• 1,587 replies
    Srinivasan.Mut…
    Joined:

    What's Inside:
    7 Previously Unreleased Complete Shows On 20 Discs
    Fox Theatre, St. Louis, MO 12/09/71
    Fox Theatre, St. Louis, MO 12/10/71
    Fox Theatre, St. Louis, MO 10/17/72
    Fox Theatre, St. Louis, MO 10/18/72
    Fox Theatre, St. Louis, MO 10/19/72
    Kiel Auditorium, St. Louis, MO 10/29/73
    Kiel Auditorium, St. Louis, MO 10/30/73
    Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
    Mastered in HDCD by Jeffrey Norman
    Restoration and Speed Correction by Plangent Processes
     
    Individually Numbered, Limited Edition of 13,000

    Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
     
    LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
     
    The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
     
    The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
     
    All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
     
    Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
     
    Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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  • icecrmcnkd
    Joined:
    10-31-71

    I listened to DP2 extensively in the 90’s. Set 2 is smoking and the release sounded so much better than the cassettes I was collecting at the time.

    But, I doubt that the quality of Set 2 would be diminished if Set 1 was included in the release. Full shows should be released when possible, and everyone will have the option of putting what CD’s they want into their CD player.

    I also don’t believe that Dave and Rhino have a policy that incomplete shows won’t get released. Everything worthwhile will come out eventually. But, once again, Dave and Rhino have 30 years of material to work with and shouldn’t have to cater to a single group that demands that they get all the attention (that includes pre-hiatus, post-hiatus, Donna-in, Donna-out, Brent, heroin-Jerry, etc., etc.).

    I am thankful and Grateful that these recordings exist and that they are being polished up and released. Keep them coming Dave and Rhino, from all years so that an accurate representation of the entire career of the Greatest Band In The Universe is available.

  • Oroborous
    Joined:
    Dicks/partials

    I don’t mind some of the partials.
    Vol 14 comes to mind.
    As long as the songs are sorta in order.
    Don’t like when they totally do Boroughs like cut ups.
    Ladies and Gentlemen for example. Doesn’t have the same flow.

    EDIT: looking forward to taking vol 2 for a ride, it’s been awhile.

  • Dennis
    Joined:
    Unk Sam & Johnny

    As I said I'm glad I got the Johnny cd (also the fucking album :-) )

    But was shocked at the recording. The recordings of San Quentin and Folsom are FAR superior. Of course they were set up to make a record so the recording should be top notch,,,, right? :-) It was of course a "Columbia Stereo 360" album!

    Like most "country" the songs are SHORT! 28 Songs on this cd.

    But if you like the man in black, get it. I like supporting the Owsley recordings.

    On the Johnny front... I remember when Ice-T was having trouble with Body Count's Cop Killer and people were whining about the violence in rap. He said nobody complained when Johnny Cash sang, "I shot a man in Reno, just to watch him die".

    Then in Cocaine Blues Johnny sings.....

    99 years underneath that ground
    I can't forget the day I shot that bad bitch down

    Life's funny!

    Update on Johnny - ok my 3rd time thru. I'm getting use to the sound, I think maybe it was a mono recording(?) Not as muddy as first blush listen. But the distance between vocals and drums is weird. Like Johnny was standing on left side of stage at the edge and one guy with a drum kit was in the far rear right side. Odd imaging.

    Glad I got!

  • JimInMD
    Joined:
    Dicks Picks 2

    10/31/71 - See Doc's review, this one contains one of our favorite Dark Stars. My first listen was followed with a Wow and am immediate relisten.

    Didn't I hear the reels for the first set were not in the vault? I thought they did not exist, but they seem to be represented on the archive. I do think we have a case for shows with missing reels to make their way into Dave's Picks under the umbrella of Full Show releases. They sort of blew through this barrier when they released fifth reel of 2/27/77 at the end of Dave's Picks Vol. 29

    February 27, 1977 – Robertson Gym, University Of California, Santa Barbara, California:
    "Morning Dew" (Bonnie Dobson, Tim Rose) – 13:58
    "Sugar Magnolia" (Weir, Hunter) – 9:45
    "Johnny B. Goode" (Chuck Berry) – 4:23

    Dick's Picks 2 - an instant classic. A great release. Happy Halloween all.. trip or treat?

  • billy the kidd
    Joined:
    Daverock/partial show releases

    Daverock, once again your intellligent and insightful comments make such a great case for partial releases. Using DP2( 10/31/71), is the perfect example, that is one of my all time favorite releases. There is really great material out there in the form of partial releases from 1968, 1969, & 1970. I listen to those shows on the Archive and sometimes there might be a nasty reel flip that makes releasing the whole show not the best option, but there is tremendous music all around that reel flip would make for a killer release. Aoxomoxoa 50th anniversary release is another example of a partial release, the music from the Avalon Balllroom is really cool. I would always prefer a complete release if it is possible,but you make such a great point using 10/31/71 as an example, why partial releases can be cool.

  • unkle sam
    Joined:
    wow

    just reread some of the comments after I made my now infamous comment. Someone said bla, bla, bla which made no sense some said, I, I, me, me, I, I, I lol, some even agreed with me, thank you. Some even misunderstood what I said and some even put words into my mouth. I never said it was a rip off, I never said any thing that I thought was negative, just an opinion about what I thought and my preferences. You know what, I don't have to explain my self to some of you on this site who think you are the dead head of all deadheads, lol, get over your selves. Like I said before, my days of blindly buying dead music is over, I will listen first, try and get some information from non brainwashed deadheads about sound quality and make an INFORMED decision, that is all.
    Of course I am down for another year of Dave's, but I too wish I could hear the releases first, (or at least know what they are going to be) then purchase, but then they wouldn't be able to sell any less than stellar shows which as we all know can be included in this set up. I will still blindly purchase these releases for the bonus disc and the early bird pricing. That is what keeps me coming back, early bird is like 4 for the price of 3, plus a bonus disc, a real no brainer. And as was stated by someone, if I don't like one of the releases, I can always sell it on ebay for double what it cost, lol.
    Thanks for the heads up about the new Johnny Cash release from Bear, Dennis. I am truly sorry to hear that, I was so looking forward to hearing some Man in Black from the height of hippy days. I do understand that Bear was into a lot of things and recording the Grateful Dead was a passion and perhaps he had a bit of trouble with the set up due to the type of music it was and the way it was played, being used to the Dead and that set up. I don't know, just a theory. Still, would love to hear it.

  • daverock
    Joined:
    Bright Star!

    I played Dicks Picks 2 myself last night....a wonderful disc. Proof positive that the distilled highlights of a show make for a great release. Unique Dark Star - both jazz inflected and melodic, with Jerry shining brightest. Hardly a whisper can be heard from Keith, though. Which probably adds to the tracks uniqueness-they could presumabley hear him, and respond to his playing-but we can't - we can only hear the response.

    John Keats birthday today, too. Author of some of the most transcendental poems I have ever read - "Was it a vision or a waking dream/Fled is that music - Do I wake or sleep?"

  • Forensicdoceleven
    Joined:
    And so we came forth, and once again beheld the stars……….

    50 years ago today……………

    October 31, 1971
    Ohio Theater, Columbus, Ohio

    Set 1: Bertha-Me & My Uncle-Deal-Playing In The Band-Loser-El Paso-Tennessee Jed-Jack Straw-Big Railroad Blues-Brown Eyed Women-Mexicali Blues-Casey Jones-Cumberland Blues-One More Saturday Night

    Set 2: Dark Star>Sugar Magnolia>St. Stephen>Not Fade Away>Goin’ Down The Road Feelin’ Bad>Not Fade Away

    Encore: Johnny B. Goode

    Deadicated to Jason Stempin…………

    Long before the awakening of thought on earth, manifestations of cosmic energy must have been produced which have no parallel today………

    The first set, average while fine, gives no hint of the cosmic energy that would be unleashed in the second set. Previously uncirculated, officially released as the only single-disc Dick’s Picks in March 1995, this exploded like a supernova upon first listening way back when. And it has stood up to repeated listening since then. It is indeed very very fine, one of the best official 1971 releases……

    To quote DL himself: “I’m absolutely thrilled. I can’t believe that anyone who hears this is not going to go to outer space, intensely, over and over… This show was like getting hit with a brick in the face, I couldn’t believe it. I put it on again and said ‘Man!’ I must have played it ten times before I could talk… This is as good as it’s ever been. I’ve never heard anything like it, and I’m shocked… I have to put myself in a seatbelt. I start shaking, it’s so exciting… This is a thrill a minute.”

    Doubt thou the stars are fire, doubt that the sun doth move, doubt truth to be a liar, but never doubt I love……..

    Rock on!

    Doc
    I will love the light for it shows me the way, yet I will endure the darkness because it shows me the stars……

  • simonrob
    Joined:
    Paranoia strikes deep.

    Sad. That's all.

  • Gratefulhan
    Joined:
    Oro & Jim/Phish on West Coast

    Oro and Jim, thank you both as well. I plan to stay in shape and keep up with BJJ for as long as I can. I think I am one of the younger commenters on these pages, but at my BJJ academy, I am one of the oldest. There are few guys that have about a year on me, but most people's I train with are in their 20's to early 30's. They are hard to handle, but I can still hold my own, at least for now.

    I saw Phish this summer in Hershey. I had great time , but these West Shows look bonkers. What I have heard sounds great. Phish has been on top of their game I think for a while now, really least for the past 4 years or so. I need to do so more listening but it seemed like they turned their game up somewhere around 2015-2016 and just kept improving from then. Now it seems like just about every show is above average if not stellar.

    Also, I will say that Dead & Co have upped their game as well. I saw them at Blossom this summer. I felt like that show was OK, but there where some really good shows over summer. Plus some of their recent West Coast shows have been high level as well from I have heard. As I typed this, I watched the free 2nd set opener for tonight - it was a very well played Jack Straw.

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6 years 4 months

What's Inside:
7 Previously Unreleased Complete Shows On 20 Discs
Fox Theatre, St. Louis, MO 12/09/71
Fox Theatre, St. Louis, MO 12/10/71
Fox Theatre, St. Louis, MO 10/17/72
Fox Theatre, St. Louis, MO 10/18/72
Fox Theatre, St. Louis, MO 10/19/72
Kiel Auditorium, St. Louis, MO 10/29/73
Kiel Auditorium, St. Louis, MO 10/30/73
Sourced from tapes recorded by Rex Jackson, Owsley "Bear" Stanley, and Kidd Candelario
Mastered in HDCD by Jeffrey Norman
Restoration and Speed Correction by Plangent Processes
 
Individually Numbered, Limited Edition of 13,000

Steamboats and BBQ, ice cream cones and Mardi Gras - are you ready to laissez les bons temps rouler with the "gateway" to the Grateful Dead? Meet us, won't you, in St. Louis for seven complete and previously unreleased Dead concerts that capture the heart of the band's affinity for the River City.
 
LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73 is a 20CD set featuring five shows from the Fox Theatre - December 9 and 10, 1971; October 17-19, 1972; and two from the Kiel Auditorium - October 29 and 30, 1973. 
 
The seven shows in the collection span slightly less than two years, but they represent some of the best shows the Grateful Dead played during some of its peak tours. The music tells the story of a band evolving, changing from one sound to another seamlessly, precipitated – in large part – by significant personnel changes in the Dead’s lineup.
 
The two 1971 shows feature the original Grateful Dead lineup plus newcomer Keith Godchaux on piano. This version of the band would hold together for the next six months as the Dead embarked upon its Europe ’72 tour. By the time the Dead returned to the Fox Theatre less than a year later, they were without Pigpen, who’d played his final show with the Dead at the Hollywood Bowl on June 17, 1972. A year after the exceptional Fox 1972 shows, the Dead came back to St. Louis, but played the much larger Kiel Auditorium, touring behind the release of WAKE OF THE FLOOD, which came out just two weeks before.
 
All told, the band played 60 different songs during these shows highlighted by blazing romps through “Beat It On Down The Line” and “One More Saturday Night” and wistful takes on “Row Jimmy” and “Brokedown Palace” (whose lyrics give the collection its name). Meanwhile, the copious jamming ebbed and flowed like the mighty Mississippi River on multiple voyages through “The Other One” and “Dark Star.” Naturally, the band paid tribute to one of its favorite rock and rollers and one of St. Louis’ biggest stars by playing Chuck Berry songs at every show in the collection, including Pigpen galloping through “Run Rudolph Run.”  
 
Each show has been restored and speed corrected using Plangent Processes with mastering by Jeffrey Norman. The collection comes in a slipcase with artwork by Liane Plant and features an 84-page hardbound book as well as other Dead surprises. To set the stage for the music, the liner notes provide several essays about the shows, including one by Sam Cutler, the band’s tour manager during that era, and another by Grateful Dead scholar Nicholas G. Meriwether, among others. 
 
Due October 1st, LISTEN TO THE RIVER: ST. LOUIS ’71 ’72 ’73, is limited to 13,000 individually numbered copies and available exclusively from Dead.net.

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10 years 3 months
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The dreaded double post

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17 years 5 months

In reply to by KeithFan2112

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Would of made sense. That’s the problem with only one box a year though.
I think they’d have no problem if the did a big un and a mini every year, but hey I’m a full on addict now ; )
One BIG box, one mini, 5 Dave’s, and another, low budget “cassette master” series, with the occasional stand alone.

There’s still at least hundreds of good shows, what are they waiting for, their market to be Dead…and I don’t mean gratefully ; )

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14 years 11 months
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Just read on uncut that Pink Floyd has released 10 or so live shows from 1970 to 72. Atom Heart Mother, Meddle and Obscured by Clouds covered. Awesome

I just went to the site and it didn’t mention the live shows.
But the most recent update, from yesterday, says that Pulse is coming out on BluRay 2-18-22.
Awesome, I have the DVD but have been wishing for a BluRay rerelease.
I saw the same show as on Pulse at the Pontiac Silverdome.

Edit:
Googled it and the live shows are currently only on streaming services.

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16 years 5 months
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Yo! Rockers!!

Before anybody starts losing their mind over this....................

The Floyd shows just "released" on streaming sites are all widely circulated and have been for years. I should know, I have them all.............

These "new" releases are all audience recordings. Repeat---audience recordings, NOT soundboards.Not so bad for what they are, but if anybody was expecting better, sorry, no. And it's not clear that they used the best source material either. Best/worst example---the Montreux shows.

Guess they figured that if King Crimson can do it, so can we!!!

Have followed the Floyd taping/trading scene for decades. Soundboards are exceptionally rare, very little was actually recorded by the band. Alas, their best work, especially in the pre-DSOTM era, was never recorded professionally. I do have these "new" releases if anybody wants, but caveat emptor......

I say this as somebody who was very deep into Pink Floyd years before I got on the Dead bus....................

Rock on!!!

Doc
Over the mountain watching the watcher
Breaking the darkness waking the grapevine
One inch of love is one inch of shadow
Love is the shadow that ripens the wine
Set the controls for the heart of the sun

A lot was released as part of the Box a few years ago. Maybe that was most of what they had?
I was able to get all the small Boxes that make up the big Box, except for the bonus material that came with the big Box. But, all the small Boxes were only about half the price, and I didn’t really need all the bonus schwag.
I recently watched all the video from those Boxes and there is some good stuff, but a lot of the 67,68 videos are them lip syncing to the studio recordings.

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14 years 9 months
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Working my way slowly through the box, and finally just now hit disc two of the first '72 show. Whoa. The rippin' Cumberland, then the brain-melting Playin'! Then they open set two with a hot Greatest, then dial it UP a notch with a smokin' Don't Ease!

On top of this I've been listening for the first time to the shows I attended. My third, fourth, and fifth shows were 9/4-6/91, and I'll be DAMNED if they aren't REALLY HOT!

Have a Jerry Christmas, and a Happy New Weir!

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10 years 2 months

In reply to by icecrmcnkd

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I still dip into this box-I played the first cd from 1970 only last night, which starts with the band playing Atom Heart Mother without the orchestra at Montreux and ends with the same piece live at the Beeb with the full monty.

The cds are much more satisfactory than the blu ray discs for me in this box, apart form the clips from 1966-1967 with the mighty Syd. The ones from 1968, with other band members lip synching to pre recorded playbacks of Syd Barretts songs are a bit ridiculous, unfortunately. They look embarrassed while they are doing it. As indeed they should.

I wonder if these new live Pink Floyd releases are radio broadcasts. We are inundated with them in Britain.

The blu ray of Nick Mason's Saucerful of Secrets looks tempting. Even if they are a cover band.

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14 years 11 months
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thanks doc for the info, interesting that they would re release released live shows that are audience recordings. I also read that there was a change in the copy write laws in England and Europe and if you don't use it within 50 years, you lose it. Dylan released a bunch of stuff before the 50 year threshold was reached so I guess they just don't want their recordings going to public domain.
I have a couple of Pink Floyd shows that were released back in the 90's "Rhapsody in Pink" comes to mind. They don't sound so good. I stopped buying any of their live stuff due to the recording on that cd alone, pretty shitty.

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16 years 5 months
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Yo! Floydians!!!

Correct me if I'm wrong........

If memory serves me well, those shows were never offically released in the USA. They are not true "line recording broadcast over the airwaves". Can't speak to the UK details......

Pretty much all of the high quality live stuff was released on the early box set. I think there's some tiny fragments of different stuff floating around, but otherwise that's about it for now........

Back in the day, almost no bands routinely recorded live shows unless they were preparing for live album releases. So what was preserved by the Dead was a major, major gift to history---and to us also.

Rock on rockets!

Doc
Following the path as it leads towards the darkness in the north
Weary strangers' faces show their sympathy
They've seen that hope before.............

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10 years 3 months
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And good morning to you too Captcha. That was like 20 pictures for no apparent reason. Forgot what I was going to say.

I recently got the DSOTM remaster which has a 2nd CD with a live DSOTM from Nov. 1974 Wembly.
Sounds really good compared to the AUD recordings I have.

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16 years 5 months
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Yo! Pinkies!!!

That Wembley "Dark Side show"---which had an Echoes encore----is from November 16, 1974, and was broadcast on the BBC. Echoes was later included as bonus material on the Early Years box set. Great stuff..........

Psychedelic rock on!!

Doc
When that fat old sun in the sky is falling,
Summer evening birds are calling.
Children's laughter in my ears,
The last sunlight disappears.

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10 years 2 months

In reply to by Forensicdoceleven

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Psychedelic rock on indeed! If you are in any doubt - it's Keith Richards 78th birthday today.

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11 years 10 months

In reply to by daverock

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Not Just Keef's birthday but the late great Bobby Keys Birthday Anniversary too...crazy that these two share a birth date...

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10 years 2 months

In reply to by nappyrags

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Yes, well said - a major omission - Bobby Keyes birthday too.

I can't think of anybody else who embodies the joys of cocking a snook better than Keith Richards.

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4 years 1 month
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“It’s time for young people to start thinking about the world they’ll leave for me and Keith Richards," sez Willie.

Keef reminds me of that episode of the Simpsons where Mr Burns gets a physical and doctor tells him he has "everything": he has so many different diseases that they're all somehow in perfect balance. "So, what you're saying is, I'm invincible?" Burns replies.

Good ol' Keef. I loved him like a father, I loved him like a friend, I knew his time would shortly come, but I did not know just when.

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4 years 3 months

In reply to by proudfoot

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lol

Lions beat Cardinals
Wtf
Thats incredible

My son and I have an inside joke for lameness that has an inflection that must heard not written

but anyway

"Liiunz"

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12 years
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Sweeney Todd had Shepherd's pie peppered with actual shepherd on top:-)

If I miss it,,,

Merry Christmas one and all.

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10 years 7 months
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I just got around to listening to this all---I hope KeithFan is happy---Keith is all over this, both in his relative prominence compared to other recordings, and in the number of times he is given 'lead' while Garcia lays back or disappears. Much, much Keith, and in great form.

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17 years 5 months

In reply to by Morning Sun

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Have a safe and enjoyable holidaze,
and a Festivus for the rest of us!

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4 years 3 months

In reply to by Oroborous

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with the "weeds of strength" "processed" through a metal pole

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14 years
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Hi all, I just wanted to wish all you grate people on this forum the best of christmases, restful holidays, and a wonderful, safe and healthy new year!

I've said this before, but it bears repeating: I really enjoy the conversations here, I learn a lot about other music to check out, and I feel like this is a place where there is interesting, informed conversation about the best band in the world, and my favorite band. Thanks, all!

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11 years 10 months

In reply to by nitecat

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Hope everyone here has a fine holiday whatever it is you do......now if you'll excuse me, It's just started snowing and I need to give my short ribs some love outside...

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3 years
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But I'm cooking up spaghetti, and tri tips on the bbq. With lots of 1969/70 Dead & great blues music. Also lots of Old Rasputin Russian Imperial Stout. Merry Christmas to all the great people here on the forum.

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16 years 5 months
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Yo! Rockers!!!!

Christmas is the spirit of giving without a thought of getting. So if anybody out there needs some 1971 Christmas joy in their stocking, you know where to find me! The excellence of a gift lies in its appropriateness rather than in its value........

Christmas to a child is the first terrible proof that to travel hopefully is better than to arrive.........

Happy and safe holidays to all, and rock on!!

Doc
Christmas is a season for kindling the fire for hospitality in the hall, the genial flame of charity in the heart......

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17 years 5 months
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To MaryE, for always being there.

To all the others, who make this such an entertaining place.

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15 years 2 months
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...Happy Boxing Day!
Whenever 12/26 comes rolling around, I'm really missing the end of year runs. 12/26 & 12/27 1980 on today's schedule.

....but, lo and behold, they are going to play a 3 set show on NYE without an audience on their app and YouTube channel. Starts at 5:30 pm EST sharp.
Did I mention its free??
Pardon my French, but that's pretty fucking cool of the band. They remind me a lot of the Grateful Dead in that they just want to play. And appreciate their phans which is payed forward.
Oh, and it might snow in Vegas tomorrow lol.

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50 years ago today.....

December 31, 1971
Winterland, San Francisco, California

Set 1: Dancin' In The Streets-Mr. Charlie-Brown-Eyed Women-Beat It On Down The Line-You Win Again-Jack Straw-Sugaree-El Paso-Chinatown Shuffle-Tennessee Jed-Mexicali Blues-China Cat Sunflower>I Know You Rider-Next Time You See Me-Playing In The Band-Loser-One More Saturday Night

Set 2: Truckin'>drums>The Other One>Me And My Uncle>The Other One-jam>Black Peter-Big River-The Same Thing-Ramble On Rose-Sugar Magnolia-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

Encore: Casey Jones

This is deadicated to Scott Wiseman………

Ah, shut the f*ck up for a minute. What happened to the FCC…………..?

For years the Lanum FM was the only commonly circulating copy of this show, until Charlie Miller released his fine FM and SBD remasters in 2018. Both are recommended. And while this may not be a “classic show”, it is, like many Dead New Year’s shows, a “fun show”, and it does have its moments, especially the Dancin’ opener and the fine second set. A great way to end a great year of Grateful Dead music. But was it really the end of 1971………………?

The world in which we were called to exist was an absurd world, and there was no other in which we could take refuge…….

Rock on!!

Doc
That, for me, is the only real legacy: the idea that one has left a lingering trace in people's memories…..

Proudfoot, ein neuer Tag. Beautiful!
Jeder Tag ist gleich lang, aber unterschiedlich breit.
G.

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4 years 3 months

In reply to by gratefulgerd

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I learned that song in 1972 or 73 while we were living in West Deutschland for 18 months while my Dad worked at Max Plank institute in Heidelberg. I attended a Grundschule

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In reply to by proudfoot

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Doc, Thank you very much for your deadication to 1971. Many years ago, my collection of live Dead consisted of "Live/Dead" 2WS-1830, the 2 LP set; "self-titled" or "Skullfuck" 2WS-1835, the 2 LP set; and "Europe '72" 3WX-2668, the 3 LP set. Skullfuck seemed to be the best ticket for my entry into my understanding of the Grateful Dead and it still does. 1971 holds a special place in my heart and mind in so many different ways.
It is now the dawning hours of 2022 and "playing" the 50th-anniversary "game", 1972 comes into play and we will have many great Grateful Dead shows and that "Europe '72" 50th-anniversary thingy to commemorate. In 2011 the "Europe '72: The Complete Recordings" was issued.

Again, thanks for re-jogging my interest in '71 Dead!

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