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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • billy the kiddd
    Joined:
    Nitecat 1987

    Nitecat, I was at that Oakland Dylan/Dead show in 1987, I thought the Dead played great, and seeing Garcia playing the pedal steel was really cool. My favorite shows of 1987 were the Garcia band acoustic/electric shows, those shows at the Warfield Theatre in Nov. 87 were a knockout, and the show up on the Eel River was a totally cool scene. We drove back to the Bay Area to see Garcia play at the Greek on Sunday. Bonnie Raitt was also on the bill.

  • Vguy72
    Joined:
    Shipping notice occurred this morning....

    ....my mailbox is chrysalis. Gonna start glowing soon.

  • hitmeister
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    I haven't received mine yet,…

    I haven't received mine yet, but I've had a recording of this one for many years. When I think of this show, I always think of the NFA. Perhaps it would be my favorite version if not for the one from Hartford 2 nights later.

  • alvarhanso
    Joined:
    Re: Video

    I'm quite into concert videos, and if they get some good film of the Dead from '65-'77, I'm likely buying it. Would love one of those Acid Test videos to be released on something if a whole Viola Lee exists and is in the Vault or if they work out a deal with whatever Merry Prankster may have it. The footage they shot for TV doing their new single Golden Road would be good if that's in the Vault. Or if more of Europe '72 was captured on film. Any Wall of Sound footage, like the Last Shows at the Winterland in '74... For '76, it'd be nice to get an official, cleaned up release of 8/4/76, paired with cds like Sunshine Daydream. I don't really care that it's in black and white. It's a great show that exists complete in both formats, and would make a great combo release.

    My love of concert film is derived from The Kids Are Alright and The Who 30 Years of Maximum R&B Live video with fairly good snippets of shows, and led me to tracking down bigger chunks of those shows. I got a VHS of the Who at the Isle of Wight in 1970 in 1994, two years before they released the whole show on cd, and at least another couple years later, finally the video was released. Fast forward 28 years, and I have a decent hoard of Who videos I've traded for or downloaded, and got quite a bit of Pink Floyd, too. And if they release any Duane era ABB officially on video I'll be getting that, hopefully the master of that PBS film of 9/23/70 Fillmore East is somewhere to be found. The one on youtube is good quality, slightly better than the VHS I had and VCD I still have, and I hope there's more footage of the Love Valley Festival July 1970, Duane is jumping around during Mountain Jam, and just tearing it up. Some bits of their opening set at Atlanta Pop Fest have been shared on Instagram, and a May 1971 show in Chapel Hill, NC had at least one song set to a montage of footage from the events that day. Stuff like that popping up gives hope there might be more buried in a closet somewhere. Talking Heads Stop Making Sense is also just a masterpiece of performance art, and some of the Peter Gabriel concert films I've seen are incredible as well.

    Also, Couch Tour is an awesome and amazing thing that pre-dates COVID, but really hits its stride because if you wanted to watch live music, that's what you had. It's also a great way to go through an entire Phish tour without getting Wook flu, which has no mild symptoms, nor any known vaccine. And the ability to pause and go to the bathroom, YOUR BATHROOM, which is even better.

  • JimInMD
    Joined:
    VFTV IV, Sauce, Hatchets, Missing Shit and GD

    First.. thanks Nitecat.. it's refreshing for a relative newbie like me to hear an old timer like you saw more shows in 87 than any other year.. because, well, same for me. Saw 8 CA shows, Red Rocks, Telluride, Alpine, first shows in Boston (well Boston area, Boston Proper, ...) plus many more. I had the time and saved for tickets and gas and by 88 and especially 89, responsibilities came to roost and try as I might.. from that day forward they remain (although I still try and see as many shows as I can pull off). My only Greeks and Ventura.. Love VFTV IV and videos in general, but I do sort of agree with OB.. I don't revisit them as much as I should, not sure why.

    Sauce.. anyone who gets sauced needs a proper sauce staining prophylactic preferably loose fitting with a pocket for a left handed monkey wrench. They're good at keeping gooey stuff off the friggin sofa..

    Finding shit.. so my older brother came out to visit today. We left early for some backcountry skiing the first part of the day. Perfect conditions plenty of snow, crisp temps balanced with plenty of sun and edibles for me. Had a blast. Got home just before the kid got out of school and planned to take him downhill skiing for the afternoon/evening. My brother reaches for his wallet and his hand comes out the bottom end.. big hole in pants, no wallet. He took three diggers, most in the first hour. Additionally, he is an avid birder and is supposed to head to India next week to catch migrating fliers and other interesting foul feathered fun. So having no wallet causes big problems when balanced with international travel. We can do this, I said.. no new snow to bury it and I don't think anyone else skied there today. Lets retrace our steps, no time to waste. ....and I found it.. about two miles from the truck and a foot off the trail close to where he last fell. About 1/4 of the wallet was sticking up above the show, made it back to the truck in record time. Drove home as fast as one can drive and call it safe, made the last two hours of downhill skiing before resort closed, got some BBQ to go on the way home, just finished eating. Whew.

    What does any of this have to do with the GD. It has everything to do with the GD, what else am I going to listen to?
    Starting with 7/17/76 of course. What a great day ....and HF, no, I did not bring my hatchet. That's all I've got. As you were.

  • nitecat
    Joined:
    VFTV4

    Funny thing, just last night I was watching View From the Vault 4, which features two stadium concerts which wrapped up the 1987 6-stadium Dead-Dylan Tour. 1987 was a great year for this deadhead, it was the year I saw the most Dead concerts in my life. I saw all three west coast stadium shows on the tour. When I watched the video, I enjoyed watching Jerry's fingers as he plays such beautiful runs on his guitar, and also the interaction between Jerry and Brent. It was great to see them smiling at each other. There were some distracting special effects the director through in from time to time, but fortunately not too much. The show was excellent too.

  • jjc
    Joined:
    Received this morning. God…

    Received this morning. God Bless The Grateful Dead!

  • frankparry
    Joined:
    3/1/69

    Picked up from Rough Trade in Nottingham this morning for a penny under £85 (about $114). I couldn’t find it on dead.net store so don’t know if that’s a good price.

  • hendrixfreak
    Joined:
    Okay, I surrender to the prime directive: sauce protection

    And I confess:

    I got through one tough winter a few years ago by buying more than a half dozen Rolling Stones vault videos. Some are fantastic, but some will drive you crazy. The music's going, Jagger's done with a verse, and Keith ramps up a solo -- while the camera follows Mick doing his stupid prancing across the stage! Or the camera is on Keith and it's Mick Taylor or Ronnie soloing. So, yeah, rock video can suck. If I recall, the Scorcese film of the Stones was pretty good, as was the Last Waltz. (Though I hated to see The Band break-up.)

    Hmmm, do they make those aprons in XL? I put on a few covid pounds....

  • Sixtus_
    Joined:
    Ha - The Daily Doug

    So, DMCVT...talk about irony...I actually stumbled across that one - The Daily Doug - last week, and meant to rant about it here.

    I won't spoil it, but hey now it was so entertaining to see a classically trained ear totally break it down and 'get it', our beloved Terrapin Station.

    Goose is good, from what little I've checked out on uTooB.

    That somewhat infamous Mini-Quarter Scale Wall of Sound is being utilized by a Dead Cover Band this Sunday evening, in Lancaster, PA. Local Heads Rejoice. I'm looking forward to the Future Scales Project those shows are funding....one Day, one Day...the Full Scale will come....Muah ahh ahh ahhhhhh.

    Daverock...see, that's the beauty of DeadZoomin'...easy to make new friends/maintain current ones, minimal commitment to travel plans/accommodations other than trips to the loo or refresh your vessel of choice....can come and go as one pleases....no pressure situations...yet a somewhat shared experience; but agreed that a solid setup helps nudge the whole thing along a bit.

    Reporting with Storm Track Blues,
    Sixtus

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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9 years 1 month
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First one in the door.

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11 years 5 months
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nya nya

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11 years 5 months
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Khaaaaan!!!!!! Missed it by THAT much!

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11 years 5 months
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Yes! Finally no skeletons. The most stale album cover motif ever.... THANK YOU to the artist for not being lazy.

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17 years 6 months
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As every year.

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I had just returned from six months in Germany with a pocketful of money. My friends and I left Glenmont in 2-3 cars, a bag of really good Colombian and some other goodies. When we got near the Calvert Whiskey sign in Baltimore the traffic slowed and this guy in a car next to me looked over, smiled, stuck his arm out the window and handed me a joint. The traffic began to move quicker and he went ahead. The Sugaree kicked ass. Little Feat played there a few days before if I remember correctly. Then Zeppelin played at the Capitol Centre in Largo, MD. a few days after this Dead show.

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then mentions "different eras." My money is on an '80s box. So unless it's '80 or '81 or from Red Rocks, that'll give me a year to catch up on llistening to my collection...

Ah, the tea leaves. Whatever makes me think I can read them? (I'd be guessing 50 years of hallucingens...)

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12 years 11 months
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Welcome to 2022!!!!!
PLAY DEAD
PLAY DEAD LOUD

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Fancy meeting you all here...let's go! And yes to the no more tired skelly covers....and I'm just about completely recovered from my ice tumble from last month...thanks to all the well wishers here too...what a bunch!

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In reply to by nappyrags

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....Dave scared me at 9:55 in. I thought a meteor was heading his way!
Bald eagle though. Carry on.

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Dave's trivia:
Jack-A-Roe debuted 9 days earlier in Tuscaloosa. Similar intros; love that.
No summer tour with Mickey injured. Always wondered about that gap.
He's named the eagles.
And Baltimore Orioles on there too. Can I count that sighting?
Cheers

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10 years 3 months

In reply to by 1stshow70878

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I wonder if they were tempted to play a few shows in summer 1977 after Mickey fell off his hoss. If that's what happened-I forget. Would have been interesting if they had.

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In reply to by daverock

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Interesting you mention that juncture when Mickey was hurt.
A fascinating hypothesis of author Blair Jackson is the
big what-if - being what if Mickey hadn't had that accident
and Jerry had presented the next batch of Hunter songs in
the pipeline (Cats Under The Stars) and THAT became the basis
for which the Dead would have started the follow-up to
Terrapin as opposed the varied array of songs that make up
Shakedown Street. Interesting notion ...

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There were 60 shows in 77. By my count, including Roadtrips, this is the 31st '77 show to be released. So, it's not even in the top half of shows for that year? In comparison, there haven't been 30 releases from the entire decade of the 80's and that includes the 30 Trips box. Sorry. Not sorry that I'm passing. Maybe we need someone with a new perspective.

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In reply to by L. Mo.

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Nice nod to the ubiquitous Baltimore Hon beehive hair style from the 60s on the two turtles gracing the cover.The annual HonFest here in B'More has a beehive hair competition to this day.(Good food, funky vibes and lots of local music) I think the turtle on the right is sporting a John Waters mustache. Hairspray anyone...?

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Def a Hohn Waters reference. Also, anyone notice the crabs chests? One looks like a wolf howling in the left and the right a bird/eagle mid flap?

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Always love the '77 Shows, but have to say that, the 80's were much better than releases reflect, and are due some serious consideration for more releases. Perhaps the most overlooked show ever is Market Square Arena, Indianapolis, IN on December 5, 1981. UNBELIEVABLY hot show. Are you listening, Dave? If you are, give it a listen!! Space>Wheel>Playing>Stella Blue>Sugar Mags is still smoking in my ears 40 years later. The jam and transition from Stella into Sugar Magnolia is FLAWLESS. 12/6/81 in Chicago the next night is pretty good too . . .

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In reply to by L. Mo.

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I am not a great fan of the 1980s, myself, but that matters not - I do agree with L.MO. that it would be good if we had someone with a new perspective involved in Dead releases. In my field of work, it was unusual to have someone in the same post for more than about 5 years. Having said that, and for better or worse, I was in the same one for over 20 - but that wasn't typical. It was generally considered to be a good thing to have fresh eyes and minds involved.

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I agree with Muffin. Definitely a howling wolf on the chest of the crab on the left. I see a crow on the chest of the one on the right. Did some Googleing last night and the tie ins to Baltimore they used on the cover are really cool. Thanks for those of you who posted about the connections.
I would have had no clue. That's what I love about catching up each morning. It seems that no stone is left unturned here. I am sure we all subscribe to DPs for different reasons. So far, the second release with the bonus disc has been worth the price of admission for me. Everything else is just added enjoyment. Some more than others. But they all bring enjoyment!

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It would be nice if they could release a Dave's Picks from each decade each year, one from the 60s, 70s 80s and 90s.. They might not have enough material from the 60s to do that, but that would be the best way if it were possible.

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If they sounded good they would release them. I think the 1989-1990 shows and box sets demonstrate that there is a desire to release great Dead from any period. It's too bad the high quality reel to reel Betty Boards were on hiatus in the 80s, They appear to have lost interest or budget. It's not as though they have not tried. There are some horrific sounding shows that I think were released as crowd pleasers. Someone here described one of the 80s Dave's Picks sound quality as listening to them through the keyhole of a closed door. The show was all but unlistenable. It's a shame, but it's like the 2nd half of 1970. The shows just are not there in any sort of quality that can be called passable.

Happy New Year all!

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I have not heard this show, but have a hard time imagining it holds up to 5/25 at The Mosque. That show is the gold standard of May 1977. In Dave I trust though. I will put in some time at Th Mosque before #41 hits my door mat. The smoothness and lack of warts on 5/25 was exceptional even for May 77.

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In reply to by Dark-Star

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Not seeing the howling wolf, but that doesn't mean it's not there. I like the crab (Maryland is for crabs), the Baltimore Oriole, the Terrapin (University of Maryland, home of the Terrapins), the beehive and the John Waters reference. One of the orioles even looks like it has a bit of raven in it.

The street scene has a Shakedown Street vibe to it too. Perhaps a nod to Gilbert Shelton (who does not appear to have much to do with Baltimore, but certainly the Grateful Dead).

I'm a fan of this show. Excellent recording, tight show. It works and is sort of on par with Dave's Picks 1.

Fire Lemieux? I don't see that happening anytime soon.

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Oh Dave why did you have to lumber us with 4 glasses again!?!?

Or, why not make the glasses like DaP's,,, sign up once and get all four?

But noooooooo, now every 3 months I need to watch for the release of the new glass and hope I don't get snookered on one of the glasses.

Thanks Dave!

:-) ( I like the glasses)

OK, maybe the axe was better.

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Hey rockers!!

I let TPTB know, in no uncertain terms, that should DL be fired, I would, on a strictly temporary basis, step up and assume the reins.

However, fans of post-hiatus shows might force my early retirement.................

Doc
Making tough decisions that may make someone unhappy is something to get good at doing......

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....to Dennis' point, the frenzy to get a glass is a reminder that even for the stoudt hearted there still remains a challenge or two to overcome. These reminders are appreciated. I also dig this artwork, and I've hung out in Balti many a time (my younger bro used to live there for about a decade) so it's a nice reminder of good times.

This show is super tight as well, haven't listened in a while but do recall. I never rebuke an Estimated > Eyes.

Be Well People.
Sixtus

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billfgrady and DV had it right. First Jack-A-Roe 5-13-77 and second one 5-15-77 so 5-26-77 is goin' down the line.
Dave, how do you remember all those dates and shows? K for close on that one.
Cheers

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Does anyone know where to change your shipping address for Dave's Picks subscirption people since they will automatically get sent to us?
Thanks in advance!

Hey Now!

You can reach out to GD customer service via email with your updated info and they should be able to assist. I had to do this 2 years ago when we moved and it was pulled off without a hitch.

Sixtus

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There are certain jobs where you just have to accept it that you can't please everyone. President of the United States, Grateful Dead archivist, stuff like that.

Interesting to hear that this DaP marks the release of more than half (31 of 60) of all 1977 shows. But whether that glass is half empty or half full depends on how you slice the salami.

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Just think how much better the GD would have been if they’d replaced the lead guitarist in 1976. I mean 11 years is enough for anyone. (/sarcasm).

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With a little research I am seeing that John Waters’ Desperate Living was released in Baltimore on May 23 or 27, 1977. Not quite the perfect fit as found in the May 25 Richmond show coinciding with Star Wars but with this in mind, maybe Richmond was only selected for Vol 1 because of the all too perfect synchronicity for starting out the DaP series? And of the two, this is in fact the BETTER show???

I could give it much comparative thought when the release arrives…. and then my ears will remind me to simply enjoy.

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In reply to by Colin Gould

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Colin - I'm sure Dave would be chuffed at having his contribution to the overall scheme of things compared to Jerry's !
I wasn't trying to suggest that Dave should be "sacked", by the way - that would be unforgivable after all the great work he has done in preserving the Dead's legacy. Just that things could be refreshed if someone new was to have more input.
Having said that - 1977 may still be prioritised whoever is at the helm - its a popular year, and the main goal of Deadnet is to sell stuff. But to me it now sounds like very middle of the road Dead. As Todd Rundgren once sang - "You want the obvious-you get the obvious."

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Hey rockers!!

If we get the obvious, where are the 1970 shows?????????

Just asking.................

Doc
It requires a very unusual mind to undertake the analysis of the obvious.......

According to the crack customer service team at dead dot net, there is only one way to handle address changes. You must contact customer service and have the subscription address changed to:

JimInMD
Baltimore Civic Center, Box 1968
Baltimore, MD 21211

(or you could do as Sixtus suggests, up to you) :D

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Just one song? Just the US Blues from 13 years later? And 45 min of blank space? Why even bother putting a US Blues on there? None of the 5/22/77 material that was left off of DP3 is usable? Makes no sense to me. The Jack Straw, Ship of Fools and Other One> Stella Blue 5/18/77 could have fit, unless that show is a potential DaP, but that's why I allowed myself to hope that some of the missing 5/22 material would be used. Shame.

The Sugaree from this show is fantastic, and I liked the 2nd set Jam. The Jack a Roe sounds fantastic in the listening party, and love Jerry's use of the Octave Divider and MuTron on Uncle John's, a great sound.

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I concur both in reasoning and conclusions

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