• 1,367 replies
    Dead Admin
    Default Avatar
    Joined:

    You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

    "Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

Comments

sort by
Recent
Reset
  • billy the kiddd
    Joined:
    Nitecat 1987

    Nitecat, I was at that Oakland Dylan/Dead show in 1987, I thought the Dead played great, and seeing Garcia playing the pedal steel was really cool. My favorite shows of 1987 were the Garcia band acoustic/electric shows, those shows at the Warfield Theatre in Nov. 87 were a knockout, and the show up on the Eel River was a totally cool scene. We drove back to the Bay Area to see Garcia play at the Greek on Sunday. Bonnie Raitt was also on the bill.

  • Vguy72
    Joined:
    Shipping notice occurred this morning....

    ....my mailbox is chrysalis. Gonna start glowing soon.

  • hitmeister
    Default Avatar
    Joined:
    I haven't received mine yet,…

    I haven't received mine yet, but I've had a recording of this one for many years. When I think of this show, I always think of the NFA. Perhaps it would be my favorite version if not for the one from Hartford 2 nights later.

  • alvarhanso
    Joined:
    Re: Video

    I'm quite into concert videos, and if they get some good film of the Dead from '65-'77, I'm likely buying it. Would love one of those Acid Test videos to be released on something if a whole Viola Lee exists and is in the Vault or if they work out a deal with whatever Merry Prankster may have it. The footage they shot for TV doing their new single Golden Road would be good if that's in the Vault. Or if more of Europe '72 was captured on film. Any Wall of Sound footage, like the Last Shows at the Winterland in '74... For '76, it'd be nice to get an official, cleaned up release of 8/4/76, paired with cds like Sunshine Daydream. I don't really care that it's in black and white. It's a great show that exists complete in both formats, and would make a great combo release.

    My love of concert film is derived from The Kids Are Alright and The Who 30 Years of Maximum R&B Live video with fairly good snippets of shows, and led me to tracking down bigger chunks of those shows. I got a VHS of the Who at the Isle of Wight in 1970 in 1994, two years before they released the whole show on cd, and at least another couple years later, finally the video was released. Fast forward 28 years, and I have a decent hoard of Who videos I've traded for or downloaded, and got quite a bit of Pink Floyd, too. And if they release any Duane era ABB officially on video I'll be getting that, hopefully the master of that PBS film of 9/23/70 Fillmore East is somewhere to be found. The one on youtube is good quality, slightly better than the VHS I had and VCD I still have, and I hope there's more footage of the Love Valley Festival July 1970, Duane is jumping around during Mountain Jam, and just tearing it up. Some bits of their opening set at Atlanta Pop Fest have been shared on Instagram, and a May 1971 show in Chapel Hill, NC had at least one song set to a montage of footage from the events that day. Stuff like that popping up gives hope there might be more buried in a closet somewhere. Talking Heads Stop Making Sense is also just a masterpiece of performance art, and some of the Peter Gabriel concert films I've seen are incredible as well.

    Also, Couch Tour is an awesome and amazing thing that pre-dates COVID, but really hits its stride because if you wanted to watch live music, that's what you had. It's also a great way to go through an entire Phish tour without getting Wook flu, which has no mild symptoms, nor any known vaccine. And the ability to pause and go to the bathroom, YOUR BATHROOM, which is even better.

  • JimInMD
    Joined:
    VFTV IV, Sauce, Hatchets, Missing Shit and GD

    First.. thanks Nitecat.. it's refreshing for a relative newbie like me to hear an old timer like you saw more shows in 87 than any other year.. because, well, same for me. Saw 8 CA shows, Red Rocks, Telluride, Alpine, first shows in Boston (well Boston area, Boston Proper, ...) plus many more. I had the time and saved for tickets and gas and by 88 and especially 89, responsibilities came to roost and try as I might.. from that day forward they remain (although I still try and see as many shows as I can pull off). My only Greeks and Ventura.. Love VFTV IV and videos in general, but I do sort of agree with OB.. I don't revisit them as much as I should, not sure why.

    Sauce.. anyone who gets sauced needs a proper sauce staining prophylactic preferably loose fitting with a pocket for a left handed monkey wrench. They're good at keeping gooey stuff off the friggin sofa..

    Finding shit.. so my older brother came out to visit today. We left early for some backcountry skiing the first part of the day. Perfect conditions plenty of snow, crisp temps balanced with plenty of sun and edibles for me. Had a blast. Got home just before the kid got out of school and planned to take him downhill skiing for the afternoon/evening. My brother reaches for his wallet and his hand comes out the bottom end.. big hole in pants, no wallet. He took three diggers, most in the first hour. Additionally, he is an avid birder and is supposed to head to India next week to catch migrating fliers and other interesting foul feathered fun. So having no wallet causes big problems when balanced with international travel. We can do this, I said.. no new snow to bury it and I don't think anyone else skied there today. Lets retrace our steps, no time to waste. ....and I found it.. about two miles from the truck and a foot off the trail close to where he last fell. About 1/4 of the wallet was sticking up above the show, made it back to the truck in record time. Drove home as fast as one can drive and call it safe, made the last two hours of downhill skiing before resort closed, got some BBQ to go on the way home, just finished eating. Whew.

    What does any of this have to do with the GD. It has everything to do with the GD, what else am I going to listen to?
    Starting with 7/17/76 of course. What a great day ....and HF, no, I did not bring my hatchet. That's all I've got. As you were.

  • nitecat
    Joined:
    VFTV4

    Funny thing, just last night I was watching View From the Vault 4, which features two stadium concerts which wrapped up the 1987 6-stadium Dead-Dylan Tour. 1987 was a great year for this deadhead, it was the year I saw the most Dead concerts in my life. I saw all three west coast stadium shows on the tour. When I watched the video, I enjoyed watching Jerry's fingers as he plays such beautiful runs on his guitar, and also the interaction between Jerry and Brent. It was great to see them smiling at each other. There were some distracting special effects the director through in from time to time, but fortunately not too much. The show was excellent too.

  • jjc
    Joined:
    Received this morning. God…

    Received this morning. God Bless The Grateful Dead!

  • frankparry
    Joined:
    3/1/69

    Picked up from Rough Trade in Nottingham this morning for a penny under £85 (about $114). I couldn’t find it on dead.net store so don’t know if that’s a good price.

  • hendrixfreak
    Joined:
    Okay, I surrender to the prime directive: sauce protection

    And I confess:

    I got through one tough winter a few years ago by buying more than a half dozen Rolling Stones vault videos. Some are fantastic, but some will drive you crazy. The music's going, Jagger's done with a verse, and Keith ramps up a solo -- while the camera follows Mick doing his stupid prancing across the stage! Or the camera is on Keith and it's Mick Taylor or Ronnie soloing. So, yeah, rock video can suck. If I recall, the Scorcese film of the Stones was pretty good, as was the Last Waltz. (Though I hated to see The Band break-up.)

    Hmmm, do they make those aprons in XL? I put on a few covid pounds....

  • Sixtus_
    Joined:
    Ha - The Daily Doug

    So, DMCVT...talk about irony...I actually stumbled across that one - The Daily Doug - last week, and meant to rant about it here.

    I won't spoil it, but hey now it was so entertaining to see a classically trained ear totally break it down and 'get it', our beloved Terrapin Station.

    Goose is good, from what little I've checked out on uTooB.

    That somewhat infamous Mini-Quarter Scale Wall of Sound is being utilized by a Dead Cover Band this Sunday evening, in Lancaster, PA. Local Heads Rejoice. I'm looking forward to the Future Scales Project those shows are funding....one Day, one Day...the Full Scale will come....Muah ahh ahh ahhhhhh.

    Daverock...see, that's the beauty of DeadZoomin'...easy to make new friends/maintain current ones, minimal commitment to travel plans/accommodations other than trips to the loo or refresh your vessel of choice....can come and go as one pleases....no pressure situations...yet a somewhat shared experience; but agreed that a solid setup helps nudge the whole thing along a bit.

    Reporting with Storm Track Blues,
    Sixtus

user picture
Default Avatar

Member for

3 years 4 months

You can listen to Grateful Dead records over and over again and never understand the attraction they have for certain people until you attend one of their concerts. Sometime during the Dead's usual five-hour set, it will all click: Jerry Garcia's Indian bead string of notes on the guitar, the ozone ooze of the vocal harmonies, the shifting, shuffling rhythm of bassist Phil Lesh and drummer Bill Kreutzmann, and the distant echo of the oldest of American folk music. - Columbia Flier

"Certain people" will know that we're coming in hot with one that's got all these things and more, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away." 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 41: BALTIMORE CIVIC CENTER, BALTIMORE, MARYLAND, 5/26/77 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

user picture

Member for

7 years 1 month
Permalink

This a a 2-cd set of Hollywood Bowl 9/22/72
Dark Side-Disc1
Careful, Echoes, Saucerful, Set The Controls-Disc 2.
I’ll have to track this down, looks good.
Listening to Billy Cobham Live Ayajala ‘78
The Magic Band tour Chicago 3/4/78.
Getting ready to cue up Dave’s 21-Boston Garden 4/2/73…getting ready in advance of ‘74 show, coming soon(I hope).

Music is the Best!!

user picture

Member for

11 years 7 months

In reply to by Mr. Ones

Permalink

I really wanted to go this show but...
1) I was living off the road in between San Luis Obispo & Morro Bay working for the Cal Forestry
2) I was a bit put off by the "commercial success" that allowed the band to play the Bowl (stupid, I know)...I had seen
the previous two tours, Atom Heart Mother & Echoes at the much smaller Santa Monica Civic Auditorium
3) Because of work I had to make a decision of seeing the PF gig or seeing GD do two nights at
the Hollywood Palladium two weeks prior to the PF Bowl gig...a no brainer...

Since you mention seeing them on the AHM and Meddle tours, and thus being quite familiar with Floyd before they hit that mainstream success with DSOTM, I wonder if you recall what your initial impressions of DSOTM were. Gilmour in Classic Albums famously says he wishes he had the experience of being a music fan in 1973 hearing the album for the first time, since they had played most of the album for a year before it came out, then recording and re-recording them, then mixing, he feels he missed out. Especially interested in your take (and anyone else of that awesome era who remembers Floyd pre-DSOTM) on that evolution following Saucerful, AHM, Meddle, and Obscured.

I have a decent collection of Floyd liberated boots from my days downloading from dimeadozen and Trader's Den, etc., pretty sure Hollywood Bowl was in there. I tried to get as many versions of Echoes as I could find. Loved that they brought it back for Wish You Were Here tour, plus Raving and Drooling and You Gotta Be Crazy, the pre-Animals Sheep and Dogs.

I didn't see Pink Floyd until 1975, when they played a large outdoor festival at Knebworth. But I started buying their
albums in 1972. The first one I got was the budget compilation " Relics" followed by "Meddle" and then "Umagumma". I loved these albums at the time, and they sat alongside albums of what has since become known as "space rock" - Hawkwind, Gong, Faust - the amazing Wolf City" by Amon Duul 2.

My brother got Dark Side of the Moon almost as soon as it was available, and.....it was clearly a great album, but it didn't actually have the qualities I liked most about their earlier albums. It seemed like they had gone mainstream, in a way. Before Dark Side, they were very much a "head" band, and were seen, as I remember it, being quite avant- garde. Great spaced out epics like "Saucerful of Secrets" "Set The Controls For The Heart of The Sun" and Echoes". With Dark Side they seemed to become more of a straights band, singing about the grimness of modern life.

They were nowhere near as much fun live as Hawkwind in the mid 70's. I can remember seeing Floyd live in 1977, in a huge air hangar - this was shortly after "Animals" had come out. Everybody was squatting awkwardly on the concrete for hours on end, and when the Floyd finally fired up, someone stood up. The bloke squatting next to me angrily shouted at them to sit down-and then turned to me and said "The Floyd deserve to be listened to." This was why punk happened.

That's sort of what I was thinking would be a fairly typical response to what does seem to be a much more mainstream direction. Which is also why Echoes being the direct antecedent to Dark Side is so interesting, since one is an extremely exploratory song, the other an album of musical and lyrical coherence, but still retains aspects of Echoes. Also, quite funny how a lot of Floyd fans in the decades since are largely fans of DSOTM-The Wall, maybe even Division Bell, and quite a lot seem to passionately hate the more adventurous stuff. But then, maybe not so funny at all, since Deadhead camps exist where the Era Wars are real and ugly.

user picture

Member for

8 years 11 months

In reply to by alvarhanso

Permalink

My favorite band up until I attended my first Dead show.

Animals is my favorite album but the first CD I ever bought was Saucerful of Secrets in 1987.

Saw the trio in 87 and twice in 94, second night was complete DSOTM for Set2, same setlist as on the Pulse video.
Saw Waters 4 times, 2007,10,12,17.

user picture

Member for

11 years 7 months

In reply to by alvarhanso

Permalink

First, an apology for my addled memories...the choice between going to the Hollywood Bowl for PF or the Hollywood Palladium two weeks earlier for the GD was based purely on the fact that I'd rather see GD...DSOTM wasn't even released until 6 months or so after the Bowl gig... touring with unheard music was pretty ballsy...the Mother Heart Atom show was great with a small orchestra and choir accompanying the band...it started with "Astronomy Domine" and it just got crazier then that...during the floating wisps intro to "Careful With That Ax Eugene" a guy sitting in the orchestra pit, stood up with his hands over his ears yelling "STOP"...his friends tried to calm him but it didn't seem to help...Waters walked over to the edge of the stage, kneeled down and talked to the guy who finally calmed down enough to be escorted out by one of his friends to the lobby...crazy....I have a pretty decent for the time bootleg of this show and you can hear a disturbance but it's not clear enough to know what's going on...2nd set was "Atom heart Mother" with the "Interstellar Overdrive" for the encore...we went home very happy....for "Meddle" my memories aren't quite there...I remember "One Of These Days" as played but set lists I've seen don't show it...The ones I've seen only list one set but that can't be right...I do remember that as we waited in line it hailed on us which was pretty funny....earlier in the year I had taken a pretty nasty fall and broke my left arm and I had to be off from work for three weeks before I could go back to light duty...I went home to LA and because of being ther with my arm in a cast I saw The Stones at The Long Beach Arena & Pigpen's last show at The Hollywood Bowl...also at that time was when my picture was taken with Muddy Waters in the lobby of The Ash Grove as we were both there to see Johnny Shines play...'72 was a good year, broken arm and all!

user picture

Member for

10 years

In reply to by alvarhanso

Permalink

Alvarhanso - in some respects, the era of Pink Floyd leading up to Dark Side seems to have gained currency in recent years. The Early Years 1965-1972 box set is a treasure trove. And those gigs Nick Mason's Saucerful of Secrets played a few years ago, focussing on those years, were brilliant-to me, anyway. A cover band for sure, but one with credibility and fire power. They opened with Interstellar Overdrive and Astronomy Domine. Top that.

To me, Pink Floyd had three eras. First the Syd Barrett one, swiftly followed by the experimental phase, when Rick Wright was more influential. Rick Wright was also hugely important in developing their sound when Syd was at the helm - a very underrated musician. Then the Dark Side and beyond years, which seemed to be dominated more by Dave Gilmour and Roger Waters.

Nappy - that gig where they played Careful With That Axe Eugene sounds good. They did do a few well known soundtracks for films-but that experimental phase always struck me as something that would have gone well with horror films. Something by Dario Argento, perhaps.

user picture

Member for

10 years

In reply to by alvarhanso

Permalink

Alvarhanso-sorry to come back so quickly-but that phrase "era wars" always puzzles me a bit. I don't think there is a single band or artist I have liked where I have liked all their work. Most, if not all, of the ones I liked in the early 70's left me a bit cold as the decade progressed. A random sample - The Stones, David Bowie, Black Sabbath, Deep Purple, Hawkwind - yes, it is everyone! - personnel changed, style, approach, inspiration...they all seemed to follow a similar trajectory-rise, peak, decline. And maybe repeat the pattern. I never saw myself as a long term "fan" of any band, who needed to like everything they did. I have also never felt the slightest animosity to anyone who sees things differently-or who likes a different era of a specific band to me though. I am certainly not at war with anyone!
A lot of bands I have liked for decades - but there is a massive difference in quality - to me anyway- in the music they produced during that time.

user picture

Member for

10 years 8 months
Permalink

Though it does get ugly around here from time to time, mainly third and fourth Dave's of the year announcements and box sets.

But glad to hear all the excellent tales of Pink Floyd earlier years. I dig that stuff a lot, and love that box set. Would have loved seeing them back then. Though I could totally understand somebody freaking out during Careful With That Axe.

Apologies for misreading. Pink Floyd also seemed to be the main band that people in England got into when they started smoking dope in the early 70s. They were so big by 1977, that John Lydon-nee Rotten, in one of his attempts to upset the masses, wore a Pink Floyd tee shirt with "I hate" scrawled on before the bands name. Nick Mason put a replica of this tee shirt on display at the Pink Floyd exhibition in London a few years ago.

user picture

Member for

10 years
Permalink

So last week Sis tells me she saw a Dead show at Mammoth Gardens 4/24/70. Now she sent info about "another good show she saw", the Denver Pop Festival including 6/29/69 where she saw the final performance of The Jimmy Hendrix Experience. The festival was largely overshadowed by Woodstock two months later but was a Barry Fey three day gig for $15 with great lineups and setlists. Only four years removed from her "generation" but I had no idea Denver's scene was that good back then. Going to have to get some stories from her.
Cheers!
Edit: Listened to the aud. recording she sent with it. Interesting hour or so with the last song missing (Voodoo Child/Slight Return). Not Jimi's best, but he was blazing. Some bad stories about the teargas, etc. there at Mile High. Wasn't long after that a similar incident at a Red Rocks show with Jethro Tull got rock shows banned from that venue for many years. Times were tougher for hippies before I started going to shows, but I guess it happened to us as well when the scene just got too big later.

user picture
Default Avatar

Member for

12 years 9 months
Permalink

There are NO WARS!!!!!!
Dona nobis pacem

user picture

Member for

10 years

In reply to by wissinomingdeadhead

Permalink

Amen to that. Always a worry when people feel the need to be at war with others who have different beliefs or ideas. I wouldn't want to be part of a society where everyone agrees with each other, and tries to shut down debates that question the status quo.

user picture

Member for

17 years 3 months

In reply to by wissinomingdeadhead

Permalink

In the old days, when you paid to have something done, you were rewarded by getting it ON release date! Today was listed as release date! Not only did I NOT receive my new CD, it appears that you haven't even bothered to ship it yet! This total lack of concern for your long term supporters, is soon going to bite you in the A$$!

user picture

Member for

5 years 6 months
Permalink

Starting this morning with some of Garcia's finest (LA Baker) and disc 3 of this gem! The band just kicked into Eyes and I must say, today is gonna be a good day!

Rock on, gang

product sku
081227881610
Product Magento URL
https://store.dead.net/dave-s-picks-vol-41.html