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    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • 1stshow70878
    Joined:
    JM

    on Jerry's style.
    A cerebral description.
    Whatever he's doing I'm OK
    as long as I focus on all those notes.
    I won't get lost.

    Cheers

  • 1stshow70878
    Joined:
    Aug. 1, 1982

    I think Big Brownie had talked about this one a while back.
    I'm finding so much early 80's I didn't know I liked.
    It's all about the energy not so much the era.
    Cheers
    Thanks BC!
    And Dennis thanks as well. JM is well spoken.

  • bluecrow
    Joined:
    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • Dennis
    Joined:
    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

  • JimInMD
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    The Zoo

    A nice little show. I explored this one a little before this thread started, probably late 2019. It makes a good companion to the night before in Austin. Apparently hot that day and Jerry was up most of the night celebrating his birthday. Hot jams in China > Rider.

  • DeadVikes
    Joined:
    8/1/82

    Looking at the 8/1/82 show from Oklahoma City for today. The hot summer 82 run.

  • 1stshow70878
    Joined:
    Yes Jim

    One of the joys of old age.
    Stuff (or hair) growing out of places it shouldn't.
    Or where it hadn't before at least.
    Cheers

  • JimInMD
    Joined:
    Re:

    Wow.

    Tell Phoebe to stay away from the Special K. Catnip and a little cannabis are fine but stay away from Keratin and all the other hard stuff. Some cats never learn....

  • 1stshow70878
    Joined:
    Thanks BC & DV & Jim & Oro

    Phoebe the 17 y.o. cat has made a comeback as she has done many times.
    Just when I think she's used all of her 9 lives she does the energizer bunny.
    The vet says her lameness is a growth of keratin and not anything worse.
    As long as she is not in pain and loving a hobbled walk in the sunshine we will keep on truckin'.
    We've had a series of one dog and six female cats with as many as three at a time.
    And when she goes the wife wants two male kittens next time.
    That should be fun! We can never wait more than a month between loss and adoption. There are so many out there who need us.
    Cheers all!

  • bluecrow
    Joined:
    thank you friends

    Spirit was such a sweet strong beautiful doggle woggle.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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I was there. Correct me if I'm wrong, but I bet Cousins, Bolo, Marye, and many other folks on this forum were also there, having a blast. I wonder if Nappy was there, I saw a picture of him in a parrots costume at the Greek ,might have been 1982. Great fun.

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Billy.. you're my brother from another mother. I wish I was there.. but I made it eventually and can say I peaked at the Greek. What a venue, my favorite by far.. I have to admit.. I am envious of all the shows you guys got to see that I did not, envious in a good way.

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One of the all time greats IMO. Sunday afternoons at the Greek had a lot going for them.
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Can’t be wrong with those kind of recommendations!
I think I’ll jump off the Doc train and do a 82 twofer today.
Thanks for the additional voices and good to see good ole Marye, especially since the poor girl must be exhausted from hand delivering all those boxes, AND now a new Dave’s .weren’t we going to set up a go fund me to at least get her an ebike? ; )

EDIT: Phil shows. For sure, I’ve been meaning to catch more. Hopefully I can check some more out later on?
Streamed the 3 Colorado shows as well as the last Capitol Quintet show. Good sheet Mon! Not familiar with this lineup, though hear Niki is awesome!

DBL Edit: wow, just finishing up 5/23. Funny thing is I caught this, actually the whole run, probably from the same good folks who recommended it, but I didn’t write anything down, and a, ahem, being memory challenged ahem, I often
Remember I saw, heard, read something, but will forget what happened. My other half gives me a hard time about it, but I hey, this way I get to enjoy it all over again!
Anyway, glad I hit it again, really good show, 82, it’s like the new 81!
So I’m guessing that was an Angel adding the Harley to drumz?
So bummed we never made it to the Greek, or Frost, or Ventura, or a hula Vista etc, etc to see the boys.
Fortunate to have at least made it to Cal X and the Garbage heap, and hit those, as well as Veneta, Irvine, Ventura, and Irvine working Furthur 96, which was cool, but added to the disappointment of not seeing the Dead there.
Oh, same with the rocks: saw many great “after” shows, but sigh, no Dead, idiot!
Ok, going to catch up with RT 4.4.

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Yes, another great show and some of you were there, which is cool.

30 years of archival releases and not one Greek yet? We are due.

Happy Halloween 🎃

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We did get a 68 Greek in 30 Trips. Hoping for me.. alas, the recordings for the one year I made the pilgrimage are not great.

This 82 sounds nice though.

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Got both 5/33 and 4/6 in yesterday!
As I say, 82s the new 81 lol.
Thoroughly enjoyed both!

Hitting 10/29/71 now, which is resonating nicely.
Hoping to hear the full 10/31/71 later. Not sure I’ve ever heard the first set?
Happy Halloween to y’all, wish I had some candy for DP 2 later lol.

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I didn't even think the first set existed.. I never looked once the Dick's Picks came out. How wrong I was.. I do seem to remember someone commenting that the first set was not in the vault, whether that's true or not who knows.

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Jim, that’s what I recall hearing too.
They didn’t have the first but the 2nd, well, sure most have read Dicks feelings on the 2nd so…

The 10/29/71 shows was a standout for me. Really dug that one.
Going out of sequence to do 10/31 today. Will hit 10/30 asap…

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Sounds good to me. I will get it going soon, as the trick or treaters hit my door.

At some point I would love to know about the Dats provided by Rob Eaton and David Gans.

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Really good show. I enjoyed it. Great first set. Deal, Loser, BRB, El Paso, Cumberland! Fantastic. Start the second set with a groovy Dark Star, nice St. Stephen, great finish. Thanks for the pick on this one.

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It was Booooooo T ful!

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After I finish the fox/st. louis box and Deer Creek, I promise to get back on track with the pick of the day.

Plus.. it's been raining here pretty much non-stop as far as I can remember.. so I started to build an ark. Now I need to fill it with two of each strain before the heavens open up and the shit really starts to hit the fan.

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Hang in there and stay dry buddy!
I’m in the same boat (pun intended), just too much going on and not getting any tunes in at work.
Except that damn oompah accordion music these boys dig lol.
Also trying to get to all the 71s, slow but steady when I do get a chance.
Definitely will be back onboard if/when life allows!

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Did you get your #40 Jim? I think OB got his yesterday??

Mine is scheduled for Saturday November 6. Not sure why, but the pattern continues.

I am ready for new picks or repeats whenever you all are.

Oh and don't forget to pick up your Dark Star hoodie!

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stopping in to say hello to all the POTD friends - Hi everyone (been "busy")

def need to revisit DiP 2. As for that '82 thang Oro, look no further than DiP #32 Alpine 8/7/82 - I was "there" back then plus on a late night revisit a few weeks ago with the whole sound space open, a thing of beauty, what a gorgeous night. And that next night was out of this world.

picked up the discs from Dead&Co from shows I saw at Wrigley this past Sept and that's where my head and ears are at right now - night 2 and really digging Mayer's sound,

haven't had proper time for Listen to the River yet. Dave's 40 #23534 showed up yesterday and in the long queue

was playing a lot of Stepping Out in the truck. I always thought that Big Railroad from Skull and Roses was the "one" but I will say that the Big Railroad on Stepping has a groove, especially Jerry's guitar leads, that is also just exactly perfect.

sorta wigs me out in these plague times when some regular folks don't check in for awhile - comprende GOGD and Strider??!!

and once again - one of my "for the faithful" POTDs is 7/16/72 Dillon with the raw audience up front e.g. Cold Rain & Snow

Hey Bluecrow,

Yes, that show sounds good to me. I was actually looking at the show a couple of days ago.

And add Bolo to your list as well.

I gave it a go Bluecrow, a little rough around the edges for me.

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yea its a pretty raw upfront, but the energy really captured me despite that. It's a show that would definitely benefit from some newly found reels. glad you gave it a shot - not really expecting anyone to rave about the audio for the audience portion but I think its your usual well played '72 show - a diamond in the rough.

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In reply to by bluecrow

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11-4,5,6-77

11-2-77% has been playing in my car since Tuesday. That should end today, then I’ll start the 4th and play the 5th and 6th this weekend in the house.

Coincidentally, ( or maybe not, it being the anniversary) I decided to give these shows a listen too. It must be a good few years since I played any of them, and I am well impressed. Very high energy-Jerry really standing out with that great sharp as a knife tone. The dynamics are so different for the pre 1975 years - more straight between the eyes, with the up tempo tracks coming off really well. Great guitar work on Estimated, and Lazy Lightning/Supplication too, though, which are more up in the air. This is 11/2 I am talking about, by the way.

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Since I have listened to these shows too.. might have to fit that in.

When I finish digesting the box and #40 I planned to toss up a few neglected official releases myself, looks like you beat me to it. Dave's Picks 25 anyone? It's old enough we can call it a vintage release already.. where did the time go?

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This is one of my favorites. I am in.
Just love the half step opener and the rest of the show. Even the funky Scarlet Fire.

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I agree with everything that hasn't been posted on here in the last 4 days.

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With the Doc train through 11/11/71. I’ll try to hit 11/12, 11/14, and 11/15 this WE.
Virginal Dave’s 40 completed too!
Now if only I could sneak a show or 2in during work!

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Hey OB, 11/15/71 or RT3. 2 is a five star show. The sound quality on this release is one of the best 71 shows I have heard. I will definitely put this one on the list this week. The bonus disc form 11/14 is also great.

Just got my #40 and still working my way through it. Loving it so far.

You can tell who is the captain of this ship.

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Glad you received 40 DV, play it loud and proud brother!
Yep, looking forward to the RT this WE.

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Thought it would be fun to check out 3/19/90 Hartford. How does it stack up against our new #40? I think the last two years Dave is really releasing nostalgia picks, which is okay. He is the Captain. So, how about some 1988? At long last release the 89 Alpine shows.
It will be interesting to see what he does for #42. Will he continue the pattern of a 74/73/69/70 shows? Will he break the mold and completely surprise us with a 79 or 80 release?
I don't know, I don't think it will be 73/74.

I received an Email from Dave, I think yesterday. Did you guys get it?

Are you still out there Jim?

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Yes, I am still here.. Hartford sounds good and I have just finished a full decent listen of Dave's Picks 40 so there is some synergy there.

I really enjoyed Deer Creek. Very good sound for a two track, the credits Healy as the person who recorded it, but it's a big step up from the Ultra Matrix days. Most are siding on the second night being a stronger, more even performance. I guess I agree with this, the second set is very strong. I like the powerhouse opening for The Other One too.. Phil just thunders it almost from out of nowhere, then into a calming end of the world crescendo in Morning Dew. Perhaps I will comment on the 40 thread but the first night speaks to me.

Moving right along, there is another show that caught my attention last week that I want to hit. It's a new one for me. 1982-04-12 Nassau Coliseum. Not sure why this caught my eye, but I think it's worth hitting. After Hartford?

Then I do want to hit a few released shows that are both spectacular and have fallen out of my rotation. There are so many of these.. and I like to take care of my orphaned stepchildren.

I hope all are doing well in this mad, mad world we live in. I am very grateful for the escape and entertainment mechanism that is music, more specifically Grateful Dead music.

Be good all. Play Dead.

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In reply to by JimInMD

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You go DV!
Glad y’all digging 40!
Harshferd and 4/12/82 sound good. I’ll try and mix those in with the big Doc fest this WE!

Buurrrrrrrr, 23 this AM, no bueno!
It’s funny how your feelings on winter are influenced by whether you go up the mountain or not.
When I still did, it couldn’t snow enough, now…not so much lol.

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Perfect, I will hit this one up tomorrow. Thanks for the pick Jim.
Yes, #40 is great. Best Desolation Row?? I don't know. I always thought the 89 Alpine version was pretty damn good as well.
Yes, back to reality here in MN as well OB, snow moving in tomorrow.

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The '89 Alpine version is the pillar that all the others rest upon. It's flawless.

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It’s the extra emphasis that Jerry throws in on the vocals, on top of an already well played song.

Alpine ‘89 CD/BluRay Box time Dave.

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I do really like #40. Two great shows.
It was interesting to then go back to 3/19/90. Wow! This is a fantastic show. Great first set and love that second set with the Box of Rain, Foolish Heart, Playing into Eyes. Nice finish and you get a Brokedown Palace encore.
So, this show and the rest of the first box used the Cutler two track down mixes from the 24 track recordings. I think these were also used in Dozin at the Knick as well. They sound great to me. The sound is so full. I would like to know how this down mixes work? Does anyone know? They are definitely a different beast.

Okay,on to 82.

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Just like any multitrack album or recording.
The studio engineer mixes, adjusts etc, the individual channels to get the right blend/levels between all the different channels (instruments, vocals, effects etc) and routes, pans or positions those individual channels in a stereo mix. Like JG coming more out of the right speaker and Bob outta the left for example. These signals are then routed to the final main stereo output of the mixing board, where the main output levels are set and recorded on a stereo or 2 channel device: tape, HD etc.
The studio mix is where individual eq adjustments, effects etc are done.

This final mix is then sent to the Mastering engineer who sweetens the overall sound or sometimes adjusts the overall eq so it will sound best on the physical product. LPs usually have specific eq curves applied to compensate and maximize sound for that format. If the studio mix was done very well, the mastering can be relatively simple, but often there is much more happening in mastering than people realize. All of this is truly art.

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Appreciate the information on this process, Oroborous. That makes sense. I guess that explains why they were able to use Cutler's downmixes. They were that good. Recorded and mixed live by Cutler.

Loving 4/12/82. Still working my way through it. Good call Jim.

Edit. Finished it. Five dancing bears. Great sounding recording, even the last two songs that are audience patches sound good.
Start the show with an Iko Iko and finish with Satisfaction. Great Peggy O, Birdsong, Sugaree, Stella. Man, you would have to think this show is a contender to be released if Dave ever releases any more 82 shows.

Yes, that sounds like a winner to me. Never listened to this show, so I will get it going. Thanks for the pick Vguy.

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I’ve always wondered about 5/7/78?
My cousin was going to RPI at the time. Now I’d normally doubt he would have gone to the Dead as he’s pretty conservative, (believe he was into the Boss then?) but hey it was collage and he was young so who knows?
I’ve always ment to ask him but rarely talk to him so I forget.

VGUY always finds nice off the path picks!

But first I’m currently spinning 4/12/82, which is nice. Brent laying some sweet jazz pi-an-ner down on this Bird Song as I eat my Bfast to a glorious Rocky Mountain morning.

Hit 11/12/71 on the Doc train last night. Short but sweet!
Then Tried to get 3/19/90 in. Does it count if you slept through half of it lol.
90, that is a year I truly need to dig deeper. Perhaps my biggest year and yet I’ve only been aquatinted with it.
Need to get nekked and roll around in the mud with her!

Ok, the list is getting daunting, hup hup.
4/12/82 spinning currently
5/7/78
11/14/71
11/15/71
and need to get back to St Louie, Louie!
Didn’t get much time with the 73 shows…..
Oh, and still have ideas Bluecrow and others contributed back aways that we never hit.

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New one for me, I will queue it up.

I really enjoyed the last two picks.. 3/19/90 is rock solid and 4/12 was an interesting show. Perhaps one day we will have to hit Providence a couple nights later.

So where are we today? ah...5/7/78. And the beat marches on.

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In reply to by JimInMD

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Ssssssscccoooooooorrrrrrreeeesssss!!
4/12/82 enjoyed
5/7/78 preoccupied working in the garage, but solid spring 78 if not more? Really have to ask my cousin now lol.
11/14/71 had never heard the first set so streamed that, now cranking the RT 3.2 Bonus, yowsa! Can’t wait to hit 11/15 mañana! Perhaps a St Louie 73 and ??
Onward!

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The elusive DHBHT. I take it you slept well last night.. might even wake up a bit sore.. What most people do not realize is how much training and deadication it takes to prepare yourself for a such a major accomplishment.

With a little training one can finish the Boston Marathon in a little over four hours. At best, a DHBHT takes almost twice that.

Good work, take the rest of the week off.

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Time off, blasphemy!
The other half is working again today so though I’m getting a late start, I think I’ve got at least 2 in the tank, and at least the possibility of another DHB. Hey, have to get my fill on the weekends since no tunes at work lately : (
Probably try for 11/15/71, something suggested by BLUCROW, perhaps 9/25/81? from a few weeks ago, and then perhaps 10/29/73 as I’ve only hit the 73 Louie’s like once or twice, but in the blur of the overall box.
Onward!

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Didn’t get the third one in yesterday. Was running outta time since I still had to watch Football, speaking of, GO VIKS! Lol Also was getting a little burnt after 7 shows this WE, needed a little Jazz.
Did enjoy Bluecrows suggestion of 9/25/81, another nice, long, solid 81. Think I’d still give tge nod to the next night, but I’m biased on that one. And of course the glory of 11/15/71. I know DV likes the sound of this one but I still hear parts that are oversaturated. Not like Dave’s 38, but it doesn’t sound as nice as the St Louie box 71s, to me anyway…
Curious DV, is your copy a GDP or aReal Gone? The one on my server is ripped from an original GDP, I have a Real Gone version still in the rapper, but didn’t think it was worth redoing etc?
I was going to hit 11/17/71 on the iPad at work, but remembered that’s a Dave’s, so I’ll have to wait fir a chance on the stereo.
Maybe I’ll hit1/18/78 off of Dave’s possible list?

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7 years 10 months

In reply to by Oroborous

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Oroborous, I have the grateful dead productions release that I bought this year with the bonus disc after a kind soul on this site sent me an electronic copy and I was blown away. Had to have the original physical copy.
Listened again today and it is just crackling with energy and the sound quality to my ears is A++. I put this one up there with the three February Port Chester shows, as far as my favorites of the year.

Yes, hey the good old Vikes won one on the road. Look out.

Edit. 9/25/81, haven't heard this but you should read Miller's notes on this show. I cracked up. I won't ruin it for you.

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13 years 2 months

In reply to by DeadVikes

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After briefly being caught up, I am behind again. It's 11/15/71 for me today. I have a bit of a drive, which is perfect...

I did finish both DaP 40 and the St. Louis Box.. but I admit I need to give the two Kiel shows another spin. In fact, I don't think this box will begin to collect dust just yet..

Then hopefully.. I will become a more active participant again. I have a bit of work to do, then a small adventure of sorts, followed by a few hour drive and 11/15 will get it's time in the sun. We are approaching mid week.. hope everyone is keeping on keeping on..

No DHBHT for me today, but I am content with what I have. Be good all.

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17 years 3 months

In reply to by JimInMD

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Life is such that it’s not a great time for lots of music. So trying to binge out on the WE.
All goood, just that time of year here, GO Time! But it affords an opportunity to cleanse etc.
hoping with the new year things will settle back. Hoping they’ll let me sit out at least part of the winter which means daily home binging lol.

Plus, though I’ve enjoyed riding the 71 Doc train, it will free up more listening time. And no, I’m not going to try for all of 72 next year lol.
I made it through first set yesterday of 1/18/78 off of Dave’s “list”. It was good but not so sure it’s one I’d hope for a release, which means he will lol. JG sounds pretty froggy still, which is weird as the next night I think I recall he doesn’t sound too bad? So going to finish 1/18, then?
DV: it’s not the overall sound that distorts? I specifically remember in SSDD or Sugar Mags when they get loud. Could be just the amps distorting etc, but I think the tape maybe over saturates a little on some if the peaks also?
Glad you don’t experience it! Somewhat common for those days.

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7 years 10 months

In reply to by Oroborous

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I don't think we ever listened to this show, 1/23/70, Dave's Picks #19, Honolulu!

Hope you all can check it out.

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In reply to by DeadVikes

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..and I'm in on 1/23/70.

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9 years

In reply to by JimInMD

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My Dead listening has been pretty limited last little bit, primarily in the ride. So I'll load this up. Sorta under the radar DaP I think.

Gotta say that I'm still obsessed with board CD of Dead & Co 9/18/21 from Wrigley. So in those somewhat rare headphone listens back home I keep coming back to this. One of those shows that went straight to the heart and soul.

Spent last weekend out in the Henrys - first time camping since out there last Spring. It was real good.

Be well everyone.