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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • Dennis
    Joined:
    Musical History

    I don’t remember not listening to music. Mom was the music person I guess in our family. She owned records, she sang in the house and every morning the local AM station would be playing the top 40. Top 40 back then 60-62 ish would be a real mix of music. You would go from Johnny Horton to The Platters to Frank Sinatra to Peter, Paul and Mary. Radio didn’t/wasn’t so pigeon-holed then. Though when I moved to Texas a few years back I was surprised at the number of top 40 (regional?) songs I never heard and never made the playlist in the NYC market.
    We were young when Mom got us record players for Christmas, I was maybe 7. For the youth, record players were wood boxes that you took the lid off and there be a turntable, the front had a 4 inch speakers, driven by maybe 1.6 watts that when turned to 11 you could hear in your bedroom!
    My first records were “kids” records, they were the size of a 45, but had only a small hole in the middle and you played them at 78. The only one I remember was Hi-Diddle-Dee-Dee from Pinocchio. All of these bit the dust when me and my brother threw them like Frisbees. Mom started getting up kid lps. Great songs, like on Top of Spaghetti and The Cat Came Back.
    Mom had old 78’s that I listened the shit of out until I was maybe 11. Had a good Al Jolson collection and a slew of pop hits from her day. Songs like The Coffee Song by Sinatra. Silver Threads Among the Gold (Crosby), Red Silk Stocking and Green Perfume (can’t remember), The Woody Woodpecker Song. It was a golden age!!! Records spinning away at 78 RPM with the constant hiss,,,,,, ahhh.
    When I turned 13 I got a REAL stereo for Christmas. TWO SEPARATE SPEAKERS!!! First two albums Mom gave were both live! Johnny Cash San Quintin and Ray Stevens Guitarzan – LIVE! First I bought Andy Williams greatest hits. I continued to buy, I like “greatest hits” albums because I generally knew most of the songs. Like Dylans greatest hits 1, the Peter, Paul and Mary one. I know I was a boring boy!
    First show, maybe the first live show was in 8th grade, the school took us to the local amphitheater and we saw the New Seekers (I like to teach the world to sing). First show I paid for was Andy Williams at the same venue.
    I was big into disco in the late 70’s, listened to the local “black” station out of NYC. WBLS (stereo in black),,,, night show hosted by Frankie Crocker. Opened his show with King Pleasure’s, Moody’s Mood for Love,,,, great cut!!!
    In 78 met my wife and we moved in together. She was a deadhead and more of a rock person. Learned a ton of new music from her.
    Now all these years later I have a collection that boost over 7,000 artist covering over 750,000 songs. All stuff I listen to, no. I really, really, really don’t like metal or punk. We won’t even talk about German metal! (my kid listened to that shit) ( I’m sorry was that judgemental?). I’m more like a Libarian,, I read all the books, but I keep them in order and make sure they’re complete and labled correctly. (I think that’s enough .) I have all my records (except for the yellow 78’s), I have all of Mom’s 78 (about 600 of them), I have about 20 feet of lps, about 16 banker boxes of cd’s. And yet my wife doesn’t believe the limited edition vinyl is a GREAT investment for our retirement! Oh what fools these mortals be.

    Sorry about the length, sorry if I’ve I covered this before, thanks Oro for the first show shout out, don’t know how you could remember what show I”VE been too  I have no real memories of first show,,,, it was all way to new to me.

    Extra sidebar,,, caught a tube vid of Billy and the Kids in Hawaii at Bill’s house. WOW, what a house, huh!!! Hard to believe any of the other guys have digs that nice!!!!

  • KeithFan2112
    Joined:
    Vinyl LP Pricing

    I have about 150, maybe more, that I picked up as a kid from age 5 - 15. Bought a few recently and they all seem to produced on the 180 Gram vinyl, which is much heavier and sturdier than the flimsy stuff we used to get. That's a plus. The pricing seems comparable when inflation is considered. The inflation calculator I looked at places 1 dollar in 1980 at $3.44 today. The last LP I bought back then was Rush - Hold Your Fire. It has a $7.99 sticker on it. So the 5 LP Dave's Picks Vol. 1 that I pre-ordered would have cost $27.52 for each LP, for a total of $137.60. Dead.net only sold it for $99, so I suppose we're doing alright if the inflation calculator is correct.

  • daverock
    Joined:
    Genesis 1973 - Days of the Underground

    The show I saw was the one that was recorded and released on a live album the following year. It had a dramatic start- Watcher of the Skies intro, and all you could see on the stage were Peter Gabriel's eyes, illuminated by florescent paint. Everything else was black. I remember thinking the gig had an Alice in Wonderland quality to it. It was a bit like the David Bowie show in a way- everyone sat rivetted watching the stage. It was my friends who really liked them - I tended more towards heavy rock, where everybody went nuts. Black Sabbath and Hawkwind were the ones for me. It was good - but not quite to my taste as much as the other bands I saw. I never saw Genesis again - although I carried on seeing Hawkwind up to 2019. God help me.

    Simonrob - I got a very strong sense in the early - mid 70's that I had arrived just as the party was ending. Which proved to be the case, unfortunately. Most of the bands I liked had released their best records by 1973. In fact, I think they all had.
    Although I really liked the punk records and gigs from summer 1976-1977, I really didn't like the emerging punk culture - everybody walking around with cropped hair, spitting at bands, looking for a fight with anyone who didn't conform to the new dictat. Bands that copied The Ramones - all a bit rubbish by the end of 1977.
    What I really liked - although I didn't recognise it at the time - was rock n' roll. It was there, hidden in plain site in the music of both the heavy rock bands of the early 70s and the punk ones from 1976-77.

  • Nick1234
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    Quiet music

    Anyone got any suggestions for quiet early morning music? Gorecki's 3rd, Labradford- Fixed Content, Mark Hollis -ST, Larmousse, that sort of thing. Stuff that won't wake anyone else up 🙂. I'm one of those appalling larks, up at 4.30, I love the early day.

    Thanks.

  • Nick1234
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    The first band I ever saw…

    The first band I ever saw were Genesis at our local venue for 2nd string artists in autumn/fall ( take your pick 😀) 1972. I remember that I didn't much care for the music, still don't, and that the singer dressd up. I was 13 and these were warm up gigs for the next night at the Lyceum I believe, about 40 miles west of here. Alice Cooper, Bowie, Roxy Music, Stones, Zeppelin etc were much more my thing then. I met a friend in 1974 (he sold me my first acid on my 15th birthday) who turned me on to the Dead and I reciprocated by getting him into my stuff. Europe 72 was my first Dead album.

  • simonrob
    Joined:
    So long ago.

    The first song that made a big impression on me was "Apache" by The Shadows in 1960 when I was 7. After that it was the Beatles in 1962. I guess things really got serious around 1969 when the San Francisco sound became readily accessible in record shops and on the radio thanks to Radio Luxemburg (208m medium wave). BBC radio got in on the act with the John Peel show. Unfortunately by the mid 70s it was as good as finished with few new bands of any note coming to the fore. Disco, punk, new romantics etc. were never interesting to me and my circle of friends and British progressive music became so self-indulgent as to be virtually unlistenable. Of course there were still points of light in the darkness but the golden age of music had sadly passed into history.

    PS: First time I saw Genesis was at the Reading Festival in 1972.

  • KeithFan2112
    Joined:
    Davestrang

    You saw Genesis in '73? I was 9 when Abacab came out, and then came the Phil Collins tidal wave. I only ever heard two songs on FM radio from Gabriel Genesis in those days: Watcher of the Skies and Lamb Lies Down. In my early 20s I began buying up the Genesis back catalogue, as an extention of my taste for prog rock. I thought Supper's Ready was magnificent, and still play it regularly.

    I've seen a lot of youtube footage from '71 - '73. There's a great show from the Rainbow. That must have been a transcending show. And to see Gabriel's on-stage persona in his prime. Wow wow wow wow wow.

    Would love to hear about that experience. I may go see Steve Hackett - he's going on tour to play Seconds Out. I may see if that fits into my schedule.

  • daverock
    Joined:
    Alright Manchester - lets go!

    My first gigs were when I was 15, in 1972. They were T.Rex in the summer - at which there was a riot of teenage girls who temporarily stopped the show. Then David Bowie in the December. This was at a venue called "The Hardrock", and it featured what they referred to as "festival seating". This meant everyone sat on the concrete floor in as close a proximity to the lotus position as they could manage. Everyone stayed down, too. Older people at this one than T.Rex.

    1973 things gathered pace - I saw Hawkwind, Black Sabbath, Genesis, Uriah Heep and The Rolling Stones.

    Records were really important too, of course- and going to record shops. Which could account for why I still like vinyl today over other formats.
    And television-I never saw Alice Cooper live - but I saw a film of them on the Old Grey Whistle Test, and in summer 1972 he had the big hit - "School's Out"
    And the music press-the N.M.E being the fount of all knowledge. Iggy and the Stooges didn't have a record out in 1972, and they only played one gig in England - in London, which I didn't go to. But it was well written up and photographed, so that it assumed mythic proportions. I snapped up their first album from the bargain bins - and "Raw Power" the day it came out in 1973. When Iggy Pop finally came to the these shores, in 1977, it was like a visit from the Messiah. Unfortunately, The Stooges were no more- David Bowie played keyboards, and people in the audience flocked to his side of the stage to watch him rather than the Ig.
    But those years 1972 - 1973, when I was 15-16, were magical times.

  • Vguy72
    Joined:
    The new Red Hot Chili Peppers record is fun....

    ....as you were.
    I discovered music when I was 12.
    The year was 1980. Ergo, my influences. Started with The Beatles.
    Then new wave and heavy metal.
    Used to make fun of Duran Duran back then. High school cliq shit.
    Now, I realize they kick ass.
    Headbangers Ball anyone? MTv Gen here.
    Music is indeed the best Mr. Ones.
    Edit. The Scorpions are doing a residency here. They also put out a record recently. It's pretty good.

  • LedDed
    Joined:
    First, it's the drummers...

    All Spinal Tap kidding aside, the drummers are always the first to go. Keith Moon. John Bonham. Ginger did outlast Jack, but not by much. Of late, Taylor Hawkins... Charlie was preceded by Brian Jones but that was lifetimes ago. Joey Kramer has bowed out of the upcoming Aerosmith Vegas residency, and Peter Criss could never play 90 minutes with KISS again. Let us not forget Neil Peart, Nick Menza... the list is endless. Lars won't be able to play like he does now in 20 years - maybe ten. Metallica will reinvent themselves.

    I am excited to catch the D&C shows again as Summer tour arrives. Without Billy. Will he ever return? Does it matter? Not to discount him - I love the man, and to me the best and tightest the band ever was was when he singularly owned the drum chair. But the show must go on.

    I love Dead & Co. Yes the tempos are leaden, but my god Wolf Bros. makes D&C sound like Ministry on methamphetamine. Someone tell Bob to stop dumping a bottle of Log Cabin over his fretboard before taking the stage. John Mayer, Oteil and Chimenti are so goddamn good. Bobby hangs his hat on them and it all meshes beautifully. Last summer at Red Rocks, Jay Lane ably took up for Kreutzmann and you could hardly tell, except there wasn't any coke on the side cymbal (heh-heh).

    The vibe at D&C shows is so goddamn good... all across the country. I have had some of the best times in the parking lots, Shakedown Street and in the venues with like minded brothers and sisters who carry the spirit of the Dead onward.

    I had to stick up for them. Be well everyone.

    \m/

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3 years 7 months

You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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In reply to by Colin Gould

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....I'm going with some Doors to start. Box set that came out in 1997. LA Woman y'all.
Chris Collingsworth is annoying imo. I know who he's rooting for.

....I had 10.19.72 in my hand before dipping into Ray, Jim, John and Robby. Weird.
Second half music.
Edit. Nice catch by Chase. Dayum.

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In reply to by Vguy72

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10-19-72 playing now, on Greatest Story
10-18-72 earlier today
10-30-73 last night

Love this Box.

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In reply to by icecrmcnkd

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....first set starts out with a Promised Land, Tennessee Jed and a Jack Straw. Who would complain about that trifecta? Hint. No one.
Hitting play now.
Edit. At the 2 second mark of Jed, someone squealed. Hell yeah.

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Lately I've been going back in time somewhat. Nothing wrong with that, of course.

Slumberin' on the Cumberland - John Hartford, Pat Burton & Benny Martin (1979)
When the clock strikes 12 - Slo Leak (1999)
Texas rock for country rollers - Sir Doug & the Texas Tornados (1976)
Casting pearls - Mill Valley Bunch (1972)
Live at Mexicali Blues Cafe, Teaneck, NJ April 7, 2007 - Avalon Allstars
(Ray White, Bobby Vega, Barry Sless, John Molo, Mookie Segal. Download from DigitalSoundboard.net)

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Wow, the Grateful Dead sure played some fantastic shows on Valentine's Day: 2/14/68 & 2/14/70 are as good as it gets. Happy Valentine's Day everyone.

I was curious to see which shows they played on Valentine's Day. Turns out they also played in 1969, 1986, and 1988 on the holiday. (Others? JGB, side bands?) Of course, most know about 1968 and 1970 where the shows have reached essentially mythic status but those other gigs were generally unbeknownst to me. Lovely day all :-)

-edit- I should say, besides '86. I knew about that one as I had a nice sounding tape once upon a time.

-edit 2- Enjoying DaP 21 (4-2-73) currently, which sort of has a Valentine's inspired cover art.

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10 years

In reply to by hendrixfreak

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HendrixFreak mentioned the 2007 Avalon release of the Bear’s recording of the Flying Burritos - an absolute fantastic release, with pretty well impeccable sound. A great band well ahead of it’s time. I changed my avatar to show me skulking around Chris Hillman, after a club date in town with his musical partner Herb Pedersen (a criminally under-appreciated guitarist, who did duty from the Dillards to Old And In The Gray). Nice guys, both, and great musicians, and this is a collection worthy of finding on CD. Ahead of their time, indeed.

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In reply to by That Mike

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TM, actually I was thinking after hearing the Burrito Bros dbl-disc that, while the sound is pretty darn good, it lacked a degree of clarity I typically associate with Owlsley's recordings. But everything is there -- bass, drums, guitars, pedal steel, vocals. It made me wonder whether the GD shows 4-6 April '69 are of similar quality, which certainly is good enough for me to plunk down money for them.

Hmm, guess I'll have to spin that Hot Burrito again.

HF - There is an interesting take on the April 4-6 shows by the Dead at the Avalon, on a blog called Lost Live Dead dot blogspot dot com
Not only were the Dead packing a powerful Pigpen showcase, some thought is given that Jerry heard Sneeky Pete doing his ‘thang on the pedal steel, and it reinvigorated his desire to master the instrument.
Regardless, I agree with you 100% that the three shows would make a nice neat little release!
Is there a Dr Lemieux in the house?

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I’m sure there’s a forum page that references these but I just listened to Jerry’s contributions to the Zabriskie Point Soundtrack. I can't believe I'd missed them before. (Jerry Garcia - Love Scene and 4 Outtake Improvisations)

Wow. Powerfully simple playing. Like he was sitting right next to you. As he put it after recording, “…just me and my electric guitar and a little amplifier.”

Stunningly simple improvisational songs, slow, steady, and melodic.

These tracks won’t knock you out of your chair but they will make you want to sit still and listen to them more than once.

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The JGB played an epic show on 2/14/76, and there is a really nice soundboard that circulates.

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In reply to by That Mike

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TM, I actually wondered about that pedal steel (possible) connection.

Did you mention PIGPEN??? In fact, that is what I noted from the 4-6 April setlists: plenty of my favorite GREASE.

Also note that the Burrito Bros. played Hank Williams' "You Win Again" and I think maybe that's where Jer picked that song up... I think in the early days, Jer is said to have always gotten to the gigs early.

That Byrds >> Burritos sound may well have inspired the Jer transition to the WD-type country, in contrast to Bobby's cowboy songs, per se.

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In reply to by icecrmcnkd

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PF's stage show by '94 was way way over choreographed...little room for improvisation...at a complete show dress rehearsal they did at an empty hangar at the closed Norton Air Force base in San Berdoo I found a sheet of paper on the ground that was a list of instructions to one of the spot light operators....it was completely written out...red beams at 5:43 of so and so song, green and blue at 7:31 etc...blew me away...I was working the weekend for a caterer I knew...the first night was a very VIP invited crowd....the second night, no crowd just us working folk and we were treated to a complete show as the night before...in addition to the stage sound system they had their remote stacks out on the tarmac in front of the hangar...mas cool

HF - The more I see those set lists for that 3 night stand at the Avalon, the more I would love to see it’s official release. A seldom-played song was Jerry drumming up the pathos with a world weary voice on (I Know) It’s A Sin. Just great stuff! What shows to see, too: prime Burritos as an appetizer, and really greasy Pigpen for the entree!
All for probably $5 at the door, which barely buys you a beer now!

Fun fact: Something in the musical air in April, 1969. Less than two weeks later, at Winterland, Bill Graham had the “coming out” party for The Band!

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In reply to by That Mike

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....I'm boring lol.
Hi Mike! 👋
Figured I'd jump on the showing my face trend. I've done it before, but not with my valentine. 💘 She keeps me on an even keel. Say hi to my dead.net friends Cheryl! 👋
She says Hello and loves you peeps too.
Could be worse influences she says. Ha.
Edit. Is there something in my teeth?
Nope. That was my phone screen. Disregard.
adedhed68 has a tabby cat. The best cats. Followed closely by black cats.
Second edit. Tons of bands announcing tours. Grate newz!!!

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12 years
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Once again this site has cost me money. All this talk about the Flying Burritos and the Stanley recording, made me check. And, no, I didn't have it.

Luckly, I found a copy on Discogs for 5 bucks,,,, what the hell!

U's guys and talk about shit I don't have....... keepin' up with the jones' is killing me, they ought to hang the man that said the best thing in life are for free!

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Got my "shipped" notice about Joni Archive 2. It's mail innovations, should be here by Easter!

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In reply to by Dennis

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If you don’t have Bear’s Sonic Journals #1, Janis and Big Brother 6-23-68, I highly suggest it.
Bust out the wife’s credit card.

Weird that it isn’t listed on the OSF web page, and yet is the first release in the series.
There’s info about it on Wikipedia.

No sign here. UPS hasn’t updated since 7th Feb. USPS say they are aware of the alternative tracking number but don’t have it. This tracking number ends in FR so is presumably heading to France. Poste France doesn’t have tracking info and Royal Mail say that the number isn’t traceable. I’m still not worried. I’ll start panicking in a week or so.
Looking at Amazon UK I notice the Janis/Big Brother cd is on offer for c. £135 so I think I’ll give it a miss.

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In reply to by Dennis

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Dennis - Believe me, the best $5 you will ever spend. There is not enough Gram music out there, and it’s an Owsley! HendrixFreak & I are quietly proud right now…

VGuy72 - Great pic of you and the Mrs!

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10 years 2 months
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A little off subject and likely should be in the What's in Your Fridge thread:
Another Covid related crisis in Colorado. Ball can co. has shut out small brewers by raising their minimum order to a million cans per SKU (5 times higher) and not offering storage any more. One brewer said it would take his price from $10 per 6 pack to $13 as he had to buy cans from Nebraska and now pay to store the waiting cans. Ball blames metal prices and a shortage of warehouse space. What's next, sliced bread? Lord, give us this day our daily beer please.
Cheers, or maybe pound 'em if ya got 'em.

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Here in the Netherlands I have not yet received my copy of Dave's 41 and I'm not expecting it any time soon.

It has been shipped with Mail Innovations.

Normally it is given to UPS who then pass it on to USPS who use the alternative tracking number, a US tracking number with the format XX123456789US. USPS then ship it to Europe where the national postal service take it and deliver it.

This time, for the first time, it is different. The alternative tracking number has the format XX123456789CH which is a tracking number for Swiss Post. USPS recognizes the tracking number but have said that the label has been created but the package is not yet in their system. According to UPS the package departed the international carrier facility on February 9. Swiss Post tracking shows that it left LAX on February 9. From this you can see why I'm not expecting it in the Netherlands any time soon.

I suspect that Colin Gould is experiencing a similar situation but his copy is going to the UK via France.

Whatever is going on, it seems that there is a problem getting European packages across the pond.

She could change her mind.

Just like I just did -- listened again to the live Flying Burrito Bros' Owsley tape last night and, indeed, That Mike is correct. It is a top- notch recording, especially for an early '69 field recording at the Avalon. Dennis you got a great deal for $5. I paid $20 with shipping and am very glad I did.

I can confirm that that '68 Janis tape by Owsley is phenomenal!

And yes, Dennis, it is very costly to read this forum. I don't need to keep up with anyone, but my musical curiosity knows few boundaries and thus my wallet is frequently getting plundered.

My DaP #40 came via Switzerland, but that was very fast. I’ve got the latest 5 releases from the Another Timbre label to play so that should keep me occupied.

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9 years 1 month

In reply to by Colin Gould

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Available on CD at Amazon for not super outrageous, but still pretty high.
But it’s also available on their streaming.

Also saw GD 3-1-69 vinyl there for $75.22, which is only $0.22 more than I paid at a local brick and mortar on release day.

Happy Will I contacted USPS yesterday and they are unable to provide me with any information as they state that is a low cost postage option that has been used, they have no idea where any of the international orders are.
They did provide this UK telephone number to contact UPS on 44 207 9490190, I am not going to worry about it for at least another week, hopefully it will have left the USA by then at least.

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I ordered 3 subscription copies - one for myself, one for a friend and one as a spare since 0ne of my DaP40s went missing and I didn’t want to miss out again. The two copies I ordered in one go came last week in a signed for package. The spare (which I intend to give away to a friend rather than sell on eBay) I ordered separately has not arrived.

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15 years 2 months

In reply to by frankparry

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DaP #41 has just dropped through my letterbox.
It’s done better than two items sent to my wife by a friend in Indiana. They were sent in early December and have never arrived.
Not as well as an item from Australia that arrived in 10 days and was traceable the whole way with a comparable postage charge.
Going out shortly but will give it a listen soon.

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16 years 9 months
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Mine came through letterbox in Southern UK today.
Came via France - no doubt slowed down by Brexit!!!

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14 years
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Why, when I import my Dave's Picks into i-tunes or my HDD I can never get three "album" titles that are the same. Always need post import editing. Who is out there taking the p*** 😂😎

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Why did it t sell out so quickly? a scam? I was caught napping and am pissed at myself and at the scalpers on eBay.

Shame about missing out DaP 1 in vinyl. I knew they'd go fast since the cd version is up to like 600 bucks!!!!

I laugh when I see the vinyl on ebay claiming "in stock"!!! Not even out yet. Price is crazy.

But have you seen the prices on complete Dave's and Dick's picks? 4k!!

But I did get 2 copies of 3/1/69 vinyl,,,, screwed up in ordering, figure I sit on it for a while and see what happens.

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RIP PJ, and thanks for your gentle good humour, and a nod to the old National Lampoon, for being an often laugh-out-loud read!

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3 years
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40 years ago today , I was at the Warfield Theatre for another great night with the Good Ole Grateful Dead. The Dead played a great show, a great way to kick off 1982. It turned out to be a great year for Dead shows, with shows at the Greek, Frost,( 10/9 & 10/82 my favorite shows of the year), Ventura( always a blast), Veneta, Oregon, and a year end blow out at the Oakland Auditorium in December. Crazy fun times.

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15 years 2 months
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I see the RSD list is out. 5LP set of Wembley Empire Pool 4/8/72 by GD for those who are interested.

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15 years 2 months
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Not sure if it's been mentioned here, next RSD releases will include 4/8/1972(yes, Thee Grateful Dead...) on 5 LPs.
(never mind...just saw Colin's post...)

Last 5:

Ruby & the Romantics: Greatest Hits
Royalettes: Gonna Take a Miracle
Celtic Frost: Into the Pandemonium
Slayer: South of Heaven
Brenda Lee: By Request

Did you get charged the same fees as before, or did going through Switzerland and France first not result in fees?

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16 years 9 months

In reply to by icecrmcnkd

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No charge for Dave's 41
However still battling with UPS to get refund for St Louis box set.
Latest update - must wait 30 days after providing full bank details
To anyone else not had refund you have to keep hassling them
I'll let you know when i finally get money

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17 years 4 months
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5466 just arrived in Scotland. Came via France with no charges. Happy daze. Need to save my pennies now for the RSD Dead & Jerry vinyl releases.

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12 years
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Received my copy on Tuesday, additional tax EUR 4,18 and handling fee EUR 6,00.

Last five:
Blues Project - Blues Project LP
Gov't Mule - Red Rocks 09/14/18 4-CD
Neil Young - Barn LP
Pearl Jam - New York 3/16/92 2-CD
Rolling Stones - Cuba 3/25/16 2-CD

product sku
081227881610
Product Magento URL
https://store.dead.net/dave-s-picks-vol-41.html