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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • daverock
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    PNW

    Coincidentally, I have been listening to 5/19/74 from this box over the last day or so. It's the album, though - so just one record at a time, then I'm off. Side H has just played, which leaves I,J,K and L to look forward to tomorrow. A beautiful recording. Such a spare sound with great separation between the instruments. What you miss in crunch is more than made up for in clarity. Both Jerry and Keith shine. In fact, I might play the rest of this later on tonight.

  • That Mike
    Joined:
    Last Five

    Dead - “Best of” PNW Box - Believe It If You Need It (Keith’s playing is sublime throughout the whole box, and the band raises their game in the PNW)
    Ry Cooder & Ali Farka Toure “Talking Timbuktu”(Ry was into World Music long before it was a thing!)
    Eagles - “On The Border” - i wish they stopped after 3 albums, before going Hollyweird
    Soundtrack to the movie Afterglow - Mark Isham and Charles Lloyd at their best
    Cowboy Junkies - “Songs of the Recollection” - a version of Gram Parsons’ “Ooh Las Vegas” with stunning fuzz guitar and ethereal vocals that ole Gram would have loved!!

  • PT Barnum
    Joined:
    never could read no roadmap

    and I don't know what the dead might do. Saw on facebook that there will be a Dead and Co. tour this summer.

  • daverock
    Joined:
    And the rest...

    Maybe I should also say that the VAT for Dp36 was nearly £30.00 on top of the asking price. So although DP19 is listed on Amazon UK at about £160.00 - the actual price will be closer to £200.00. Cripes.

  • daverock
    Joined:
    DP 36 vinyl

    I've just had a look, and I bought that one off Amazon UK in March 2021. I don't know if it came out in the States before then.

  • DeeDeeMcTrivers
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    Dick's Picks 19 vinyl

    They are releasing Dick's 19 vinyl again? I bought it a little while back. I don't remember them releasing DP 36 vinyl twice. I missed that the first time around and had to get it off ebay for quite a bit more. Hm....

  • PT Barnum
    Joined:
    another comment about Bob and the wolves

    Nappy, you are so right, a lot of the folks who were at the show last week were loving it, me, not so much. I agree that it is good that Bob is still out there playing, but this could be his final year of touring. I remember back in 14 or 15 Bob saying that he thought that he had 7 good years left, which would put him at 75. Bob will be 75 in October so this could be it as far as tours. He could go the Phil route and just play limited engagements at his favorite venue or maybe just retire. It's hard to say but he really has turned some of those dead tunes into lullaby's. Don't know if there will be a Dead and Co tour this year, saw that Mayer is on tour solo. Plus Billy has been told not to tour and Mickey has gotten Planet Drum back together so I don't think there will be any Dead and Co. this year. Not that I would go, also way too slow for me.

  • daverock
    Joined:
    Caught in a Dream

    Istshow- DP19 is for sale on Amazon UK at £160.91. Expensive and some very short sides. Still...

    Crow - that's how I perceive Alice Cooper, too. I liked them when they were a band, and not an individual, and Summer 1972 was when I got into them. They seemed like a poke in the eye to everyone- society, the Woodstock Generation, my friends who liked "good music" - and at the age of 15 they were right up my street! In fact I have just played my 50 year old copy of "School's Out"-and uncannily it plays alright, with hardly any clicks or crackles. They were one of the bands who had great singles in 1972 who I have mentioned before - Mott The Hoople, David Bowie, Hawkwind, Roxy Music, T.Rex.

    In fact, I read another book this week, about the music of 1972 focussing on these bands. "Pin-Ups 1972 Third Generation Rock N' Roll" by Peter Stanfield. It suggests the above bands represented the third great era of rock n' roll, following on from Chuck, Elvis Little Richard etc in the 50s and The Beatles and Stones in the 60's. What he writes doesn't exactly tally with my experiences - but it's close enough.

    It's a bit of a coincidence that my favourite year for The Dead may well be 1972 as well They were obviously operating from within a different dimension to these other bands I have mentioned. The Dead became more my cup of tea when I got to the grand old age of 19. Although I also saw countless punk gigs then, when it was in it's early days-summer 1976- summer 1977. Sorry for going on a bit!

  • PT Barnum
    Joined:
    Alice Cooper, Alice Cooper

    Best lp's Love it to Death, Killer and Schools' Out. Saw Alice twice, once in 72, great show, Schools' Out had just been released and the stage hands and Alice thru out panties into the audience. Had a couple of hotties dancing in cages on the sides. Did all the theatrics. the guillotine, the straight jacket during The Ballad of Dwight Fry, the blood all over the stage, the fake chicken that it looks like he cuts into pieces, it was all there and that band was so tight, 72 was a great year for rock and roll. In fact, the peak of rock in my opinion was 69 - 72. Also saw Alice in 78, pretty much same show, but different musicians, a different band for sure. There was this new guy on lead guitar who looked like a body builder or a wrestler or that ilk. He played a guitar in the shape of an M 16 rifle. He could actually rock even with those bananas that he called fingers. Alice was another of those bands that I played to drive my old man nuts, he would literally turn red and start screaming at the top of his lungs, he really did hate rock and roll. May he rest in peace.

  • 1stshow70878
    Joined:
    A Month Away

    For the release of DaP 1 vinyl April 29. Getting antsy.
    Daverock, who is the vendor on that DP19 vinyl over there, and if I may ask how dear is it?

    Last 5: (all vinyl)
    Tull - Thick As a Brick
    Gentle Giant - Self titled
    Yes - Fragile
    Lenny White - Big City
    DP 19
    Cheers!

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3 years 6 months

You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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5 years 2 months

In reply to by Vguy72

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My prior post was about DP41. And my follow-up comment you saw was because I keep holding out hope that Dave or someone else at the company will read one of my product comments... but when comments about the product get buried in an avalanche of unrelated discussion, it seems even more unlikely that anyone at Dead-dot-net would ever hear product feedback.

Not saying you guys aren't entertaining... I enjoyed your responses and certainly don't want to rain on any parades... just that I would ALSO like a way to get product feedback back to the folks I send lots of my money to.

Annnnd... I just found the customer service email... so I guess I'll give that a shot for customer feedback and come back here after I've had a chance to think carefully about my position on pork chops.
✌️

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It is widely assumed that the powers that be do see what gets posted on here, but there is no definite proof of this as far as I know. Certainly they never communicate with us via these boards. As for customer service, I think that is outsourced. Contact with customer service is via a contact form that can be found under "help/customer service" at the very bottom of the page. You can also find "feedback" at the bottom of the page. By clicking on that you can send feedback about anything you choose. Maybe that is what you were looking for. Certainly it has to be worth a try.

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7 years 9 months
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This is as good as the Dead ever played. 1977 may be their zenith as live performers... by 1978 I hear a certain element of fatigue and overindulgence creeping in. From somewhere between late 1971 to 1973 and 1977, it was the best it would ever be. Disc 3 here is so good, I've earmarked it for newbies and people who dismiss the band as sloppy.

Been listening to a ton of Little Feat lately. Awesome, underrated band especially when Lowell George was still with them.

Happy weekend everyone!

\m/

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4 years 3 months

In reply to by LedDed

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Monitors at least. Dave might read this stuff. But in the long run, I don't any of the ptb have any fux to give about our salad de wourde.

Outside I hear a massive cacophony of crows (this is a fact)

Crows told me. About 80 of them flew overhead when I was out with the dog: "Time to pop the shrinkwrap on 41, bitch!"

:)))

Recall that Norman responded once to admit that he did in fact jack up the bass on 8-25-72.

And several years ago Marye relayed us a message indicating that (at the time) Rhino/WMG weren’t really interested in processing the video Vault for commercial release.

It was during one of those times that we were discussing the release of video, much like a week or two ago, and as we frequently do, to keep getting the message out that we want more video.
We got a taste with the Giants Box, and some teasers for Shakedown Stream.

I think that streaming or download is the way to go for the 90’s shows that are a recording of the video feed during the show (which includes the computer generated graphics mixed in).
For physical product we still need complete, or as close as possible, audio/video Boxes of:
Winterland October 74
Fall 80
Alpine 89
Tinley Park 90
And everything with Pigpen

I have that Family Dog DVD, it’s grate. If video of the whole shows exists get it out there.
And everything from Europe like Rockpalast and 72.

LedDed,
I like the Little Feat show from Rockpalast.

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7 years 7 months
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Sounds great so far. Tonight I will listen to 2nd set. As far as the HOF, what a joke. Ted nugent said recently, "MC5 is nominated, but triumph is not?" Very true. Triumph was a great band. Rik emmet played a flying V guitar for christ sakes.

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17 years 5 months

In reply to by carlo13

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Saw them at Klienhans Music hall, where the philharmonic plays (very small) on 7/7/79.
(Dead played there with the philharmonic On 3/17/70. I saw my first Bobbie show there on election night 1980)

Since Triumph were perhaps more used to playing hockey rinks etc, they had pyrotechnics which they blew off opening song, and thus instantly completely filled the tiny smoke free venue with a cloud of smoke so thick we were having a hard time breathing up in the balcony LOL. Almost had to stop the show right there!
It was like something out of Spinal Tap: clueless rock band almost stops show first song at historic Music hall
God I love Rock and Roll!

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10 years 2 months

In reply to by carlo13

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Now there's a rock n' roll hall of fame type of guy ! I'd never heard of Triumph up until 2 minutes ago. And in 2 minutes time I will have forgotten about them again. Unless of course there is a heated debate on here about their pros and cons.

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17 years 4 months

In reply to by daverock

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....now there's a band I haven't heard of for a long, long time. Thanks for that. Checking out Allied Forces now.
Got the house to myself for the first time in a long time. I heard my amp goes to 11.
Music is the best. Currently partial to some 79-84 new wave/hair metal/punk, so Triumph fits the bill. Remember Fastway?
Let's get heated. The Early '80's is in my wheelhouse. I'll take stuff I'm knowledgeable about for $500 Alex.
Edit. I miss record stores.

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17 years 4 months

In reply to by Oroborous

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....don't mind if I do!
Anyone here remember Saxon? They used to toss their guitars to each other onstage. And Biff Byford has a voice for the ages.
Oh. And so did Jerry.
Apologies to J3FF btw. I didn't scroll back far enough. My bad.

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In reply to by nappyrags

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I saw Fela Kuti twice, once at the Berkeley Community Theater in '86, once at the Warfield in 90. Not rock, but very exciting polyrythmic music with nice melodies on guitar. He was quite a character, a real showman in an eccentric way. While the music was happening around him, he would stalk the stage, singing and talking about social issues. I taped both shows, and my friend has been bugging me to digitize them so he can hear them.

I listened to the third CD last night again, and it's a winner! Nice smooth transitions between songs, great guitar work, especially in eyes and the very sweet, if a little short, encore of Uncle John's. I started playing it at 10;30 pm, and my housemate, who was about to go to bed, stayed up for the entire set, entranced.

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Allied forces is your classic american 70s/80s keg party music. Rock on V. Fastway-say what you will- has a video with hot chicks on an assembly line of beauty. Oh to be in my twenties again.

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17 years 4 months

In reply to by carlo13

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....I think Whitesnake has a patent on that. Rock on indeed.
Triumph has some damn good riffs.
Can I change my username to Flying V?
BRB.

....that no one had mentioned the gatefold on the Baltimore release.
Awesome pic. 👌
I'm going into the third disc. Will comment live.
"But he cannot be bought or sold."
"Inspiration. Move me brightly."

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In reply to by Vguy72

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...."two, four, six. Don't worry about me no."

....GDTRFB with a palate cleanser.
Someone earlier said UJB was cut short. I agree.
Awesome Not Fade. Four 🌟 🌟 🌟 🌟's out of four or so.

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From not having listened to May '77 in quite a while, I was yet again blown away at how clean the music is. It's like they are saying 'Hey doubters! We too can play like this. When we want'. Jerry in particular. Just firing away with precision first set. And check out how solid those lines are in Terrapin. That bold lead allows the rest of the band to just naturally fall off to decorate the wake behind what he's pulling forward front and center. Those perfectly placed and timed sustains. Love 'em. And the last minute or so of GDTRFB is quite the surprise!

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The sopranos had a quote about Maryland. Tony Sopranos father-in-law said "In the army, russ had a case of the crabs so bad that they called him the governor of maryland.".

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In reply to by proudfoot

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....takes off sometimes 🚀.
Edit. Just finished watching Disney's Encanto at my son's behest.
7.7/10. Good songs 🎵.

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In reply to by Vguy72

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Just me and my headphones....A CM Board...Second Set Only...whew....

Grateful Dead
War Memorial Auditorium
Buffalo, NY
September 26, 1981

--Set 2--
Playing in the Band ->
Bertha ->
Estimated Prophet ->
Goin' Down the Road (Feeling Bad) ->
Drums ->
Space ->
Not Fade Away ->
Morning Dew ->
Playing in the Band ->
One More Saturday Night
--Encore--
Johnny B. Goode

Beauty eh!
Was fortunate to be at that one.
It shows up a lot via Dave and Sirius etc, and ranks high in surveys…

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4 years 3 months

In reply to by Oroborous

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Ja, gerne

I had it on cassette for a long time

A little speedy and almost no Phil

Soundboard out there?

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12 years

In reply to by proudfoot

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I checked my copy, meh. Checked archive,,, the copy with 22,335 downloads had the best sound,,,, maybe not for the whole show. Miller seem to have a good sound second set.

later

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In reply to by Dennis

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Nice work Dennis.

The sign says long-haired hippie people need not apply.
But short-haired upstanding citizens? Welcome aboard.

I’m pulling a Vguy and have sports on (Olympics) with sound muted, and GOGD playing.
Just finished 1-3-70%, now on 6-15-76.

Got 5-26-77 processed and on my music player. Played it today and it sounded spectacular. Lots of Phil coming out of the subwoofer. Precision jamming. Yes, the NFA is mighty fine, as commented on by others previously.

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17 years 4 months

In reply to by icecrmcnkd

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....aww shucks and thingies.
I bought an acoustic Yamaha today btw. An entry level one. Also had an electric Ibanez Roadstar II handed down to me by my late father in law restrung. Found his old Peavey amp in the spare room closet to boot. Time to stop thinking about it and actually do it.
Winter Olympics are fun and treasures can be found in random closets.
I used to carve on a snowboard....but not like these pros. It's cool when they land a 720 to the beat of whatever im currently playing on my stare-ee-o. Which happens to be a phish Tweezer.
Step into the freezer.
Edit. 1620 degree jumps. Poetry in motion.

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I had a chance to listen to the whole release in one day yesterday. When the filler came up I was into it. I kind of liked the way the NFA chant faded in giving a nod to the jam highlight of the release - NFA! I like filler. Liked it on my tapes and like it on my discs. Otherwise you can get to ripping and burning to scratch yer itch. And on the subject of NFA - wow - this could be an all time NFA>GDTRFB! Dig Phil channeling Caution upon the return to NFA at about the 15 minute mark! So on the subject of filler I like to quote Uncle Bobo himself: "mua, mua, mua"!!!

My guesses would be:

April '78
April '69
Oct. '89
Summer '85

But, you know what they say: Good things come to those who....Pester, Pester, Pester! :-)

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13 years 9 months

In reply to by wilfredtjones

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Dear Dave L: A September 1979 3 show run in N.Y.C. @ MSG would be a great mini-boxset. These were Brent's first N.Y.C. shows and at MSG to boot. They were very solid shows: The GD Came, Saw, Conquered!!! As another poster noted Steve Parish' Harley was parked on stage and someone gunned the engine multiple times during the show and it was noticed by the audience and would be audible. Cool. Period.

Pester, pester, pester because this squeaky wheel will get that oil!

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