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    Srinivasan.Mut…
    Joined:

    What's Inside:
    7 Previously Unreleased Complete Shows On 20 Discs
    Fox Theatre, St. Louis, MO 12/09/71
    Fox Theatre, St. Louis, MO 12/10/71
    Fox Theatre, St. Louis, MO 10/17/72
    Fox Theatre, St. Louis, MO 10/18/72
    Fox Theatre, St. Louis, MO 10/19/72
    Kiel Auditorium, St. Louis, MO 10/29/73
    Kiel Auditorium, St. Louis, MO 10/30/73
    Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
    Mastered in HDCD by Jeffrey Norman
    Restoration and Speed Correction by Plangent Processes
     
    Individually Numbered, Limited Edition of 13,000

    Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
     
    LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
     
    The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
     
    The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
     
    All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
     
    Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
     
    Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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  • #1431
    Cousins Of The…
    Joined:
    Unkle

    PNW had a few issues, however July 78, June 76, Fillmore 69, the 2 Spring 90, May 77, GSTL had no issues that I can remember; in general these releases have been nothing short of stellar

  • #1432
    Mr. Ones
    Joined:
    Audiophiliacs Anonymous

    I don’t have a dog in this fight. And I truly don’t feel that by printing the words from the back of a a Dave’s Pick box that anyone’s view was being attacked or vilified. I have friends(who I love dearly) who cannot tolerate less than ideal recordings, and I get and respect that. I guess as a kid in the early ‘70’s days of quite awful vinyl bootlegs, I was taught to expect the worst. Some recordings are of a historical nature to some, but not all of us. Personally, the music is more important to me than the recording quality, but that’s just me. I don’t expect or need anyone to agree with me. Who cares anyway?? I like what I like, and you can do the same. I have some “historical recordings” that I paid good money for, that I cannot tolerate, and regret buying. That’s never happened to me on any Dead recording, but I have VERY low standards. Let’s not get hung up on this very personal choice. Anomalies are one thing, completely shi++y recordings are another. One mans trash is another mans treasure.
    Anyway……Music is the Best!!

  • #1433
    alvarhanso
    Joined:
    Recordists

    I'd guess Rex recorded 1971 as he is credited with DaP 22 12/6-7/71and 26 11/17/71 and 12/14/71, Bear with 1972 as he recorded DaP 11 11/17/72, 25 8/25/72, and Hofheinz 11/18/72, and Kidd for 1973 as he did DaP 38 9/7-8/73. Of course, Rex also recorded DaP 21 4/2/73 and Kidd recorded DaP 16 3/28/73, and Dave mentioned getting the missing reel of one of the '71 shows from the Owsley Foundation, so who knows what that means. The returned Bettys have included Rex tapes and at least one Bear tape (DaP 25).

    The issues at the beginning of the 1974 shows in the PacNW box are mainly issues limited to the Wall of Sound and the first song(s) serving almost as a live soundcheck as they dial things in for themselves. Dropouts and patches are never mentioned before release date, they're usually discussed as found by listening through.

  • #1434
    unkle sam
    Joined:
    ????

    Broken vampire coffin? Tomb of the mummy? Sorry, I don't get it. What does that mean anyway? So to you it just doesn't matter? I have great respect for your words and posts on this site, but I would like to know if this is another one of those, "even though it's uneven, has drop outs and is in mono in some parts, you need this" boxes?
    You go ahead, I will wait and see, or in this case, hear. I guess the days of me blinding buying everything Dead are over.

  • #1435
    direwulf
    Joined:
    Caveat emptor

    Caring about the recoding engineer is a valid question as each person has a fairly personal sound to their recordings and most listeners prefer one individual to another. Dropouts and patches seem to generally fall under Dicks original words of "encouragement" from his first pick...
    "The recording herein has been lovingly remastered directly from the original two-track master tape and is therefore not immune to the various glitches, splices, reel changes and other aural gremlins contained on said original. Dick's Picks differs from our From The Vault series in that we simply did not have access to complete shows (nor the modern mixing capabilities afforded by multitrack tapes). But we think the historical value and musical quality of these tapes more than compensates for any technical anomalies... In other words, what you hear is what you get. And what you get ain't bad!" Buy the ticket take the ride but they aren't gonna tell us about the broken vampire coffin after the Tomb of the Mummy every time we get on.

  • #1436
    unkle sam
    Joined:
    I am interested

    in the recordings and who recorded what show. Says Kid and Rex and Bear, who recorded what? I am guessing Bear did the 71 shows and Kid did the 72 shows and Rex the 73 shows? I have sbd copies of these shows except the 71 shows, and if Bear recorded those shows, I'm a bit more interested in this box. What I have sounds pretty damn good.
    I know some of you might say, "what does it matter?" It doesn't but I just want to know who did what and more importantly, are their dropouts and patches like the PNC box? Will Jerry be up in the mix or will he be buried like the aforementioned box. I felt a bit burned on the PNC box due to these instances and what I called "no Jerry" in the mix.
    I want the greatest, best fullest sounding recording I can get and if this is done right, it will be a mighty box. If there are patches and dropouts and places where it's mono, please let us know, 200 bucks just doesn't grow on trees you know.
    I am like most of you, I want this music and I love the Grateful Dead, I just don't like surprises, and I don't like Jerry not present in the mix. I was so disappointed that the PNC box had these abnormalities and I think I will wait to pull the trigger on this one until I hear it or until others have heard it and I get a true review.
    Now, what's DaP 39? Some 91 Bruce would be great.

  • #1437
    Dogon
    Default Avatar
    Joined:
    Nappyrags

    Good call on Erkin Korey, enormously influential onthe Anatolian rock scene, though I confess to have never been personally convinced/satisfied by the records I have heard. Same feeling about all the Turkish psych I have heard, I guess you really had to be there....
    I am very fond of current Turkish baglama/saz music, which I generally find much more authentically psychedelic!
    I think I have recommended the excellent Kalan label here before. The label has the widest range of Turkish music, including local variants in minority languages, itself a very radical gesture in Turkey. Lots of Baglama, but also loads of fascinating female singers, always with really interesting backings. I dont know much about streaming, but plenty of this gets put up on Spotify.

    Really envious that you got to see Kaleidoscope, and multiple times too, but Ive seen Telvin, the Turkish trio with Garcia lookalike Erkan Ogur in concert,( unfortunately criminally under recorded, only one double cd to my knowledge, and though its great, not a patch on them live)....and apart from the Dead in 72, I cant think Ive seen a better concert in my life, and Ive seen a lot!
    What Im trying to say Nappy, is there is enough to make it worth your while to invest a few hours dabbling in new sounds if you were once upon a time moved by Sol Feldthouse.
    Simon, you were turned on to the band much earlier than me, I had to wait till 74 till my friend Keith returned from the States with arm fulls of rare vinyl, a year or so before the floods of cut outs reached Europe.

  • #1438
    simonrob
    Joined:
    Yeah! Kaleidoscope.

    A unique band. A friend's cousin brought them to my attention in 1970. Their musicianship was exceptional. David Lindley gets all the plaudits for his skill on any instrument with strings, and rightly so, but the late Chris Darrow was well up there. His post-Kaleidoscope output is well worth checking out. It's a shame that Kaleidoscope fell apart so quickly. Who knows what might have been.

  • #1439
    Vguy72
    Joined:
    With age comes wisdom....

    ....this site proves it.
    Today is Keith's birthday.
    Today is Brent's final show.
    Today is my son's birthday.
    7.23.

  • #1440
    nappyrags
    Joined:
    Re Re Kaleidoscope...

    Oh and another thing for you Beacon From Mars lovers...awhile back on another topic I posted the info for a UK based T Shirt Maufacturer who specializes in quality LP cover T shirts...they do have Beacon From Mars and thanks for the reminder, I need to order that...

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6 years 4 months
Submitted by Srinivasan.Mut… on
Forums
Dead Store Products

What's Inside:
7 Previously Unreleased Complete Shows On 20 Discs
Fox Theatre, St. Louis, MO 12/09/71
Fox Theatre, St. Louis, MO 12/10/71
Fox Theatre, St. Louis, MO 10/17/72
Fox Theatre, St. Louis, MO 10/18/72
Fox Theatre, St. Louis, MO 10/19/72
Kiel Auditorium, St. Louis, MO 10/29/73
Kiel Auditorium, St. Louis, MO 10/30/73
Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
Mastered in HDCD by Jeffrey Norman
Restoration and Speed Correction by Plangent Processes
 
Individually Numbered, Limited Edition of 13,000

Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
 
LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
 
The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
 
The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
 
All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
 
Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
 
Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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6 years 8 months

Submitted by Shadeyguy on Fri, 10/08/2021 - 15:57

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So I'm curious, those of you who received the box, anyone live on the east coast? Just wondering how far they've made it. I also have a Sunday delivery scheduled. Post office only delivers Amazon on Sunday. Not to mention they are closed Monday. Which means only Amazon then as well. They may deliver priority on Monday but I doubt this box is priority.

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4 years 6 months

Submitted by jp1119 on Fri, 10/08/2021 - 15:57

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8336 arrived in Denver today.👍

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17 years 4 months

Submitted by Vguy72 on Fri, 10/08/2021 - 16:33

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....shipping update never changed to "out for delivery". Stayed in "on its way" mode. Delivered by UPS, no USPS. I'm still at work. Will report back later. The digital download comment page is still a shitshow.
Edit. I'm west coast.

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13 years 2 months

Submitted by FMR on Fri, 10/08/2021 - 17:44

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This has got to be the worst box set packaging yet. Unnecessarily large, just for the sake of making it look impressive from the outside, I guess. It's not HUGE, but way bigger than it needs to be. There is so much wasted/unused space that you could fit 5 or 6 more digipacks inside. If you haven't received yours yet, you will see what I mean. Very poor design. I'm disappointed. In my opinion, the ideal package/box design is doing it like the July 1978 box or the first May 1977 box. Keep it minimal! I know I'm not the only one who feels this way as I've read other similar comments about box size/style preferences. No comment on the shows themselves. As long as all the discs play without issues I know what to expect - lots of hours of primo GD listening enjoyment.

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11 years 5 months

Submitted by WharfratWhitey on Fri, 10/08/2021 - 17:52

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Anyone seen Dave? He must be down by the water doing a lot of nature watching and videoing! Looking forward to all the details of St. Louis and Dave’s Picks!

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9 years

Submitted by icecrmcnkd on Fri, 10/08/2021 - 18:15

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A rabid pack of sea otters may have gotten him while he was recording the DaP40 announcement.

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17 years 4 months

Submitted by Vguy72 on Fri, 10/08/2021 - 18:55

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....and, while I agree somewhat on smaller boxes, this one is indeed beautiful and not too big.
Somewhat spoiler. The banter before the 12.9.71 Truckin' is hilarious and somewhat foreshadowing. You'll know what I'm talking about when you hear it. Sounds grate!! Time to change my avatar and turn it to 11!

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11 years 9 months

Submitted by nappyrags on Fri, 10/08/2021 - 23:01

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#05451 it is...and I do like the box...The digi-paks themselves though, that's another matter....

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15 years 1 month

Submitted by Colin Gould on Sat, 10/09/2021 - 00:02

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5 hours ago my box set was in Kentucky. UPS now say it will be delivered, to me in the UK, on Monday 10th. Still seems unlikely given all the custom clearance that will be needed. I may never leave the house again!

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17 years 5 months

Submitted by simonrob on Sat, 10/09/2021 - 01:06

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Mine also arrived in Kentucky early this morning and has an estimated delivery time of Monday morning. I haven't received any request for payment yet so I will be surprised if I see it on Monday. At least it is heading in my direction so I have no reason to complain.

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10 years 2 months

Submitted by daverock on Sat, 10/09/2021 - 03:28

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Simonrob-not often you can say that! Not you personally, I hasten to add-not often "one" can say that. Still, the day is young.

I'm 10-45am-2.45pm on Monday now, too. I must say, I am looking forward to getting this one more than I have been with any other parcel this year. And there have been a few.

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16 years 1 month

Submitted by unkle sam on Sat, 10/09/2021 - 05:25

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yet? anyone listen to these shows yet? searching for the sound, is it all there? dropouts? patches? pristine beauty? Bueller? I hear the 72 vinyl is fantastic, sure hope these cds are as phenomenal.

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13 years 4 months

Submitted by JimInMD on Sat, 10/09/2021 - 06:32

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I will go out on a limb and mirror your remarks. I listened to this run a few years ago, and that's my memory. That PITB/Dark Star Morning Dew sandwich is indeed the special sauce from the whole sequence.

..but in fairness, I have not gotten any of this yet, so no fully cleaned up listens. I could change my mind, but I doubt it.

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15 years 7 months

Submitted by IanM on Sat, 10/09/2021 - 07:43

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My box now in Philadelphia with a UK delivery time of Monday 12:00 - 15:00. No ransom note yet but I expect I'll get one.

If you believe you have been charged excessively then you can contact UPS Postflights Department to clarify the charges on 0345 7 877877 or send an email to ukpostclearATups.com attaching the dead.net invoice, and make the subject your tracking number.

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12 years

Submitted by Dennis on Sat, 10/09/2021 - 08:26

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Was here when I got home from work last night!.

The box is nicely printed on and I don't mind the size. What I don't like is the way the cds are in the big box, you have to tip the box over to get them out (or have very long finger nails!) Not a big thing, since I'll only be taking them out to rip. The swag is cute.

Now on to the music!

Oh,,, somebody mentioned wasted space in the box,,, it's not wasted. If you push the hidden button the space will open up into a replica of the stage in 71,,,,, very impressive!!!

..... he's lying! Every time some white reporter shows up he says he box does something special.

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9 years 6 months

Submitted by 80sfan on Sat, 10/09/2021 - 09:16

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1431 has landed in PA. I won't be able to listen until tonight but i'm so excited it's here.

Was surprised to hear the comments about the size - when it arrived i actually thought it would be bigger. It's basically the size of a personal-sized pizza box. Not bad at all. Enjoy, everyone!

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17 years 4 months

Submitted by Vguy72 on Sat, 10/09/2021 - 10:47

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....that's what my wife says anyways and everyone loves pizza.
As far as the sound, I'm through the '71 shows so far and they sounded excellent 👌. Going to see the new James Bond movie this afternoon then will dip into 1972, which were recorded by Bear, so I'm sure they will be auditory bliss.
Btw, if anyone wants to check out some nifty Grateful Dead playing cards, go to theory11 dot com for some quality ones they offer, among others.
Obligatory joke.
What does James Bond's doorbell sound like?
Dong. Ding Dong.
Have a grate weekend everyone!!

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10 years 2 months

Submitted by daverock on Sat, 10/09/2021 - 11:07

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Ian - thanks for that-I think I'll give them a ring on Monday morning and see if they can account for the £63.15 charge. I've already paid it, but....well, see how far I get.

Jim - yes, my comments are pure speculation, of course, although I have heard 10/18/72 before. For me it is one of the great shows - and about to get better, if the vinyl is anything to go by. The dark horses for me in this set are the 1973 shows. Not much has been said about them so far.

As to the size or look of the actual box-I don't really mind about that. As long as the cds play ok I'm at peace.

Happy to finally get a delivery email. Arriving this coming Tuesday, can’t wait to start listening. I don’t care about the size of the box, I just care about the music. For those who already have it… enjoy your weekend.

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15 years 2 months

Submitted by Cousins Of The… on Sat, 10/09/2021 - 11:34

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Box set dimension is worrying me
I can't hardly sleep at night
'Cause of box set dimension

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6 years 1 month

Submitted by tershj on Sat, 10/09/2021 - 14:56

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Just got back from a very windy bike ride to find that #00154 (lowest number yet...must mean I am cool) had landed on my door step. Still no shipping confirmation email, but I am here for the tunes not the emails. The rest of my Saturday has been spoken for! Yippeee!

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4 years 3 months

Submitted by proudfoot on Sat, 10/09/2021 - 15:11

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A Deadhead's life for me

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4 years 3 months

Submitted by proudfoot on Sat, 10/09/2021 - 15:14

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Listened to Yes Relayer all the way through

Some sections were out there

Some was good

Some was....meh

A pretty thick chunk of musical meat all around

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7 years 5 months

Submitted by rowjimmy7 on Sat, 10/09/2021 - 16:46

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Where is the number on the box, I looked all over the external box and internal box. Also, the corner of the box got bent in a little during shipping, not a huge deal, but I would prefer perfect. Live with it?

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7 years 8 months

Submitted by LedDed on Sat, 10/09/2021 - 18:42

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The Apollo has landed... the set opens with a great deal of witty banter before a 12/9/71 "Truckin'" with Phil telling people they can go across town and listen to Grand Funk Railroad... so far so good, great era, great set list, great vibes.

The limited edition # is stamped in foil on the back of the book. This is indeed a beautiful set, if there's one thing Rhino does well it is package art design. A thin, slim volume that is very bookshelf friendly, the inks are beautiful and I give it 5 stars out of 5. I am rarely disappointed by the design of these boxes, each unlike another and this one is no exception.

Glass of Jack Daniel's in hand and EVH Frankenstrat on my lap, I now leave you to embark on an hours long listening binge.

Bon Voyage!

\m/

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17 years 4 months

Submitted by Vguy72 on Sat, 10/09/2021 - 20:09

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....apologies ledded. But you really need to step up your whiskey/bourbon game. Other than that, rock on.

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7 years 5 months

Submitted by rowjimmy7 on Sat, 10/09/2021 - 20:31

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I see it. Executed to rip and play the music. Can’t get enough 71.

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17 years 4 months

Submitted by Vguy72 on Sat, 10/09/2021 - 20:39

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....what's the number? We're waiting.
You joined on my birthday btw. Cool.
Firing up 10.12.72 now.
I'm excited.
Ledded brought up a good point regarding the boxes. Every one of them is different. Even the Spring 90 and Spring TOO don't exactly match.
It's like the island of lost toys, but in Dead Box fashion lol.
Bird Song in the second slot on 10.12.72? That works. The sound is impeccable and no skips so far.
Thanks Bear!! Truly a magician/scientist. Onward!!

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7 years 5 months

Submitted by rowjimmy7 on Sat, 10/09/2021 - 21:09

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2655. All 3 are good years and look like good shows. I love these early 70s shows. The packaging on this one is reasonable too, although hard not to slide out all the disks.

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17 years 4 months

Submitted by Vguy72 on Sat, 10/09/2021 - 21:29

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....yup. Should have included some
ribbons. Minor complaint though.
Felt inserts in the digipacs wouldn't hurt either.

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17 years 5 months

Submitted by SPACEBROTHER on Sat, 10/09/2021 - 21:48

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Got mine. The hardcover book has a whole section of pages that were manufactured upside down from page 5 through page 12. Page 4 goes to an upside down page 12. Anybody else have this printing mistake? If so than someone forgot to proof read the final product. If it's just mine I received a misprinted book.

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13 years 9 months

Submitted by Shrewnews on Sat, 10/09/2021 - 22:48

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2252 and all the pages in the book are right side up (not upside out or inside down). Spacebro, I think you got the special collector's edition.

Disk 1 had some minor scratches on arrival. That would have helped. So far the other disks all look good. Again, they all play fine, just not quite perfect. My Giants Stadium box was the same. One of the digipaks wasn’t glued so the disk slid to the bottom. Minor issues though. As long as the disks are ok.

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17 years 4 months

Submitted by Vguy72 on Sat, 10/09/2021 - 23:10

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....I have a poster from the 1999 Bob Dylan/Paul Simon tour that says Las Vegas, CA.
Walked up to the merch stand after the show and the vendor said "All we have left are these misprints."
I should've bought three.
Lucky Bro.

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10 years 8 months

Submitted by hendrixfreak on Sun, 10/10/2021 - 08:19

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if the band in the first set of 12-9-71 -- Brown-Eyed Women, Mr. Charlie, and Tennessee Jed -- doesn't sound almost exactly like the Euro '72 band of four months later with Keith in high gear after two months in the keyboard chair. I know that shouldn't be astonishing -- only four months from St Louis to Europe -- but the sound quality and the playing were so close I had to comment.

As for the book, I had multiple pages glued together by a tiny area near the binding and the pages got damaged as I easee them apart. Otherwise, nice packaging, although I'll probably toss the box itself and shelve the individual shows chronologically in my '66 to '75 shelf.

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10 years 8 months

Submitted by hendrixfreak on Sun, 10/10/2021 - 08:30

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Did anyone else notice that the first set on 12-9-71 begins with quite muffled sound on Truckin'? At first I was taken aback, but the sound quickly improved to astounding quality -- but right at the start it's sub-par.

That is all for now. Finishing the first show tonight and taking a few days' break til 12-10-71.

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6 years 4 months

Submitted by Weavie on Sun, 10/10/2021 - 09:23

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Looking forward to this.
Surprised that we really have not seen the box set.
It is the level of creativity to these packages that keeps winning me over.
Has anyone done an unboxing YouTube video yet?
The Dead.net web site really is not showing much.

USPS left it at my front door before 1pm.

Did a quick inspection and the box itself is an epic waste of space. Approximately 3/8 of the interior is just air. So, not just a waste of shelf space but also a waste of materials and resources.
Looks like my book was printed correctly.
CD cases are paperboard like 30 Trips and Road Trips.

Overall dimensions, for those who haven’t received it but want to know, it’s a little bit smaller than an LP vinyl case and about 3 inches thick.

Will give a first listen tonight.

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10 years 2 months

Submitted by daverock on Sun, 10/10/2021 - 11:17

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No box yet, but thinking along the lines of Hendrixfeaks last but one post, I would say that when I think of 1971, as a year, I tend to think of the 5 man and not the one with Keith and Donna in it. From the moment Keith joined the sound changed to that explored in 1972. So 1972, for me starts in October 1971 and ends with Pigpens last show in summer 1972. Which is when 1973 starts.
The same argument applies to earlier years to some extent, too. The division of the bands progress and sound as being typified by particular years is quite arbitarary, when you come to think about it.

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