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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • hendrixfreak
    Joined:
    Just to clarify...

    Jim, you may not have heard the phrase "cosmic yawn" before because I made it up on the spot as I typed that comment. Good one, though, huh? Now that everyone is growing mushrooms in their closet, the supply is bounteous. Denver recently decriminalized them, a wholesome development. Though that won't help me in the rural counties, so I try to behave.....

    Daverock, a pronghorn is essentially an antelope, but not technically speaking, I believe. These freakin' things typically rove in bands on the Colorado Plateau and you have to watch out for them. They can run 60 miles per hour for fairly extended distances. In Wyoming, highway signs warn you -- a band could be streaking across the prairie and cross a paved highway at any angle at high speed.

    I once was returning from a sojourn and spotted a band off the road. I watched them for a half a minute, at 100 yards, wondering what they might look like close up. Oh boy. As I returned my gaze to the road ahead I saw to my momentary horror a pronghorn just clearing my bumper as it streaked right to left across the highway. I'm doing 75 probably. I probably missed it by two seconds. I got a real good, close-up look. And promised myself I'd never again take my eyes off the road for more than a milisecond.

    Yeah, sitting around, staring at a candle, listening to some self-appointed "guide" sounds like serious BS! I get the visceral attraction of tripping with the original Pranksters, but personally, I seek on my own.

    Now that #41 is tucked away on the '77 shelf, I've been looking at the shelf with the 1965-1975 shows and man oh man do I have some listening to do while it's still winter and I'm spending the evenings inside. If a big storm crops up, I'll microdose, take a long walk in the snow, come home, make a fire, and plug in a guitar. Last time I did that, I played for about five hours straight and my fingers hurt like hell. When that's over, I have a couple hundred GD shows and a stack of Miles and Coltrane for the stereo. Life can be good!

  • billy the kiddd
    Joined:
    3/1/69

    What a show, especially that 1st set! I wish the Dead would have played China Cat Sunflower at these shows .

  • daverock
    Joined:
    micro dosing

    I have been interested in the recent scientific and public interest in psychedelics, and the increasing evidence of their positive effects. It certainly seems true to my experiences with mushrooms. I would never have said that I was depressed prior to my experiences, but looking back, my life changed in all sorts of positive and unexpected ways during and after my time of taking them. It seems a bit contradictory, but they seemed to straighten me out. I also wonder now if L.S.D use in the 60's and 70's may actually have set psychedelic culture back decades.

    With acid ,I never knew how strong the stuff was before taking it. The differences between the strengths of the few trips I had on it were massive. Like with most drugs, the biggest danger in it, to me, lay and still lie, in it's illegality. As far as I could make out, no-one - certainly as far down the chain as me - had the faintest idea what they were taking. I can remember when I was on the social work course in 1991, the police gave us a list of all the drugs they had picked up one recent weekend that had been sold in clubs as "ecstasy". Everything from caffeine to STP. I remember one guy who told me he sold dogs worming tablets as ecstasy.

    At the end of the day, I feel it is important to take care of ourselves, and of other people, in the best way that we individually can. I wouldn't want to be a part of any group that disregards the welfare and happiness of it's most vulnerable members.
    And driving - I am sorry PT, you are a prince among men - but I have known several people-I am sure we all have - who have killed themselves or others in motor accidents. Horrendous experiences all round - for the victim, the family and friends left behind, and the perpetrator. Any activity that increases the possibility of creating such a tragedy should surely be ruled out.

    Incidentally, what the heck's a pronghorn ? I think if I had seen one of them in Oldham in the 70's I would have thought it was the devil.

  • JimInMD
    Joined:
    Re: Cosmic Yawns

    I've never heard that term used before, but it happens to me every time.

    There was a period mid-career where I did not indulge, plus it seemed hard to get for a while. ..but I still seem to dip my big toe into the cosmos at least once a year.

    In terms of place and setting, early on I found myself either wanting to be in a small group and away from phones and random people or in such a large group as to be ambiguous. So it became nature, camping, backcountry or frankly dead shows. That seems to work.

    The last decade I find myself liking to be alone, mostly kayaking/hiking/biking where I won't run into some unexpected situation where somebody needs me. Concerts too when I don't have to drive or the show is long enough to fit it in. I want no responsibilities whatsoever. Oh, and headphones, music is good - almost a must. So I still explore when I can find the time and tranquility to pull it off. I can't speak for everyone, but I find it helpful for me. It gives me a chance to reformat my internal hard drive and reorganize thoughts, priorities and who I am.

    Those are my tricks.. but I have to admit the HF approach is quite appealing to me. If you notice some unexpected rando behind you on the trail, I'm the one with earphones and a tie dye (and the bad orange hair and pasty white complexion). :D

    Cosmic yawns.. so true. That cracks me up.

    There's a lot of great research on micro dosing that's come out lately. Encouraging to me.

    As to tripping with the pranksters or at an acid test, be it a good idea or not, I would do it in a heartbeat. But alas, I was born too late. That ship sailed while I was playing in the sand box out back. Babs.. I am here, once you come out of your heart injury, if you want to have one last foray into the unknown, give me a call. I'm all in.

  • PT Barnum
    Joined:
    driving with your eyes closed

    driving under the influence can be fun, and frightening. I knew a guy who wanted to drive, he said he could see so well that anything that could have collided with the vehicle he could see long before it would happen. He was a great driver and drove us all to and back many a show. We in the back seat could only jiggle as he navigated the roadways so gracefully, with a huge grin on his face (aka Neil like). The road always seemed to get away from me whenever I tried, like a ribbon that would unravel. On deserted roads, it was fun, on the freeway, not so much.
    Back in the day when I first started (69) it was the thing to try and freak each other out, aka pranksters, with double talk and echo talk and endlessly trying to get each other to lose it laughing, especially in a crowd of er...non dosed. After hearing about Leary and his way of spiritualizing psychedelics it just wasn't as much fun sitting around trying to concentrate on any one thing for very long. Pranking and laughing was way more fun.
    Not being a musician, never really wanted to hang out with bands, but I always wanted what they were smoking, drinking or taking in any other form. Would have loved to hang with Kesey and Babbs, what a trip that would have been.

  • hendrixfreak
    Joined:
    My own approach these days...

    may be (probably is) just one man's approach, possibly idiosyncratic. First off, know your materials well (potency) and decide if you want a micro-dose, a medium but significant journey or a little over the top approach. Because I'm in the backcountry alone, I need to be confident that I can get somewhere and back in a day, handle the terrain, maintain my orienteering skills, and calmly apply my behavioral knowledge if I run into a bear or cougar. (Don't surprise 'em, talk, wave arms, don't look 'em in the eye, give 'em room to avoid you, take the guard off the pepper spray, be sure you're upwind, etc.) I get moving early in the day and have an objective before dropping so as the agent (psilycibin for me) comes on, I'm in my element in terms of orienteering, body and mind synch and thus avoiding the initial, potentially debilitating awkwardness of the limbs and thoughts that comes with the cosmic yawns at "onset." And make sure I'm actively striding and finding my way as the peak comes and goes. I usually don't stop for any length of time. Occasionally I miscalculate the powder at the bottom of the bag and get a little walloped. But an 8-hour hike through spectacular terrain where I won't see humans -- this is trackless country, no trails -- typically does the trick. And there's nothing like a shot and a beer and a toke back at camp or, if camp is the truck, then a chair and guitar. Last fall I did just that across a wild plateau called East Cactus Flats, returning to my truck in a forsaken place called Disappointment Draw. I cracked a beer and started fingerpicking when I heard a strange noise. A good-sized pronghorn, traveling alone, approached to within maybe 50 feet and kept querying me -- no mistaking that querying sound. Essentially, who or what are you? What the hell is that sound you're making? And, have you seen my peeps? I've noticed that wild animals, as well as domesticated dogs, totally key in to a person who is psychedelic. The other major part of this approach is what I'd call "digestion." Take the time to fully absorb the lessons of the day and seek ways to incorporate those insights into your ordinary reality and dealings with others. Be patient and kind. (I do not always succeed; this is a work in progress after 50 years.) Too much repetition of the experience without "digestion" and, to me, it's just repeating the high without drawing the lessons. Note that I did none of this the first ten years. We'd find out the LSD's potency the hard way. Lessons might be impressed upon us without our consent(!) The chaos and human interactions could be frightening -- usually to others, but sometimes to me. (Don't try driving!!) But over the decades I kinda honed an approach that essentially comprises medicine for the soul, for me. I think the currrent surge in interest by scientists and the general public is good up to a point, as psychedelics, used constructively, can help bolster our humanity and -- perhaps -- ease difficulties. But I could not recommend them. Either they work for you or they don't. And finding out can be tricky. Sure makes me a better-adjusted person -- and now I'm echoing Paul McCartney, I believe!

    That's all the blathering for today. As you were........

  • daverock
    Joined:
    Leary or Pranksters?

    If I had to choose.... I would choose neither of them. While the pranksters now seem a bit ghastly, Leary seemed a bit over ambitious. I still have some of his books -that one which is a psychedelic version of The Tibetan Book of The Dead comes to mind. I think the idea was that you read it to someone who was tripping, as a means of helping them locate the light. I wonder if anyone ever did that. That idea of set and setting does ring true though - and I would say that advice has stayed appropriate down through the years

    Mr Ones - I still haven't got round to listening to Planet Waves. I always assumed it was a weaker one, but I read recently that it was very much a part of a trilogy, with "Blood on the Tracks" and "Desire", so I am hoping to check it out soon.

  • Crow Told Me
    Joined:
    The Very First Word is How Do Ya Do?

    My sister lives in Mill Valley, and she used to see Weir around town all the time. (Not so much lately.) She’s not a fan, so it’s no biggie for her, but I’ve sometimes thought about what I would do if I saw Bob getting coffee or something while I was visiting her. I wouldn’t want to bother him, but I think I’d have to at least say hello, right? Say ‘thanks for the music’ at least? My other sister lives in Kauai, where Kreutzman lives now, and I’m going to be visiting her in a couple weeks. Wonder what I should say if I see BK grabbing a shave ice?

    I can definitely relate to what hendrixfreak sed: shows just got too big for my liking in the ‘80s. As a rule, I’d usually much rather see a decent band in a small club than go see some superstars in a sports arena: better sound, fewer assholes, fewer cops, room to breath. Throw psychedelics into the mix and the gap gets even wider. It’s one thing to be shrooming at the Warfield with 2,000 of deadicated Heads, quite another to try to deal with 50,000 people who seem like they just got bussed in from MTV’s spring break special. Not to mention all the security.

    In principle, I always thought it was cool that the Pranksters had such a wide open, “let’s get high and freak freely” approach to tripping, as opposed to the Millbrook thing of sitting silently in a room with a candle and saying Om or whatever. That said, I’m not sure I could’ve passed the Acid Test. My best experiences, aside from Dead shows, were always out in nature: a deserted stretch of shoreline on the Lost Coast, backpacking the Sierras, etc. I think if I would've had to try to simultaneously process Babbs' babbling, Cassidy's hammer juggling, the Dead, and 500 mics worth of Koolaid my brains probably woulda dribbled out my ears.

    Last thought: how lucky are we? The StL box continues to delight. Seven shows from three different tours, all in good-to-great sound. And the last two DaPs have also been great. I mean, millions of people love Zeppelin, the Stones, the Eagles, and other bands from back in the day, but nobody (well, except the ABB I guess) has anything like the Dead's archival release thing. Blessed be us.

  • Mr. Ones
    Joined:
    Last 5

    Comus-First Utterance-Tip ‘o the hat to DAVEROCK!!
    Beatles-Get Back Rooftop Performance
    Elvis Costello-The Boy Named If
    Shuggie Otis-Inspiration Information
    Bob Dylan-Planet Waves

    It’s a crazy, mixed-up world, but Music is a consistent balm(for me at least!!).

    Dave’s 42 anyone?? It’s only about 62 days away!!

  • daverock
    Joined:
    Phil Zone

    Billy - thanks for jogging my memory - Viola Lee Blues from 4/26/69 is included on The Phil Zone too . I didn't know they interpreted What's Become of the Baby at this show either. Bit of a missed opportunity there - if that had been included, then this show, as released, would have been unique. In a way then, Dicks Picks 26 short changes 4/26/69 a bit.

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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In reply to by Vguy72

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My prior post was about DP41. And my follow-up comment you saw was because I keep holding out hope that Dave or someone else at the company will read one of my product comments... but when comments about the product get buried in an avalanche of unrelated discussion, it seems even more unlikely that anyone at Dead-dot-net would ever hear product feedback.

Not saying you guys aren't entertaining... I enjoyed your responses and certainly don't want to rain on any parades... just that I would ALSO like a way to get product feedback back to the folks I send lots of my money to.

Annnnd... I just found the customer service email... so I guess I'll give that a shot for customer feedback and come back here after I've had a chance to think carefully about my position on pork chops.
✌️

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It is widely assumed that the powers that be do see what gets posted on here, but there is no definite proof of this as far as I know. Certainly they never communicate with us via these boards. As for customer service, I think that is outsourced. Contact with customer service is via a contact form that can be found under "help/customer service" at the very bottom of the page. You can also find "feedback" at the bottom of the page. By clicking on that you can send feedback about anything you choose. Maybe that is what you were looking for. Certainly it has to be worth a try.

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This is as good as the Dead ever played. 1977 may be their zenith as live performers... by 1978 I hear a certain element of fatigue and overindulgence creeping in. From somewhere between late 1971 to 1973 and 1977, it was the best it would ever be. Disc 3 here is so good, I've earmarked it for newbies and people who dismiss the band as sloppy.

Been listening to a ton of Little Feat lately. Awesome, underrated band especially when Lowell George was still with them.

Happy weekend everyone!

\m/

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In reply to by LedDed

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Monitors at least. Dave might read this stuff. But in the long run, I don't any of the ptb have any fux to give about our salad de wourde.

Outside I hear a massive cacophony of crows (this is a fact)

Crows told me. About 80 of them flew overhead when I was out with the dog: "Time to pop the shrinkwrap on 41, bitch!"

:)))

Recall that Norman responded once to admit that he did in fact jack up the bass on 8-25-72.

And several years ago Marye relayed us a message indicating that (at the time) Rhino/WMG weren’t really interested in processing the video Vault for commercial release.

It was during one of those times that we were discussing the release of video, much like a week or two ago, and as we frequently do, to keep getting the message out that we want more video.
We got a taste with the Giants Box, and some teasers for Shakedown Stream.

I think that streaming or download is the way to go for the 90’s shows that are a recording of the video feed during the show (which includes the computer generated graphics mixed in).
For physical product we still need complete, or as close as possible, audio/video Boxes of:
Winterland October 74
Fall 80
Alpine 89
Tinley Park 90
And everything with Pigpen

I have that Family Dog DVD, it’s grate. If video of the whole shows exists get it out there.
And everything from Europe like Rockpalast and 72.

LedDed,
I like the Little Feat show from Rockpalast.

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Sounds great so far. Tonight I will listen to 2nd set. As far as the HOF, what a joke. Ted nugent said recently, "MC5 is nominated, but triumph is not?" Very true. Triumph was a great band. Rik emmet played a flying V guitar for christ sakes.

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In reply to by carlo13

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Saw them at Klienhans Music hall, where the philharmonic plays (very small) on 7/7/79.
(Dead played there with the philharmonic On 3/17/70. I saw my first Bobbie show there on election night 1980)

Since Triumph were perhaps more used to playing hockey rinks etc, they had pyrotechnics which they blew off opening song, and thus instantly completely filled the tiny smoke free venue with a cloud of smoke so thick we were having a hard time breathing up in the balcony LOL. Almost had to stop the show right there!
It was like something out of Spinal Tap: clueless rock band almost stops show first song at historic Music hall
God I love Rock and Roll!

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10 years 2 months

In reply to by carlo13

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Now there's a rock n' roll hall of fame type of guy ! I'd never heard of Triumph up until 2 minutes ago. And in 2 minutes time I will have forgotten about them again. Unless of course there is a heated debate on here about their pros and cons.

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In reply to by daverock

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....now there's a band I haven't heard of for a long, long time. Thanks for that. Checking out Allied Forces now.
Got the house to myself for the first time in a long time. I heard my amp goes to 11.
Music is the best. Currently partial to some 79-84 new wave/hair metal/punk, so Triumph fits the bill. Remember Fastway?
Let's get heated. The Early '80's is in my wheelhouse. I'll take stuff I'm knowledgeable about for $500 Alex.
Edit. I miss record stores.

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In reply to by Oroborous

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....don't mind if I do!
Anyone here remember Saxon? They used to toss their guitars to each other onstage. And Biff Byford has a voice for the ages.
Oh. And so did Jerry.
Apologies to J3FF btw. I didn't scroll back far enough. My bad.

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I saw Fela Kuti twice, once at the Berkeley Community Theater in '86, once at the Warfield in 90. Not rock, but very exciting polyrythmic music with nice melodies on guitar. He was quite a character, a real showman in an eccentric way. While the music was happening around him, he would stalk the stage, singing and talking about social issues. I taped both shows, and my friend has been bugging me to digitize them so he can hear them.

I listened to the third CD last night again, and it's a winner! Nice smooth transitions between songs, great guitar work, especially in eyes and the very sweet, if a little short, encore of Uncle John's. I started playing it at 10;30 pm, and my housemate, who was about to go to bed, stayed up for the entire set, entranced.

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Allied forces is your classic american 70s/80s keg party music. Rock on V. Fastway-say what you will- has a video with hot chicks on an assembly line of beauty. Oh to be in my twenties again.

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In reply to by carlo13

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....I think Whitesnake has a patent on that. Rock on indeed.
Triumph has some damn good riffs.
Can I change my username to Flying V?
BRB.

....that no one had mentioned the gatefold on the Baltimore release.
Awesome pic. 👌
I'm going into the third disc. Will comment live.
"But he cannot be bought or sold."
"Inspiration. Move me brightly."

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In reply to by Vguy72

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...."two, four, six. Don't worry about me no."

....GDTRFB with a palate cleanser.
Someone earlier said UJB was cut short. I agree.
Awesome Not Fade. Four 🌟 🌟 🌟 🌟's out of four or so.

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From not having listened to May '77 in quite a while, I was yet again blown away at how clean the music is. It's like they are saying 'Hey doubters! We too can play like this. When we want'. Jerry in particular. Just firing away with precision first set. And check out how solid those lines are in Terrapin. That bold lead allows the rest of the band to just naturally fall off to decorate the wake behind what he's pulling forward front and center. Those perfectly placed and timed sustains. Love 'em. And the last minute or so of GDTRFB is quite the surprise!

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The sopranos had a quote about Maryland. Tony Sopranos father-in-law said "In the army, russ had a case of the crabs so bad that they called him the governor of maryland.".

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In reply to by proudfoot

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....takes off sometimes 🚀.
Edit. Just finished watching Disney's Encanto at my son's behest.
7.7/10. Good songs 🎵.

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In reply to by Vguy72

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Just me and my headphones....A CM Board...Second Set Only...whew....

Grateful Dead
War Memorial Auditorium
Buffalo, NY
September 26, 1981

--Set 2--
Playing in the Band ->
Bertha ->
Estimated Prophet ->
Goin' Down the Road (Feeling Bad) ->
Drums ->
Space ->
Not Fade Away ->
Morning Dew ->
Playing in the Band ->
One More Saturday Night
--Encore--
Johnny B. Goode

Beauty eh!
Was fortunate to be at that one.
It shows up a lot via Dave and Sirius etc, and ranks high in surveys…

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In reply to by Oroborous

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Ja, gerne

I had it on cassette for a long time

A little speedy and almost no Phil

Soundboard out there?

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In reply to by proudfoot

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I checked my copy, meh. Checked archive,,, the copy with 22,335 downloads had the best sound,,,, maybe not for the whole show. Miller seem to have a good sound second set.

later

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In reply to by Dennis

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Nice work Dennis.

The sign says long-haired hippie people need not apply.
But short-haired upstanding citizens? Welcome aboard.

I’m pulling a Vguy and have sports on (Olympics) with sound muted, and GOGD playing.
Just finished 1-3-70%, now on 6-15-76.

Got 5-26-77 processed and on my music player. Played it today and it sounded spectacular. Lots of Phil coming out of the subwoofer. Precision jamming. Yes, the NFA is mighty fine, as commented on by others previously.

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In reply to by icecrmcnkd

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....aww shucks and thingies.
I bought an acoustic Yamaha today btw. An entry level one. Also had an electric Ibanez Roadstar II handed down to me by my late father in law restrung. Found his old Peavey amp in the spare room closet to boot. Time to stop thinking about it and actually do it.
Winter Olympics are fun and treasures can be found in random closets.
I used to carve on a snowboard....but not like these pros. It's cool when they land a 720 to the beat of whatever im currently playing on my stare-ee-o. Which happens to be a phish Tweezer.
Step into the freezer.
Edit. 1620 degree jumps. Poetry in motion.

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I had a chance to listen to the whole release in one day yesterday. When the filler came up I was into it. I kind of liked the way the NFA chant faded in giving a nod to the jam highlight of the release - NFA! I like filler. Liked it on my tapes and like it on my discs. Otherwise you can get to ripping and burning to scratch yer itch. And on the subject of NFA - wow - this could be an all time NFA>GDTRFB! Dig Phil channeling Caution upon the return to NFA at about the 15 minute mark! So on the subject of filler I like to quote Uncle Bobo himself: "mua, mua, mua"!!!

My guesses would be:

April '78
April '69
Oct. '89
Summer '85

But, you know what they say: Good things come to those who....Pester, Pester, Pester! :-)

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In reply to by wilfredtjones

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Dear Dave L: A September 1979 3 show run in N.Y.C. @ MSG would be a great mini-boxset. These were Brent's first N.Y.C. shows and at MSG to boot. They were very solid shows: The GD Came, Saw, Conquered!!! As another poster noted Steve Parish' Harley was parked on stage and someone gunned the engine multiple times during the show and it was noticed by the audience and would be audible. Cool. Period.

Pester, pester, pester because this squeaky wheel will get that oil!

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