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    heatherlew
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    May 1977: Get Shown The Light (All Music Edition)

    WHAT'S INSIDE:
    Four Complete Shows on 11 discs
    Four folios housed in a slipcase
    5/5/77 Veterans Memorial Coliseum: New Haven, CT
    5/7/77 Boston Garden: Boston, MA
    5/8/77 Barton Hall, Cornell University: Ithaca, NY
    5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    50-page book of liners and photographs
    Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
    Mastered in HDCD by Jeffrey Norman
    Artwork by Grammy-winning graphic artist Masaki Koike
    Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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  • Dennis
    Joined:
    frosted - oswley tapes
    Great article, thanks for the post. I'd adopt a show for 400 bucks, but I'd want a copy of the show for that money.
  • KeithFan2112
    Joined:
    Otis...My Man.. ... / Jim your EOTW
    How did I overlook DP 25?? I knew I must have missed one, thanks for pointing that out, I'll work on it today. I have a couple of ideas for that one. Yeah, it's the only Docks Picks that's not part of a "style series" (I guess because as you said, 25 was a milestone).this is one of my least listened to releases. They'd lost that '77 tightness very close to these dates. April good / May loose and sloppy. Well in any case I'm really glad you're enjoying the album covers Otis. I have some other random covers that I can send your way Road Trips Wall of Sound this morning - June 16 material. I combined the bonus material so that one folder is all June 16th songs, and the other folder is all June 18th songs. JimInMD, I know you love the June 16th Eyes of the World. Cheers I just had that one cranked up all 20 minutes worth -top 3.
  • kyleharmon
    Joined:
    @80's Fan
    sent ya one back I would love a copy
  • Thats_Otis
    Joined:
    @ KeithFan - Album Covers
    Got em' all loaded and they look great! Thanks again! (Well, except for DiP28, as that is one I have yet to acquire...) The only two show DiP that I have that seems to be missing is Vol. 25 - 5/10 and 11/78 New Haven. (On a side note: While I appreciate the sentiment of the cover, Dick in his element to celebrate the 25th release of the series, this has always been one of my least favorite covers... perhaps a little too classy?) Anyway, thank you again! My library just got a nice face lift :) Peace
  • 80sfan
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    @kyleharmon
    Just sent you a PM (happy to send you a copy)...here is a stream only version from the archive https://archive.org/details/gd95-03-27.sbd.3194.sbeok.shnf
  • frosted
    Default Avatar
    Joined:
    Owsley Tapes
    The SF Chronicle seems to be on a bit of a Dead run lately with some feature articles. Here's an update from today about Owsley's kid and their foundation carrying forward the preservation and recordings of his 1300 tapes of live recordings from the '60s and '70s of various bands. Starts with one from Doc and Merle Watson. Another one mentioned of Miles Davis on double bill with the Dead. Interesting story of whether/how some of these will ever get released. Get ready for some fresh wallet diving again, folks. http://www.sfgate.com/music/article/LSD-king-Owsley-Stanley-s-Sonic-Jou…
  • kyleharmon
    Joined:
    3/27/95
    does a soundboard of 3/27/95 The Omni circulate?
  • Oroboros
    Joined:
    A happy note, icecrmcnkd offered up an extra 77 box to me,
    so I guess will be 'shown the light'. ;o} To add an afterthought to my prior post about my 'brush with greatness' re: meeting Garcia in Madison in 78, and recently seeing "Long Strange Trip" which highlighted the Dead's relationship with all us 'deadheads'. While I can't recall every detail that we discussed that February morning almost 4 decades ago, but in a microcosm, it had it's own synergism. With me so excited to talk to Jerry, he became really jazzed to talk art, both of us discussing symbols/mysticism, and consequently while sharing our conversation and that moment accelerated and took on its 'own power'. I read a quote from Garcia somewhere before "I thought that maybe this idea of transforming principle has something to do with it. Because when we get onstage, what we really want to happen is, we want to be transformed from ordinary players into extraordinary ones, like forces of larger consciousness. And the audience wants to be transformed from whatever ordinary reality they may be, into something a little wider, something that enlarges them. So maybe it's the notion of transformation, seat of the pants shamanism, that has something to do with why the Grateful Dead keeps pulling them in. Maybe that is what keeps the audience coming back and what keeps it fascinating for us too." I believe that is what it was like when we joined with the Dead at those shows, their pouring out this unfathomable energy in that moment, and us in the audience rising in response with our collective surge pushing energy back to the Dead which then propelled them to greater heights of aural adventure. Maybe I am just rambling on,.. but you know that the Grateful Dead did often get that 'dragon' off the ground, and into flight, with us all levitating in their draft. Then as we would watch/listen, with our mouths agape, as each of the Dead would tease, improvise, call and response, cascading leads ('catch me if you can'), shimmering rhythms, bass runs/bombs! (that changed the very atmospheric pressure), keyboard interplay, that primal percussion,... and those lyrics/poetry filled with revelations. Those songs that define us. And we would roar and exhort the Dead and pour our fervor into a tribal stomp and collective howl. And suddenly the moment would slow and then extend. And everything became quite still with Garcia's voice imploring us to recognize "nothing you can hold for very long..." and the band chases his leads until crescendo after crescendo. Then all of us tumble out into that crystalline cool evening with sad eyes, with our heads shaking, but also smiles which originated from alternating from satiation to longing for more. The Dead. "Truth is realized in an instant, the act is practiced step by step."
  • icecrmcnkd
    Joined:
    Dead Magic and younger heads
    Oroboros described it well, and an approximation of that is available today with Dead & Co, and also happened at Fare Thee Well.Younger heads who first got exposed to the Magic with Dick's Picks can now experience it live, especially Drums which is still the original players. Yes, selling one of my extra GSTL Boxes to Oroboros. Of the 3 Boxes I got there was only 1 bad CD: 5-5-77 disc 2, track 2, skipping starts at 2:00. Similar to what others have said, maybe a bad production run on those discs.
  • mbarilla
    Joined:
    Fall 1979 ~ Betty Boards
    bring it on !!!!! has a few Rhino !!!!! "Terrapin Station" 1979 box set I would love the BCT August 1972 run or as much as there is and a BOX SET FROM 1970 !!!!!!! that is where it's at. Bring on the Fillmore West 1970 BOX SET APRIL 1970 or JUNE 1970 !!!!! i prefer if the April shows were released first, seems like the better performances maybe from June , however a lot of the April stuff has not circulated so , that is another X-Factor in the year of X-Factor ALSO LOOKING FOR FILLMORE EAST JANUARY 1970 ~ ALL ELECTRIC
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May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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i've seen two of your posts in one weekcomplaining about someone's negative comments-guess what, when someone has an opinion that is not aligned with your thoughts,even if it's about someone setting a price for something they selling or the band is slop before pigpen.its gonna be negative.it's their prerogative to say it's not worth it or no thanks.i think it's your emotional immaturity to anything negative or something you don't agree with.you could have left it to-"that's your opinion and i don't agree."instead you feel it's necessary to put someone down.earth without rain is a desert.
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7 years 1 month
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Hi all, A technical issue I'm hoping to resolve: Recently ordered this set, promptly downloaded the CDs to my iTunes collection. Getting 1-2 second pauses between most of the tracks which disturbs the flow of the music. Does anyone know what might be causing this, and how to fix it? Gareth
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It’s most likely caused by a setting in iTunes. Go into the iTunes preferences and see what is listed for import settings, as well as for playback settings.If you still can’t fix it then google it, there should be instructions somewhere.
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To icecrmcnkd, Thank you for your reply, much appreciated! If I may, I'd like to followup with a second question: it was only a year ago that I first discovered the Grateful Dead, and I'd love to hear recommendations from older fans about which live albums to listen to next? Thanks again, Gareth
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You know, Gareth, it really comes down to what you like about the Dead... When I put in the Dead, I rarely want to listen to songs, so to speak. I tend to go for the long, inspired jams. For this, I would suggest the Winterland 1973 boxed set as No. 1, so far... though in general, shows from the 1973-1974 will be your best bet for this... That said, there are gems of shows throughout the years, though I've never personally been impressed by anything later than 1977. May 1977: Get Shown the Light (All Music Edition) is a great collection from this year. I also really love One from the Vault, Sunshine Daydream, & Dick's Picks, Vol. 14... The Grateful Dead Movie Soundtrack is an all-too-looked-over gem, too. Finally, if you can afford it, I'd recommend getting a copy of the Pacific NW '73-'74 boxed set while it's still available on this site. When these sell out on dead.net, they price-inflate like crazy to 2x their original cost or more.
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Get Shown the Light, the box with the book, was limited to 15,000 copies, I read somewhere.But I can’t find anything on the All Music Edition that’s still available. Can somebody tell me how many of those were printed?
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So, I'm totally showing my newbie-ness, but when the formats are digital, which is the best to download? I'm thinking about uploading to iphone for maximum bluetoothing. Also, is the first selection a CD collection of the four shows? I didn't see it listed behind the All Music Edition, so I figured it must be sold out.

16/44.1 is CD format, so you could convert to WAV or AIFF on a computer and burn CDs if you wanted to, as well as have the digital file on a music player.

The higher resolution files are for a computer or music player. If you wanted to burn CDs from those files you would lose the higher resolution that you paid more for.

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First time I've ever seen R.I.P. included in the name of a firm pushing you to go on holiday ! Maybe its a plug for euthanasia.

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they thought they were going for dead people as a marketing niche. Dead heads, dead people, I'm so confused... Anyway, they're gone for the moment.
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Hi there,

I downloaded the ALAC of this digital download but when I import into iTunes it is not recognizing the artist or songs and not creating an album. For the same ALAC download for Pacific Northwest ’73-’74: The Complete Recordings Boxed Set it worked perfectly in iTunes. Why does this download now import correctly? Thanks if anyone knows or can help.

You should ask on the Dave's Picks 30 thread…there's more people on there and very few if any on here…hope it helps.

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Since they sold out of the regular box set with all the bells and whistles, and had a huge demand, Dead.Net is selling an All Music Edition that "...only includes the 11 CDs in four folios and a booklet of liners, housed in a simple slipcase."

So, still the four shows, just without the special packaging and the unpublished book. This time, the order went through. Nothing on the website about this also being a limited release -- it's not numbered, but they don't specify if it's another set amount.

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Hello,
I've purchased the fantastic Lyceum LPs more than a month ago and still nothing arrived.
I've searched for the tracking number done by the GD store on the DHL site but nothing appears.
I've yet written to the customer helpdesk, but I'm curious if somebody encountered my same problem.
Thanks a lot,
Fabianope

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Fabian, send me a PM and I'll see if the Doc can shed some light here.

Just to state the obvious, they are indeed fantastic records. I am half way through 5/25/72 at the moment - one that no-one really mentions. Probably because of the night after, which is a shame as it's a great show in it's own right. Curious "Good Lovin" - 14min 53 seconds, and no Pigpen rap - he just sings the opening the verses and the closing ones some 12 minutes later. In between we have spot on r'n'b jamming like no-one else.

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Product Magento URL
https://store.dead.net/music/boxed-sets/may-1977-get-shown-the-light-all-music-edition-1.html