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    One more Saturday night at Winterland! Yes, we're back to home base for DAVE'S PICKS VOLUME 42, the complete show from Winterland, San Francisco, 2/23/74. The one that featured the earliest amalgamation of what would soon become the Wall of Sound, the one that is so "loud, clear, and defined," it's been ripe for release for quite some time and we're glad it's finally getting its due.

    First set or second, there are no wrong answers here. From the unique show opener of Chuck Berry's "Around And Around" and an incredible "Here Comes Sunshine" that would then disappear for 18 years, to a medley of WAKE OF THE FLOOD tracks - "Row Jimmy," "Weather Report Suite," and "Stella Blue" - cementing their status in the canon and an unstoppable hour through the classic 1973-1974 Dead that is “He’s Gone”>“Truckin’”>“Drums”>“The Other One”>“Eyes Of The World,” it's all exceptionally hot.

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 42: WINTERLAND, SAN FRANCISCO, 2/23/74 was recorded by Kidd Candelario and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • Charlie3
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    Herbie, Jerry & Merle

    Herbie Hancock is about the only one of the artists on your list that I have already, Oro. I have Maiden Voyage, Empyrean Isles, Head Hunters, Sextant, Thrust, and Man Child. I find all to be enjoyable.

    1973-1974 Jerry and Merle is a sweet spot, lots of soul and jazz influences showing up in their stuff from that time, those Keystone Encores box set shows in particular are phenomenal. And an absolute highlight of the Merle and Jerry Collaborations would be Merle Saunders and Friends CD Fire Up +, that disc is on fire from start to finish, incorporating tunes that are straight soul like Lonely Avenue and Expressway to Your Heart, other stuff that is more jazzy like Save Mother Earth and Man Child, and some funky stuff like My Problems Got Problems and the phenomenal Welcome to the Basement. Merle Saunders, Jerry Garcia, Tom Fogerty, John Kahn and Bill Vitt tear it up. An album well worth tracking down if you don't have it already, just peak Jerry and Merle. CD was Released in 1992 and is includes most of the songs from the 1970s albums Fire Up and Heavy Turbulence, I think.

    Another gem is Hooteroll?, a jazz fusion masterpiece from Jerry Garcia and Howard Wales. That is a great album, great to listen to from start to finish, cohesive and gorgeous music.

    I think it was something in the air, 'cause there were just a lot of musical styles and genres being mixed together or teased apart into something new during that period from the late '60s to the mid-'70s. Funk flowing out of soul, jazz fusion explorations by a bunch of artists, the emergence of electronica with stuff like I Feel Love, lots of cool stuff all happening in a relatively short fertile time. Musical forms are constantly shifting, blending, and distilling new stuff through time, but that late '60s to mid '70s period seems like a particularly fertile time, especially for the mixing of jazz, soul, funk, blues, and rock and roll into new forms combining elements of each and taking them in new directions.

  • wissinomingdeadhead
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    Box Set '22

    Still going with Boston Garden '91.

  • Oroborous
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    FTK, Soul Jazz

    VGUY, that should be awesome. I read about it in Bass Player magazine. Interviews with both Les Claypool and Geddy Lee. They asked Geddy what he thought of Les trying to do this and Geddy teasingly said he was nuts!
    Hopefully they’ll be a big brown beaver sighting?

    CHARLIE: interesting how you heard of SJ. Even more so how many of us come to certain music, fascinating really.
    I heard if it after reading an article by Michael Chabon in Rolling Stone about his at the time new book Telegraph Ave (which I liked), but in this article he gets into this Soul Jazz that I’d never heard of, and I’ve been into lots of Jazz fir quite some time. It’s hard to pinpoint and like many styles or genres it casts a wide range: from syrupy string laden Mizel brothers productions all the way to more standard Jazz played by more recognizable names. The sweet spot to me is very much like what Merl and Jerry do on say 9/1/74, or the recent GarciaLive Vol 18, or on Fire Up and Heavy Turbulence etc. I like the oft used description of “Jazz with a backbeat”.
    I have maybe 2-3 dozen albums but would say these are good ones to start with:
    Donald Byrd: Black Bird
    Charles Earland: Black Talk and Leaving this Planet with Freddie Hubbard and Joe Henderson
    Idris Muhammad: Power of Soul (title track is awesome Hendrix cover), and a (2 for 1) of Black Rhythm Revolution, and Peace & Rhythm.
    Deodato: Prelude
    Grover Washington Jr.: I like Inner City Blues and Mister Magic the best. Earth Tones off Magic is nice groovy mellow almost new age like? One of my favorites of his. I think Magic is a good first choice. Soul Box is pretty good too. I’d say ya might not like all the tracks on all the albums depending how your pleasure tends, but if you made an 80 minute best of from the three you’d have a super cd. If that helps? But I’d advise anyone interested to check out stuff online first.
    There’s a good series of compilations out called the Legends of Acid Jazz that has some good treatments of many of the main cats, like genre guitar go to’ Melvin Sparks, and Leon Spencer, George Benson dabbles around the Soul Jazz edges. Jimmy Smith Back at the Chicken Shack is old school, and Dr Lonnie Smith is another of many keyboard/organists. One of the cool things is how like jazz, so many of the main dudes play on each other’s albums.
    Many more but those are good starts.
    The cool thing is it’s easy to Segway into things like MMW: End of the World Party and Uninvisble, and even on to the Beastie Boys, yes those Beasties Boys: The In Sound From Way Out and The Mix Up. I think of Curtis/Superfly as another cousin to all this. Herbie Hancock Head Hunters fits too.
    To me SJ is like another kind of jazz fusion. Not the scorching Miles or Return To Forever etc, which is more rock like to my ears, but like a funky soul stew of jazz, soul and rock. Perhaps like some Motown cats played jazz?
    As I say, sometimes hard to pin point, and certainly not for everyone, but to me it’s like the Garcia/licorice story.
    Not everyone will like it, but those who do will love it!

  • Vguy72
    Joined:
    A Farewell To Kings....

    ....yea. Primus will be playing it. Contemplating taking some fungus along 🤔.

  • Charlie3
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    Soul Jazz, Acid Jazz

    My exposure to soul jazz or acid jazz is limited and mainly consists of listening to Fusion FM hosted by Roy Ayers in Grand Theft Auto IV in Liberty City, not sure if that's exactly on point. Nice stuff, a mellow, jazzy, psychedelic vibe to some of it as I recall. Mister Magic by Grover Washington Jr is on my list of future acquisitions, maybe some Roy Ayers as well, who knows once I get started in that direction, just haven't picked it up yet. Hopefully Mister Magic is before the transition to Kenny G. that you describe, Oro. Grand Theft Auto in its various iterations actually turned me on to a bunch of great stuff on the various radio stations. Cool to just drive around listening to the radio, sparking the occasional police chase or just looking for hidden stuff. Don't knock it if you haven't tried it. Not a bad option as far as an option for a time vacuum. You know you're hitting the GTA a little hard when you start to notice all the unique stunt jumps when you're driving around in the real world. (GTA fiends may get it, the rest of you will just have to play the game excessively, then take a drive in the real world.)

  • Oroborous
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    DMCVT

    Mary says the tech team is looking in to why you can’t post.

    Thanks Mary!

  • billy the kiddd
    Joined:
    Next box set/ Sugar Pie DeSanto & Etta James

    Saw Sugar Pie DeSanto and Etta James both play at the S.F. Blues Festival, also saw Etta James play with the Dead in 1982. Next box is gonna be something from 90,91, 92, possibly Winterland March 1977. I hope its something from 1969/1970 with acoustic material included.

  • Oroborous
    Joined:
    That’s why they play the game

    To quote the great Chris Berman!
    What a game! Now that was sports worth watching.
    The outcome does not surprise me. The Bolts are like a bad case of the clap that just won’t go away, and I mean that as a complement!

    AJS: well said as usual. I agree. Pretty much sums it all up.
    MIKE: LOL. and yeah, Kadri’s “enthusiasm” can sometimes be a little nerve racking.
    PF: love the cup jokes etc, and the energizer bunny, hell last night I felt like I was doing speed!
    Dark-Star: good to see ya xxoo. Sounds like your the drunk yelling from the arm chair. I’m just showing solidarity for my fellow Americans, and VGUY, STOLZTY, PANCHO, PT BARNUM etc.
    VGUY/PRIMUS: will they be doing Farewell to Kings? Either way should be cool! Have Fun!

    CHARLIE: cool stuff, thanks for the good read! Brought up so many awesome aural memories. You guys ever check out Soul or Acid Jazz (prefer Soul as Acid is not really appropriate). Charles Earland, Donald Byrd, Idris Muhammad, Melvin Sparks, Deodato, Jimmy Smith, Dr Lonnie Smith, Grover Washington Jr. (before he went all Kenny G) and so many more. Fits right next to Curtis the Superfly Pusherman etc, GOOD SHEET MON!
    Lots of crossover between Soul, Motown Jazz etc. I always felt much of what Merl and Jerry were up to fit in this category. And Disco is perhaps cousins to all this? I like to make my own sorta best of CDs, and I made a killer 2 disc version for a friends young daughter who loved disco. But we like it too, it can be fun stuff, hell folks used to dis The Bee Gees but if you really check out their music it’s pretty solid (and those boys burned like chimneys. My cousin worked on their studio and said no burned like the BeeGees) and I Feel Love, that was my opening track! And what a great stoner song. Put that on a big stereo set up with good stereo imaging, get prepped ; ) , and sit in the sweet spot and check it out. It sounds amazing and that cool auto pan stuff is right outta Healy and Mickeys bag of tricks.

    Ah yes, Music, sweet, sweet music, the antidote to what ails ya and the ills of the world.
    As Mr Ones would say, Music is the best! Crazy how much great music there is…

    CONEKID: almost forgot ya. I can understand your ongoing feud. Took us awhile to get over the Wings lol.
    And as a life long Buffalo fan for good or for Ill, it’s still hard to like the Dolphins (sorry vguy) Dallas, and I’m not sure I’ll ever be able to root for the Patsies, even without Brady and Gronk!
    I’m just curious, is because of the overall war that was that great rivalry or perhaps just the Lemieux issues?
    I’m trying to remember, I’ll have to look for that show you mentioned.

  • simonrob
    Joined:
    Ah, soul

    Hahaha. See what I did there. 🤭

  • Charlie3
    Joined:
    I Feel Love

    You are correct, DaveRock, Donna Summer's I Feel Love is great, if I'm in the mood for some Donna it's either that track or Love to Love You Baby more often than not.

    Sugar Pie DeSanto is awesome, one of my favorites. Soulful Dress is a great tune and she has a lot more just as good, or in a couple cases even better. I picked up a couple of CD's by her and Go Go Power, the complete Chess Singles is a smoker from start to finish, the better of the two that I picked up. Soulful Dress, Do I Make Myself Clear, In The Basement (with Etta James) and Mama Didn't Raise No Fools stand out in my memory at the moment as highlights of that collection. Do I Make Myself Clear is absolutely on fire.

    And, yeah, the Stax boxes, the first three were an early acquisition for me in my soul collection, but there is also a fourth Stax Box - Rarities and the Best of the Rest - that covers some soul rarities, some gospel, and some of the other stuff released on Stax and related labels that ranges outside the soul category. That fourth one is not quite as consistently good as the first three, but it does have a few things that got in my head and my completist nature left me no choice but to pick it up.

    For something from this century that sounds like it could have been released in the 1970's, check out Charles Bradley, particularly the track Ain't It a Sin. If you can watch him do Ain't It a Sin online on the you post it video site and not want to pick up some of his stuff I would be surprised. Started checking Charles out when I saw an article about his soulful cover of Black Sabbath's Changes, good stuff, cool version of the song.

    And Curtis Mayfield, started checking him out when a friend suggested the Superfly soundtrack, and all it took was the song Pusherman to get me seeking out more Curtis, not to mention my dawning realization that the HBO show the Wire had a bunch of Curtis playing at various points and I dug it. Give Pusherman a listen and see if you can sit still. There's a good box set - Curtis, Keep On Keeping On, Curtis Mayfield Studio Albums 1970-974, a good way to get all his albums at once for a great price. The HBO show the Sopranos also had a bunch of soul tunes scattered throughout, I'm still looking to track down a copy of the song Sally Go 'Round the Roses by the Jaynettes. Or rather, I just picked up a copy this morning, further support for the hypothesis that I have an online shopping problem and a near pathological need to expand my CD collection.

    I'll try and shut up now, but once I start down the soul rabbit-hole I can't stop.

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One more Saturday night at Winterland! Yes, we're back to home base for DAVE'S PICKS VOLUME 42, the complete show from Winterland, San Francisco, 2/23/74. The one that featured the earliest amalgamation of what would soon become the Wall of Sound, the one that is so "loud, clear, and defined," it's been ripe for release for quite some time and we're glad it's finally getting its due.

First set or second, there are no wrong answers here. From the unique show opener of Chuck Berry's "Around And Around" and an incredible "Here Comes Sunshine" that would then disappear for 18 years, to a medley of WAKE OF THE FLOOD tracks - "Row Jimmy," "Weather Report Suite," and "Stella Blue" - cementing their status in the canon and an unstoppable hour through the classic 1973-1974 Dead that is “He’s Gone”>“Truckin’”>“Drums”>“The Other One”>“Eyes Of The World,” it's all exceptionally hot.

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 42: WINTERLAND, SAN FRANCISCO, 2/23/74 was recorded by Kidd Candelario and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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Out of house at 5:15 AM, in line at 5:55. Doors opened at 7. Store did a great job of line control, was out of store by 8:15.

Once I get the Mama box of Europe LP's, I will have 6 of the 22 Europe shows on vinyl! Yeah!?!

There's only 6 that's been released, right?

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Hey Nitecat, It would be extremely cool if you could tell us more about your taping days: recording rig, adventures at venues, taping before and after there was a tapers' section, etc. Tapers' tales are always fascinating, but there just aren't enough of them. Nudge, nudge. . . Still wandering through the 13 of your shows I found on the Archive, for which an ongoing THANK YOU! for sharing. Bravissimo!

BTW: I just realized that your auds from 10/10/80 & 10/11/80 got mislabeled/misfiled on the Archive as 10/10/89 & 10/11/89. I wondered about the gap between '80 and '89 in you taping efforts, and was surprised that your taping equipment was the same after nine years. That 'splains it. Onward

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In reply to by daverock

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I assume they will release that whole show,,,, I also assume they will release ALL of E72 on vinyl. This will make a nice compliment to the steamer trunk,,,, to have the whole run on cd AND vinyl.

WOW,,,, I shutter at the ebay price!

Dennis - It would be good if they do - but they need to make them available to buy in Blighty for me to splash out.

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In reply to by daverock

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Tracking not yet available.
I expect delivery next Friday or Saturday based on past timetables.

Local record shop opened at 8, I got out of bed at 10, just had breakfast, now starting my first cup of coffee.
I’ll probably get to the record shop around 12:15.
Will there be a copy for me? I’ll let you know later.

They’re all on Losslesslegs too, under Wiseman.
I grabbed 6-13,14-80 so far but haven’t listened yet.

Thanks Nitecat.

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In reply to by icecrmcnkd

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Seattle...very nice pull indeed!

Again, thanks so much!!!

G

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15 years 5 months

In reply to by carlo13

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Dave is always displaying the one he gets in the mail on twitter - from what I recall it's always in the middle or back of the pack. That might be his playing edition, but I like him at the helm. My guess is Pinkus gets numero uno, maybe they save #1 for the GD Museum.

My best digits was #75 for DaP12 and #26 for St Louis Box. My triple digits are DaP38, RFK '89 and 1st Spring 1990. The rest are four or five digits. I typically order within an hour when new product or subscription announced, but been doing subscription from year 2.

Was bummed that my 30Trips was so far down the numerical list since I ordered it in 1st five minutes, but then again, once it's taken out of shrinkwrap its value diminishes drastically.

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Belatedly and haven't got there yet, but do look forward to listening. Much appreciation for that... also like to hear a recording adventure story or 3 back in the day. My audio geekdom aside, any details about process too. Gary might have been confused, twas me who wrote I stopped going to Dead shows in 1980. Not that I don't look back with regret on that, it was partly their scene changing and my full dive into jazz. 1980 moved deep into mountains of Vermont, half way off the grid, organic, back to the land adventures previously begun in Maine. Just a few random east coast shows after that for quite a while. Never music on the west coast, huge void there. Out in San Francisco summer 1968, 16, but with parents, kibosh on possible Santana and Dead (Fillmore and/or Shrine) shows, arrghh. Billy The Kidd, thanks for banging the drum on a 60s box, Rhino must have heard almost enough by now, just put 5-6 concerts together, 12-15 discs or so, bingo, 10K sell out. Last Beer: Lagunitas The Waldos. Last music, Rory Block, various.

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8 years 3 months
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Hey All,

I've been waiting for this notification to arrive in my inbox... Not seeing it, I checked and had an oh-crap moment and realized that I somehow failed to order a subscription this year. Could have sworn I had ordered it, but then again I'm the same dummy that accidentally ordered 2 subscriptions for 2020 (forgetting that I'd already ordered one).

So, would love to connect with anyone who would be interested in trading their 2022 CD's (unopened would be great, but opened is fine as long as they're not scratched or damaged) for my unopened copies of the 2020 series (33-36). Please message me here, or at brewbat2 at yahoo dot com. Thanks y'all!

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Just got back from a casual stroll into Newbury Comics and despite my horror at finding a gaping hole in the Gs of their display, a clerk happily told me they had a bunch, but due to their size, couldn't display them all, so he pulled out about 5 copies and handed me one. Inquired on the Ramones box and they had only gotten one copy, so not needing anything else, I departed 155 bucks lighter, but with 5LPs of the show where the Dead really started their storming of Europe. The first night is okay, but this show has long seen Most Highly Favored Status along with a handful of others from Europe (4/26, 5/3, 5/7, 5/26). A welcome addition to the collection. Look forward to listening, not sure I'll do a straight through like I did 5/3 this time last year...

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In reply to by dmcvt

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Thanks for the correction. I thought when I posted Maine 1980 that I might have mixed two for one.

I can understand the deep jazz dive. I am a lover of all kinds of music.

Several months back there was discussion of the most quiet moment experienced in a live setting. Absolutely a brilliant Morning Dew can have that quiet chills moment. In the early 1990's, I saw Itzhak Perlman with the local symphony orchestra. He was so impressive, walking across the stage with his polio crutches. He then put on an hour show that was incredible. He had a moment where the whole hall hung on this incredibly quiet passage. He gave his all. Sweating profusely. He barely had the energy to walk off of the stage. One of my highlights of seeing music that goes back for me to 1972.

As far as Jazz saw Dizzy Gillespie fried on white lightning at the Blue Note in Greenwich (ooops edit) Village. Have seen him 3 times, 2 in NYC and once in my home town. Have seen Preservation Hall Jazz band numerous times, locally and in New Orleans. I went to Jazz Fest New Orleans form 1997-2004. Lots and lots of fun.

G

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3 years 11 months

In reply to by Gary Farseer

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Last five:

GD Daves hawaii shows Jan 70
David Bowie station to station
David Bowie lodger
GD in progress: 5 6 81 dixpix
Talking Heads 77

and

David Bowie young americans

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DMCVT, I've been banging the drum for a 1960s box for years on this forum. so far no luck, but Ill keep banging that drum. I would also like to see a Frost Ampitheatre Box, 1982 & 1985 shows would make up the box. You were out here in the Bay Area in 1968, my brothers friends went and saw the Grateful Dead on 5/16/68 at the Santa Clara County Fairgrounds, they saw Hendrix there in 1969. Take it easy, have a nice day.

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Good News KeithFan! Your order is on the way!

And they ain't talkin about the beer glasses.....this is the real deal...DaP 42.....Skeleton Skaters, Part Deux: Back On The Ice!

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Yes indeed, have banged that drum a few times myself along with others here, likely some of the older persuasion. Am OK with what seems emergent pattern for DaP to include a great 80s show or two, nothing against that though my prefs will always be the first decade. And for best audio possible, no cassette master please, just not enough tape there for fourth dimensional details. As far as parents and the short leash summer 1968 while in San Francisco, they held the car keys, I did not know what I was missing, they did not want to be missing me and their car. To be fair, tremendous latitude back home DC with the family car, cruised as far as MSG for Concert for Bangladesh, Ocean City MD for The Byrds.

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In reply to by icecrmcnkd

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It's all over Discogs at the moment. Not from any UK sellers yet, but lots of U.S. outlets there.

I got into taping in 1975 at a Pink Floyd concert at the Cow Palace in Daly City, Ca. I borrowed a roommate's portable Sony recorder. It didn't have volume settings, just auto-level, and a one-point stereo mic. Because the Floyd's sound was epic, my recording came out pretty good. It was fun playing back the show and listening to it again with my roommates.

I was hooked. I sought out a portable Sony with volume controls, and stereo jacks for two mics. The only one available at the time was a huge thing called the TC-152SD. You can google it. It was the size of a thick phone book. I think its size was due to it had a built-in speaker. I bought a Teac cardiod (directional) mic, and for a time only made mono recordings - that was all I could afford at the time.

That Sony deck was a challenge to smuggle into a show, I'll tell you. I put it in a back pack, dropped the straps down so the deck sat in what I hoped was the 'small of my back' and wore a huge puffy down jacket over it all. I got it into clubs ok where there wasn't much of a search. I started taping around 1978, taping Jerry Band, Roy Buchanan. I got it into Bill Graham events a couple times (the Kinks), mainly due to the search person being distracted by the person in front of me, not intentionally, just lucky. I looked really funny wearing that huge down jacket in the summer time!

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This is one of my favorite shows. When they released 2/24, I had actually wished they'd picked this one instead. Better late than never.

With most of the recent Dave's Picks, though, there's already a great SBD in circulation. I wish they'd release some stuff that is not already available in high quality SBD.

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Managed to snag a copy of the 4/8/72 vinyl AND the ABB's 'Cream of the Crop 2003' 3-lp RSD thingy. So I'm now about $200 poorer, but I got me some cool vinyls to spin later. Both releases are ebay and discogs, for anybody who missed out,

What's my secret? After standing in line for two hours last year and getting shut out, I found a different record store, one where the neighborhood is too scary for anybody to camp out overnight, and where their clientele is mostly young punk rockers who, I guessed, would be uninterested in the GOGD or ABB. Worked like a charm. Waltzed in their at noon, picked up the rekkids, and was outta there in 15 minutes. Booyah.

Last five:

GD: DiP 15 (disc one on the ride home)
Haydn symphonies, Szell/Cleveland (can't remember which, just good morning music tho)
John Coltrane: My Favorite Things
Bill Evans: Turn Out the Stars
TTB: Best of the Beacon

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Didn't happen I just went to eBay. Of all of the RSD released 5/4/79 is my favorite I was always hoping it would get released as a CD just like 4/18/70 got both an LP & CD release.

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Phil and Friends will perform for free at the annual Stern Grove Festival in SF August 14.

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17 years

In reply to by wissinomingdeadhead

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RIP Rick Turner
Alembic godfather that was an important cog in the GD technical machine that changed R&R forever!
As a proud Alembic owner, thanks for all you did directly or indirectly that allowed me many years of joy being privileged to play such a fine instrument!

NITECAT 6/13/80: good job sir!
Look forward to enjoying others.
We’ll have to get a list so we can play more on Pick of the day with discussion as we did yesterday!
400, impressive indeed! What do the real estate folks say: “ location, location, location” lucky basted, you and Billy K and the rest of you Bay Area folks. Yes, totally jealous!

As we count down to 42. perhaps we shall quote Flounder this is gonna be greaaaatttt!

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In reply to by billy the kiddd

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The Santa Clara Pop Fest '69 with Jimi closing the weekend...I have an ok boot of his set...guitar and band come through clearly but the vocals are muffled...five of us in a VW bug (we were a lot skinnier then) drove up the coast from LA to Big Sur for a couple of days and then on to the festival...did your Bro and his pals go to any other of the festival days?

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Hello, Newman. I have a Floyd bootleg called crackers. I think it's a BL. Have you ever heard of this tape? I received it during a dead show at giants stadium. I traded a dead tape for it from a chick I met.

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I've been busy downloading all of the Dark Star Orchestra shows. I've noticed (and have observed this with other bands).

You read the comments from the tapers and the audience, and they will talk about, "oh at this show the rain NEVER let up". Or, sorry about the recording,,,, the rain.

Now I know most of us can picture being at a show where it poured like a bitch for the whole show. And how miserable that can be.

But and a big but, you can't hear any talkers in the recordings. Like they left because they didn't come for the music and are NOT going to stand in the rain. So the tapes maybe a little hissy from the rain, but there is no goddamn talking!!!!

Now that's a plus!

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10 years
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. . . or Are You Just Glad to See Me?"

Haa! Great story Nitecat – and a hilarious image. Thanks! Keep 'em coming (both your posts and your AUDs)! Onward.

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13 years 8 months

In reply to by carlo13

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Have not heard of Floyd BL 'crackers'.

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17 years
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Its listed on floydboots.com and discogs.

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7 years 2 months
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Cool. Thanks for the info. Yes, I'm lazy. Thanks nitecat also.

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In reply to by carlo13

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who would put on a phony leg cast and have friend push him in his wheelchair...the seat had a false bottom that held the tools...this was 70's stuff I believe...

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This a a 2-cd set of Hollywood Bowl 9/22/72
Dark Side-Disc1
Careful, Echoes, Saucerful, Set The Controls-Disc 2.
I’ll have to track this down, looks good.
Listening to Billy Cobham Live Ayajala ‘78
The Magic Band tour Chicago 3/4/78.
Getting ready to cue up Dave’s 21-Boston Garden 4/2/73…getting ready in advance of ‘74 show, coming soon(I hope).

Music is the Best!!

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In reply to by Mr. Ones

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I went to a swapmeet yesterday

Someone selling stickers

I got a bunch including a Wolf sticker (the image on Jerry's guitar...you know)

Listening to 5 25 74 today

Niiiiice

Thanks for the heads-up on my auds from 10/10/80 & 10/11/80 got mislabeled/misfiled on the Archive as 10/10/89 & 10/11/89. It has been corrected by the team.

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8 years 11 months

In reply to by Gary Farseer

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check pm, will be back in touch.

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9 years 8 months

In reply to by Gary Farseer

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I just got home from the Drive by Truckers show! They absolutely tore it up, and hats off to them for reminding me why I love live music. Respect for Mike Cooley’s guitar chops!

Thanks for the ABB info. I always have time for them! Cheers!

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11 years 5 months

In reply to by Gary Farseer

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Ha! Found it...the wheelchair taper was the infamous Mike Millard from LA...here's a cool story about the korneyfone label that was an offshoot of TMOQ...the article is mainly about Stan Gutoski a famous Seattle based taper...

theamazingkornyfonelabel dot wordpress dot com

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11 years 5 months

In reply to by nappyrags

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His '75 recording of one of the Stone's shows at The Forum was awesome...it came as a three LP box that sounded great for the time...I have digital rip of it and I play it every now and then...it's like a time machine for me

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7 years 2 months
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Scorpions w/legendary guitarist uli Roth - sails of Charon.
Cream - politician
Electric flag - another country
Sly and the family stone _-don't call me *igger, whitey
The raiders - Indian nation

P.S.- check out the scorpions 'sails of Charon's you tube video - the 1978 German TV 16/01/78 musikladen version. Uli Roth is so incredibly badass on lead guitar w/ his psychedelic hipster clothes

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3 years 11 months

In reply to by carlo13

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GD 5/5/77
GD 5/25/74
TRex Electric Warrior
David Bowie Diamond Dogs (a few good trax, but not as compelling as many of his albums)
Talking Heads Fear of Music (their first 4 albums are extremely tasty)

next GD:
5/7/77
the rest of 5/6/81 dix13

saw a bumpersticker two days ago "Bach Off"

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3 years 11 months

In reply to by proudfoot

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on some show, Pigpen threatens to hogtie and throw out "Mr. Electrician Man" (I think that's what he says) because of ongoing phuqery with lights or the sound

I want to use that sentiment for the reCaptcha genius

I freakin' HATE that stuff

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