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    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • Dennis
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    Musical History

    I don’t remember not listening to music. Mom was the music person I guess in our family. She owned records, she sang in the house and every morning the local AM station would be playing the top 40. Top 40 back then 60-62 ish would be a real mix of music. You would go from Johnny Horton to The Platters to Frank Sinatra to Peter, Paul and Mary. Radio didn’t/wasn’t so pigeon-holed then. Though when I moved to Texas a few years back I was surprised at the number of top 40 (regional?) songs I never heard and never made the playlist in the NYC market.
    We were young when Mom got us record players for Christmas, I was maybe 7. For the youth, record players were wood boxes that you took the lid off and there be a turntable, the front had a 4 inch speakers, driven by maybe 1.6 watts that when turned to 11 you could hear in your bedroom!
    My first records were “kids” records, they were the size of a 45, but had only a small hole in the middle and you played them at 78. The only one I remember was Hi-Diddle-Dee-Dee from Pinocchio. All of these bit the dust when me and my brother threw them like Frisbees. Mom started getting up kid lps. Great songs, like on Top of Spaghetti and The Cat Came Back.
    Mom had old 78’s that I listened the shit of out until I was maybe 11. Had a good Al Jolson collection and a slew of pop hits from her day. Songs like The Coffee Song by Sinatra. Silver Threads Among the Gold (Crosby), Red Silk Stocking and Green Perfume (can’t remember), The Woody Woodpecker Song. It was a golden age!!! Records spinning away at 78 RPM with the constant hiss,,,,,, ahhh.
    When I turned 13 I got a REAL stereo for Christmas. TWO SEPARATE SPEAKERS!!! First two albums Mom gave were both live! Johnny Cash San Quintin and Ray Stevens Guitarzan – LIVE! First I bought Andy Williams greatest hits. I continued to buy, I like “greatest hits” albums because I generally knew most of the songs. Like Dylans greatest hits 1, the Peter, Paul and Mary one. I know I was a boring boy!
    First show, maybe the first live show was in 8th grade, the school took us to the local amphitheater and we saw the New Seekers (I like to teach the world to sing). First show I paid for was Andy Williams at the same venue.
    I was big into disco in the late 70’s, listened to the local “black” station out of NYC. WBLS (stereo in black),,,, night show hosted by Frankie Crocker. Opened his show with King Pleasure’s, Moody’s Mood for Love,,,, great cut!!!
    In 78 met my wife and we moved in together. She was a deadhead and more of a rock person. Learned a ton of new music from her.
    Now all these years later I have a collection that boost over 7,000 artist covering over 750,000 songs. All stuff I listen to, no. I really, really, really don’t like metal or punk. We won’t even talk about German metal! (my kid listened to that shit) ( I’m sorry was that judgemental?). I’m more like a Libarian,, I read all the books, but I keep them in order and make sure they’re complete and labled correctly. (I think that’s enough .) I have all my records (except for the yellow 78’s), I have all of Mom’s 78 (about 600 of them), I have about 20 feet of lps, about 16 banker boxes of cd’s. And yet my wife doesn’t believe the limited edition vinyl is a GREAT investment for our retirement! Oh what fools these mortals be.

    Sorry about the length, sorry if I’ve I covered this before, thanks Oro for the first show shout out, don’t know how you could remember what show I”VE been too  I have no real memories of first show,,,, it was all way to new to me.

    Extra sidebar,,, caught a tube vid of Billy and the Kids in Hawaii at Bill’s house. WOW, what a house, huh!!! Hard to believe any of the other guys have digs that nice!!!!

  • KeithFan2112
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    Vinyl LP Pricing

    I have about 150, maybe more, that I picked up as a kid from age 5 - 15. Bought a few recently and they all seem to produced on the 180 Gram vinyl, which is much heavier and sturdier than the flimsy stuff we used to get. That's a plus. The pricing seems comparable when inflation is considered. The inflation calculator I looked at places 1 dollar in 1980 at $3.44 today. The last LP I bought back then was Rush - Hold Your Fire. It has a $7.99 sticker on it. So the 5 LP Dave's Picks Vol. 1 that I pre-ordered would have cost $27.52 for each LP, for a total of $137.60. Dead.net only sold it for $99, so I suppose we're doing alright if the inflation calculator is correct.

  • daverock
    Joined:
    Genesis 1973 - Days of the Underground

    The show I saw was the one that was recorded and released on a live album the following year. It had a dramatic start- Watcher of the Skies intro, and all you could see on the stage were Peter Gabriel's eyes, illuminated by florescent paint. Everything else was black. I remember thinking the gig had an Alice in Wonderland quality to it. It was a bit like the David Bowie show in a way- everyone sat rivetted watching the stage. It was my friends who really liked them - I tended more towards heavy rock, where everybody went nuts. Black Sabbath and Hawkwind were the ones for me. It was good - but not quite to my taste as much as the other bands I saw. I never saw Genesis again - although I carried on seeing Hawkwind up to 2019. God help me.

    Simonrob - I got a very strong sense in the early - mid 70's that I had arrived just as the party was ending. Which proved to be the case, unfortunately. Most of the bands I liked had released their best records by 1973. In fact, I think they all had.
    Although I really liked the punk records and gigs from summer 1976-1977, I really didn't like the emerging punk culture - everybody walking around with cropped hair, spitting at bands, looking for a fight with anyone who didn't conform to the new dictat. Bands that copied The Ramones - all a bit rubbish by the end of 1977.
    What I really liked - although I didn't recognise it at the time - was rock n' roll. It was there, hidden in plain site in the music of both the heavy rock bands of the early 70s and the punk ones from 1976-77.

  • Nick1234
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    Quiet music

    Anyone got any suggestions for quiet early morning music? Gorecki's 3rd, Labradford- Fixed Content, Mark Hollis -ST, Larmousse, that sort of thing. Stuff that won't wake anyone else up 🙂. I'm one of those appalling larks, up at 4.30, I love the early day.

    Thanks.

  • Nick1234
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    The first band I ever saw…

    The first band I ever saw were Genesis at our local venue for 2nd string artists in autumn/fall ( take your pick 😀) 1972. I remember that I didn't much care for the music, still don't, and that the singer dressd up. I was 13 and these were warm up gigs for the next night at the Lyceum I believe, about 40 miles west of here. Alice Cooper, Bowie, Roxy Music, Stones, Zeppelin etc were much more my thing then. I met a friend in 1974 (he sold me my first acid on my 15th birthday) who turned me on to the Dead and I reciprocated by getting him into my stuff. Europe 72 was my first Dead album.

  • simonrob
    Joined:
    So long ago.

    The first song that made a big impression on me was "Apache" by The Shadows in 1960 when I was 7. After that it was the Beatles in 1962. I guess things really got serious around 1969 when the San Francisco sound became readily accessible in record shops and on the radio thanks to Radio Luxemburg (208m medium wave). BBC radio got in on the act with the John Peel show. Unfortunately by the mid 70s it was as good as finished with few new bands of any note coming to the fore. Disco, punk, new romantics etc. were never interesting to me and my circle of friends and British progressive music became so self-indulgent as to be virtually unlistenable. Of course there were still points of light in the darkness but the golden age of music had sadly passed into history.

    PS: First time I saw Genesis was at the Reading Festival in 1972.

  • KeithFan2112
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    Davestrang

    You saw Genesis in '73? I was 9 when Abacab came out, and then came the Phil Collins tidal wave. I only ever heard two songs on FM radio from Gabriel Genesis in those days: Watcher of the Skies and Lamb Lies Down. In my early 20s I began buying up the Genesis back catalogue, as an extention of my taste for prog rock. I thought Supper's Ready was magnificent, and still play it regularly.

    I've seen a lot of youtube footage from '71 - '73. There's a great show from the Rainbow. That must have been a transcending show. And to see Gabriel's on-stage persona in his prime. Wow wow wow wow wow.

    Would love to hear about that experience. I may go see Steve Hackett - he's going on tour to play Seconds Out. I may see if that fits into my schedule.

  • daverock
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    Alright Manchester - lets go!

    My first gigs were when I was 15, in 1972. They were T.Rex in the summer - at which there was a riot of teenage girls who temporarily stopped the show. Then David Bowie in the December. This was at a venue called "The Hardrock", and it featured what they referred to as "festival seating". This meant everyone sat on the concrete floor in as close a proximity to the lotus position as they could manage. Everyone stayed down, too. Older people at this one than T.Rex.

    1973 things gathered pace - I saw Hawkwind, Black Sabbath, Genesis, Uriah Heep and The Rolling Stones.

    Records were really important too, of course- and going to record shops. Which could account for why I still like vinyl today over other formats.
    And television-I never saw Alice Cooper live - but I saw a film of them on the Old Grey Whistle Test, and in summer 1972 he had the big hit - "School's Out"
    And the music press-the N.M.E being the fount of all knowledge. Iggy and the Stooges didn't have a record out in 1972, and they only played one gig in England - in London, which I didn't go to. But it was well written up and photographed, so that it assumed mythic proportions. I snapped up their first album from the bargain bins - and "Raw Power" the day it came out in 1973. When Iggy Pop finally came to the these shores, in 1977, it was like a visit from the Messiah. Unfortunately, The Stooges were no more- David Bowie played keyboards, and people in the audience flocked to his side of the stage to watch him rather than the Ig.
    But those years 1972 - 1973, when I was 15-16, were magical times.

  • Vguy72
    Joined:
    The new Red Hot Chili Peppers record is fun....

    ....as you were.
    I discovered music when I was 12.
    The year was 1980. Ergo, my influences. Started with The Beatles.
    Then new wave and heavy metal.
    Used to make fun of Duran Duran back then. High school cliq shit.
    Now, I realize they kick ass.
    Headbangers Ball anyone? MTv Gen here.
    Music is indeed the best Mr. Ones.
    Edit. The Scorpions are doing a residency here. They also put out a record recently. It's pretty good.

  • LedDed
    Joined:
    First, it's the drummers...

    All Spinal Tap kidding aside, the drummers are always the first to go. Keith Moon. John Bonham. Ginger did outlast Jack, but not by much. Of late, Taylor Hawkins... Charlie was preceded by Brian Jones but that was lifetimes ago. Joey Kramer has bowed out of the upcoming Aerosmith Vegas residency, and Peter Criss could never play 90 minutes with KISS again. Let us not forget Neil Peart, Nick Menza... the list is endless. Lars won't be able to play like he does now in 20 years - maybe ten. Metallica will reinvent themselves.

    I am excited to catch the D&C shows again as Summer tour arrives. Without Billy. Will he ever return? Does it matter? Not to discount him - I love the man, and to me the best and tightest the band ever was was when he singularly owned the drum chair. But the show must go on.

    I love Dead & Co. Yes the tempos are leaden, but my god Wolf Bros. makes D&C sound like Ministry on methamphetamine. Someone tell Bob to stop dumping a bottle of Log Cabin over his fretboard before taking the stage. John Mayer, Oteil and Chimenti are so goddamn good. Bobby hangs his hat on them and it all meshes beautifully. Last summer at Red Rocks, Jay Lane ably took up for Kreutzmann and you could hardly tell, except there wasn't any coke on the side cymbal (heh-heh).

    The vibe at D&C shows is so goddamn good... all across the country. I have had some of the best times in the parking lots, Shakedown Street and in the venues with like minded brothers and sisters who carry the spirit of the Dead onward.

    I had to stick up for them. Be well everyone.

    \m/

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You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

There was a stretch of highway northeast of Tucson named for years as Highway 666...about 18 years ago the State Legislature made a big deal about it (It's full of wackos) and changed the designation to 191 cuz god was mad about it...

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lol what a trip Daverock. Never heard of them, but was intrigued enough to check it out on youtube. Just going by the band name and album title I figured they were some sort of Black Sabbath knock-off band that never took off. But no....it's freakin' Vangelis in a rock band with some cool guitar work. I am pretty familiar with Vangelis from the 3 records he did with Jon Anderson.

So I took a little bit of a listen on youtube and looked up the album. The track list is bizarre. Double album with 24 songs, mostly in the 0 - 3 minute range. Beside those there are two 5 minute songs, and then they have this juggernaut that clocks in at 19 minutes and change. So I listened to the first half dozen songs. Four Horseman was pretty cool. Then I skipped to the big one. It was okay, but not great. I was hoping for something as good as the big one Vangelis did with Jon Anderson (Horizon). Anyway, interesting music if you're a Vangelis fan. Or if you dig Apocalypse songs.

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Started out with some Port Chester 2/21. Since Covid started I don't drive much, and listen primarily on headphones. But this one I cranked up during a car ride this morning. Yeeeaaah. So lucky to have these multi-tracks and a guy like Jeffrey Norman to mix it. The sound is amazing. I really like this show. Ripple, Wharf Rat, and King Bee are all great. I prefer the reworked 1972 Bird Songs, but this show features my favorite '71 performance.

Listening to 11/7/71 now, Harding Theater. What's the deal with this show - not in the Vault? I'd really like the Full Norman on this one.

Once this is done I'm headed to the anniversary of the 3/23/75 Blues For Allah.

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Not only was Vangelis Papathanassiou in Aphrodite's Child but also Demis Roussos was in the band. He subsequently became huge i.e. very famous and very fat. I cannot recommend his post-Aphrodite stuff.

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I think it's time for the decade box set, one show from each year of of the 1970s. Now that they have 6/17/75 back in the vault, this box set could be a reality. I think it would be very popular, there are still great shows that can be used from each year. I hope the show that gets released from 1970, comes with an acoustic set, but Ill take whatever they they put out.

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Nashville Pussy (a band)

you'll never be the same

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In reply to by proudfoot

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11/24/78 Shakedown Street

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wow dude, Tull in 69 very cool. Loved their early stuff. That appearance on the Rolling Stones Rock and Roll Circus video shows them back about that time. Loved their concept, grubby clothes and all sporting that Aqualung look. Anything Aqualung and before is worth checking out with Stand Up and Benefit being my favs.

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In reply to by KeithFan2112

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Keithfan - it's decades since I've heard 666 - I feel like checking it out again myself now.
Two other bands you might be interested in checking out are The Graham Bond Organisation and Black Widow, who both made albums with occult themes in the late 60s early 70s. Black Widow even went so far as to perform Satanic rites, or their approximation of them, on stage. Not that I ever saw them - or actually heard them, come to that. Sounded like a night out, though!

No offense to Monsieur HF, but You’d think Dave would go with 9/15/73 or 9/17/73 as the Wake 50 bonus as they both are good shows and they played 6 songs off of Wake, the most ever. (Counting WRS as one song).
Even 9/11/73 would work, though it only has 4 of the new songs, but really needs to show up somewhere. It’s on Dave’s maybe “list” too.
I know many don’t dig the horn shows, but I think their cool, and hey, come on, it was a big thing in their ever evolving history and yet we have zero out yet? Think it would make a good 2 or 3 show mini box: 9/11 Dark Star!, one from the 15 or 17, and perhaps one from the 21, 24, or 26th to illustrate how things changed by the between the start and end of that very unique tour.
But this is Dave we’re talking about so who knows?
You would think the Glen shows have to turn up some were, but they only have 4 newbies and are they strong enough on there own? Always heard the show was decent (for then) but that the “sound check” was better?

Hell it’s all good though, come on Dave ; )

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In reply to by billy the kiddd

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Jerry Garcia and Friends, I believe was the advertised headliner for the Bob Fried Benefit this day at Winterland. Hmmm, who might that be? I made it to this show, too, in 1975. I did pretty good, I only missed the record release party at the Great American Music Hall. That would have been awesome, such a small intimate venue. My friend Dan was there, I'm so envious.

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In reply to by nitecat

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To have been there would've been incredible...I listened to the live broadcast at home, recording it and then afterwards drove the LA freeways just blasting it on my system...I had a major party to go to but I was late and sitting there, I thought, nah, left and drove around re-listening to the recording...not too long after the boot "Make Believe Ballroom" came out which was another treasured keepsake....

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In reply to by Oroborous

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Maybe in '23 they'll put out a box of RFK from June '73 and the Watkins soundcheck and show (toss in 7/31 and 8/1?) as was planned many years ago. If they have to cut a few songs from 6/9 and 7/28, no problem here. And then you can tack on a reeelly big sheeeew from elsewhere in '73.

In a word, I'm easy. But you probably already knew that. I totally reject the notion, expressed on another forum, that there's not much greatness left in the vault. And the recent OSF '68 find proves it.

Just let the good times roll!

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1) 9/20/70. 2). 11/7/71 3) 8/24/72. 4). 5/26/73 5). 7/25/74 6). 6/17/75. 7). 7/13/76. 8). 3/19/77. 9). 11/24/78. 10) 2/17/79 or 4/22/79 One show for each year of the 1970s, I think it would be a very popular box set. I think these shows are all in the vault. If anybody has shows they think night be better picks, Id like to hear them, especially for 1971, 1974 & 1978, I'm pretty sure about the other picks.

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Hey Nappy, man, been a long time since I thought about this, but drove AZ 666 in 1995 before the name change. That road is terrifying! For like 2 miles you cross into New Mex too. Did you get sucked into seeing "The Thing!"? We each threw down the 75 cents to see it, best decision of my life.....

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In reply to by itsburnsy

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if The Omen hadn't been made, no-one would care.

it's a quantity
a number

I worked at a retirement community with a religious affiliation back in the 90s

the last three digits of the main phone number were 666

someone expressed actual concern over that

now 3...that's a magic number

and 666 is divisible by 3

add 666 together and you get 18

18 in Hebrew number system is a name of G-d

so 666 is an element of G-d

NUMEROLOGY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

watch the movie Pi sometime

it'll blow your funky mind

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So I’m driving with the wife and we go by a house that’s got one of these 100-foot-tall flagpoles with a gigantic American flag flapping in the breeze. And she goes, “I wish we could buy that house, and then put up a gigantic Steal Your Face flag. That would be so cool.” And I’m like, now THAT’s my girl!

Actually, we’re kind of “mixed couple.” Same race and religion, but she’s a first-set gal and I am second-set dude. She likes the shorter songs, especially the happier ones. I like the long jams, and I’m always up for Jerry tear jerker. Somehow, we make it work. I’ve got so much honey the bees envy me.

Last five to stay alive:
King Crimson: Red
GOGD: Road Trips Denver ’73
Kenny Garrett: Pursuance
Makaya McCraven: Deciphering the Message
Sonic Youth: Sister

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I heard that rumor that there was a new Owsley show recorded in '68 recently unearthed.

Does anyone have more info about it?

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666 came from a group of people who were trying to kill Julius Cesar, and that is the code name used for him. Now back to your regularly scheduled decade box set.

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Charlie Musslewhite apparently played on the same bill as the Dead, doesn't get any better then that.

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In reply to by Slow Dog Noodle

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Check the OSF Facebook page for info on the 68 reels.

Edit:
Don’t know why OSF can’t post the info on their own website.
I don’t have a Facebook account and was initially able to read the OSF page, but then got blocked.
Laziness on OSF’s part I guess.
Maybe they’ve posted it since I last checked a few days ago.

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Billy – Great Concept! One question: What's your pick for 1978? Can't find a show on "10/19/78".

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Jeff, thanks for setting me straight, 10/20/78. I went the 20th & the 21st. The Black Peter on the 20th is as good as it gets.

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I'd like to see Chicago 7/25/74. Great set list, last Dark Stark of '74 in the Vault, and it segues into an embryonic version of Slipknot!

I think I'd like 11/24/78. While I do have a great SBD version and video from a good friend, I would like a copy that sounds as good as the top-shelf Full Norman Betty Boards. Not enough officially released late '78 with material from Shakedown Street.

The first time I heard the words Grateful Dead uttered was in 1st grade art class. As I was drawing a KISS logo, my art teacher, who wore her hair back in bandanas every day (often tie-dyed) asked what it was. I explained it was a music group. She asked if I had heard of the Grateful Dead. Uhhhh.....no....are we still talking about music?

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Kiethfan, thanks for the show suggestions for the box set. I'm. glad to hear from people who know way more than me , when it comes picking the the coolest Dead shows, I'll put those two shows you suggested in my lineup for the box set.

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Caught Bob and the pack in Asheville last nite. Very mixed feelings on this one, but the second set with New Speedway>Eternity>TOO>Eternity>Chinacat>Rider>Morning Dew redeemed the band.
Bobby pleases the cowboys with the first set. There seemed to be a lot of cowboys there and a lot of people who did not come for the show, the amount of talking and off key singing was horrendous. The guy directly behind us could not carry a tune if his life depended on it, but he still tried in the top of his off key voice, very disturbing.
If Bobby is going to use a brass section, they should be on tempo and on key, there seemed to be someone off key in that section of the band, don't know if it was the trumpet or the trombone or the sax, but when they all played, a lot of sour notes to my ears.
The screaming of "Bobby" at the top of ones voice can't be heard by Bob. I can't hear and I was not a rock star who spent 30 years on stage with the Dead, so he can't hear your screaming, but the person in front of you gets it's full effect, which sucks.
Got to give Bob credit, he's 6 years older than me and he is still up there, doing his thing. I thought in my opinion that Ratdog was a much better band. In fact, we almost left after the first set., especially when it started with Me and Bobby Magee. Glad we didn't but you get my drift.

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In reply to by DeadVikes

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Grateful Dead
Electric Theater
Chicago, IL
April 26, 1969

Dupree's Diamond Blues
Mountains Of The Moon ->
Dark Star Jam ->
China Cat Sunflower ->
Doin' That Rag
It Hurts Me Too ->
Hard To Handle
Cryptical Envelopment ->
Drums ->
The Other One ->
The Eleven ->
The Other One ->
It's A Sin
Morning Dew
Sittin On Top Of The World
New Minglewood Blues
Silver Threads & Golden Needles
It's All Over Now, Baby Blue
Saint Stephen ->
Turn On Your Lovelight
---Encore---
Viola Lee Blues ->
Caution Jam ->
Viola Lee Blues ->
Feedback ->
What's Become Of The Baby ->
Feedback ->
And We Bid You Good Night

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I can feel your pain. I had no plans to attend any of the shows, but I watch an occasional video just to see what the band is up to. Every show I've viewed, and I mean EVERY show, the crowd is singing along to all the songs, so loud you could barely hear the instruments or the singing. That would not be fun. Glad to hear it better for you though.

Edit: The reasoning behind my "I had no plans to attend any of the shows" is that I consider anything post-08/09/1995 simply a Grateful Dead cover band. No disrespect to D & Co. or any of the other myriad off-shoots (I would love to see Phil & Friends though; they seem to have a much wider and diverse repertoire than D & Co), if you've seen the real thing, nothing else matters. I understand the want/need to keep the music going and make some spending money, but I prefer to remember those times when I was there. I guess we were just lucky to have been there.

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7 years

In reply to by nappyrags

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This was released as Dick' Pick's 26, as a 2 CD set, albeit a very truncated version. The 2nd disc is from the next night at the Labor Temple in Minneapolis. A couple of songs from the Labor Temple show are at the end of Disc 1. This is my favorite DP release, although I don't have many. Supposedly, this is the only live performance of "What's Become of the Baby". I always wanted this complete show released.

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In reply to by rasta5ziggy

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And as someone reminded me earlier this year - the Viola Lee Blues from this show is on "Fallout From The Phil Zone."

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17 years 5 months

In reply to by daverock

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....did you know that Keith Moon died in the same room that Mama Cass Elliot died in four years earlier? And they were both 32 years old?
I didn't. Now I do.

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In reply to by DeadVikes

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DV, I think KF means the last unreleased '74 Dark Star (jam - no DS verse) in the vault. And, as some here might dimly remember, cause I think its come up before, that show is sort a near and dear to my heart, not cause I was there (alas, no) but ca. 24 years ago, out here in the great Red Rock unknown, in my bottom feeder tape trading days, I stumbled into an audience recording of that show, based on my love for '74 and all things Chicago cause I grew up there, without realizing that neither the soundboard, or any audience recording, actually circulated at that time. Sort of a big splash in certain circles (I think Deadhead Compendium wanted a write up for 1st edition from a friend I dubbed a copy for, but compendium was already in galley proof so not possible) because it was the last uncirculated DS from that time, with a Slipknot reference to boot. I got it from the taper himself, whose name I don't recall, a friend of a friend, who also didn't realize that 7/25, the only show he ever taped, was not in circulation. And it was clear as he related his experience at the show, as he lent me the original cassette tapes, under the desert night sky in this dusty little town on his way up from or back to Flag, before or after running the Green or Cataract or some such desert river, that the show was a complete religious experience. So, yes, for years now, I've wanted Dave to release 7/25/74. (edit - to be clear, I want to see complete shows of all of '74 released.)

As for a '78 show for the 70s box - right now I'm thinking maybe 11/18/78 at the Uptown. Yep, Chicago. And who knows, maybe the first 2 shows from that run, which don't circulate as complete SBDS, might also be in the vault.

And the Electric Theatre (Chicago again) in April '69? Lets release everything we got from those shows too. If I remember correctly, it's a studio mix of What's Become of the Baby being played over the PA while the Dead play feedback to it. Sounds like some serious '69 craziness that night.

And, in another Christmas miracle, can we find and release the, up to now, missing reels from the International Amphitheatre 2/19/73?

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In reply to by bluecrow

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Very cool story. You were famous.. till the soundboard presented itself in 2004. I don't think I'm famous for, well, anything, but I'm holding out hope.

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In reply to by JimInMD

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Famous - ha, not at all. still remember listening to the whole freaking show on my very cheap headphones on my very cheap stereo, in the dark of the aging, leaky roof trailer i rented at that time. It was recorded from the balcony in the International Amphitheatre for goodness sakes, with a distant cavernous sound, but yeah I was "there"(!) I could hear it "all"(!) and it was pretty damn cool! And I dubbed an extra copy for a close music friend in Chicago ("Quinnah" at Dr. Wax) and a month later I got a letter from him where he blew me away with the fact that the show didn't circulate, and all that other stuff. To me its the improbable synchronicity of the whole thing that blows my mind. I still have a vision of that high desert night, out in front of the Kokopelli where our mutual friend worked, talking to the guy who taped it, and him describing how he got seriously dozed by someone with the band, how Phil was somewhat under the weather (not that you would know it by his playing) and sat on a stool for part of the second set, and how the Ship of Fools encore was a complete and total religious experience. And funny thing, it wasn't the first time for that with the Dead in that tiny little town.

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In reply to by bluecrow

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...ah yes, Cataract Canyon...if memory serves there are rapids called "The Big Drops" with one in particular called "Oh S**t!!! there...it was a blast...The rapids at the end were kind of non-existent then because the water from Lake Powell was backed up deepening the river...not the case anymore...a few more years of this drought and Lake Powell will be a wading pool...

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In reply to by nappyrags

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Nappy - i boated the San Juan 100+ times easy but never Cataract. Some day.

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Whatever. I'm sitting here still grieving Mark Lanegan, strumming my Jake E. Lee Charvel strat when news of Taylor Hawkins death comes out. Goddamn! Too many of these guys are dying too young. The Foos were about to take the stage in Bogota and they found him in his room. Fentanyl? Shit. Bummed.

God bless everyone and don't take the chances you used to... the drugs are dirty these days.

\m/

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7 years 7 months
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Wow. I wonder where this great setlist show will turn up. Dave's pick in the future? Part of a primal box? Who knows. Let's hope it will be soon.

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Yeah, we also said the same thing, in fact, during the first set I leaned over to my wife and said "worst dead cover band ever". I also had some fun while they tried to play Casey Jones, we laughed and laughed, I said "if Bobby did a line of coke right now, it would probably kill him" and my wife replied that the train is going so slow that the notion that he's having is that it's nap time. Funny because in 2010 when Furthur was in town, they played Casey Jones and it was excellent, started slow tempo and just got faster and faster. Now, that train can't quite get out of the station. I also got to say this, what was that absolute crap that they were smokin' in that hall? Smelled like incense and gave me a horrible headache. I'll stick to my blueberry muffin. So good.
Last concert for me, it was a good run, but now it's over for us. 53 years of going to see rock bands, and we had a time.

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Re: Taylor Hawkins-In one way, it’s hard to imagine someone not heeding the warnings of all the dead musicians that went before. However, as a recovering alcoholic who had 6 years sobriety, gave it away, drank for 8 more years(torture), and is so blessed to have 8 years sobriety, I DO understand. NO ONE is above the disease of addiction. And to endeavor to stay clean and sober is a difficult, yet rewarding, lifestyle. I pray for those going down this road right now.
On a positive note: I was lucky enough to get a clean, soundboard copy(CD) of the 4/26/69 show, and it is a thing of wonder. I’d be happy to send one person a cd copy, if they want to digitize it and share the file with whoever would like a copy. Until Dave(or someone) releases it, it is one prize of my collection.

Please remember, when we help someone else, we help ourselves.

Music is the Best!!

Not a foo fighters fan
But
My beloved got tix to see them in town in august
Now one of emz dead
Re-Placement?

Ive seen the needle and the damage done

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