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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • hendrixfreak
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    Good call, Vguy

    Hilarious, though, that my rant ran hundreds of words and ya provide a four-word counter-example! Good for you, catching the affordable shows. This year I'm down to two concerts, duly reported here (TTB, Raitt).

    Oro -- my theory is that there are a lot of people out there, young and old enough to know better, who are living on serious credit card debt. Not to do the older generation thing, but growing up, I recall two times my family ate out at a restaurant. I didn't get a car til I was 30 (used Subaru). Blah blah. I think this happens with each successive generation ("Kids these days!"), but somewhere along the line I suspected it was hollow. I mean, 20-somethings out at nice restaurants? In Silicon Valley, I get it. South Denver?? WTH?

    No complaints here. My folks raised me to not want anything (more than one more Dead show), so my material needs are books and CDs. If you knew me, you'd know I don't spend on clothing, for instance. I'd prefer money serve as the backstop to anxiety over making it in modern society. (Food, taxes, medicine, home and truck repairs.) And I do have sympathy for kids growing up now, with the commercial pressures, social media, and phones that actually siphon money from your pocket without going anywhere. And I see too many people glued to their freakin' phones. Sure is a handy device, but talk about shrinking your world and being on a short leash.

    No wonder I still love gobbling shrooms and trekking off-trail in the backcountry. Now THAT'S got value, at least for my soul, which requires fairly frequent nourishment. But then, probably everyone here knows that...

  • PT Barnum
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    Gone are the days....

    So many topics but first comment has to be about ticket prices and the good old days of concerts costing anywhere from 5 to 6 bucks up to 10 or 12. We used to go to a concert every weekend or every other weekend. I have a box full of ticket stubs to prove it. There were so many great bands back then you could catch a different act like that. Robin Trower one weekend, Foghat the next, then Yes and then Pink Floyd, all for 10 bucks of less. That's how it was. Last show was Bobby and the Wolf bros, tickets 100 bucks for back rows.

  • estimated-eyes
    Joined:
    concert prices

    Forgive me if I have already written about the topic of concert ticket prices. It all goes back to the Eagles "Hell Freezes Over" tour. Up to that point, I was buying tickets to big acts like the Rolling Stones, Eric Clapton, Grateful Dead for under $30. Then that tour happened, offering 'golden circle' tickets. Bands like the Rolling Stones saw that and starting cashing in on the Bridges to Babylon tour with fan pre-sales through credit card companies, higher ticket prices, etc... And it continues unabated today. To paraphrase the Big Lebowski, F the Eagles, man.

    For Dead and Company at Wrigley Field this year, we bought $40 tix in the upper box on the day of the show. We could have had 'pit' at $200+ or front row on the field at $190+, direct from TMaster (not resale). I suspected that the scalpers did not quite know how post-covid ticket sales were going to go yet. We were quite content with the $40 upper box-- good sound and all good people up there. For the Tedeschi Trucks Band/Los Lobos show in Aurora, $59 GA for everyone. That is probably the best bargain I have had for a concert in 20+ years.

    There is something wrong with society, really. We are willing to pay hundreds of dollars for tickets to a sports event, concert or something (2-3 hours of entertainment) with top athletes making hundreds of millions of dollars. But underpaid teachers have to buy classroom supplies out of their own pockets and poor kids getting in trouble for not paying their lunch cards. We really need to rethink our priorities as a society. OK, off my soapbox.

  • Vguy72
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    MMJ tix were $70....

    ....just sayin'....aand I definitely don't go to fast food restaurants or Subways when I visit here. Green sauce allll day (and night).

  • proudfoot
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    Concert expensiveness

    Phuhq dat

    Phuhq DAT

  • billy the kiddd
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    Frosted / The Charles Ford Band

    Frosted, The Charles Ford Band has always been one Of my favorites. They used to play at De Anza College in a place called the Cellar, it's now the De Anza bookstore. Mark Ford has always been one of my favorite harmonica players. They used to live in various houses here in Cupertino, along with the great harmonica player Gary Smith and other blues musicians.

  • Oroborous
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    Greed fest etc

    Yeah, how do kids pay for all this expensive crap?
    Concert tix at hundreds of dollars, phones that cost over a grand, new cars while their just teenagers, tattoos, designer this and that, yet the seemingly majority don’t work? (I’m talking a statistical significant number, not you, based mostly on observations while still slaving away, of the young people I come across. Now I have met some recently that not only work, their more polite and balanced then we were BITD, which is refreshing and gives hope).
    My point is not to bash anyone except the greed heads that think everyone’s a damn millionaire so it’s ok to be greedy!
    Maybe that’s it: our culture now requires that you act or live like a millionaire even though you don’t deserve it!
    Ok, rant over, “release the shit winds Randy”

  • frosted
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    New Mexico and Berkeley

    Vguy, I'm with your vibe there on New Mexico. They don't call it the Land of Enchantment for nothing, and that word captures it about as well as anything. New Mexican food is my favorite variety of Mexican food in the US too - especially what I've had in Santa Fe and Taos. Posole (vegetarian for me), Blue Corn stuff, and Sopapillas, all pretty unique items, mmm. Here's a description I just saw of New Mexican food when I was doing a search to help my aging brain remember what Sopapillas were called -

    New Mexican food mashes up Native American, Spanish, Mexican, French, Italian, Portuguese, and Southern culinary influences.

    billy the kidd - I've been to all the different locations of Freight and Salvage over the years. Most recently, at the larger new one, just before Covid shutdowns, saw Arlo Guthrie on his Alice's Restaurant reunion tour (yeah he played the whole thing and it was hilarious and mesmerizing) and Bireli Lagrene (Few words can describe his greatness. He must be from another planet comes to mind.) at a Django festival there.

    I presume you went to the former Larry Blake's near the UCB campus back in the day too. Two of the best I saw there were Robben Ford with his family's Charles Ford Band playing their brand of blues, and Amos Garrett (the guitarists' guitarist), both in the mid to late 1980s. Very small, smoky back then but entirely intimate setting. Sometimes I miss those days.

  • That Mike
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    HendrixFreak- You Are Absolutely Right

    You are Dead-on in your assessment. I have many old concert stubs from way back. I paid $60 this week for so-so seats at a local venue to see Emmylou Harris, but by no means was that the top price; I looked at some stubs I have from the same venue from 1975ish - one example was Santana/Peter Frampton as opener $8 (Great seats, too). It always left you money for “carry in” refreshments, food and beer with the crew after, and money for the subway to get home. Now, if you are lucky, you park for $20 near a venue, and if it is “Game Day” or “Show Pricing”, it can be double that, and you haven’t even set foot inside to see the show/game yet.

    John Lennon was on to something in 1963 when he told an audience “For our last number I’d like to ask your help. Would the people in the cheaper seats clap your hands? And the rest of you, if you’ll just rattle your jewelry.”

  • hendrixfreak
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    You said it, That Mike...

    In the "old days" you got in line for tickets, most often GA, most often $5 to $10, then day of show you got in line early and dashed in to a show to secure center/up front seats, throw down a blanket and party til showtime. (And during and after, to be honest..)

    Now bands want an annual subscription for decent pre-sale tickets. Then there's a general sale. The company here known as AXS "sells out" its tickets, but keeps some back for re-sale at "demand pricing." So a pair of Bonnie Raitt tickets a week before the show at Red Rocks was listed at $2000. Then the re-sellers besides AXS get into the act and sell tickets that they don't reveal where the seats are. Not going there.

    A few years back, the Wall Street Journal showed a graph of how sports and entertainment ticket costs soared far above inflation as "modern America" (an oxymoron if I ever uttered one) clutched desperately at distractions from the ever-tightening vise of whatever the hell you call this place anymore. (Not bitter, just angry....)

    So, yeah, the days when we hitchhiked 200 miles in a t-shirt and jeans with a $5.50 ticket and a sheet of blotter in our pockets is 50 years in the past. (And probably should be...) I'm dedicated to hitting Red Rocks until at least 2024 (that'll be 50 years at the Rocks), but the only bands now worth seeing (for me) are Tedeschi-Trucks and Bonnie Raitt and both strive to make their tickets affordable at $65 to $100. Otherwise, the era of big shows and big $$ are long over and physically (dammit) I can't spend a day hanging out for good GA seats. Besides, most of the up-front rows are reserved at top dollar prices.

    So, we tend to go for the occasional theater show or the bars with good local bands.

    All this may be the "way of the world," but as El Presidente of Get-Off-My-Lawn Enterprises, I don't have to like it. Besides, I gotta retire and ya can't do that catching 25+ big shows a year as in the past.

    Rant not over! But yeah, kids coming up see only highly manufactured entertainment at ridiculous prices if they can even swing it. And a lot of the pop tours are crap anyway.

    I think I need to take a walk outside now.......... Then back to DaP 43.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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In reply to by Oroborous

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the elation for this and for hints at what else remains in the vault.

Just what the doc ordered!

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fans got their wish.
2 Dark Stars and plenty-o-pig.
Sounds good to me!
Cheers

Edit: Non-subscribers (Daverock?) better jump on this fast. Certainly one that will sell out in a day.
1300 Owsley reels in the vault did it say? A HUGE virtually untapped source.

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I like Owsley's technique. That'll do, Pig.

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3 years
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just what I wanted. 2 shows from1969,. Thanks Dave, keep them comming.

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10 years
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Dave - You had us at Pig. A real nice release, and Owsley sound, too! (Blushing)

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10 years 3 months
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It took 8 years, but I finally guessed the right shows. Nevermind that I included the Boston Tea Party trio.

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10 years 8 months
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I'll take this one, thank you very much!!

Oro, you either get primal or you get Pig. I'm very pleased with this one. Did not see that coming.

Woo-hoo!

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In reply to by That Mike

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Sweet release for DaP43!

"With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43."

just want to highlight ". . . some of the oldest and rarest of all recordings of the Dead including . . ."

pray tell what other mysteries are there in the banana boxes?? to be continued.

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In reply to by bluecrow

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I think Dave was worried about a riot.. we forced his hand on this one.

I'm looking much more forward to this than the box set. No offense meant.. but this looks sweet to me.

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Beyond stoked about this DaP. There doesn't seem to be a track listing yet, but given the description (not one but TWO 20-minute-plus Dark Stars, AND plenty of Pig?) this promises to be epic. Audio quality is likely to be outstanding, given that it was recorded by Bear and evidently stored in a banana box for 50+ years.

Wonder what else is in those banana boxes? Guys, if you find any blue tablets, you should probably forward them to me for safe disposal.

The MSG box? Not sure I need 17 discs worth of '80s, so I'll probably just go for the breakout set from 3/9/81. I have to admit, this release makes me a little sad, because it makes me think that now it's going to be years, maybe longer, before they do the Berkeley Greek 1980s box some of us have been longing for. Can't see 'em doing two venue-centric '80s boxes in close succession.

And just btw: don't get Covid, if you can help it. Went on a business trip (got to go to NOLA, at least), came home and got sick. Despite being vaxed and boosted, it was sucky week. Not the end of the world, but pretty sucky. I mention this in the hope that it'll encourage others to be vaxed and be careful: that fucking virus is still out there. Be well.

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Its so good to be wrong!!!!!! I thought for sure Dave would venture into the 80's the 60's are not the 80's. By the way I'm digging the gray hoodie, very understated.

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I had jumped off of the subscription bandwagon almost as soon as I got on, after the disappointing DaP31. This year I reluctantly hopped on again because I liked the Baltimore show and absolutely salivated over the Winterland ‘74 with bonus disk. I was resigned to getting a throwaway ‘80s show this time around. Nope. I am virtually in tears as I type this, and best of all I have no worries of this one selling out because it’s already been ordered. It’s a beautiful day.

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I haven't browsed Deadbase yet to see if these shows are listed or the setlists, which I imagine are similar to others from the era. I also wonder if having been stored in sealed boxes all these years if they are uncirculated? That's always a nice surprise.

I'm a lifetime subscriber since the beginning. Glad to see Dave mixing it up.

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In reply to by SPACEBROTHER

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The sound on the archive is good.. assuming Latvala took a little peeksy into the banana boxes and shared. I'd still like to take partial credit for guessing Dave's 43 would be sourced using returned reels from the late 60's. I think I posted something to that effect a week or two ago.

Very glad to see these shows come to light. They seem to be very special, at least to these ears.

Enjoy people.. This one goes out to Hendrix Freak.. if there's a more enthusiastic 60's and fall 1972 person out there.. I'd like to buy her/him a drink and shake their hand.

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Jim!!

That would be me. Strong coffee will do, looking forward to the handshake...........

Did anybody think my obsession was limited to 1971?!! OMFW!!!

The dice of Zeus always fall luckily.

Rock on,

Doc
Whether we fall by ambition, blood, or lust, like diamonds we are cut with our own dust......

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11/2 does not circulate, no set list
12/26 Circulates, Zephyr opened-acoustic set without Bill

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In reply to by wissinomingdeadhead

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not in Deadbase but SBD source of 11/2/69 is on relisten

not that i've heard it. includes a "classic suite" DS > SS > 11 > DDHNM

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In reply to by wissinomingdeadhead

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Strong Coffee I've got! Doc you are equally enthusiastic of the old stuff. Check your PM.

As for 11/2, it looks like a copy of this was seeded to the Archive back in 2004 and a more complete version appeared in 2009.. so someone had them. I'm going to head to the attic right now and see what's in all the banana boxes stashed in the corner.

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Who is the 4 fingered gal on the cover? Interesting that they did not go for a female skeleton.

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This is great news Dave,its going to be well worth the wait, none of us are getting any younger,I'm looking forward to having this in my grubby little mitts in August.

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I'm a big fan of DaP 6 12/20/69 and 2/2/70 with 12/21/69 bonus disc with its two Dark Stars, DaP 30 1/2-3/70 with its great setlists capped off by that massive Dark Star> St Stephen> The Eleven> Lovelight, and DaP 10 12/12/69 and bonus from 12/11/69 scratches a similar itch, but I gravitate to the bonus disc for the whole Dark Star> St Stephen> The Eleven> Cumberland Blues, That's It For The Other One> Cosmic Charlie, because that's just fantastic. And now we add these two shows to that collection. Nonplussed on the box, but I reckon I'll likely get it sometime prior to release. The setlists are quite good, and only one Little Red Rooster.

Just listened to the Little Sadie and High Time in the Listening Party on my tablet speakers, and quite liked it. Jerry is in fine fettle.

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Sounds like an oxymoron to me, but who cares!! It’s primal 1969, JUST before 1970, which we ALL(well, almost all) have been clamoring for!! I simply CANNOT WAIT to unwrap this and push play!!

Thanks Dave, Music is the Best!!

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I will take a GD sbd from the '60s ANY day of the week, and the Dallas show has long been one of my favorites. I'm VERY glad that it's being released and that 11-2 show is no slouch although I've never heard it complete and never in this kind of sound quality either. I'm very happy these shows were chosen, can't wait to get my hands (and ears) on them. Thanks once again to Dave, Dick, Bear and the whole GD family.

Jeffrey Norman works for the GD and also the OSF, which has been digitizing Bear's 1300 reels. OSF is about two-thirds done with digitizing so possibly ~400 reels to go. Probably that's what Norman was doing.

Meanwhile, only weeks to go until two unique '69 shows are in our hands.

I'll have to quiet down for a while about NINETY SIXTY-EIGHT, just because Dave gave us a nice dose of late '69.

Heh heh heh... we don't need any contests here, this whole crowd is foaming at the mouth for this release. Jim, you sure know how to get folks riled up. (What the hell are "banana boxes"?)

In fact, the good doctor and I had often discussed how early, short shows shouldn't stop Dave from putting two together to meet the DaP three-disc rule. Here we are.

A good shout out to all who made the past couple months on this forum worthwhile with good discussions of literatue and music. I only have about 7-8 books to read and tall stack of CDs to listen to, as a result.

And thanks to Dave L. for an inspired choice. (I'm getting the 3-9-81 show and leaving the box alone, but sure wish I can get my hands on 3-10-81 at some point...)

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Its about time, one worth opening.

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In reply to by TJPD2

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ask any supermarket for them, very sturdy, heavy duty cardboard, great for storage. Not entirely closed, usually an opening at top and bottom. Check recent shipments for tarantula hitchhikers. Shucks, no release listening party for the 60s bunch at Jim's bear battered beer caches?

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Oh myyyyy! I don't post very often here, but I've been watching the discussion/speculation on DP 43 for months. I figured DP43 would be 1980s for sure (hello, box set) and in that regards I was hoping for a 1985 release. I didn't dare hope for '68-'69. I'm glad to be wrong!

I've never heard either of these shows - super excited for this release. I keep various Fall '69 rips in my car - 10/25, Dick's Picks 16, the DaP 6 Bonus Disc - so it's going to be nice to change things up. This time I even went and bought an extra copy so that I can wow somebody who will only realize what they've missed out on when they are sitting in my passenger seat. That's ~$40 well-spent. @Dave thanks buddy, this kinda drop is what keeps me subscribing year after year.

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In reply to by Obeah

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totally awesome

Daves in a (banana) box

loooooove it

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Didn't know about the Dallas show. Double 1969 goodness - how sweet it is!

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What I have:
Cold Rain
Midnight Hour
Seasons (this song is unknown to me, a first)
Mama Tried
Next Time You See Me
Good Lovin'
Big Boss Man
Casey Jones
Dancin'
Dark Star>St. Stephen>The Eleven>Death Don't

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I have this one archived in my cassette collection. Saw many shows at this venue. Great acoustics.

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10 years 9 months
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Just looked up the setlists for these and saw Dave for once way undersold the length of the two Dark Stars, one 30, the other 24! Nice. But how about I've Been All Around This World? Always loved it from hearing the Garcia Grisman version, so stoked to see it's on here wih Little Sadie. Such a treat to hear Jerry sing these in such a strong voice. Now to avoid listening to the whole shows for three more weeks...

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I know it makes me not a ‘head’
But no

Pig’s “white boy blues” makes wants me want to barf every time.
Hahaha i hear him open his mouth and it’s like I want to jump off a cliff

I hear somebody brag about a “half hour Lovelight” ?
Thanks, I know exactly what show to skip. 

Seriously no

ughhhh

We can all jam and no despite I hate it I’m not selling to at cost hahahah

There are people out there.

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...deadhead but certainly a fool of high caliber. I agree with the Lovelights...sometimes, but damn take that tone and put it in the garbage where it belongs. The provenance alone of these tapes is enough to get my brain drooling and my ears lubed up.

Looks like they've reconnected the modem at the asylum. Nurse Ratchet must be on her first vacation in a few decades. 😬

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For those of you wondering why artist Matt J. Adams included her, have a look at the cover of "Live/Dead".

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…Oh Boy! 2 (two) “Primo” Primal Dead performances in one release (Pick)
“There’s Nothen left to do but Smile Smile Smile!” I’m as happy as a Pig in Mud! Lol ! 🤠
Have a grateful day my brothers and sisters.
there’s not a better feeling than having grateful fans dig’n The continuing Amazing Artworks involved year after year! Love it!
Take care folks , have a grateful day!
🙏❤️💀🌹

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