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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • proudfoot
    Joined:
    Trivia

    "yours truly on public saxophone"

    Who said that, and where were they?

    Answer correctly and win a smile

  • Crow Told Me
    Joined:
    That was Rich

    Wow, great story, Rich! Really nicely written. I could almost smell the back seat burning.

    Pretty sure I was at 7.13.84 along with Proudfoot. We used to call those early summer shows at the Greek the High Holy Days. I still wonder why there has never been a Greek box. Tape quality issues, maybe? I sure remember those shows fondly.

    I think maybe that particular show was the one where we decided to get a room at this motel on University Ave maybe a mile from the Greek. Which was convenient cos we were none of us in especially good shape for driving after the show. We had like six of us staying in a one bed motel room. We couldn't really sleep, for various reasons, but fortunately a party started up in the parking lot. The whole hotel was filled with Heads, evidently, because some guy started playing tapes out of his van, that night, but instead of complaining everybody just started hanging out in the parking lot, passing around beers and whatnot. I still remember this one couple, they might've been the owners/managers, they were older, the guy was wearing turban, and they were watching us all with wide eyed amazement, wondering who the hell were these crazy people and what was that music?

  • nitecat
    Joined:
    Third Listen - Dave's 40

    Ok I gave this Dave's release a third listen over the last few days. I really like it. I think Spring 90 was more together and energized, but Summer 90 is pretty damn good. I'm finding I like the second day, 7/19 a little better. It has a Foolish Heart, one of my favs, and some really great guitar work by Jerry throughout. The jam after Playin is really cool, as is the jam out of Uncle John's. I found myself playing those jams a few extra times, they were so good. Jerry sings with passion on all the ballads, even if his voice isn't as sweet as it used to be. The crowd singing the NFA chant at the end gave me shivers, and reminded me how much I loved to see the band with a crowd of deadheads. With such excellent playing, I even look forward to hearing the US Blues encore when we get it in a couple weeks. No shipping notice for me yet.

  • PT Barnum
    Joined:
    gr8 story Rich

    had an olds delta 98 that was as big as that biscayne, that back seat was literally a couch on wheels.

  • proudfoot
    Joined:
    And now

    I think I heard Airto on 4 22 79

    Probably cant be released

    Hot show. Ignore the sfb review in the compendium.

  • proudfoot
    Joined:
    The Great Trek To The Greek

    1984
    Drove from LA to Bay Area on 7 13 84

    Mike's 69 Ford LTD

    big ol' thang

    AC didnt work

    But it got us there and back

  • icecrmcnkd
    Joined:
    Good story Rich

    Detroit Land Yachts.

    I’m not familiar with the Biscayne but in the mid-80’s my friend had a 67 or 68 Oldsmobile Luxury Sedan that could easily fit 8 teenagers comfortably.

  • Vguy72
    Joined:
    Awesome story Rich....

    ....slow burn lol.

  • Rich McManus
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    Joined:
    Remembering Baltimore '77

    Burnin' the Seats of the Biscayne
    or
    Leavin' Town a Quart Fuller
    by Rich McManus

    The trip to Baltimore from the District of Columbia is virtually a straight run up the neck of a guitar--almost as invariant as a string. You get on I-95, point the car north and let about 30 minutes go by.

    My brother Tom was the wheelman for the ride up to catch the Dead at Baltimore Civic Center. He was then in his first year of law school and, with proceeds earned from pumping gas, had bought a 1962 Chevy Biscayne, which is basically a living room on tires.

    The bench seats, front and back, were full of guys. There was a cassette player, but it was one of those $89 models plugged into the cigarette lighter, with speaker wires trailing into the rear of the car where they attached to tinny speakers free to wander the car's rear deck as the vehicle pitched and rolled up the highway. At several points, the speaker wire was spliced by hand; once in awhile someone had to reconnect errant strands.

    The tape for the ride up had to be one I had just scored in Chapel Hill, where a kid named Ivan Spector had allowed me to dub cassettes from his reels. He had permitted me to copy an April 1977 WNEW radio performance including a song I had called "Inspiration," and another I labeled "California."

    So we had recent Dead to enjoy as we rolled up 95 on May 26, 1977. Somewhere along the way, a pipe was filled and passed across the expanses of the Biscayne interior. Hand to hand, to mouth, and front to back, crossways, frontways and oops, it fell into the crease in the back seat.

    "A prophet on the burning shore..." Ten minutes after the pipe had made its rounds, reports of the scent of smoke reached the driver. Some in the back seat complained of warm bottoms. But there was no smoke or visible flame, just a persistent odor of burning leaves.

    Tom pulled the Biscayne into a gravel lot near the Civic Center and we all hopped out, more curious now about the source of the smell than about the impending concert. We pulled the rear bench out, flipped it upside down and discovered an ever-expanding black circle in the straw matting that formed the interior of the seat: the thing was on fire, albeit a slow burn. The only thing with which to douse the sleepy blaze was cold beer. It seemed a shame to spend beer on the little fire, but that's what we did, then reloaded the bench in the car.

    On the walk up the ramps inside the Civic Center, I wondered if such a secret fire would outwit our attempts to extinguish it. Would there be just ashes when the show was through?

    We were in the balcony, on the left side as you faced the stage. Jerry was on the far side. All I really remember from that night is Bobby chastising the crowd for arriving late to the show, and Jerry grinning broadly as he rocked back and forth playing, the music rising out of him and his bandmates. They seemed like happy spectators at a circus they had called forth.

    The pipe came with us on the trip inside. There was a girl sitting by herself in the row in front of us. The custom in those days was to pass what you had around. I leaned over to interrupt her concentration on the show, but she declined. She couldn't take her eyes off the stage.

    Walking out after the show, I was convinced I'd just seen the best Dead show of my life. Which is exactly what I thought after leaving perhaps a dozen previous shows. "How can they play any better than that?" we wondered, worn out, giddy.

    "Roll on up, gonna roll back down." One of the guys in our group, Dan, was from Baltimore. He knew of a corner bar nearby where the bartender would fill any container you had with beer, call a price, and you could walk out the door.

    From somewhere within the acreage that is the trunk of the Biscayne, Tom produced an empty glass Tropicana jar. He disappeared into the corner bar, which on that May night was wide open, not even a screen on it, and emerged moments later with a frothing jug that the barman guessed was worth around $2.50.

    "Took a whole pail of water..." The seats were mercifully cool as we whisked down 95, passing the glass from mouth to mouth. The dirty little six-banger under the hood was purring that night, past exits and overpasses and open spaces that are no longer there. It would be almost 20 years before we learned that people taped the show that evening, and would share that show (thanks Rick Wurster and Tom Melvin!) with whomever showed an interest.

    Back then, it was as likely as your pants suddenly bursting into flames that the world's greatest rock and roll band would roll all over the world for 30 years, amaze everyone, and preserve performances--for that broad bench seat that is the future--that burn, unextinguishable, like a secret fire.

  • 1stshow70878
    Joined:
    Blues Interpreters

    Not my favorite interpreter but a Muddy & Wolf Joe Bonamassa at Red Rocks show is on PBS next Saturday. Probably an old one recycled for begging. I find him difficult to watch but there's no denying the skill of the once child prodigy. Virtually all the true blues legends have said speed doesn't equal soul, starting with the "British invasion" blues interpreters. But influencers they are and thankfully many of us did trace back the true roots eventually. Give me a Stevie Ray any day.
    Cheers

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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17 years 5 months

In reply to by Colin Gould

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....I'm going with some Doors to start. Box set that came out in 1997. LA Woman y'all.
Chris Collingsworth is annoying imo. I know who he's rooting for.

....I had 10.19.72 in my hand before dipping into Ray, Jim, John and Robby. Weird.
Second half music.
Edit. Nice catch by Chase. Dayum.

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9 years 1 month

In reply to by Vguy72

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10-19-72 playing now, on Greatest Story
10-18-72 earlier today
10-30-73 last night

Love this Box.

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17 years 5 months

In reply to by icecrmcnkd

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....first set starts out with a Promised Land, Tennessee Jed and a Jack Straw. Who would complain about that trifecta? Hint. No one.
Hitting play now.
Edit. At the 2 second mark of Jed, someone squealed. Hell yeah.

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Lately I've been going back in time somewhat. Nothing wrong with that, of course.

Slumberin' on the Cumberland - John Hartford, Pat Burton & Benny Martin (1979)
When the clock strikes 12 - Slo Leak (1999)
Texas rock for country rollers - Sir Doug & the Texas Tornados (1976)
Casting pearls - Mill Valley Bunch (1972)
Live at Mexicali Blues Cafe, Teaneck, NJ April 7, 2007 - Avalon Allstars
(Ray White, Bobby Vega, Barry Sless, John Molo, Mookie Segal. Download from DigitalSoundboard.net)

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Wow, the Grateful Dead sure played some fantastic shows on Valentine's Day: 2/14/68 & 2/14/70 are as good as it gets. Happy Valentine's Day everyone.

I was curious to see which shows they played on Valentine's Day. Turns out they also played in 1969, 1986, and 1988 on the holiday. (Others? JGB, side bands?) Of course, most know about 1968 and 1970 where the shows have reached essentially mythic status but those other gigs were generally unbeknownst to me. Lovely day all :-)

-edit- I should say, besides '86. I knew about that one as I had a nice sounding tape once upon a time.

-edit 2- Enjoying DaP 21 (4-2-73) currently, which sort of has a Valentine's inspired cover art.

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10 years

In reply to by hendrixfreak

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HendrixFreak mentioned the 2007 Avalon release of the Bear’s recording of the Flying Burritos - an absolute fantastic release, with pretty well impeccable sound. A great band well ahead of it’s time. I changed my avatar to show me skulking around Chris Hillman, after a club date in town with his musical partner Herb Pedersen (a criminally under-appreciated guitarist, who did duty from the Dillards to Old And In The Gray). Nice guys, both, and great musicians, and this is a collection worthy of finding on CD. Ahead of their time, indeed.

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10 years 9 months

In reply to by That Mike

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TM, actually I was thinking after hearing the Burrito Bros dbl-disc that, while the sound is pretty darn good, it lacked a degree of clarity I typically associate with Owlsley's recordings. But everything is there -- bass, drums, guitars, pedal steel, vocals. It made me wonder whether the GD shows 4-6 April '69 are of similar quality, which certainly is good enough for me to plunk down money for them.

Hmm, guess I'll have to spin that Hot Burrito again.

HF - There is an interesting take on the April 4-6 shows by the Dead at the Avalon, on a blog called Lost Live Dead dot blogspot dot com
Not only were the Dead packing a powerful Pigpen showcase, some thought is given that Jerry heard Sneeky Pete doing his ‘thang on the pedal steel, and it reinvigorated his desire to master the instrument.
Regardless, I agree with you 100% that the three shows would make a nice neat little release!
Is there a Dr Lemieux in the house?

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4 years 7 months
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I’m sure there’s a forum page that references these but I just listened to Jerry’s contributions to the Zabriskie Point Soundtrack. I can't believe I'd missed them before. (Jerry Garcia - Love Scene and 4 Outtake Improvisations)

Wow. Powerfully simple playing. Like he was sitting right next to you. As he put it after recording, “…just me and my electric guitar and a little amplifier.”

Stunningly simple improvisational songs, slow, steady, and melodic.

These tracks won’t knock you out of your chair but they will make you want to sit still and listen to them more than once.

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17 years 3 months
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The JGB played an epic show on 2/14/76, and there is a really nice soundboard that circulates.

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10 years 9 months

In reply to by That Mike

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TM, I actually wondered about that pedal steel (possible) connection.

Did you mention PIGPEN??? In fact, that is what I noted from the 4-6 April setlists: plenty of my favorite GREASE.

Also note that the Burrito Bros. played Hank Williams' "You Win Again" and I think maybe that's where Jer picked that song up... I think in the early days, Jer is said to have always gotten to the gigs early.

That Byrds >> Burritos sound may well have inspired the Jer transition to the WD-type country, in contrast to Bobby's cowboy songs, per se.

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11 years 10 months

In reply to by icecrmcnkd

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PF's stage show by '94 was way way over choreographed...little room for improvisation...at a complete show dress rehearsal they did at an empty hangar at the closed Norton Air Force base in San Berdoo I found a sheet of paper on the ground that was a list of instructions to one of the spot light operators....it was completely written out...red beams at 5:43 of so and so song, green and blue at 7:31 etc...blew me away...I was working the weekend for a caterer I knew...the first night was a very VIP invited crowd....the second night, no crowd just us working folk and we were treated to a complete show as the night before...in addition to the stage sound system they had their remote stacks out on the tarmac in front of the hangar...mas cool

HF - The more I see those set lists for that 3 night stand at the Avalon, the more I would love to see it’s official release. A seldom-played song was Jerry drumming up the pathos with a world weary voice on (I Know) It’s A Sin. Just great stuff! What shows to see, too: prime Burritos as an appetizer, and really greasy Pigpen for the entree!
All for probably $5 at the door, which barely buys you a beer now!

Fun fact: Something in the musical air in April, 1969. Less than two weeks later, at Winterland, Bill Graham had the “coming out” party for The Band!

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17 years 5 months

In reply to by That Mike

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....I'm boring lol.
Hi Mike! 👋
Figured I'd jump on the showing my face trend. I've done it before, but not with my valentine. 💘 She keeps me on an even keel. Say hi to my dead.net friends Cheryl! 👋
She says Hello and loves you peeps too.
Could be worse influences she says. Ha.
Edit. Is there something in my teeth?
Nope. That was my phone screen. Disregard.
adedhed68 has a tabby cat. The best cats. Followed closely by black cats.
Second edit. Tons of bands announcing tours. Grate newz!!!

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12 years
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Once again this site has cost me money. All this talk about the Flying Burritos and the Stanley recording, made me check. And, no, I didn't have it.

Luckly, I found a copy on Discogs for 5 bucks,,,, what the hell!

U's guys and talk about shit I don't have....... keepin' up with the jones' is killing me, they ought to hang the man that said the best thing in life are for free!

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Got my "shipped" notice about Joni Archive 2. It's mail innovations, should be here by Easter!

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9 years 1 month

In reply to by Dennis

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If you don’t have Bear’s Sonic Journals #1, Janis and Big Brother 6-23-68, I highly suggest it.
Bust out the wife’s credit card.

Weird that it isn’t listed on the OSF web page, and yet is the first release in the series.
There’s info about it on Wikipedia.

No sign here. UPS hasn’t updated since 7th Feb. USPS say they are aware of the alternative tracking number but don’t have it. This tracking number ends in FR so is presumably heading to France. Poste France doesn’t have tracking info and Royal Mail say that the number isn’t traceable. I’m still not worried. I’ll start panicking in a week or so.
Looking at Amazon UK I notice the Janis/Big Brother cd is on offer for c. £135 so I think I’ll give it a miss.

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10 years

In reply to by Dennis

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Dennis - Believe me, the best $5 you will ever spend. There is not enough Gram music out there, and it’s an Owsley! HendrixFreak & I are quietly proud right now…

VGuy72 - Great pic of you and the Mrs!

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10 years 2 months
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A little off subject and likely should be in the What's in Your Fridge thread:
Another Covid related crisis in Colorado. Ball can co. has shut out small brewers by raising their minimum order to a million cans per SKU (5 times higher) and not offering storage any more. One brewer said it would take his price from $10 per 6 pack to $13 as he had to buy cans from Nebraska and now pay to store the waiting cans. Ball blames metal prices and a shortage of warehouse space. What's next, sliced bread? Lord, give us this day our daily beer please.
Cheers, or maybe pound 'em if ya got 'em.

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17 years 5 months
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Here in the Netherlands I have not yet received my copy of Dave's 41 and I'm not expecting it any time soon.

It has been shipped with Mail Innovations.

Normally it is given to UPS who then pass it on to USPS who use the alternative tracking number, a US tracking number with the format XX123456789US. USPS then ship it to Europe where the national postal service take it and deliver it.

This time, for the first time, it is different. The alternative tracking number has the format XX123456789CH which is a tracking number for Swiss Post. USPS recognizes the tracking number but have said that the label has been created but the package is not yet in their system. According to UPS the package departed the international carrier facility on February 9. Swiss Post tracking shows that it left LAX on February 9. From this you can see why I'm not expecting it in the Netherlands any time soon.

I suspect that Colin Gould is experiencing a similar situation but his copy is going to the UK via France.

Whatever is going on, it seems that there is a problem getting European packages across the pond.

She could change her mind.

Just like I just did -- listened again to the live Flying Burrito Bros' Owsley tape last night and, indeed, That Mike is correct. It is a top- notch recording, especially for an early '69 field recording at the Avalon. Dennis you got a great deal for $5. I paid $20 with shipping and am very glad I did.

I can confirm that that '68 Janis tape by Owsley is phenomenal!

And yes, Dennis, it is very costly to read this forum. I don't need to keep up with anyone, but my musical curiosity knows few boundaries and thus my wallet is frequently getting plundered.

My DaP #40 came via Switzerland, but that was very fast. I’ve got the latest 5 releases from the Another Timbre label to play so that should keep me occupied.

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9 years 1 month

In reply to by Colin Gould

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Available on CD at Amazon for not super outrageous, but still pretty high.
But it’s also available on their streaming.

Also saw GD 3-1-69 vinyl there for $75.22, which is only $0.22 more than I paid at a local brick and mortar on release day.

Happy Will I contacted USPS yesterday and they are unable to provide me with any information as they state that is a low cost postage option that has been used, they have no idea where any of the international orders are.
They did provide this UK telephone number to contact UPS on 44 207 9490190, I am not going to worry about it for at least another week, hopefully it will have left the USA by then at least.

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17 years 5 months
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I ordered 3 subscription copies - one for myself, one for a friend and one as a spare since 0ne of my DaP40s went missing and I didn’t want to miss out again. The two copies I ordered in one go came last week in a signed for package. The spare (which I intend to give away to a friend rather than sell on eBay) I ordered separately has not arrived.

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15 years 2 months

In reply to by frankparry

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DaP #41 has just dropped through my letterbox.
It’s done better than two items sent to my wife by a friend in Indiana. They were sent in early December and have never arrived.
Not as well as an item from Australia that arrived in 10 days and was traceable the whole way with a comparable postage charge.
Going out shortly but will give it a listen soon.

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16 years 9 months
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Mine came through letterbox in Southern UK today.
Came via France - no doubt slowed down by Brexit!!!

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14 years
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Why, when I import my Dave's Picks into i-tunes or my HDD I can never get three "album" titles that are the same. Always need post import editing. Who is out there taking the p*** 😂😎

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Why did it t sell out so quickly? a scam? I was caught napping and am pissed at myself and at the scalpers on eBay.

Shame about missing out DaP 1 in vinyl. I knew they'd go fast since the cd version is up to like 600 bucks!!!!

I laugh when I see the vinyl on ebay claiming "in stock"!!! Not even out yet. Price is crazy.

But have you seen the prices on complete Dave's and Dick's picks? 4k!!

But I did get 2 copies of 3/1/69 vinyl,,,, screwed up in ordering, figure I sit on it for a while and see what happens.

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10 years
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RIP PJ, and thanks for your gentle good humour, and a nod to the old National Lampoon, for being an often laugh-out-loud read!

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40 years ago today , I was at the Warfield Theatre for another great night with the Good Ole Grateful Dead. The Dead played a great show, a great way to kick off 1982. It turned out to be a great year for Dead shows, with shows at the Greek, Frost,( 10/9 & 10/82 my favorite shows of the year), Ventura( always a blast), Veneta, Oregon, and a year end blow out at the Oakland Auditorium in December. Crazy fun times.

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15 years 2 months
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I see the RSD list is out. 5LP set of Wembley Empire Pool 4/8/72 by GD for those who are interested.

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15 years 2 months
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Not sure if it's been mentioned here, next RSD releases will include 4/8/1972(yes, Thee Grateful Dead...) on 5 LPs.
(never mind...just saw Colin's post...)

Last 5:

Ruby & the Romantics: Greatest Hits
Royalettes: Gonna Take a Miracle
Celtic Frost: Into the Pandemonium
Slayer: South of Heaven
Brenda Lee: By Request

Did you get charged the same fees as before, or did going through Switzerland and France first not result in fees?

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16 years 9 months

In reply to by icecrmcnkd

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No charge for Dave's 41
However still battling with UPS to get refund for St Louis box set.
Latest update - must wait 30 days after providing full bank details
To anyone else not had refund you have to keep hassling them
I'll let you know when i finally get money

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17 years 4 months
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5466 just arrived in Scotland. Came via France with no charges. Happy daze. Need to save my pennies now for the RSD Dead & Jerry vinyl releases.

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Received my copy on Tuesday, additional tax EUR 4,18 and handling fee EUR 6,00.

Last five:
Blues Project - Blues Project LP
Gov't Mule - Red Rocks 09/14/18 4-CD
Neil Young - Barn LP
Pearl Jam - New York 3/16/92 2-CD
Rolling Stones - Cuba 3/25/16 2-CD

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