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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • Dennis
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    Musical History

    I don’t remember not listening to music. Mom was the music person I guess in our family. She owned records, she sang in the house and every morning the local AM station would be playing the top 40. Top 40 back then 60-62 ish would be a real mix of music. You would go from Johnny Horton to The Platters to Frank Sinatra to Peter, Paul and Mary. Radio didn’t/wasn’t so pigeon-holed then. Though when I moved to Texas a few years back I was surprised at the number of top 40 (regional?) songs I never heard and never made the playlist in the NYC market.
    We were young when Mom got us record players for Christmas, I was maybe 7. For the youth, record players were wood boxes that you took the lid off and there be a turntable, the front had a 4 inch speakers, driven by maybe 1.6 watts that when turned to 11 you could hear in your bedroom!
    My first records were “kids” records, they were the size of a 45, but had only a small hole in the middle and you played them at 78. The only one I remember was Hi-Diddle-Dee-Dee from Pinocchio. All of these bit the dust when me and my brother threw them like Frisbees. Mom started getting up kid lps. Great songs, like on Top of Spaghetti and The Cat Came Back.
    Mom had old 78’s that I listened the shit of out until I was maybe 11. Had a good Al Jolson collection and a slew of pop hits from her day. Songs like The Coffee Song by Sinatra. Silver Threads Among the Gold (Crosby), Red Silk Stocking and Green Perfume (can’t remember), The Woody Woodpecker Song. It was a golden age!!! Records spinning away at 78 RPM with the constant hiss,,,,,, ahhh.
    When I turned 13 I got a REAL stereo for Christmas. TWO SEPARATE SPEAKERS!!! First two albums Mom gave were both live! Johnny Cash San Quintin and Ray Stevens Guitarzan – LIVE! First I bought Andy Williams greatest hits. I continued to buy, I like “greatest hits” albums because I generally knew most of the songs. Like Dylans greatest hits 1, the Peter, Paul and Mary one. I know I was a boring boy!
    First show, maybe the first live show was in 8th grade, the school took us to the local amphitheater and we saw the New Seekers (I like to teach the world to sing). First show I paid for was Andy Williams at the same venue.
    I was big into disco in the late 70’s, listened to the local “black” station out of NYC. WBLS (stereo in black),,,, night show hosted by Frankie Crocker. Opened his show with King Pleasure’s, Moody’s Mood for Love,,,, great cut!!!
    In 78 met my wife and we moved in together. She was a deadhead and more of a rock person. Learned a ton of new music from her.
    Now all these years later I have a collection that boost over 7,000 artist covering over 750,000 songs. All stuff I listen to, no. I really, really, really don’t like metal or punk. We won’t even talk about German metal! (my kid listened to that shit) ( I’m sorry was that judgemental?). I’m more like a Libarian,, I read all the books, but I keep them in order and make sure they’re complete and labled correctly. (I think that’s enough .) I have all my records (except for the yellow 78’s), I have all of Mom’s 78 (about 600 of them), I have about 20 feet of lps, about 16 banker boxes of cd’s. And yet my wife doesn’t believe the limited edition vinyl is a GREAT investment for our retirement! Oh what fools these mortals be.

    Sorry about the length, sorry if I’ve I covered this before, thanks Oro for the first show shout out, don’t know how you could remember what show I”VE been too  I have no real memories of first show,,,, it was all way to new to me.

    Extra sidebar,,, caught a tube vid of Billy and the Kids in Hawaii at Bill’s house. WOW, what a house, huh!!! Hard to believe any of the other guys have digs that nice!!!!

  • KeithFan2112
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    Vinyl LP Pricing

    I have about 150, maybe more, that I picked up as a kid from age 5 - 15. Bought a few recently and they all seem to produced on the 180 Gram vinyl, which is much heavier and sturdier than the flimsy stuff we used to get. That's a plus. The pricing seems comparable when inflation is considered. The inflation calculator I looked at places 1 dollar in 1980 at $3.44 today. The last LP I bought back then was Rush - Hold Your Fire. It has a $7.99 sticker on it. So the 5 LP Dave's Picks Vol. 1 that I pre-ordered would have cost $27.52 for each LP, for a total of $137.60. Dead.net only sold it for $99, so I suppose we're doing alright if the inflation calculator is correct.

  • daverock
    Joined:
    Genesis 1973 - Days of the Underground

    The show I saw was the one that was recorded and released on a live album the following year. It had a dramatic start- Watcher of the Skies intro, and all you could see on the stage were Peter Gabriel's eyes, illuminated by florescent paint. Everything else was black. I remember thinking the gig had an Alice in Wonderland quality to it. It was a bit like the David Bowie show in a way- everyone sat rivetted watching the stage. It was my friends who really liked them - I tended more towards heavy rock, where everybody went nuts. Black Sabbath and Hawkwind were the ones for me. It was good - but not quite to my taste as much as the other bands I saw. I never saw Genesis again - although I carried on seeing Hawkwind up to 2019. God help me.

    Simonrob - I got a very strong sense in the early - mid 70's that I had arrived just as the party was ending. Which proved to be the case, unfortunately. Most of the bands I liked had released their best records by 1973. In fact, I think they all had.
    Although I really liked the punk records and gigs from summer 1976-1977, I really didn't like the emerging punk culture - everybody walking around with cropped hair, spitting at bands, looking for a fight with anyone who didn't conform to the new dictat. Bands that copied The Ramones - all a bit rubbish by the end of 1977.
    What I really liked - although I didn't recognise it at the time - was rock n' roll. It was there, hidden in plain site in the music of both the heavy rock bands of the early 70s and the punk ones from 1976-77.

  • Nick1234
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    Quiet music

    Anyone got any suggestions for quiet early morning music? Gorecki's 3rd, Labradford- Fixed Content, Mark Hollis -ST, Larmousse, that sort of thing. Stuff that won't wake anyone else up 🙂. I'm one of those appalling larks, up at 4.30, I love the early day.

    Thanks.

  • Nick1234
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    The first band I ever saw…

    The first band I ever saw were Genesis at our local venue for 2nd string artists in autumn/fall ( take your pick 😀) 1972. I remember that I didn't much care for the music, still don't, and that the singer dressd up. I was 13 and these were warm up gigs for the next night at the Lyceum I believe, about 40 miles west of here. Alice Cooper, Bowie, Roxy Music, Stones, Zeppelin etc were much more my thing then. I met a friend in 1974 (he sold me my first acid on my 15th birthday) who turned me on to the Dead and I reciprocated by getting him into my stuff. Europe 72 was my first Dead album.

  • simonrob
    Joined:
    So long ago.

    The first song that made a big impression on me was "Apache" by The Shadows in 1960 when I was 7. After that it was the Beatles in 1962. I guess things really got serious around 1969 when the San Francisco sound became readily accessible in record shops and on the radio thanks to Radio Luxemburg (208m medium wave). BBC radio got in on the act with the John Peel show. Unfortunately by the mid 70s it was as good as finished with few new bands of any note coming to the fore. Disco, punk, new romantics etc. were never interesting to me and my circle of friends and British progressive music became so self-indulgent as to be virtually unlistenable. Of course there were still points of light in the darkness but the golden age of music had sadly passed into history.

    PS: First time I saw Genesis was at the Reading Festival in 1972.

  • KeithFan2112
    Joined:
    Davestrang

    You saw Genesis in '73? I was 9 when Abacab came out, and then came the Phil Collins tidal wave. I only ever heard two songs on FM radio from Gabriel Genesis in those days: Watcher of the Skies and Lamb Lies Down. In my early 20s I began buying up the Genesis back catalogue, as an extention of my taste for prog rock. I thought Supper's Ready was magnificent, and still play it regularly.

    I've seen a lot of youtube footage from '71 - '73. There's a great show from the Rainbow. That must have been a transcending show. And to see Gabriel's on-stage persona in his prime. Wow wow wow wow wow.

    Would love to hear about that experience. I may go see Steve Hackett - he's going on tour to play Seconds Out. I may see if that fits into my schedule.

  • daverock
    Joined:
    Alright Manchester - lets go!

    My first gigs were when I was 15, in 1972. They were T.Rex in the summer - at which there was a riot of teenage girls who temporarily stopped the show. Then David Bowie in the December. This was at a venue called "The Hardrock", and it featured what they referred to as "festival seating". This meant everyone sat on the concrete floor in as close a proximity to the lotus position as they could manage. Everyone stayed down, too. Older people at this one than T.Rex.

    1973 things gathered pace - I saw Hawkwind, Black Sabbath, Genesis, Uriah Heep and The Rolling Stones.

    Records were really important too, of course- and going to record shops. Which could account for why I still like vinyl today over other formats.
    And television-I never saw Alice Cooper live - but I saw a film of them on the Old Grey Whistle Test, and in summer 1972 he had the big hit - "School's Out"
    And the music press-the N.M.E being the fount of all knowledge. Iggy and the Stooges didn't have a record out in 1972, and they only played one gig in England - in London, which I didn't go to. But it was well written up and photographed, so that it assumed mythic proportions. I snapped up their first album from the bargain bins - and "Raw Power" the day it came out in 1973. When Iggy Pop finally came to the these shores, in 1977, it was like a visit from the Messiah. Unfortunately, The Stooges were no more- David Bowie played keyboards, and people in the audience flocked to his side of the stage to watch him rather than the Ig.
    But those years 1972 - 1973, when I was 15-16, were magical times.

  • Vguy72
    Joined:
    The new Red Hot Chili Peppers record is fun....

    ....as you were.
    I discovered music when I was 12.
    The year was 1980. Ergo, my influences. Started with The Beatles.
    Then new wave and heavy metal.
    Used to make fun of Duran Duran back then. High school cliq shit.
    Now, I realize they kick ass.
    Headbangers Ball anyone? MTv Gen here.
    Music is indeed the best Mr. Ones.
    Edit. The Scorpions are doing a residency here. They also put out a record recently. It's pretty good.

  • LedDed
    Joined:
    First, it's the drummers...

    All Spinal Tap kidding aside, the drummers are always the first to go. Keith Moon. John Bonham. Ginger did outlast Jack, but not by much. Of late, Taylor Hawkins... Charlie was preceded by Brian Jones but that was lifetimes ago. Joey Kramer has bowed out of the upcoming Aerosmith Vegas residency, and Peter Criss could never play 90 minutes with KISS again. Let us not forget Neil Peart, Nick Menza... the list is endless. Lars won't be able to play like he does now in 20 years - maybe ten. Metallica will reinvent themselves.

    I am excited to catch the D&C shows again as Summer tour arrives. Without Billy. Will he ever return? Does it matter? Not to discount him - I love the man, and to me the best and tightest the band ever was was when he singularly owned the drum chair. But the show must go on.

    I love Dead & Co. Yes the tempos are leaden, but my god Wolf Bros. makes D&C sound like Ministry on methamphetamine. Someone tell Bob to stop dumping a bottle of Log Cabin over his fretboard before taking the stage. John Mayer, Oteil and Chimenti are so goddamn good. Bobby hangs his hat on them and it all meshes beautifully. Last summer at Red Rocks, Jay Lane ably took up for Kreutzmann and you could hardly tell, except there wasn't any coke on the side cymbal (heh-heh).

    The vibe at D&C shows is so goddamn good... all across the country. I have had some of the best times in the parking lots, Shakedown Street and in the venues with like minded brothers and sisters who carry the spirit of the Dead onward.

    I had to stick up for them. Be well everyone.

    \m/

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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"About 120 shows were played in 1967 and only about a dozen tapes are in the vault". Hopefully more will show up, were lucky to have the tape from the Shrine Auditorium.

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In reply to by nappyrags

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Nappy, as soon as he figures out your passwords you're done. With your PC and Amazon two day shipping they have little use for us.

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Hey Pedro, I ordered the re-released DP 19 CD directly from Real Gone.

They are producing the correct Disc 3 and mailing out to everyone who got the duplicate disc through them.

Mine is theoretically scheduled to arrive today, after an epic USPS routing journey from California to Denver to Harrisburg PA to Lancaster PA to Chicago and finally back to Denver.

Chicago, New York, Detroit, it's all the same street...

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So, after Jimmy Buffett dies and enters the pearly gates, God takes him on a tour. He shows Jimmy a little two bedroom house with a faded parrot banner hanging from the front porch.
This is your house, Jimmy. Most people don’t get their own houses up here, God Says.
Jimmy looks at the house, then turns around and looks at the one sitting on top of the hill.
It’s a huge two-story mansion with white marble columns and little patios under all the windows. Tie-dyed flags line both sides of the sidewalk and a huge Grateful Dead banner hangs between the columns.
Thanks for the house, God, But let me ask you a question.
I get this little two bedroom house with a faded banner and Jerry Garcia gets a mansion with brand new Grateful Dead Banners and flags flying all over the place. Why is that?
God looks at him seriously for a moment, then with a smile God Says,
That’s not Jerry’s house, it’s mine.

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Hey rockers!!!

Is it just me, but did every DaP just disappear from the Dead store. In the past, they always left even the sold out one up there for a while..........

Rock on, with a tip of the hat to H G Wells and Claude Rains,

Doc
I'm not sure that I ever could, but I certainly had the ability to pass unnoticed.

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I was wondering the same. Dave's picks have disappeared completely.

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I think it's because they're all going to be replaced by Doc's Picks..............

Ah, one can dream.......................

Doc
It is far better to grasp the universe as it really is than to persist in delusion, however satisfying and reassuring.......

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In reply to by proudfoot

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Lene Lovich!!! Mas cool...saw her at the Whisky in West Hollywood way back when...Her and Les rocked the joint!

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Lots of fun people and not crowded. The band came out smokin' with a new killer drummer (so sorry, Bugs, you were major fun) and Conrad's son played electric bass throughout (no guitarron, unfortunately), as Conrad is recovering from a non-threatening health thing-y. With a new rhythm section, these guys simply rocked out, though they also did some multi-instrumental Mexican folk songs for which they're deservedly famous.

Naturally, especially for Boulder, they did NFA and Bertha in a medley that turned into an insane, long jam. Caught up with some of my peeps after a too-long hiatus and we had a blast, with a little whiskey and a little Indica to sweeten the already amped mood.

Let me tell you, folks, going to a show, hanging with a fun crowd, catching up with friends and partying to the hardest-working American band of 50 years standing (I've caught them maybe 15-20 times over the past 30 years) was, in a word, humanizing.

Got up today, went about my business with a smile, renewed, eager for more. This period right now is likely to be a lull in the pandemic and I'm going to take advantage of it by hitting my local open mic sessions and catching a few local bands. Once spring arrives, it'll be easier to be safe outdoors.

That's my story and I'm sticking to it. As you were....

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Just listening to the first set pitb. My daughter was visiting, and she said "good jam dad." The dead right? ...........yup.

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In reply to by carlo13

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....they played my favorite Samson that evening 👍.
I've caught The Wolves four times. Never left disappointed.
Jim. Just Do It.
Thumbs up to the "good jam Dad" Carlo. My son did that during a Hell In A Bucket I played the other day.
And no, I'm not a Nike spokesperson. I'm an Adidas, Sketcher and Birkenstock kind of guy....yup.

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Yup. That Sampson on 76' can be tricky for novice deadheads since it starts quite different , and can be passed by if not looking at set list. aka. Browsing.

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Rodney dangerfield and joe pesci said in easy money, "we're just browsing". "Well , you dont look like browsers". "Mabey I'm just half browser, on my fathers side". I guess you had to see the movie.

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By the time that CD came out, I was looking for new Dead releases every time I went you the record store. I was only really into the two-tracks in those days, but I did try out a few Dick's Picks (16, 18, & 20). I understood two-tracks to be anything that was not a Dick's Picks (but they did sneak To Terrapin: Hartford '77 right under my nose; that thing was mixed perfectly at the board and they knew it). Anyway, I remember listening to Disc 2 first, because seeking out a Sugar Magnolia to supplant Rockin' The Rhein was an undercurrent in my Dead upbringing (I still love Rhein the best).

When that Samson pre-jam came on, I had lost track of where I was in the disc but remember being enthralled by it and thinking, yeah, this is why I love the Dead. And then the Jam merged into Samson, and all was good in the world.

Stoltz, that might be my all time favorite Floyd moment. The Echoes "guitar part" is right up there.

Only two more months until Winterland Feb '74 + Bonus.

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In reply to by KeithFan2112

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....from New Year's 76 also sticks out way far in my mind. The totally seamless switching they do during the Good Lovin into that Samson is something to behold. I still remember where I was the first time I actually *heard* that sequence, driving from DC to Baltimore to go hang with my brother. When this segment came on I recall jaw dropping, staring blankly at my car CD player saying *WHOA*. The light had turned green, I was none the wiser.
That show has been a top tier '76er for a looong time.

Be Well People.

Seventy-Sixtus

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In reply to by Sixtus_

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A much happier story, "the light had turned green, but I was none the wiser"

then

"The light had turned red, but I was none the wiser"

Sampson and Terrapin Station (the studio version at least) are two songs that really benefited from two drummers.

Back to your regularly scheduled Dark Star > Discord & Mayhem. May the peak be with you.

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In reply to by JimInMD

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Apparently a mummified body was found in a wall at Henry J. Kaiser Convention Center.
Did someone get stuck while trying to sneak into a Dead show?

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In reply to by Sixtus_

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a DJ in LA early to mid 60's...his name was Gene Weed and he went by the promo name of "The Weedy One"...he worked at KFWB and also hosted the TV show "Shivaree" which was a syndicated answer to "Shindig"...the weedy one indeed...by '67 he was weedy no more...I say a strain should be named after him....

Both tragic and hilarious. One of those things you just can't reconcile.

To all you kids watching at home.. being stoned does not give you walk through solid objects superpowers.

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In the early 90's there was a gig at the LA Memorial Coliseum ...Headlining was Guns 'n Roses, 2nd bill was Metallica and opening was Motorhead...A buddy of mine took his 14 year old nephew and copped a couple of backstage passes from a friend of his...his nephew was a big Metallica fan and wanted to get their autographs on an LP he brought...a band flunky was standing by the door to their motorhome/dressing room and rather rudely told them they couldn't go in...Lemmy watched this go down, told my buddy "we'll be right back" and steered the kid towards the door, gave the flunky an "I dare you look" and they both went in...a bit later they came out and Jace was loaded down with swag and his autographed LP...my buddy thanked Lemmy and then Lemmy asked Jace "do you want G'nR's autographs too?" and Jace told him "Nah, they suck"...Lemmy looked at my buddy and said "That's a smart kid..."

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That's a wild story. I saw some great shows in that building. The last time I saw the Grateful Dead there was Feb 1989.

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I've been digging on this one lately! I agree with Dave on his thoughts of this show sounding a little more raw/gnarly compared to other spring 77. Dave has spoken of this show often since arriving on scene. Another great pick!........ such a great time to be a Deadhead, right?........ have a grateful day, Gang!!

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In reply to by jonathan918@GD

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The Mummy was a DH who got so high that at the exact moment he was peaking somehow his molecular structure vibrated at the right frequency to move through the first wall, but because of the composition of the second wall his progress was impeded at just the moment when his peak and the peak of the song subsided, thereby significantly reducing the molecular frequency such that he was now unfortunately trapped inside the wall. To make matters worse, his attempts to pound on the walls and yell were dampened by the unfortunate fact that Drumz was now in full progress and by the time the sound was quiet enough for him to be heard, he was unconscious due to lack of oxygen, thereby sealing his macabre eternal fate, until now.
Brings new insight into “you’d be better off dead” !
Goes to show, ya don’t ever know! Perhaps he shouldn’t have dropped that last tab? You all know the story “ well I dropped a couple hours ago but I’m not feeling it, maybe I should eat another one”

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In reply to by Oroborous

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from the Napster! Keep ‘em coming.
Too funny, nobody likes Axel, even other heavy metlers lol.

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From my post on 2/19 -

here's the clue for Today: Miami greyhound squid

You may notice that the "T" in Today was unnecessarily capitalized. Hence, show date is 2/19.

The Dead played seven times on 2/19. But where and which year?

"Miami greyhound" was the nickname for Hall-of-Fame basketball player Rick Barry of the Golden State Warriors. The team played their games at the Oakland Coliseum Arena. But not on 2/19/91, because the Grateful Dead played there that night.

For extra credit, I was going to ask if anyone knew the historical significance of that show. That's where "squid" comes in. If you Google "Grateful Dead squid," a video pops up of a band called Squid playing "New Speedway Boogie." Rick Barry's jersey number was 24, and 2/19/91 was the 24th time the GD played that tune. It was also the first time they played it since 9/20/1970 - on hiatus for over 20 years!

Over and out.

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What a weird find! Gives new meaning to the phrase “If these walls could talk”. The press is speculating it may have been someone “accidentally” (on purpose al a Jimmy Hoffa) got caught in the wall during construction.
It begs the question - didn’t any of the other workers notice when the young carpenter’s apprentice disappeared after lunch? Stopped reporting for work? Never came for his pay?

I’d say there is skullduggery afoot in Oakland all those years ago…a mystery for the ages.

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In reply to by That Mike

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I just listened to Ry Cooders fine Paradise and Lunch album containing the awesome song “ain’t ya glad” that walls can’t talk etc
Spooky, must be that 5/14/74 DS we been messing with on POTD, like a psychedelic weegee board!

Sorry about that Chief (er uhm Bolo)

So Bolo, who is that mummified twirler hiding in the walls of the Kaiser? If anyone knows it's you.

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In reply to by JimInMD

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But if he told you he’d have to kill ya!

EDIT: notice the way back machine has been reprogrammed.
Do you know somethingbyer not telling us?

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