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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • hendrixfreak
    Joined:
    Just to clarify...

    Jim, you may not have heard the phrase "cosmic yawn" before because I made it up on the spot as I typed that comment. Good one, though, huh? Now that everyone is growing mushrooms in their closet, the supply is bounteous. Denver recently decriminalized them, a wholesome development. Though that won't help me in the rural counties, so I try to behave.....

    Daverock, a pronghorn is essentially an antelope, but not technically speaking, I believe. These freakin' things typically rove in bands on the Colorado Plateau and you have to watch out for them. They can run 60 miles per hour for fairly extended distances. In Wyoming, highway signs warn you -- a band could be streaking across the prairie and cross a paved highway at any angle at high speed.

    I once was returning from a sojourn and spotted a band off the road. I watched them for a half a minute, at 100 yards, wondering what they might look like close up. Oh boy. As I returned my gaze to the road ahead I saw to my momentary horror a pronghorn just clearing my bumper as it streaked right to left across the highway. I'm doing 75 probably. I probably missed it by two seconds. I got a real good, close-up look. And promised myself I'd never again take my eyes off the road for more than a milisecond.

    Yeah, sitting around, staring at a candle, listening to some self-appointed "guide" sounds like serious BS! I get the visceral attraction of tripping with the original Pranksters, but personally, I seek on my own.

    Now that #41 is tucked away on the '77 shelf, I've been looking at the shelf with the 1965-1975 shows and man oh man do I have some listening to do while it's still winter and I'm spending the evenings inside. If a big storm crops up, I'll microdose, take a long walk in the snow, come home, make a fire, and plug in a guitar. Last time I did that, I played for about five hours straight and my fingers hurt like hell. When that's over, I have a couple hundred GD shows and a stack of Miles and Coltrane for the stereo. Life can be good!

  • billy the kiddd
    Joined:
    3/1/69

    What a show, especially that 1st set! I wish the Dead would have played China Cat Sunflower at these shows .

  • daverock
    Joined:
    micro dosing

    I have been interested in the recent scientific and public interest in psychedelics, and the increasing evidence of their positive effects. It certainly seems true to my experiences with mushrooms. I would never have said that I was depressed prior to my experiences, but looking back, my life changed in all sorts of positive and unexpected ways during and after my time of taking them. It seems a bit contradictory, but they seemed to straighten me out. I also wonder now if L.S.D use in the 60's and 70's may actually have set psychedelic culture back decades.

    With acid ,I never knew how strong the stuff was before taking it. The differences between the strengths of the few trips I had on it were massive. Like with most drugs, the biggest danger in it, to me, lay and still lie, in it's illegality. As far as I could make out, no-one - certainly as far down the chain as me - had the faintest idea what they were taking. I can remember when I was on the social work course in 1991, the police gave us a list of all the drugs they had picked up one recent weekend that had been sold in clubs as "ecstasy". Everything from caffeine to STP. I remember one guy who told me he sold dogs worming tablets as ecstasy.

    At the end of the day, I feel it is important to take care of ourselves, and of other people, in the best way that we individually can. I wouldn't want to be a part of any group that disregards the welfare and happiness of it's most vulnerable members.
    And driving - I am sorry PT, you are a prince among men - but I have known several people-I am sure we all have - who have killed themselves or others in motor accidents. Horrendous experiences all round - for the victim, the family and friends left behind, and the perpetrator. Any activity that increases the possibility of creating such a tragedy should surely be ruled out.

    Incidentally, what the heck's a pronghorn ? I think if I had seen one of them in Oldham in the 70's I would have thought it was the devil.

  • JimInMD
    Joined:
    Re: Cosmic Yawns

    I've never heard that term used before, but it happens to me every time.

    There was a period mid-career where I did not indulge, plus it seemed hard to get for a while. ..but I still seem to dip my big toe into the cosmos at least once a year.

    In terms of place and setting, early on I found myself either wanting to be in a small group and away from phones and random people or in such a large group as to be ambiguous. So it became nature, camping, backcountry or frankly dead shows. That seems to work.

    The last decade I find myself liking to be alone, mostly kayaking/hiking/biking where I won't run into some unexpected situation where somebody needs me. Concerts too when I don't have to drive or the show is long enough to fit it in. I want no responsibilities whatsoever. Oh, and headphones, music is good - almost a must. So I still explore when I can find the time and tranquility to pull it off. I can't speak for everyone, but I find it helpful for me. It gives me a chance to reformat my internal hard drive and reorganize thoughts, priorities and who I am.

    Those are my tricks.. but I have to admit the HF approach is quite appealing to me. If you notice some unexpected rando behind you on the trail, I'm the one with earphones and a tie dye (and the bad orange hair and pasty white complexion). :D

    Cosmic yawns.. so true. That cracks me up.

    There's a lot of great research on micro dosing that's come out lately. Encouraging to me.

    As to tripping with the pranksters or at an acid test, be it a good idea or not, I would do it in a heartbeat. But alas, I was born too late. That ship sailed while I was playing in the sand box out back. Babs.. I am here, once you come out of your heart injury, if you want to have one last foray into the unknown, give me a call. I'm all in.

  • PT Barnum
    Joined:
    driving with your eyes closed

    driving under the influence can be fun, and frightening. I knew a guy who wanted to drive, he said he could see so well that anything that could have collided with the vehicle he could see long before it would happen. He was a great driver and drove us all to and back many a show. We in the back seat could only jiggle as he navigated the roadways so gracefully, with a huge grin on his face (aka Neil like). The road always seemed to get away from me whenever I tried, like a ribbon that would unravel. On deserted roads, it was fun, on the freeway, not so much.
    Back in the day when I first started (69) it was the thing to try and freak each other out, aka pranksters, with double talk and echo talk and endlessly trying to get each other to lose it laughing, especially in a crowd of er...non dosed. After hearing about Leary and his way of spiritualizing psychedelics it just wasn't as much fun sitting around trying to concentrate on any one thing for very long. Pranking and laughing was way more fun.
    Not being a musician, never really wanted to hang out with bands, but I always wanted what they were smoking, drinking or taking in any other form. Would have loved to hang with Kesey and Babbs, what a trip that would have been.

  • hendrixfreak
    Joined:
    My own approach these days...

    may be (probably is) just one man's approach, possibly idiosyncratic. First off, know your materials well (potency) and decide if you want a micro-dose, a medium but significant journey or a little over the top approach. Because I'm in the backcountry alone, I need to be confident that I can get somewhere and back in a day, handle the terrain, maintain my orienteering skills, and calmly apply my behavioral knowledge if I run into a bear or cougar. (Don't surprise 'em, talk, wave arms, don't look 'em in the eye, give 'em room to avoid you, take the guard off the pepper spray, be sure you're upwind, etc.) I get moving early in the day and have an objective before dropping so as the agent (psilycibin for me) comes on, I'm in my element in terms of orienteering, body and mind synch and thus avoiding the initial, potentially debilitating awkwardness of the limbs and thoughts that comes with the cosmic yawns at "onset." And make sure I'm actively striding and finding my way as the peak comes and goes. I usually don't stop for any length of time. Occasionally I miscalculate the powder at the bottom of the bag and get a little walloped. But an 8-hour hike through spectacular terrain where I won't see humans -- this is trackless country, no trails -- typically does the trick. And there's nothing like a shot and a beer and a toke back at camp or, if camp is the truck, then a chair and guitar. Last fall I did just that across a wild plateau called East Cactus Flats, returning to my truck in a forsaken place called Disappointment Draw. I cracked a beer and started fingerpicking when I heard a strange noise. A good-sized pronghorn, traveling alone, approached to within maybe 50 feet and kept querying me -- no mistaking that querying sound. Essentially, who or what are you? What the hell is that sound you're making? And, have you seen my peeps? I've noticed that wild animals, as well as domesticated dogs, totally key in to a person who is psychedelic. The other major part of this approach is what I'd call "digestion." Take the time to fully absorb the lessons of the day and seek ways to incorporate those insights into your ordinary reality and dealings with others. Be patient and kind. (I do not always succeed; this is a work in progress after 50 years.) Too much repetition of the experience without "digestion" and, to me, it's just repeating the high without drawing the lessons. Note that I did none of this the first ten years. We'd find out the LSD's potency the hard way. Lessons might be impressed upon us without our consent(!) The chaos and human interactions could be frightening -- usually to others, but sometimes to me. (Don't try driving!!) But over the decades I kinda honed an approach that essentially comprises medicine for the soul, for me. I think the currrent surge in interest by scientists and the general public is good up to a point, as psychedelics, used constructively, can help bolster our humanity and -- perhaps -- ease difficulties. But I could not recommend them. Either they work for you or they don't. And finding out can be tricky. Sure makes me a better-adjusted person -- and now I'm echoing Paul McCartney, I believe!

    That's all the blathering for today. As you were........

  • daverock
    Joined:
    Leary or Pranksters?

    If I had to choose.... I would choose neither of them. While the pranksters now seem a bit ghastly, Leary seemed a bit over ambitious. I still have some of his books -that one which is a psychedelic version of The Tibetan Book of The Dead comes to mind. I think the idea was that you read it to someone who was tripping, as a means of helping them locate the light. I wonder if anyone ever did that. That idea of set and setting does ring true though - and I would say that advice has stayed appropriate down through the years

    Mr Ones - I still haven't got round to listening to Planet Waves. I always assumed it was a weaker one, but I read recently that it was very much a part of a trilogy, with "Blood on the Tracks" and "Desire", so I am hoping to check it out soon.

  • Crow Told Me
    Joined:
    The Very First Word is How Do Ya Do?

    My sister lives in Mill Valley, and she used to see Weir around town all the time. (Not so much lately.) She’s not a fan, so it’s no biggie for her, but I’ve sometimes thought about what I would do if I saw Bob getting coffee or something while I was visiting her. I wouldn’t want to bother him, but I think I’d have to at least say hello, right? Say ‘thanks for the music’ at least? My other sister lives in Kauai, where Kreutzman lives now, and I’m going to be visiting her in a couple weeks. Wonder what I should say if I see BK grabbing a shave ice?

    I can definitely relate to what hendrixfreak sed: shows just got too big for my liking in the ‘80s. As a rule, I’d usually much rather see a decent band in a small club than go see some superstars in a sports arena: better sound, fewer assholes, fewer cops, room to breath. Throw psychedelics into the mix and the gap gets even wider. It’s one thing to be shrooming at the Warfield with 2,000 of deadicated Heads, quite another to try to deal with 50,000 people who seem like they just got bussed in from MTV’s spring break special. Not to mention all the security.

    In principle, I always thought it was cool that the Pranksters had such a wide open, “let’s get high and freak freely” approach to tripping, as opposed to the Millbrook thing of sitting silently in a room with a candle and saying Om or whatever. That said, I’m not sure I could’ve passed the Acid Test. My best experiences, aside from Dead shows, were always out in nature: a deserted stretch of shoreline on the Lost Coast, backpacking the Sierras, etc. I think if I would've had to try to simultaneously process Babbs' babbling, Cassidy's hammer juggling, the Dead, and 500 mics worth of Koolaid my brains probably woulda dribbled out my ears.

    Last thought: how lucky are we? The StL box continues to delight. Seven shows from three different tours, all in good-to-great sound. And the last two DaPs have also been great. I mean, millions of people love Zeppelin, the Stones, the Eagles, and other bands from back in the day, but nobody (well, except the ABB I guess) has anything like the Dead's archival release thing. Blessed be us.

  • Mr. Ones
    Joined:
    Last 5

    Comus-First Utterance-Tip ‘o the hat to DAVEROCK!!
    Beatles-Get Back Rooftop Performance
    Elvis Costello-The Boy Named If
    Shuggie Otis-Inspiration Information
    Bob Dylan-Planet Waves

    It’s a crazy, mixed-up world, but Music is a consistent balm(for me at least!!).

    Dave’s 42 anyone?? It’s only about 62 days away!!

  • daverock
    Joined:
    Phil Zone

    Billy - thanks for jogging my memory - Viola Lee Blues from 4/26/69 is included on The Phil Zone too . I didn't know they interpreted What's Become of the Baby at this show either. Bit of a missed opportunity there - if that had been included, then this show, as released, would have been unique. In a way then, Dicks Picks 26 short changes 4/26/69 a bit.

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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In reply to by Colin Gould

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....I'm going with some Doors to start. Box set that came out in 1997. LA Woman y'all.
Chris Collingsworth is annoying imo. I know who he's rooting for.

....I had 10.19.72 in my hand before dipping into Ray, Jim, John and Robby. Weird.
Second half music.
Edit. Nice catch by Chase. Dayum.

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9 years 1 month

In reply to by Vguy72

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10-19-72 playing now, on Greatest Story
10-18-72 earlier today
10-30-73 last night

Love this Box.

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In reply to by icecrmcnkd

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....first set starts out with a Promised Land, Tennessee Jed and a Jack Straw. Who would complain about that trifecta? Hint. No one.
Hitting play now.
Edit. At the 2 second mark of Jed, someone squealed. Hell yeah.

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Lately I've been going back in time somewhat. Nothing wrong with that, of course.

Slumberin' on the Cumberland - John Hartford, Pat Burton & Benny Martin (1979)
When the clock strikes 12 - Slo Leak (1999)
Texas rock for country rollers - Sir Doug & the Texas Tornados (1976)
Casting pearls - Mill Valley Bunch (1972)
Live at Mexicali Blues Cafe, Teaneck, NJ April 7, 2007 - Avalon Allstars
(Ray White, Bobby Vega, Barry Sless, John Molo, Mookie Segal. Download from DigitalSoundboard.net)

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Wow, the Grateful Dead sure played some fantastic shows on Valentine's Day: 2/14/68 & 2/14/70 are as good as it gets. Happy Valentine's Day everyone.

I was curious to see which shows they played on Valentine's Day. Turns out they also played in 1969, 1986, and 1988 on the holiday. (Others? JGB, side bands?) Of course, most know about 1968 and 1970 where the shows have reached essentially mythic status but those other gigs were generally unbeknownst to me. Lovely day all :-)

-edit- I should say, besides '86. I knew about that one as I had a nice sounding tape once upon a time.

-edit 2- Enjoying DaP 21 (4-2-73) currently, which sort of has a Valentine's inspired cover art.

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10 years 1 month

In reply to by hendrixfreak

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HendrixFreak mentioned the 2007 Avalon release of the Bear’s recording of the Flying Burritos - an absolute fantastic release, with pretty well impeccable sound. A great band well ahead of it’s time. I changed my avatar to show me skulking around Chris Hillman, after a club date in town with his musical partner Herb Pedersen (a criminally under-appreciated guitarist, who did duty from the Dillards to Old And In The Gray). Nice guys, both, and great musicians, and this is a collection worthy of finding on CD. Ahead of their time, indeed.

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10 years 9 months

In reply to by That Mike

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TM, actually I was thinking after hearing the Burrito Bros dbl-disc that, while the sound is pretty darn good, it lacked a degree of clarity I typically associate with Owlsley's recordings. But everything is there -- bass, drums, guitars, pedal steel, vocals. It made me wonder whether the GD shows 4-6 April '69 are of similar quality, which certainly is good enough for me to plunk down money for them.

Hmm, guess I'll have to spin that Hot Burrito again.

HF - There is an interesting take on the April 4-6 shows by the Dead at the Avalon, on a blog called Lost Live Dead dot blogspot dot com
Not only were the Dead packing a powerful Pigpen showcase, some thought is given that Jerry heard Sneeky Pete doing his ‘thang on the pedal steel, and it reinvigorated his desire to master the instrument.
Regardless, I agree with you 100% that the three shows would make a nice neat little release!
Is there a Dr Lemieux in the house?

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4 years 7 months
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I’m sure there’s a forum page that references these but I just listened to Jerry’s contributions to the Zabriskie Point Soundtrack. I can't believe I'd missed them before. (Jerry Garcia - Love Scene and 4 Outtake Improvisations)

Wow. Powerfully simple playing. Like he was sitting right next to you. As he put it after recording, “…just me and my electric guitar and a little amplifier.”

Stunningly simple improvisational songs, slow, steady, and melodic.

These tracks won’t knock you out of your chair but they will make you want to sit still and listen to them more than once.

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The JGB played an epic show on 2/14/76, and there is a really nice soundboard that circulates.

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10 years 9 months

In reply to by That Mike

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TM, I actually wondered about that pedal steel (possible) connection.

Did you mention PIGPEN??? In fact, that is what I noted from the 4-6 April setlists: plenty of my favorite GREASE.

Also note that the Burrito Bros. played Hank Williams' "You Win Again" and I think maybe that's where Jer picked that song up... I think in the early days, Jer is said to have always gotten to the gigs early.

That Byrds >> Burritos sound may well have inspired the Jer transition to the WD-type country, in contrast to Bobby's cowboy songs, per se.

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11 years 10 months

In reply to by icecrmcnkd

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PF's stage show by '94 was way way over choreographed...little room for improvisation...at a complete show dress rehearsal they did at an empty hangar at the closed Norton Air Force base in San Berdoo I found a sheet of paper on the ground that was a list of instructions to one of the spot light operators....it was completely written out...red beams at 5:43 of so and so song, green and blue at 7:31 etc...blew me away...I was working the weekend for a caterer I knew...the first night was a very VIP invited crowd....the second night, no crowd just us working folk and we were treated to a complete show as the night before...in addition to the stage sound system they had their remote stacks out on the tarmac in front of the hangar...mas cool

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In reply to by hendrixfreak

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HF - The more I see those set lists for that 3 night stand at the Avalon, the more I would love to see it’s official release. A seldom-played song was Jerry drumming up the pathos with a world weary voice on (I Know) It’s A Sin. Just great stuff! What shows to see, too: prime Burritos as an appetizer, and really greasy Pigpen for the entree!
All for probably $5 at the door, which barely buys you a beer now!

Fun fact: Something in the musical air in April, 1969. Less than two weeks later, at Winterland, Bill Graham had the “coming out” party for The Band!

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In reply to by That Mike

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....I'm boring lol.
Hi Mike! 👋
Figured I'd jump on the showing my face trend. I've done it before, but not with my valentine. 💘 She keeps me on an even keel. Say hi to my dead.net friends Cheryl! 👋
She says Hello and loves you peeps too.
Could be worse influences she says. Ha.
Edit. Is there something in my teeth?
Nope. That was my phone screen. Disregard.
adedhed68 has a tabby cat. The best cats. Followed closely by black cats.
Second edit. Tons of bands announcing tours. Grate newz!!!

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12 years 1 month
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Once again this site has cost me money. All this talk about the Flying Burritos and the Stanley recording, made me check. And, no, I didn't have it.

Luckly, I found a copy on Discogs for 5 bucks,,,, what the hell!

U's guys and talk about shit I don't have....... keepin' up with the jones' is killing me, they ought to hang the man that said the best thing in life are for free!

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Got my "shipped" notice about Joni Archive 2. It's mail innovations, should be here by Easter!

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9 years 1 month

In reply to by Dennis

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If you don’t have Bear’s Sonic Journals #1, Janis and Big Brother 6-23-68, I highly suggest it.
Bust out the wife’s credit card.

Weird that it isn’t listed on the OSF web page, and yet is the first release in the series.
There’s info about it on Wikipedia.

No sign here. UPS hasn’t updated since 7th Feb. USPS say they are aware of the alternative tracking number but don’t have it. This tracking number ends in FR so is presumably heading to France. Poste France doesn’t have tracking info and Royal Mail say that the number isn’t traceable. I’m still not worried. I’ll start panicking in a week or so.
Looking at Amazon UK I notice the Janis/Big Brother cd is on offer for c. £135 so I think I’ll give it a miss.

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10 years 1 month

In reply to by Dennis

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Dennis - Believe me, the best $5 you will ever spend. There is not enough Gram music out there, and it’s an Owsley! HendrixFreak & I are quietly proud right now…

VGuy72 - Great pic of you and the Mrs!

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10 years 2 months
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A little off subject and likely should be in the What's in Your Fridge thread:
Another Covid related crisis in Colorado. Ball can co. has shut out small brewers by raising their minimum order to a million cans per SKU (5 times higher) and not offering storage any more. One brewer said it would take his price from $10 per 6 pack to $13 as he had to buy cans from Nebraska and now pay to store the waiting cans. Ball blames metal prices and a shortage of warehouse space. What's next, sliced bread? Lord, give us this day our daily beer please.
Cheers, or maybe pound 'em if ya got 'em.

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17 years 6 months
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Here in the Netherlands I have not yet received my copy of Dave's 41 and I'm not expecting it any time soon.

It has been shipped with Mail Innovations.

Normally it is given to UPS who then pass it on to USPS who use the alternative tracking number, a US tracking number with the format XX123456789US. USPS then ship it to Europe where the national postal service take it and deliver it.

This time, for the first time, it is different. The alternative tracking number has the format XX123456789CH which is a tracking number for Swiss Post. USPS recognizes the tracking number but have said that the label has been created but the package is not yet in their system. According to UPS the package departed the international carrier facility on February 9. Swiss Post tracking shows that it left LAX on February 9. From this you can see why I'm not expecting it in the Netherlands any time soon.

I suspect that Colin Gould is experiencing a similar situation but his copy is going to the UK via France.

Whatever is going on, it seems that there is a problem getting European packages across the pond.

She could change her mind.

Just like I just did -- listened again to the live Flying Burrito Bros' Owsley tape last night and, indeed, That Mike is correct. It is a top- notch recording, especially for an early '69 field recording at the Avalon. Dennis you got a great deal for $5. I paid $20 with shipping and am very glad I did.

I can confirm that that '68 Janis tape by Owsley is phenomenal!

And yes, Dennis, it is very costly to read this forum. I don't need to keep up with anyone, but my musical curiosity knows few boundaries and thus my wallet is frequently getting plundered.

My DaP #40 came via Switzerland, but that was very fast. I’ve got the latest 5 releases from the Another Timbre label to play so that should keep me occupied.

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9 years 1 month

In reply to by Colin Gould

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Available on CD at Amazon for not super outrageous, but still pretty high.
But it’s also available on their streaming.

Also saw GD 3-1-69 vinyl there for $75.22, which is only $0.22 more than I paid at a local brick and mortar on release day.

Happy Will I contacted USPS yesterday and they are unable to provide me with any information as they state that is a low cost postage option that has been used, they have no idea where any of the international orders are.
They did provide this UK telephone number to contact UPS on 44 207 9490190, I am not going to worry about it for at least another week, hopefully it will have left the USA by then at least.

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17 years 6 months
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I ordered 3 subscription copies - one for myself, one for a friend and one as a spare since 0ne of my DaP40s went missing and I didn’t want to miss out again. The two copies I ordered in one go came last week in a signed for package. The spare (which I intend to give away to a friend rather than sell on eBay) I ordered separately has not arrived.

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15 years 2 months

In reply to by frankparry

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DaP #41 has just dropped through my letterbox.
It’s done better than two items sent to my wife by a friend in Indiana. They were sent in early December and have never arrived.
Not as well as an item from Australia that arrived in 10 days and was traceable the whole way with a comparable postage charge.
Going out shortly but will give it a listen soon.

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16 years 10 months
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Mine came through letterbox in Southern UK today.
Came via France - no doubt slowed down by Brexit!!!

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Member for

14 years
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Why, when I import my Dave's Picks into i-tunes or my HDD I can never get three "album" titles that are the same. Always need post import editing. Who is out there taking the p*** 😂😎

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14 years
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Why did it t sell out so quickly? a scam? I was caught napping and am pissed at myself and at the scalpers on eBay.

Shame about missing out DaP 1 in vinyl. I knew they'd go fast since the cd version is up to like 600 bucks!!!!

I laugh when I see the vinyl on ebay claiming "in stock"!!! Not even out yet. Price is crazy.

But have you seen the prices on complete Dave's and Dick's picks? 4k!!

But I did get 2 copies of 3/1/69 vinyl,,,, screwed up in ordering, figure I sit on it for a while and see what happens.

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10 years 1 month
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RIP PJ, and thanks for your gentle good humour, and a nod to the old National Lampoon, for being an often laugh-out-loud read!

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3 years 1 month
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40 years ago today , I was at the Warfield Theatre for another great night with the Good Ole Grateful Dead. The Dead played a great show, a great way to kick off 1982. It turned out to be a great year for Dead shows, with shows at the Greek, Frost,( 10/9 & 10/82 my favorite shows of the year), Ventura( always a blast), Veneta, Oregon, and a year end blow out at the Oakland Auditorium in December. Crazy fun times.

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15 years 2 months
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I see the RSD list is out. 5LP set of Wembley Empire Pool 4/8/72 by GD for those who are interested.

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15 years 3 months
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Not sure if it's been mentioned here, next RSD releases will include 4/8/1972(yes, Thee Grateful Dead...) on 5 LPs.
(never mind...just saw Colin's post...)

Last 5:

Ruby & the Romantics: Greatest Hits
Royalettes: Gonna Take a Miracle
Celtic Frost: Into the Pandemonium
Slayer: South of Heaven
Brenda Lee: By Request

Did you get charged the same fees as before, or did going through Switzerland and France first not result in fees?

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16 years 10 months

In reply to by icecrmcnkd

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No charge for Dave's 41
However still battling with UPS to get refund for St Louis box set.
Latest update - must wait 30 days after providing full bank details
To anyone else not had refund you have to keep hassling them
I'll let you know when i finally get money

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17 years 5 months
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5466 just arrived in Scotland. Came via France with no charges. Happy daze. Need to save my pennies now for the RSD Dead & Jerry vinyl releases.

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12 years 1 month
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Received my copy on Tuesday, additional tax EUR 4,18 and handling fee EUR 6,00.

Last five:
Blues Project - Blues Project LP
Gov't Mule - Red Rocks 09/14/18 4-CD
Neil Young - Barn LP
Pearl Jam - New York 3/16/92 2-CD
Rolling Stones - Cuba 3/25/16 2-CD

product sku
081227881610
Product Magento URL
https://store.dead.net/dave-s-picks-vol-41.html