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    18,000 happy Dead Heads could not be wrong. Deer Creek, my how you deliver.

    We're closing the books on DAVE'S PICKS 2021 with not one but two - nearly - complete shows from Noblesville, IN 7/18/90 & 7/19/90. Yes, we've packed it all on four CDs, save for that second night encore which we promise you'll get to hear in the very near future. Sometimes there really is just too much good stuff.

    For now, we'll invite you to cozy up with two exceptional back-to-back shows, shows with precision and clarity, shows with more than a lion's share of exploratory jams, and most importantly, shows that were simply a damn good time for all. Highlights from night one include the bookends of a spectacular "Help>Slip!>Franklin's" and an epically intricate "Morning Dew" followed by a classic cover of "The Weight." Night two, is the sleeper hit, with flawless playing from start to finish, the set list inviting you to find new favorites in top-notch renditions of "Foolish Heart" or "Victim Or The Crime," and if that's not one of the finest versions of "Desolation Row" Bobby ever did do! We would be remiss if we didn't mention that these shows were among Brent's last and they are some of his finest of the era at that.

    Limited to 25,000 numbered copies, DAVE’S PICKS VOL. 40: DEER CREEK MUSIC CENTER, NOBLESVILLE, IN 7/18 & 19/90 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman.

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  • proudfoot
    Joined:
    I get the house to myself...

    Wednesday Thursday Friday 95% of Saturday

    :)))))))))))))))))))))))))))))))

    GRATEFUL DEAD

  • proudfoot
    Joined:
    11 10 79

    During NFA...a glorious moment...

    Brief and brightly!!!

  • Oroborous
    Joined:
    7/19/90

    Gots dat peaceful easy feeling.

    As was often the case with the second night, the sound is more dialed in outta the gate.
    Though it does build nicely throughout to where later on you had to think/remember the lineage.
    In other words, I thought these sounded good all things considered.

    And speaking of hot outta the gate, Phil starts out a tad loud but quickly dials it in during a decent JACK STRAW opener. TLEO continues the refined easy feeling with some sweet harmonies.
    It’s like the boys knew they’d cleaned up and did the working man’s thing at the stadium shows and now they could chill in the backyard. Same with DESOLATION, a nice, well played version, though I wouldn’t say Goat.
    I dug the first vocal hallucination on the Phantom of the Opera line, but the second one may have been unnecessary?
    PICASSO MOON moving along nicely then, whoa? Whhaaaa happen? Lol.
    Tight ALTHEA/PL to bring it home, we’ll played but perhaps not quite the fire of the previous nights set closers?
    First set overall perhaps more consistently well played with less time needed to dial things in, but after first run through I think my gut goes slightly with the first night? But that could change going forward?

    Now I keep mentioning relaxed, mellow, laid back etc I mean these as good descriptors, not negatives, it’s how I felt at the June Cali shows. A band relaxed and confident and enjoying the situation. They may not always have the roller coaster energy, but good in a different way.
    VICTIM starts kinda the same, more relaxed and not as violent or dissonant, which to me is what makes the song. I know many do not like this song, but it’s one of my favorite Bob songs lol. They do wrap it up nicely though and I can only imagine what it really sounded like live! It’s a shame JG jumps ship so quick as I could of seen them weirding that one out a little longer. Phil seemed to be digging it!
    But JG is raring to get to FOOLISH HEART and he does a fine job with it. But next perhaps the crown jewel of the show, CHINA DOLL. A sweet, nice combo with UJB, but unfortunately no groovy space jam into Drumz.
    But that’s awright as the D/S is quite nice, until that nasty MIDI signal distortion. Much of which is Bob as evident by when it’s just he and JG out there. I Turned down again until it passed, Into a status quo WATCHTOWER, and then another top highlight for me, the sweet BLACK PETE everything JEP by now!
    Only wish sometimes he didn’t Segway quite so abruptly with some of these, to instead linger on those sweet transitional moments! But on to a status quo NFA to end another fine, we’ll played show! I’d say another 3.8 outta 5 Red Sweethearts. Emotionally I may have identified to the first night a smidge, but I’m kinda tired today so who knows, next time could be different!
    I guess the clincher is that luckily they gave us BOTH shows so we don’t have to think too much about all that lol.
    Thanks for giving us both and for two great shows from a so far lightly scratched tour!
    Look forward to more plays of both of these.

  • estimating prof
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    This is a great one!

    Happy Sunday Heads!

    I'm really enjoying Dave's 40 so far. Listened to the whole thing once. I've always enjoyed 1990 Dead and these shows are new to me. I have to agree with Dave, the second night is the one for me. Band sounds really in sync with one another and the show is full of energy and a lot of little musical moments. Enjoyed the first show also. I anticipate listening to these a good bit in the coming months. Foolish heart is a highlight for me. I've always enjoyed that song. One of those later era tunes that could have been jammed out more. Epic China Doll here also.

    Count me among those who like Drums/Space. Especially the later years. I remember being particularly blown away by drums/space when I saw the band in the 90s and playing a cassette of infrared roses as background for some good smoke sessions. Seems like most of Infrared Roses was from 1989-91, maybe even mostly 1990?? Great versions on these shows. I like the audience recording in this also. I could feel some summertime outdoor vibes as I was listening to these.

    Thanks Doc for the 71 anniversaries. I've never heard the Harding shows or the Cleveland show from Fall 71. Seems like I need to give those a listen.

    So much good music. Play it loud if you can

  • proudfoot
    Joined:
    Drums and Space

    A reeeeeal luck of the draw for me

    Sometimes I dig 'em
    Sometimes I think of it as "well, we gotta fill 2.5 hours SOMEhow..."

    Blurt bleeeet...that can be an alien dandelion baking cookies wearing day-glo orange socks

    Or a

    "Why did I pay money for this" moment

  • icecrmcnkd
    Joined:
    Jason Willder

    My first show was 4/6/89.
    I walked into that stadium with Pink Floyd as my favorite band, and walked out of that stadium with Grateful Dead as my favorite band.

  • icecrmcnkd
    Joined:
    Unkle Sam

    Yes, I am also a Drums/Space fan.

    A few days ago someone asked why D/S wasn’t cut to make room for the Useless Blues encore.
    The answer?
    Because Drums/Space is better.

  • unkle sam
    Joined:
    90's drums>space

    this release has two from two different shows, thank you Dave and Rhino and of course, the Good Old Grateful Dead. These two are smoking, especially the 19th.

  • Forensicdoceleven
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    Most jokes state a bitter truth…..

    50 years ago today…..

    November 7, 1971
    Harding Theater, San Francisco, California

    Set 1: Truckin'-Brown-Eyed Women-Beat It On Down The Line-Hideaway-Sugaree-Jack Straw-Tennessee Jed-Cumberland Blues-El Paso-Big Railroad Blues-Comes A Time-Mexicali Blues-One More Saturday Night

    Set 2: Ramble On Rose-Me And Bobby McGee-Loser-Sugar Magnolia-Dark Star>drums>The Other One>Me And My Uncle>The Other One>Deal-Brokedown Palace-Playing In The Band-Casey Jones-Not Fade Away>Goin' Down The Road Feeling Bad>Not Fade Away

    Encores: Johnny B. Goode-Uncle John's Band

    Deadicated to bolo24, because I will not follow where the path may lead, but I will go where there is no path, and I will leave a trail……

    Great and classic show and a long-time personal favorite. It has pretty much everything you could ask of the Dead in this era. Rockers, Cowboy songs, hot jams, the unusual coupling of Dark Star and The Other One, an unbelievably smoking NFA transition jam (maybe the best ever?), plus even the often-expected equipment difficulties, AND jokes from the audience! The circulating broadcast copies are excellent quality and highly recommended. The band sounds loose, and the crowd sounds juiced. OK yes there’s no Pigpen, but still highly highly recommended, a classic of the first rank!!

    Rock on!!

    Doc
    It is requisite for the relaxation of the mind that we make use, from time to time, of playful deeds and jokes

  • Oroborous
    Joined:
    7/18/90

    Overall a fine show.
    HELP starts out perhaps a tad tentative? Perhaps pre-occupied with sound etc.
    Sound is pretty good for opener, perhaps the bass and/or bass drum is a bit tubby?
    SLIP transition is not flawless, but it is the openers, and if I was seeing this live, I’m sure I’d had no complaints.
    So far I’m actually liking the crowd mix. Adds more realism for my taste, not so unnaturally dry.
    Like the guy yelling lol.
    MINGLEWOOD Kick still a bit tubby. Strait forward well played but not powerful.
    Bobs vocals sound good, JG’s still work in progress, like in PEGGY O, he sounds good performance wise, but sound wise a bit dry and too out front? He does awright with just one little miscue.
    Maybe their a bit tired near the end of the tour? It’s almost like they have a cool west coast laid back vibe going?
    Perhaps it’s just the slow first set build up!
    EASY saw 3, first one in 79, then 3/22/90 & 6/8/90, with this one being last of the 9 returns, and last one ever.
    Not a perfect version, but nice, and nice to hear him go with some positive energy that sometimes lacked in latter days. After all these years, still mind blowing that he’d be gone so soon after!
    MASTERPIECE this is a nice, smooth version, and Bobs vocals already seem really dialed in, while JG’s aren’t quite there yet. Another relaxed but well played song. Everything: Music/Sound keeps progressing subtly with each song.
    BEW JG muffs the first line, but moves on nicely and by now Healy has him dialed in also, with the overall vocal blend sounding nice!
    CASSIDY/DEAL as was often the case, by the time the set hit these 2 to close things out, the band and sound would be finally building up nicely to the big crescendo. JG careful, concise, not manic or forced.
    Overall a pleasant, well played set if perhaps lacking a little in fire?
    THE SECOND SET analytics slipped away on me as things were sounding mighty fine. Kinda status quo for the times with the slow build up of the first set and coming out in the second all guns blazing and the sound pretty damn good all things considered. Cruising nicely at a super clean 90 to 95 dB peaks, sounding great!
    I’ll leave the hyperbole to others, especially in regard to the China/Rider. Great energy. The set progresses nicely, with the drums/space causing me to giggle! I like the the psychedelic vocal effects on Bob during TOO, and though I can understand how some folks don’t like it, I didn’t think it was too overdone, though I have heard it done so. I’ll just say on to a great finish and leave it at that.
    The sound eventually was so good I’d forgot it’s lineage. Like if I just listened, I didn’t consider the source, versus if I thought about the source, then I noticed it a little, if that makes sense?
    Best of the tour? Don’t know the tour well enough to say, definitely a consideration? Best of the year, I respectfully disagree.
    I’m sure after stadiums it was way cool to be at these. Really look forward to tomorrow!
    Overall, not flawless, but pretty damn solid! 3.8 outta 5 Red Sweethearts

    EDIT: oh, one thing to note, the nasty distortion in space. Guessing it’s MIDI related. Seems more the recording than CD production. It didn’t last too long but if your blasting this at loud volume you may want to spare your tweeters and turn it down until it passes.

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18,000 happy Dead Heads could not be wrong. Deer Creek, my how you deliver.

We're closing the books on DAVE'S PICKS 2021 with not one but two - nearly - complete shows from Noblesville, IN 7/18/90 & 7/19/90. Yes, we've packed it all on four CDs, save for that second night encore which we promise you'll get to hear in the very near future. Sometimes there really is just too much good stuff.

For now, we'll invite you to cozy up with two exceptional back-to-back shows, shows with precision and clarity, shows with more than a lion's share of exploratory jams, and most importantly, shows that were simply a damn good time for all. Highlights from night one include the bookends of a spectacular "Help>Slip!>Franklin's" and an epically intricate "Morning Dew" followed by a classic cover of "The Weight." Night two, is the sleeper hit, with flawless playing from start to finish, the set list inviting you to find new favorites in top-notch renditions of "Foolish Heart" or "Victim Or The Crime," and if that's not one of the finest versions of "Desolation Row" Bobby ever did do! We would be remiss if we didn't mention that these shows were among Brent's last and they are some of his finest of the era at that.

Limited to 25,000 numbered copies, DAVE’S PICKS VOL. 40: DEER CREEK MUSIC CENTER, NOBLESVILLE, IN 7/18 & 19/90 was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman.

At the end of that show, Bob W makes a comment in essence "on this date in 19??, in (somewhere), it rained fish".

I just now saw on a news source that it rained fish in Texarkana today or maybe yesterday

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....I listened to the second set of that Santa Fe show yesterday!
I interpreted it as "raining Phish."

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1). A.P. Carter, 2). Hank Williams., 3), Merle. Haggard, 4). Johnny Cash. My last choice was a tough one, I was going between. Johnny Cash , Buck Owens, and Dolly Parton, all 3 of them could have been there in that spot. "Drink all day, and rock all night"!

Good idea ! Jimmie Rodgers made some beautiful records too. I remember reading somewhere that Howlin' Wolf was so impressed that he attempted to imitate his yodelling. He came nowhere close, but in missing the mark he created his own inimitable sound.

6/10/73
8/1/73
6/9/77
2/27/69

"we're gonna need a bigger mountain"

there is NO WAY to cite best four GD shows. It's simply impossible.

Country music?

Hank
Merle
Johnny
rotating 4th spot

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1.,Folsom Prison Blues, 2). Cocaine Blues ) 3). Ring of Fire), 4) A11 5 ). Tomorrow is Forever. Johnny Cash , Buck Owens , Dolly Parton. "Drink all day and rock all night".

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I don't always listen to country, but when I do it's usually Gram Parsons. Burritos, Byrds, solo albums, it's all great, even the lowest of lo fi boots.

Not sure who else would be on my Rushmore. Johnny Cash, I reckon. Merle fer sure. Beyond that, a lot of the "country" I like is stuff most people probably consider bluegrass. Bill Monroe. Tony Rice.

Last five would be approximately something like:

DaP 17

ABB: Raleigh 2003

Ty Segall: Harmonizer

Roy Hargrove: The Vibe

Christian McBride: Live at the Village Vanguard

Also some Dvorak symphony, can't remember wut number but it was pretty pretty gud.

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In reply to by Crow Told Me

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I like the Gram Parsons albums, too. Which for me lead on to the first 4 or 5 Emmylou Harris albums. Part of the attraction of those, for me, is the guitar playing of James Burton and Albert Lee. A lot of the country music I have I got by accident - tracks cropping up on what I thought were rockabilly compilations. In terms of categorisation, I guess these would be called hillbilly. A lot of crossover between those two.

It seems its impossible to listen to one record, from any genre, from any period, without it leading on to further records-and so on, without end, into infinity. Which could be why I don't go out much. That and Covid.

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Oh yea.. Talk about a band that ended too soon, and Graham Parsons, what was and what could have been.

Love the Burritos, too bad they couldn't have put out more music. And Tony Rice, when I first heard him I was floored. I went down that rabbit hole for about a month without coming out. As we know, Jerry liked him too and we've got the vinyl to prove it (technically the clear polycarbonate plastic substrate that is a CD).

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Longtime traveler (10/1/76 the first}, and still hear new stuff (to me) that surprises me. Brent's "Don't Ned Love" on this week's JOTW. That is why I love that section and the Taper's: these snippets are nice, short interludes to break up the day, and from shows I've mostly not attended nor have heard. Good training for 30 DoD also !!

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Just finished listening to this release several times over the last few days. Whew, what a monster!
First set just bristles with energy. That Suguree is one for the ages.

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77 Sugarees are bristling with energy, and that 5/22/77 is one of the best in the lot.

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I am 69,000% on board with that Dick's Pick's 3 Sugaree...it is absolute, pure near-banjo pickn' bliss; it is definitely my all time favorite. What's interesting is if you go and listen to the version they played just before that version (it was on a later Dick's Pick's double feature...can't remember which number), but THAT version of Sugaree is a clear prototype to the 5/22/77 version, just not as spot-on and tightly played. You hear several similar runs from Jer, just slightly tweaked so when they go and do it on the 22nd it is like the pure, polished version. I love that shit.

Dick's Picks 3 is perhaps the greatest setlist of all of 77, if it were indeed released as the full show. We've debated this many times before but it always sticks with me now that I am familiar with that entire full setlist; it had never occurred to me it was a chop job but that's the benefit of this here team, keeping everyone on top of this important, life-altering knowledge.

Be Well People.
Sixtus

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The only criticism I have of this show which amounts to revisionist history is I wish they had played the Lady with a Fan segment of the Terrapin earlier in the jam and made a sandwich out of it:

Estimated>Lady With A Fan>Eyes>Wharf Rat>Terrapin Reprise>Dew

Just a little fantasy of mine. I always thought a little interlude in the "his job is to shed light not to master" jam there would be way cool.

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Doesn't the Eyes of the World on this one have a decent amount of distortion, wow and flutter at some point? I'd love to somehow get rid of that if it's even possible. There's a bunch of these older Dicks Picks (and Warlocks 89) that would probably benefit from a remaster. Jeffrey Norman has gotten better over the years...

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To Terrapin: Hartford '77 was my first "monster Sugaree", clocking in at around19:30. Didn't think they could top that, but years later I picked up DP 3, and Jerry just rips through the solos, as advertised. That's really the X factor in my mind, because all of the solos are great in those '77 versions (basically); but there is definitely some extra rocket sauce on DP 3. I just gave them both a re-visit to make sure my story checks out. Yep, DP 3 still has more cowbell. Thanks for the reminder guys.

For a different take on Sugaree I really really like the 7 minute E72 versions with Pigpen's Hammond (4/17 is a good one). As Elwood would say - Strong stuff!

Totally with you on the remasters Jim. I would especially like to hear Dick's 7, 19, 24, and 31, (and 35, although I'm not sure how much they can do with those houseboat tapes - I hear distortion on a lot of those tunes). Here's to wishing.

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I prefer Hartford to DP3 on that Sugaree. Not sure why, but it just hits the spot for me a bit more, maybe the slower pace. And who would expect 20 min of Sugaree as the longest song of the night? But as May '77 wound down, that's what happened on a few occasions, and in a few weeks, we get another one of those with DaP 41 Baltimore 5/26/77, though it's "just" 15 min in Baltimore and NFA beats it out by almost 2 min, though completely different beasts as NFA is its typical rock rave up, where Sugaree is such an oddly swung song that just lopes along until it explodes at the end, though Jerry is absolutely killing the first extended solo before the power chords of May '77 come into play. Just reinforcing why I love May '77 so much. Songs that were good, solid songs just had a new intensity. I love Jack Straw '71-74, but after a year off, it gets more intense as May trucks along. Tennessee Jed is another one that gets some extra oomph as the tour goes along (my favorite is probably 5/21/77 from DP29 where Jerry employs the MuTron to spice up the solo). Also, so glad we get yet another Terrapin, never enough of those. And High Time. And Jack a Roe. We're a lucky bunch, even if some complain about the wealth of May '77 releases. I'm already more pumped about the first two Dave's of this year than all four of last year's Picks.

And if they were able to re-release DP3 (and some others that were partials) as a full show, I'd happily grab it up.

Edited to add: Funny enough, the only Terrapin Station I've caught with Phil and Friends or other Dead offshoots was the Inspiration part as on DP3, which, I believe, is the only time they did that, and I'm not sure that Phil and Friends ever did just the Inspiration part again, but it was fantastic and so unexpected. Even moreso as it had a Spanish/Arabic feel to it, perhaps transposed to a Phrygian mode?

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12/28/79 Sugaree, opened the show with it , hands down my favorite version,. The whole show was a knockout!

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....if Jerry was still alive, he would give him a standing ovation. Then join him onstage. I marvel at that possible alternate timeline. Thang.
And regarding Sugarees, no one has mentioned 10.18.83 Lake Placid first set opener? Shame.

Well been sitting here thinking...ouch...about eleven days ago I took a bad spill on some ice on my driveway...did a half split and ended up flat on my back with my right leg straight out and unfortunately my left leg pinned under me...the top of my left foot was on the ground and i was laying on top of my heel...For the first minute laying on the ground I was like a turtle on it's back...I finally was able to roll over and get up...got back in the car and drove (about five minutes) to our local medical clinic...x-rays showed no breaks anywhere but I had a lot of soft tissue damage...my toes are purple. my leg from just above my thigh on down was pretty much beat up from being stretched way out of shape...still pretty sore, especially my knee...if it doesn't get better by next week I'll have to go into Flagstaff and get an MRI, see if anything got torn...I've had two surgeries in the past on that knee (Miniscus repair)....the Mrs condemmed me to my LazBoy where I've beenb happily listening to various goodies...I don't mend as well as I used to of course...ok back to our regularly scheduled programming....

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Nappyrags, I'm sorry to hear about your fall, that sounds like a real bad fall. I hope that you'll be ok.

Thank you Billy...I just have to take it nice and slow...I don't bounce like I used to...

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Sorry to read about your fall, and I hope you make a hasty recovery. A least with interests like ours it's possible to continue while we are layed up. Must be a lot worse if you have to go jogging every day !

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to you Nappy. You must be made of rubber with that description of how you ended up laying there. Sounded quite contorted. I can't believe you didn't hurt your back too. It brought back memories of my knee dislocation in my 20's hitting a tree skiing at speed. Knee replaced in my mid-50s and doing great now. Best of luck and double mask if you go to the hospital. Just got through a round of that with the wife.
Cheers

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Michael Lang and thanks for the memories. Woodstock was the one that started it all for me, before woodstock, I was a am radio listening kid who had been kept in the dark about rock music. After Woodstock, I could not get enough and had to hear it all and see as many of these great bands as I could.

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Please excuse my ignorance

Who is he?

One quick search later...

OH.

Three raisings of the glass to him. Salute!

I want the motorcycle he rode in the movie.

No disrespect, but aren’t you a little old to be auditioning for a stunt man role ; )
Be well amigo, HF too!

Look at the silver lining: enjoy that recliner and catch up on yer dead!

Tales of injuries. Rest up, rehab safely.

I've fallen on ice. Anything goes on the landing and rarely is it pretty. I can't say I've had my leg in a boot, but it's only a matter of time.

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Garcia would be happy, he was a huge 49ers fan.

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If there are any philatelists out there you might be interested to hear that in the UK the Royal Mail are issuing a set of commemorative stamps celebrating 60 years of live performances by The Stones. The earliest concert depicted is the free Hyde Park show from 1969 and the latest is from New Jersey in 2019.
They come out on 20th January.

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Time heal all wounds, may yours heal quickly.
Thought this DaP 40 board was gone, missed a ton of stuff the last few weeks apparently.

Country, you said? Too many, but here's a few: George Jones(greatest Country vocalist imo), Connie Smith, Sara Carter, Anita Carter, Delmore Brothers, Roy Acuff, etc
Regarding the Burritos, their first LP after they fired Gram is a classic from start to finish.

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I hope everyone is good. Sorry for your Fall nappyrags.

I am also looking forward to 5/26/77. Never heard that one. Truth be told I am just now getting to Listen To The River 10/30/73. Has anyone been talking about the Playing in the Band? This is what it's all about.

I saw some Rolling Stones talk on here from a couple weeks ago. Live early 70s from Brussels and Texas. I will also suggest picking up the Sticky Fingers Super Deluxe box for live '71. It comes with Get Yer Leeds Lungs Out, Live at The Roundhouse,, and Live at the Marquee. Micky T is the best. Speaking of Taylor, I had the most incredible experience listening to his last studio record, Only Rock and Roll. I always thought it was an average album compared to its predecessors. After all the Stones talk I listened to everything from Beggars Banquet onward and Only Rock 'N Roll never sounded better. I probably have heard this record100 times over the years, but I downloaded the remaster and gave it a go. Side one does not have a weak song. If You Can't Rock Me, Ain't Too Proud To Beg, It's Only Rock 'N Roll, Till the Next Goodbye, and then the side ends with Time Waits For No One, which has some of the best lead work on a Stones record. Even the title track caught me like it was the first time hearing it. Taylor does not play on that song, but shit, listen to Keith. He's always credited with being the riff master (as he should be) but Keef had some great solos too. Anyways side 2 loses some of the magic, but Dance is a hot rock with blistering lead by Mick. I may like it as much as Goats Head Soup now. Will check back in next month.

Bear Family's 6cd "The Sun Country Box" features some gems. Well known names are featured almost as an afterthought, and then with unissued takes -it's not a "best of". As it says in the excellent book enclosed in the box, " An unissued alternative take of a vintage SUN recording is worth many times it's weight in Hot 100 mush." Amen to that. But its the unknown,or little known names that shine brightest. Welcome to the world of Harmonica Frank Floyd.
2022 marks the 70th annivrsary since SUN opened it's doors for the first time, too.

That "Sticky Fingers" box is great, too. The Leeds University gig is up there with Brussels and the Ladies and Gentlemen set from 1972 in my eyes. The bonus disc, featuring outtakes from the parent album and a few songs from the Roundhouse in March 1971 is one of my favourite single Stones cds. Great "Brown Sugar" with Eric Clapton, and extended "Bitch" on here.

And lest it be forgot,country music was a vital ingredient in The Stones gumbo.

On the mend, doing ok...slow and easy does it...the pains in my knee are almost gone...Yay! again thanks...oh, also having troubles with my PC....on it's last legs...took me forever to log in and post here....

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I turned on my old iPod today for the first time in a while and listened to:

‘Bubblegum’ - Mark Lanegan
I particularly like the track ‘Methamphetamine Blues’.
‘Sweetheart of the Rodeo’ - The Byrds
For an old atheist I do enjoy ‘The Christian Life’
‘Burial’ - Burial
Wikipedia describes this as dubstep and who am I to argue. I just know I like it.
‘Exile on Coldharbour Lane’ - Alabama 3
Their first album containing what became the theme music for The Sopranos. This also has an idiosyncratic take on the John Prine song ‘Speed of the sound of loneliness’ and this led me to…
‘Other Voices, Other Rooms’ - Nanci Griffith
… for another version of the song. She had a great voice. I have the John Prine version, but not on the iPod.

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In reply to by Colin Gould

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The Kinks - Muswell Hillbillies
Bobby Timmons - This Here Is Bobby Timmons
Ronnie Earl - Blues Guitar Virtuoso Live In ERurope
The Lovin' Spoonful - Hums
Taj Mahal - The Natch'l Blues

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Perhaps the preceeding spam will have been deleted, making this title totally obscure, hilarious to see that the automated opening page of dead.net transposes and so showcases spam like that.

A belated Happy New Year to all and my everlasting thanks to the good doctor eleven way down there in the sunshine, whose magic goes way beyond music... it has not gone above zero in the last few days here in Vermont. This is when I hover near the woodstove, listen with good headphones, music room cooler than cool.

Christian McBride Sci-Fi
Billy Strings Home
Larry Coryell Shining Hour
Dave Holland Quintet Extended Play Live at Birdland
Dave's Picks Bonus Disc 2021

Hey is it really only a couple weeks before we get to hear Dave's 41 in full Norman? Yahoo!!!

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