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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • boblopes
    Joined:
    RIP David Jones
    Saw Bowie twice - once at Sullivan Stadium for the Serious Moonlight tour in 1983. It rained all day and seemed to have stopped just as he walked out on stage (unlike Dead at RFK in 1990 where it seemed like it rained only when the Dead played, but I digress). I remember WBCN, Boston Radio Station, had devoted the entire day to playing Bowie A to Z, filled up a bunch of Maxells before I had to head to meet up with my friends to go to the show. My last tape reached the H's and ended on one of my all time favorite Bowie tunes (Heroes). I saw him again with Nine Inch Nails where he was the headliner but everybody was there for NIN. Liked both bands and liked the show, but only recognized a couple of songs which I seem to recall were from his dark period (Eno Fripp period in Berlin). Cool transition from NIN to Bowie. I would say that the Serious Moonlight tour was a better show.
  • matchewy
    Default Avatar
    Joined:
    RE: FLAC to WAV to CD
    With 16 bit FLAC, there are free downloadable decoders (I use FLAC Frontend) to decode to WAV. However, the FLAC files in Boxilla are 24 bit, I believe. Therefore, an extra step must be used to convert the 24 bit to 16 bit FLAC, prior to decoding to WAV. I believe there are free programs to do this as well, but you would have to do some searching. Edit/update: I found this: http://www.bigasoft.com/articles/24bit-16bit-flac.html I would look for some reviews of the program before installing, but something like this is what you are looking for.
  • jrf68@hotmail.com
    Joined:
    Dave's 18
    Dave's got a new video up on the subscription page.:)
  • jrf68@hotmail.com
    Joined:
    Bowie
    I was lucky enough to see him once.The Sound & Vision tour,don't remember the year.Adrian Belew was on guitar with him which was a great surprise.. bummer Edit:1990-05-09 Dean Smith Center-Chapel Hill,N.C. Good 'ole Wikipedia still a bummer though
  • icecrmcnkd
    Joined:
    One Man
    The Ziggy Stardust DVD has lots of Mick Ronson, 'Width of a Circle' is a treat.Just checked Amazon, there's some price gouging going on for the DVD. Wait for the price to drop, then pick it up, it's worth it. I wish there were more Ziggy live recordings available.
  • icecrmcnkd
    Joined:
    SpaceBro - Silverdome Floyd
    I saw both of those Floyd shows at the Silverdome. Yes, second night, second set was a complete DSOTM. The whole show was the same as what is on the Pulse DVD. I was on the floor both nights, had a great time..... I also saw at the Silverdome: Bowie 87, The Who 89 (about a week or so after GD at Alpine Valley), Rolling Stones 89 (The Stones were good but The Who was waaaaay better!!! They always have been!). I wanted GD to play the Silverdome. Don't know why they didn't, maybe rent was too high? Easier in/out and parking than Soldier Field and a roof in case it rains/snows (could have played it in fall or spring too).
  • One Man
    Joined:
    The Thin White Duke
    I never really got into Bowie except a couple of the rock songs with Mick Ronson playing guitar. My taste ran more toward harder rock and then suddenly all that was supplanted by the GD, so there was no room for Ziggy. In the past year I've gravitated toward some of his early work, and recently sat with the current MOJO mag propped up at a restaurant table as if Bowie was joining us for dinner. Then, we played some of his first album yesterday in the car for no apparent reason. Now he's gone. The big rock stars are dropping fast. I shudder to imagine who we will lose this year. I know people have to die, so I need to get a grip. My heroes are generally about 10-15 years older than I am. It's fantastic that they leave behind bodies of work that have no expiration date.
  • stone jack baller
    Joined:
    68 Disc -- Schoolgirl
    Has anyone got a noise burst at around 7:40 of Schoolgirl?.....on the CD version. Just wondering if it's on the master....don't hear it on the Charlie Miller source.
  • Morning Sun
    Default Avatar
    Joined:
    Boxzilla Review--Short Version
    I do not think there will be a long version... Priors: 1. I started listening in '71, got hooked by 2/13/70 DS on cassette in '72, saw first concert in '74, got discouraged by '91. My tape listening has heavily favored '68 to '78. 2. I love exploratory jams, love the baroque compositions, love it when Garcia pushes the energy up ('71 summer!), and love it when Garcia gets 'angular' whether in note selection, note shaping or general mood. 3. What we all love about the "dead' sound is more due to Lesh than anyone else: Garcia's famous quote about "when Lesh is on the whole band is on" (paraphrased) really means--"unless Lesh is on the band is not on". Boxzilla Opinions (based on one chronological run-through): 1. This is a gorgeous well-selected box to represent the band throughout its history. Thank you to all involved from players, sound, management, to WLegate to DLa and DLe and JNorman, and all the recordists through the years. Thanks to Rhino! Thanks to all--wonderful! 2. We easily slip into describing eras of Dead by the keyboardists, and each keyboardist essentially does coincide with changes to the band's overall sound. I expect the truth is the keyboardists fit into Garcia and Lesh's desired sound, so to lay the blame on the keyboardists for an era that does not strike you is not fair. This box shows Godcheaux, Midland, and Welnick were all superb players. Welnick's work surprised me--his piano was especially good. I have often felt Brent was carrying/leading the band's energy. I say, leave the keyboardists alone--they were all accomplished and added significantly to the music. 3. Quick hits: '86 weakest, '79-'83 weak stretch (Lesh not recorded well? Lesh not playing well?) '84 and '85 were comebacks to me, with a fabulous Let It Grow on '84 for Garcia, and Lesh really came alive. Surprise--how much I liked '87-'95. '87-'89 even Garcia is into it, for the rest he is less adventurous but is keeping up in a more narrow range (the 'free jazz' DS's excepted--loved '89 DS), and the rest of the band is really playing. I expected '69 to blow me away, but thought the momentum kept being interrupted. Need to listen again. '82 found me wincing at times for Garcia--many songs late or flubbing entry into solos, uncertain where to go, paragraphs turned into a bar or two. '90 -92 somewhat mushy with too many players. Scarlet/Fire's through the years often an exception on the positive side. 4. Really positive about '67, '68, '70, '71, '87, '93, '94. My listening to '72 to '76 was interrupted a lot, so know I need to go back to those. 5. After I finished '95 yesterday, I thought back to listening to hissy cassettes in the '70s, when we all had the daydream the band would release everything with at least 'decent' sound--my fellow tape traders even said we could all go to SF and do our own taping if they would just let us. We are truly in a wonderous time for Dead listening. Please enjoy and cherish it.
  • SPACEBROTHER
    Joined:
    Val-Du-Lakes
    This venue sat dormant for many years after the '90s. Several years ago they brought a season of concerts back, but has since been dormant again. Too bad, it was a great venue. Saw many great shows there. That Steve Miller show was a fun time. Way too long and vivid of a story to share at this time as I'll be typing for an hour. It was an adventure. One of my favorite shows at Val-Du-Lakes was the '94 HORDE festival with The Allman Brothers and Blues Traveler. Same weekend as Pink Floyd at the Pontiac Silverdome where they played Dark Side of the Moon in it's entirety for the first time since the '70s, plus the Hubble telescope caught images of a comet hitting Jupiter. That weekend was possibly one of the most psychedelic experiences of my life. Those were the days...good times, and another story to share down the road.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

product sku
081227955892