WS-1835, the 2 LP set; and "Europe '72" 3WX-2668, the 3 LP set. Skullfuck seemed to be the best ticket for my entry into my understanding of the Grateful Dead and it still does. 1971 holds a special place in my heart and mind in so many different ways.
    It is now the dawning hours of 2022 and "playing" the 50th-anniversary "game", 1972 comes into play and we will have many great Grateful Dead shows and that "Europe '72" 50th-anniversary thingy to commemorate. In 2011 the "Europe '72: The Complete Recordings" was issued.

    Again, thanks for re-jogging my interest in '71 Dead!

  • proudfoot
    Joined:
    GG

    I learned that song in 1972 or 73 while we were living in West Deutschland for 18 months while my Dad worked at Max Plank institute in Heidelberg. I attended a Grundschule

  • gratefulgerd
    Joined:
    Wachet Auf.....

    Proudfoot, ein neuer Tag. Beautiful!
    Jeder Tag ist gleich lang, aber unterschiedlich breit.
    G.

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Member for

6 years 4 months

What's Inside:
7 Previously Unreleased Complete Shows On 20 Discs
Fox Theatre, St. Louis, MO 12/09/71
Fox Theatre, St. Louis, MO 12/10/71
Fox Theatre, St. Louis, MO 10/17/72
Fox Theatre, St. Louis, MO 10/18/72
Fox Theatre, St. Louis, MO 10/19/72
Kiel Auditorium, St. Louis, MO 10/29/73
Kiel Auditorium, St. Louis, MO 10/30/73
Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
Mastered in HDCD by Jeffrey Norman
Restoration and Speed Correction by Plangent Processes
 
Individually Numbered, Limited Edition of 13,000

Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
 
LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
 
The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
 
The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
 
All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
 
Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
 
Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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The description sais “ Individually Numbered, Limited Edition of 12,000” and the product details sais “Limited to 13,000”. Maybe they need another week to pump out the extra thousand?!?!

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In reply to by icecrmcnkd

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I ordered that thing back in May..lol..last I heard said shipping September 6th..anyone get theirs?

One week delay, I can live with that.
Why is there a delay?
It could be one or more problems, namely manufacturing problems such as mis-stamped discs, low raw stock, and of course, labor problems - too many plant employees are out sick because of COVID-19.
Who really knows.

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15 years 9 months

In reply to by Born Cross Eye…

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Got my shipping notice on the Ashes vinyl w/ slipmat.

The big Fox 71 vinyl appears to be pushed out to mid November here and amazon. Looks like the cd format for the show is available on schedule.

I'd rather have the crack equipment crew get it just right then deal with Warner getting things rectified...

The date on the Digital taste has not moved so we'll get some first impressions in the meantime.

Wouldn't it be cool to let us boxers get a one show digital miracle as a nice delay gesture and it lets us dip our toes in that new technology ;)

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15 years 10 months
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Exactly why I switched to digital copies...

Production delays, poor pressing of CDs, (took almost 8 months to get replacement Giants Stadium box cds.), damaged box with shipping and countless days waiting for a reply.
Can't wait to see, if this will cause a stir on the last Dave's Pick.
Can we switch, Dave's picks, to a digital release option?

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While you wait for the St Louis Box Set to arrive. You now have the extra time to purchase, from that exceptional offering, of Garden and Halloween gear. We all requested

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11 years 5 months
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But looking forward to this so much. If it is delayed a email notification would be nice. It is like 2021 isn’t it? Also looking forward to the Neil Young Carnegie Hall release due Friday!

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11 years 5 months
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Email received that box will start shipping around 8/1. Thanks Dead.net/Rhino/PTB, etc.

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We know you have been eagerly anticipating the arrival of the St. Louis collection releases. We are too and have been doing everything we can but due to production delays, the following items have shipping updates:

Listen To The River: St: Louis ’71 ’72 ’73 (20-CD) – will begin shipping October 1, 2021

Fox Theatre, St. Louis, MO 12-10-71 (5-LP) – will begin shipping November 14, 2021

We are sincerely sorry for the delay and we thank you for your patience.

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Strangely, my email update which has just arrived says they will start shipping on 1st October which is the day they should be sending it anyway. Presumably they mean 8th Oct?

Edit SIMONROB Your post hadn’t appeared as I typed mine.

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Hello Everybody,
I've received an e-mail 20 Min ago from GD/Rhino with this notice:

''Listen To The River: St: Louis ’71 ’72 ’73 (20-CD) – will begin shipping October 1, 2021''
G.

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Yo! Rockers!!!

So we have to wait another week, or maybe two. We've waited almost 50 years already. Believe me, it will be worth the wait..........

Rock on!!

Doc
The biggest thing I possess is infinite patience. Once you are patient, things fall in place..........

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How hard can it be to pass on accurate information? As others have noticed, the release date of the box as shown on the product page was changed from October 1 to October 8. Now we get an order update mail that gives the release date as October 1. The logical assumption is that the update mail was composed by a retard and as such it can be ignored and that we can expect a week's delay in the shipping of the box. As for the 5 LP set, the new release date of November 14 corresponds to the release date given on Amazon so I think we can assume that that is accurate.

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These I recall generally happen after the official release date to push sales along. So maybe that will come this weekend yet. Just without any cannons or wildfires, please (unless animated, of course).

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10 years

In reply to by Born Cross Eye…

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Anyone have an updated number? The one I googled is wrong. Figure I might 86 that garden statue

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While we wait can I recommend a DVD from Fat Possum from the 4th Memphis Country Blues Festival. I’m watching it at the moment and so far it is excellent.

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In reply to by marleyman3389

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This shipping notice seems to have added to the confusion rather than cleared it. My axe to grind concerns reference to the 5 L.P. release date, which I received along with the one for the box of cds. I didn't order the 5 L.P.set-but I did order the Light Into Ashes album, and there was no mention of that in the email I recieved. Maybe it was just a generic and incomplete email I recieved-but more worryingly, it might be a warning that they are going to send me the wrong album ! I think I'd better spend tomorrow trying to contact them to make sure they aren't going to do this.

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I know I used to get all wound up too, waiting in the audience when the scheduled start time for a GD concert came and went, but eventually the lights went down and we all had a real good time.

To distract you from the box set blues, I will mention that my favorite music to listen to on a long bike ride or run is string quartets. They're so personal that they sink straight into my psyche, and then tell such a good long story that I can get very lost in them for 20+ minutes, just like in an exploratory Playin' or Dark Star. Lately it's been Vivaldi, Britten, Elliott Carter, and Nielsen.

Also--I've finally been listening to the shows I attended, and have made it to my third show, which was 9/4/91. Sounds pretty hot to my ears, especially the Jack Straw, Cold Rain, Promised, and He's Gone. But the top highlight, for those who want to get a small sample, is the killer Scarlet-->Fire to kick off set two. I was fortunate to have started my live GD journey in 1991, as they were still bringing the X Factor a lot that year. I welcome any releases from 1991.

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... is the only part of the St. Louis collection that will be on time?
That's all I ordered for now.
My tracking says 10-1-21 now.
Have not received any stray notices about the other products.
Surprised the CD box has not sold out.
Good luck to all, Cheers!

WW - thanks for the heads up. Just ordered the CD.

I'm guessing the start shipping date of 10/1 and arrive date of 10/8 includes the 3 trips around the loading dock and the innovation dance between USPS and UPS in the states.

Would love to see a box unveiling video...

Just checked the list and didn’t see any GD.

There is a Jimi Hendrix - Paris 67 that I might have to acquire.

Aerosmith is putting out 2000 copies of a cassette…..

Janis and Big Brother at Monterey Pop.

2 Jorma releases.

Some Motörhead for Proudfoot.

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9 years
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November 14, 2021 as new shipping date per e-mail. 😟

Should get Garcia Live: Vol 17 around that time as
well.
Edit:

Reread email: Now they’re just trying to confuse me. The prior e-mail told me I might be interested in items including Daves 39 & Daves 39. 😳

Please don’t email me guys. I don’t check for shipping notices and after the Giants Stadium box, I am pleased and pleasantly surprised even if an order arrives 10 months late.

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Seems odd to get a notice from “the Dead.net team” that due to “production delays” the Listen to the River box will “begin shipping October 1, 2021.” Because, wasn’t that always the announced release date? In other news, Generalissimo Francisco Franco is still dead.

In the same email, I am informed that the 12-10-71 lp set will begin shipping November 14. Even though I didn’t order that set. Which seems weird because it would be really easy to send a separate email to everybody who ordered that set, if that's the only thing that changed.

Which makes me wonder: did somebody just put the wrong date on the Listen to the River announcement? Was it supposed to say "delayed until October 8" or something?

So, on the one hand, they’re trying. On the other hand, this is not very effective communication. Bottom line, I can’t tell what, if anything, has changed with regard to my order.

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10 years 2 months

In reply to by 1stshow70878

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Just checking my emails, I notice I got one on Monday telling me that Light Into Ashes is on its way. A bit surprising - it looks as though that one is out ahead of schedule.

Colin-I saw some clips of Memphis 69 via Michael Messers website (great slide guitarist incidentally), and it does indeed look excellent. I think it was the same one-features Bukkha White.

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Michael Messer's Mitra are well worth checking out. Some good videos of them on Youtube.

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15 years 1 month

In reply to by daverock

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Dave, That’s right. It’s also got Sleepy John Estes, Furry Lewis and Mississippi Fred McDowell. Well worth having. There must be a lot more footage so I hope it has been preserved for the future.

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10 years 2 months

In reply to by simonrob

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Yes, Iv'e been intending to get the cd they made for some time now. His solo albums are good too. And those resonators he endorses are a constant temptation-especially the White Lightning.

Colin-typing at the same time! - I'll head over to Amazon for further investigation I think.

In an ideal world, you receive the product on the release date. So to be released on Oct 1st, it has to be shipped a few days prior. So shipping on Oct 1st, means it will really be on the streets Oct 8

In any case, it is it nice to know they are still thinking of us, albeit belatedly

They paint bulls eyes on the labels and use them for target practice at the warehouse. I wouldn't hold your breath...

But at least the cogs have begun to move.

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In reply to by boblopes

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Truckin', got my chips cashed in
Keep truckin', like the do-dah man
Together, more or less inline
Just keep truckin' on
Arrows of neon and flashing marquees out on Main Street
Chicago, New York, Detroit and it's all on the same street
Your typical city involved in a typical daydream
Hang it up and see what tomorrow brings
Dallas, got a soft machine
Houston, too close to New Orleans
New York got the ways and means
But just won't let you be
Most of the cats that you meet on the street speak of true love
Most of the time, they're sittin' and cryin' at home
One of these days they know they better be goin'
Out of the door and down to the street all alone
Truckin', like the do-dah man
Once told me, "You've got to play your hand"
Sometimes the cards ain't worth a dime
If you don't lay 'em down
Sometimes the light's all shinin' on me
Other times, I can barely see
Lately, it occurs to me
What a long, strange trip it's been
What in the world ever became of sweet Jane?
She lost her sparkle, you know she isn't the same
Livin' on reds, vitamin C, and cocaine
All a friend can say is, "Ain't it a shame?"
Truckin', up to Buffalo
Been thinkin', you got to mellow slow
It takes time, you pick a place to go
And just keep truckin' on
Sittin' and starin' out of the hotel window
Got a tip they're gonna kick the door in again
I'd like to get some sleep before I travel
But if you got a warrant, I guess you're gonna come in
Busted, down on Bourbon Street
Set up, like a bowlin' pin
Knocked down, it gets to wearin' thin
They just won't let you be
You're sick of hangin' around and you'd like to travel
Get tired of travelin', you want to settle down
I guess they can't revoke your soul for tryin'
Get out of the door and light out and look all around
Sometimes the light's all shinin' on me
Other times, I can barely see
Lately, it occurs to me
What a long, strange trip it's been
Truckin', I'm a goin' home
Whoa, whoa, baby, back where I belong
Back home, sit down and patch my bones
And get back truckin' on

Songwriters: Jerome J. Garcia / Philip Lesh / Robert Hall Weir / Robert C. Christie Hunter

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I was there as well. That three show run was hot. The first night on 9/4/91 is a well played show with big jams. The middle night was well played but mellow. The third night of 9/6 was epic. From the Stranger opener through Bird Song may be the best 2st set this line-up performed that year. The second set is the best combo of Victim > Crazy Fingers > Playin > Terrapin > Jam then they came back with a Dark Star Jam out of Drumz. The show that tops this is 9/26/91.

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In reply to by SPACEBROTHER

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Hey Hey.. I got an order on the way email, its for the garden statue, but hey...its progress..🙂😆

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6 years 6 months
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For those keeping score (and I think we ALL are by now) I got my shipping confirmation for the Light into Ashes Lp and the slipmat, but not for the main event box set yet. So Im thinking that did get bumped by a few days but other items are starting to ship. Good luck all! I was hoping this might actually be in hand or on the way this weekend but looks probably not

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Out for delivery apparently!!! Shipped from Riverside, CA....luckily I lived 30 miles away. It usually takes 3-4 days to snake its way around the LA region.

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As with the DaP 39 release, I received an email from the above source, stating release is imminent…your loyal business is valued…are there any concerns you may have?…
In short, a very customer-focussed note.

Is everyone else receiving these as we await official launch, binoculars in hand, cold drinks at the ready?

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Amazon Prime has it for $26.59, delivered tomorrow...vinyl delivered 11/19

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In reply to by SPACEBROTHER

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My first shows were at The Boston Garden on Fall Tour 91. I’ve always longed for a Fall 91 Box Set. Grate music and good times!

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In reply to by WharfratWhitey

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Boston Garden 91, 9/20 was my 2nd show and one of my favorites that I ever saw, 'cause of Bruce's pie-anner. I'd thoroughly enjoy a 91 Box. Dicks Picks 17 is one of my all time favorites for the same reason.

No shipping notice yet for this behemoth, but did get the email update it should go out tomorrow. Cue the passenger pigeons in bomber jackets and leather flight caps with circular goggles.

Be Well People
Sixtus

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16 years 1 month
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for sure, give me a spring or fall box of 91, with lots of Bruce

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10 years 9 months
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So glad this showed up a day early to help satisfy the hunger left by the big box's somewhat imminent arrival. On the Phil-o Stomp portion of Dark Star, and the Playing was excellent and deep, the first part of Dark Star was immediately exploratory as they had only briefly left deep jams for Billy's drum solo. Jerry plays some really pretty things early on. The China> Rider Connection Jam after the Phil-o Stomp is fantastic and so unexpected (even though I used to listen to this set all the time years ago), what a way to transition to D to then go to Dm for Dew, with Phil dropping them in perfectly. Wow! Okay gonna shut these fingers up and enjoy this Dew. Hope everybody gets their shipments soon and all intact and unsullied.

Oh, and the "Formless Reflections" vinyl? It's real, and it's spectacular!

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13 years 4 months

In reply to by alvarhanso

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This beast is showing up? How does it sound?

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17 years 4 months
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From this site CD release date moved form 1st to 8th and now the 15th of October. The 5 album vinyl edition has now slipped to the 19th of Nov. I ordered both. I wonder if they will ship together or separately.
Light into Ashes vinyl (10-18-72) arrived yesterday

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13 years 1 month
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The only show available for download is 12/9/71. When will we see the rest?

I do hope they get this box on the plane soon,keeping on postponing the release date is becoming a drag, it could end up with no one here to pay customs and take delivery if this carries on. I'm not sure how long customs will hold onto goods without payment, or an acceptable delivery window, if fees are paid, what a" Cock Up"

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