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    One more Saturday night at Winterland! Yes, we're back to home base for DAVE'S PICKS VOLUME 42, the complete show from Winterland, San Francisco, 2/23/74. The one that featured the earliest amalgamation of what would soon become the Wall of Sound, the one that is so "loud, clear, and defined," it's been ripe for release for quite some time and we're glad it's finally getting its due.

    First set or second, there are no wrong answers here. From the unique show opener of Chuck Berry's "Around And Around" and an incredible "Here Comes Sunshine" that would then disappear for 18 years, to a medley of WAKE OF THE FLOOD tracks - "Row Jimmy," "Weather Report Suite," and "Stella Blue" - cementing their status in the canon and an unstoppable hour through the classic 1973-1974 Dead that is “He’s Gone”>“Truckin’”>“Drums”>“The Other One”>“Eyes Of The World,” it's all exceptionally hot.

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 42: WINTERLAND, SAN FRANCISCO, 2/23/74 was recorded by Kidd Candelario and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • proudfoot
    Joined:
    Yes Vguy

    Just...wow.

    "Welcome to 1984
    Knock knock at your front door"

  • Oroborous
    Joined:
    Superstitious/meet me at the bottom

    MIKE: I try not to be too superstitious, but the way todays been going, I’m getting the fear! Lol
    Being the WE, at least I can drink my way through tonight’s stress fest ; )

  • billy the kiddd
    Joined:
    Box set, it's right around the corner.

    I hope its from 1969/1970, with an acoustic set for the 1970 stuff. What else, Frost. 1982/ 1985 would be nice. Ventura. 82/83/84/85. would be great. Complete Winterland Oct 1974 audio & video would be cool. Maybe, they will come out and say they have the tapes for the entire Fillmore East September 1970 run and they are going to release them all, that would be sonething. Time to order a case of beer from the Russian River Brewing Company ( Pliny the Elder), for a big 4th of July bbq. Let the Good times roll.

  • Vguy72
    Joined:
    This is what you get....

    ....when you have 6-3 conservative majority in the SCOTUS.
    The new hires are on record saying they wouldn't touch R v W during their hiring interviews.
    Now excuse me. I'm going to go yell at the clouds for bit.
    My political rant for the month.
    Google what laws Missouri is already drawing up regarding making it a crime to leave the state to another for an abortion. Wow. Just.....wow.

  • Nick1234
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    Joined:
    Zappa

    Bongo Fury and Live at the Fillmore 1971 are very worthwhile. I saw him a few times in the mid to late 70s and was bored stiff but the two concerts above must have been great fun.

  • That Mike
    Joined:
    This & That

    PT - Sorry to hear you were laid off by your employer after ten years. Lousy. I have been there, too, and it sucketh, but I hope you are back on your feet soon. A pox on your old employer.

    Phish phans - Some nice recommends, but anything I’ve tried before didn’t stick. Not sure why but some acts just don’t click with me. I have done a deep dive on the music of both Ornette Coleman and Eric Dolphy, two of the most “out there” jazz acts next to Sun Ra, and I found them easier to get into than Phish, and especially Zappa. However, I’ll keep an open mind.

    Oro/AJS - This is it gents - tonight is the night. The only direction a coach can give his guys before the game is likely “Enjoy. It doesn’t get any better than this.”

  • Oroborous
    Joined:
    Ooopps, forgot RE Daverock

    Agree on the spaciousness etc. Probably due to the fine recordings but also the fact that’s with the wall only one source ever came out of any particular channel/speaker column etc. Except for maybe the vocals? Not positive if they mixed different mics into the vocal cluster as a whole, or if, like the instruments, they were segregated? i.e., only Bobs vocals would pass through dedicated speakers instead of all vocals through all of the vocal cluster (that giant convex center section above Billy)? The instruments were most definitely through exclusive dedicated amps and speakers for only one particular instrument. Phil had dedicated channels for each of his four bass strings! So notes from different strings were sent to a whole stack of amps and speakers dedicated to only that string!
    Doing this reduces distortion while increasing efficiency and clarity significantly.
    Amazing stuff! A true fest for the likes of us geeks!
    And of course the proof is in the pudding!

  • daverock
    Joined:
    Phish

    I might very well be wrong, but I get the impression that they mainly appeal to Americans who followed The Dead around in the 1990's. And who went on to see Phish live during the mid 90's and onwards. If you are not one of that happy breed, their appeal might be a bit puzzling.

  • billy the kiddd
    Joined:
    P.T. Barnum.

    Sorry you got laid off, hopefully you will be rehired soon some where else. There are lots of people hiring at this time, so hopefully you won't be out of work long.

  • daverock
    Joined:
    PT

    Sorry to read about you getting laid off. I hope something turns up soon.

    Watching the news on television these days is like watching an international horror show. I used to read about dystopian worlds - now I feel as though I'm living in one,

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3 years 6 months

One more Saturday night at Winterland! Yes, we're back to home base for DAVE'S PICKS VOLUME 42, the complete show from Winterland, San Francisco, 2/23/74. The one that featured the earliest amalgamation of what would soon become the Wall of Sound, the one that is so "loud, clear, and defined," it's been ripe for release for quite some time and we're glad it's finally getting its due.

First set or second, there are no wrong answers here. From the unique show opener of Chuck Berry's "Around And Around" and an incredible "Here Comes Sunshine" that would then disappear for 18 years, to a medley of WAKE OF THE FLOOD tracks - "Row Jimmy," "Weather Report Suite," and "Stella Blue" - cementing their status in the canon and an unstoppable hour through the classic 1973-1974 Dead that is “He’s Gone”>“Truckin’”>“Drums”>“The Other One”>“Eyes Of The World,” it's all exceptionally hot.

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 42: WINTERLAND, SAN FRANCISCO, 2/23/74 was recorded by Kidd Candelario and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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17 years 2 months
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Ordered already !!!

Awesome, I’ve been asking for 3-9-81 for years. Hope all the shows get Plangentized.

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14 years
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Ordered mine before breakfast! I know everyone isn't into the 80's. Personally I like all the years. Like the St. Louis box, it will be interesting to note changes from year to year, although they may not be as pronounced as the Louis box.

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4 years 3 months

In reply to by nitecat

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One of the FIRST shows on cassette I ever got.

Well done, PTB. Well done.

:)))

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2 years 11 months
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I havn't bought it yet, but it looks like a good one. The Dead played great in those years. I'll buy it eventually, I don't believe it will sell out that fast.

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7 years 3 months
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Sounds like an oxymoron to me, but who cares!! It’s primal 1969, JUST before 1970, which we ALL(well, almost all) have been clamoring for!! I simply CANNOT WAIT to unwrap this and push play!!

Thanks Dave, Music is the Best!!

Why bother considering yourself a Deadhead in the first place? Labels are for jerks. As has been said-music is the best - not all the crap that goes with it.

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16 years 4 months
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Hey rockers,

I am a major deadhead. Saw shows in the 1981-1983 era. That was then, this is now. The new box does NOTHING for me. So what does that make me? LOL! If others like it, great!

Me, I'm saving my $$$ for next years Banana Box Box Set: Fillmore West February 1970 complete.

Do I have 1968-1972 blinders on? You bet. No apologies, no explanations........

And for all you Pigpen/Lovelight haters out there, remember this: No Pigpen, no Grateful Dead.

Rock on,

Doc
Bee to the blossom, moth to the flame; Each to his passion; what's in a name?

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2 years 11 months
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38 years ago today I was at the Greek Theatre to see the Dead. I don't remember much about the show because 7/13/84 was what 1984 was all about. Doc, that Fillmore West box sounds fantastic, I believe your right, next year is the year it happens.

I certainly don't hate Pigpen, but I don't think everything he did was wonderful. Lovelight would have been great to me without the raps. Longer than 15 minutes and it over stayed it's welcome for me . Hard To Handle, on the other hand, was invariably great - all groove and no nonsense.

it’s not hate vs love, it’s pure and simple burnout!
I’ve been listening to too much Dead for over 45 years!
Some things I used to love I now have to be in the mood for. It’s that simple.
I won’t list the main culprits Randy cause I’m sure it will incite a shit wind we don’t want or need to blow!
But, for instance, I’d probably be good if I never heard another me & my uncle again lol, but that doesn’t mean that on the right occasion it won’t get me grooving. So it’s not so much the song as it is I’ve just heard it too much (besides the Dead I used to play it in a band EVERY NIGHT, sometimes twice!, for many years).
I’m with Daverock about Dark Star vs LL. Since DS is often more modal and or free form, thus not so repetitive etc, versus LL is basically a blues pattern that they improvise over, it’s just naturally more repetitive. And I love Pig, but his shtick too can be very repetitive and thus get old. Plus I’m not 16 anymore so it doesn’t resonate quite as much. Like it was mind blowing the first times on my teenage peanut brain, but now…
Thus, to me, after all these years, it can sometimes get very tedious listening to something that long and repetitive.
To be clear, this does not mean I don’t like it, I’m just burned out on it, big difference.
And like any song, “Sometimes you get shown the light…”
I only bring this up because I feel like there’s a good contingent out there that feels the same, or not?
And I think sometimes here, like the rest of the world, things just get to damn binary.
I mean we’re all supposed to be DHs on the same team loving the same band. Of course everyone is entitled to their opinions etc, it’s just sometimes the tone used is a bummer.
I liked how Doc gave his strong opinion, but without insulting anyone. It can be done.
But, as stated, that’s just what moi thinks, so probably meaningless lol.
Be Kind! Ain’t no time to hate.

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9 years 1 month
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It's ok to love things others don't, and it's ok to not like things others love. That's the benefit of being free to be you, you can dig what you want and disregard the rest.

As far as dead burnout, if you listen long enough to anything it can get old and stale. Not to mention, there is a ton of great stuff out there that you will miss if you listen to nothing but dead. When I feel like listening to the dead, I dive in and groove, and when I don't, there are hundreds of other choices on the shelf. I do know from past experience, that just because a release doesn't really strike me as fantastic when it is announced, it doesn't mean I won't jones hard for it later if I pass on picking it up, so it's easier to just get nearly everything they release as I rarely have a case of buyers' remorse, but I have had to pay a premium to pick up stuff I passed on when it was first released.

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7 years 3 months
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…Between Love And Hate, so sayeth the song of that title. I get burned out on bands repeatedly. That’s why I love having a super varied music collection. Burned out on A?? I think I’ll play B, G, or X. I’m seriously impressed at how much Dead some of you folks listen to, I just thrive on variety. So to each their own, that’s why they make chocolate AND vanilla!!

I won’t disparage anyone’s tastes or bands they like/love. I don’t have time for that. And like DAVEROCK says, why do I have to put a label on it?? I play it, love it, and then play something else. The Dead happen to be one of my favorite bands, who I happen to own hundreds of releases by, But damn, I need so much more. Having said that, I am SUPER stoked for #43!!

Music just happens to be the Best!!

The latter is overrated, the former is precious. Life may be sweeter for this, I don't know...

I do know one thing, we need less hate and more love. Be yourselves but don't get sucked towards the hate magnet. That's about as GD and I can write.

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5 years 1 month
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So I know this is off topic ;D but regarding Dave's Picks... Dave- I'm ever-grateful to get to hear this music but can you PLEASE give us the shows as they were performed instead of mixing them together (#43 is an especially jumbled mess).

Thank you.

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9 years 1 month
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I also would prefer releases have the show in original sequence, with any bonus content at one end or the other of the main show of the release rather than interspersed throughout. I'd rather pay for an extra disc to keep the sequence intact, rather than to chop it up to fit on three discs. I suspect that this may be the minority view based on past discussions about bonus content and out of sequence songs.

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9 years 9 months
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Realizing just now that the illustrious VGuy waltzed right past me last night in row 22 at Red Rocks!

I appreciated his "Make America Grateful Again" t-shirt at the time, he must not have seen my House of Guitars tee or I know he would have stopped for a fist bump!

Next I get to stroll down to the mailbox to pick up DP 43 (no shipping notice, but I got the heads up from my account with USPS- pro tip).

Let the good times roll! And now back to your regularly scheduled Gathering Flowers For The Master's Bouquet...

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5 years 1 month
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So I've got Your Picks Vol. 43 in my hands and CD player. Cool music.... BUT...

I ask you, sir--is this how YOU listen to these shows? The first 9 songs of 11/2/69, then the 5 songs from 12/26/69, then 4 songs from 11/2, then 11 songs from 12/26??

If yes, then I don't feel you really appreciate the experience of live Dead--how each show is a unique event and piece of musical art, how each show has a rhythm and a story all its own. (This is WHY so many of us spend thousands of dollars buying these very shows on CD when we are content with just getting the best studio releases from other artists we love.)

If this is NOT how you would listen to these shows, and you do enjoy and appreciate listening to a show as it was performed, then you are not really respecting the rest of us who want to listen to the shows in that way but don't have the privilege of access to GD's vaults.

You make great choices of shows-- just let us listen to them as Jerry intended please. It's doable. Every single box set release does it.

Thanks!

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9 years 3 months
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I’m really enjoying this release, some new songs for me…Seasons of my Heart and Gathering Flowers…Plus two more Dark Stars, Yum.
Nice archival newspaper clips about Live Dead.
The sound is great too, big thanks to Owsley for our now-future enjoyment.

Also if coupled with Dave’s Picks 6 we have11/2, 12/20, 12/21, 12/26 1969 and 2/2 1970.
For the song/show playing sequence I’ll quote Jerry from the 11/2 show:-) “this evening is fraught with difficulties, absolutely fraught with difficulties”

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4 years 3 months

In reply to by Willysin4wd

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What do these have in common?

Led Zeppelin
Pink Floyd
Moody Blues
Rolling Stones
King Crimson
Motorhead
Sex Pistols
Sweet
ELP
ELO
The Who

Identify the commonality in these artists and you win!

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4 years 3 months

In reply to by proudfoot

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The builders of my townhouse made a slanted roof with planters.

The bar holding them in place at the angle should be held by 10 bolts.

How many bolts did they actually install?

Six.

That leads to pains in the tookess, people.

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6 years 2 months
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I can't believe people are griping about the song order. There is no reason to waste space on another CD, just to have the songs in order. Add another disc and then a contingency will complain there is only a half hour of music on one CD, and they want bonus tracks. Or that Dark Star / St Stephen / The Eleven was divided over two discs. While cost may be no problem for you, it is for others. Go buy a CD changer and program the tracks in the correct order.

To say Lemieux is disrectful to the fans for this is a gross stretch of reality. It is because he respects rhe fans that he did this. It is easy to see he loves the fans and is eager to get great music to us. And you insult him. That us the problem with your post. Yes you are entitled to your opinion. No you are not entitled to throw accusations and make people feel bad. You owe an apology.

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17 years 5 months
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Who hears repeated dropouts on vocals in this #42 set especially disc 2? (see reports of such on-line elsewhere)?

Seem to be a characteristic of 1974 shows. But the funny thing is...it's never Donna who seems to be dropped out. You would think they might wipe some of her triumphant screams off the end of the Playing jams. Blame it on the reels.

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